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Books > Humanities > History > Asian / Middle Eastern history > From 1900
"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.
The Korean War occupies a unique place in American history and
foreign policy. Because it followed closely after World War II and
ushered in a new era of military action as the first hot conflict
of the cold war, the Korean War was marketed as an entirely new
kind of military campaign. But how were the war-weary American
people convinced that the limited objectives of the Korean War were
of paramount importance to the nation?
This oral history of the air war in Vietnam includes the stories of more than thirty pilots who all had one thing in common-after returning from Southeast Asia and separating from the service, they were hired as pilots by Western Airlines. As the chapters begin, Bruce Cowee tells his story and introduces us to each pilot. The interesting theme is that all of these men served in Southeast Asia and in most cases never knew each other until they came home and went to work for Western Airlines. Each of the pilots featured in this book is the real thing, and in an age of so many "Wannabees," it is reassuring to know that each of them was a pilot for Western Airlines and someone who Bruce worked with or knew professionally. The stories span a 9 year period, 1964 - 1973, and cover every aspect of the Air War in Southeast Asia. These 33 men represent only a small fraction of the Vietnam veterans hired as pilots by Western Airlines, but this book pays tribute to all of them.
"Damn you Rolly, you succeeded in taking me back to Vinh Long and Advisory Team 68, after a more than 40 year absence. I thank you for honoring all who served, but especially patriots like Bob Olson and Walt Gutowski, Army guys... that I knew well. They were great men whose spirit and professionalism you captured well. I highly recommend the book..." Mike Paluda, Michigan COLONEL, USA, RET. "Rolly Kidder has delivered a brilliant chronicle of the Vietnam conflict with which many may not be familiar. Forty years later, he revisits Vietnam and tracks down the families of three men who had been killed... Kidder's recounting of his visits with the families of the three servicemen is a poignant reminder of the continuing grief and pride extant amongst many and is a fitting memorial to the Army and Riverine heroes and an honor to those who mourn them." Captain, M.B. Connolly, USN (retired) COMMANDER, RIVER ASSAULT DIVISION 132 RIVER ASSAULT SQUADRON 13, 1969-70
Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all-collective, national, or private-is the major preoccupation of the texts and critiques in this diverse collection.
More Than A Few Good Men tells the compelling soldiers story of Robert J. Driver's life from childhood to his retirement from the United States Marine Corps. Driver witnessed and was part of many extreme, and sometimes chilling, events. These actions come to life through Driver's own letters home to his wife, encompassing the challenge of boot camp, Officer's Candidate School, and his tours of duty in the Vietnam War. Driver collected declassified documents and information from many of the Marines he served with in Vietnam in order to provide the reader with this exceptionally detailed account. Driver's letters home offer a clear reckoning of the traumatic events of combat and the bravery of his young Marines. The book also features biographies of the many contributors. Driver's admiration for the men he fought with is evident-they were More Than A Few Good Men.
Mohandas K. Gandhi, known as Mahatma ("great soul") Gandhi, is a revered figure worldwide for his nonviolent action to free India from British rule. His iconic status endures in the United States, through his influence on Martin Luther King, Jr., and in popular culture, including quotations, a blockbuster film, and interest in Hindu spirituality and practices. Readers will discover how Gandhi came to be a member of the exalted pantheon of men for the ages. They will follow him from his family's home in the provinces to an early arranged marriage, solo sojourn in England to prepare for a law career, and growth from a timid new barrister in South Africa to India's foremost negotiator with the British power structure. He is shown evolving from a loyal British subject to become the champion of Home Rule for India--often inciting illegal actions to get himself and his supporters arrested to further the cause, and risking his life with his famous hunger strikes. The narrative of Gandhi's life and contributions also illuminates Indian society and the caste system from the latter half of the 19th century up to World War II, including British colonial rule, racism in South Africa and India, and Hinduism. Controversial aspects of Gandhi's choices are covered as well. For example, he was largely an absentee husband and father. After siring four children, he took a vow of celibacy, but nevertheless formed attachments to several young, female Western devotees through the years. Ultimately, it was Gandhi's role as a compromiser who believed in Hindus and Muslims in a free, united India that led to his assassination.
When Jerry Elmer turned eighteen at the height of the Vietnam War, he publicly refused to register for the draft, a felony then and now. Later he burglarized the offices of fourteen draft boards in three cities, destroying the files of men eligible to be drafted. After working almost twenty years in the peace movement, he attended law school, where he was the only convicted felon in Harvard's class of 1990. This book is a blend of personal memoir, contemporary history, and astute political analysis. Elmer draws on a variety of sources, including never-before-released FBI files, and argues passionately for the practice of nonviolence. He describes the range of actions he took--from draft card burning to organizing draft board raids with Father Phil Berrigan; from vigils on the Capitol steps inside "tiger cages" used to torture Vietnamese political prisoners to jail time for protesting nuclear power plants; from a tour of the killing fields of Cambodia to meetings with Corazon Aquino in the Philippines. A Vietnamese-language edition of "Felon for Peace" has also been published.
The Vietnam War left wounds that have taken three decades to heal-indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action and how it resulted in years of false hope for military families, and the outcry over Maya Lin's design for the Vietnam Memorial in Washington. In addition, the book examines the influx of over a million Vietnam refugees and Amerasian children into the US and describes the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated, though some led productive post-war lives. Schulzinger looks at how the controversies of the war have continued to be fought in books and films, ranging from novels such as Going After Cacciato and Paco's Story to such movies as The Green Berets (directed by and starring John Wayne), The Deer Hunter, Apocalypse Now, and Rambo. Perhaps most important, the author explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. We see how the "lessons" of the war have been reinterpreted by different ends of the political spectrum. Using a vast array of sources-from government documents to memoirs, film, and fiction-A Time for Peace provides an illuminating account of a war that still looms large in the American imagination.
In an era of increasing interaction between the United States and the countries of the Middle East, it has become ever more important for Americans to understand the social forces that shape Middle Eastern cultures. Based on years of his own field research and the ethnographic reports of other scholars, anthropologist Philip Carl Salzman presents an incisive analysis of Middle Eastern culture that goes a long way toward explaining the gulf between Western and Middle Eastern cultural perspectives. Salzman focuses on two basic principles of tribal organisation that have become central principles of Middle Eastern life - balanced opposition (each group of whatever size and scope is opposed by a group of equal size and scope) and affiliation solidarity (always support those closer against those more distant). On the positive side, these pervasive structural principles support a decentralised social and political system based upon individual independence, autonomy, liberty, equality, and responsibility. But on the negative side, Salzman notes a pattern of contingent partisan loyalties, which results in an inbred orientation favouring particularism: an attitude of my tribe against the other tribe, my ethnic group against the different ethnic group, my religious community against another religious community. For each affiliation, there is always an enemy. Salzman argues that the particularism of Middle Eastern culture precludes universalism, rule of law, and constitutionalism, which all involve the measuring of actions against general criteria, irrespective of the affiliation of the particular actors. The result of this relentless partisan framework of thought has been the apparently unending conflict, both internal and external, that characterises the modern Middle East.
In January 1969, one of the most promising young lieutenant colonels the U.S. Army had ever seen touched down in Vietnam for his second tour of duty, which would turn out to be his most daring and legendary. David H. Hackworth had just completed the writing of a tactical handbook for the Pentagon, and now he had been ordered to put his counterguerilla-fighting theories into action. He was given the morale-drained 4/39th -- a battalion of poorly led draftees suffering the Army's highest casualty rate and considered its worst fighting battalion. Hackworth's hard-nosed, inventive and inspired leadership quickly turned the 4/39th into Vietnam's valiant and ferocious Hardcore Recondos. Drawing on interviews with soldiers from the Hardcore Battalion conducted over the past decade by his partner and coauthor, Eilhys England, Hackworth takes readers along on their sniper missions, ambush actions, helicopter strikes and inside the quagmire of command politics. With Steel My Soldiers' Hearts, Hackworth places the brotherhood of the 4/39th into the pantheon of our nation's most heroic warriors.
Largely overshadowed by World War II's "greatest generation" and the more vocal veterans of the Vietnam era, Korean War veterans remain relatively invisible in the narratives of both war and its aftermath. Yet, just as the beaches of Normandy and the jungles of Vietnam worked profound changes on conflict participants, the Korean Peninsula chipped away at the beliefs, physical and mental well-being, and fortitude of Americans completing wartime tours of duty there. Upon returning home, Korean War veterans struggled with home front attitudes toward the war, faced employment and family dilemmas, and wrestled with readjustment. Not unlike other wars, Korea proved a formative and defining influence on the men and women stationed in theater, on their loved ones, and in some measure on American culture. In the Shadow of the Greatest Generation not only gives voice to those Americans who served in the "forgotten war" but chronicles the larger personal and collective consequences of waging war the American way. |
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