The remarkable story of a woman who refused to renounce her faith and unwittingly became the global symbol of the fight against religious extremism. 'I was going to die because of a glass of water.' After drinking water from the same glass as a Muslim woman, Asia Bibi, a Christian, was sentenced to hang by the Islamic Republic of Pakistan in 2010 on charges of blasphemy. Bibi's case polarised all of Pakistan and mobilised international support from across the globe, including politicians, journalists, and countless organisations and supporters who fought for her freedom. For nine long years, Bibi awaited death in prison until she was formally acquitted in January 2019. Now a political exile, Bibi is reunited with her family in the West, but she will never be allowed to return to her homeland.

What happens when you only know your dad when you're a young boy and then, one day, when you are middle-aged, he phones to say he'd like to see you again before he dies? In the space of one year, Ian Clayton makes a voyage around China, America and his father to ponder the familiar questions: Is blood thicker than water? Does it matter who teaches us so long as we learn? How do we let go of something that we never really had in the first place? With characteristic storytelling, wit and good humour, Ian Clayton reflects on a lifelong search for a father figure, skipping across the generations to weave a tale of how we relate, what we do with what we've got and what happens when some things just don't work out the way we want them to.

'Beautifully woven' Sunday Times 'Extraordinary city stories ... ambitious and entertaining ... [Taylor] does a fine job of telling the New York story' Guardian A symphony of contemporary New York told through the magnificent words of its people - from the best-selling author of Londoners. In the first twenty years of the twenty-first century, New York City has been convulsed by terrorist attack, blackout, hurricane, recession, social injustice, and pandemic. New Yorkers weaves the voices of some of the city's best talkers into an indelible portrait of New York in our time - and a powerful hymn to the vitality and resilience of its people. Vibrant and bursting with life, New Yorkers explores the nonstop hustle to make it; the pressures on new immigrants, people of colour, and the poor. It captures the strength of an irrepressible city that - no matter what it goes through - dares call itself the greatest in the world. Drawn from millions of words, hundreds of interviews, and six years in the making, New Yorkers is a grand portrait of an irrepressible city and a hymn to the vitality and resilience of its people.

Winner of the prestigious Penderyn Music Book Prize 2022 In the fifties and sixties, in the period leading up to the partial decriminalisation of homosexuality and the founding of the Gay Liberation movement, a group of gay men behind the scenes of rock'n'roll was changing pop, politics and society for good. Through a mix of new interviews and contemporary reports, Darryl W. Bullock shines a light on the lives of the so-called 'Velvet Mafia', including impresario Larry Parnes, Beatles manager Brian Epstein, songwriter Lionel Bart, record producer Joe Meek, and Bee Gees and Cream manager Robert Stigwood. Compelling and enlightening, The Velvet Mafia explores how the LGBT professionals at the heart of the music industry were working together and supporting each other at a time when being homosexual could mean the end of your career - or much worse.

On 27 August 1979, Paul Burns's life changed for ever. Travelling through Warren Point in Northern Ireland when the IRA detonated two massive bombs, he was involved in a devastating explosion - eighteen soldiers were killed that day; Paul was one of only two who survived. Newly recruited to the Parachute Regiment, Paul was performing a tour of duty in Northern Ireland when a four-tonne truck in which he was travelling was destroyed by a massive IRA bomb. Eighteen of his friends and colleagues were killed in the Warrenpoint blast - the biggest single loss of life for the British Army during the Troubles. Paul barely survived. His body was broken. His left leg was amputated below the knee. His skin was burned down to the bone. Those who saw him wondered if it might not be kinder to let him die. At just eighteen, Paul thought his life was over. But he refused to be beaten. He had made a promise to himself that he would make up for the loss of his friends' lives by living his own life to the full. And just over five years later he was a member of the elite parachute display team, The Red Devils. In 1996 he entered the record books as a member of 'Time and Tide': the first ever disabled crew to sail around the world. Today he works as a disabled extra in tv and film - amongst his accolades he can count a role in Hollywood blockbuster Gladiator. His story is a remarkable tale of one man's determination to make the most of his life against the odds.

Those who had not discovered our truth had Satan in their hearts. We lived amongst them, but not with them, 'in the world, but not of the world'. We were special. We were the disciples of the Fellowship. When she was a child, Lindsey Rosa's every waking moment was governed by the rules of an extreme separatist sect. It controlled what she wore and what she ate; it forbade her to listen to music, to cut her hair, to watch television, to use a computer. The Fellowship said her family was special. Why would she believe otherwise? Then, when Lindsey was seven, her elder brother was caught listening to music and the family were expelled from the sect. But Lindsey's parents knew nothing but the ways of the Fellowship, so they remained in hope that they would be accepted and continued to make the family live by the sect's strict rules - cutting themselves off from their local community. But as Lindsey grew, so too did her awareness of a world outside. And, feeling increasingly isolated, she struggled with her own identity. Until finally she was faced with a devastating choice: to continue to live by the rules of the religious sect or to be brutally cast out and leave the family she loved behind forever.

Around the world there are thousands of pet statues and memorials with fascinating stories behind them. Some reveal insights into our social history, such as the little brown dog in Battersea that was a focus of suffragette riots. Others have wonderfully quirky origins, like the twenty-three cats of York: sculptures added to buildings designed by a cat-loving architect. Many more reveal tales of courage, loyalty, myth, and legend. From Egyptian cat goddesses and the heroic dogs of war, to search-and-rescue canines on 9/11 and Tombili the Turkish moggy who became an Internet sensation, this book brings together a selection of the most surprising, amusing and illuminating stories, complete with dozens of full-colour photographs. Anyone with an appreciation of pets, the varied roles they play in our lives, and the ways in which our relationships with them have evolved over time, will find much of interest in this book. Proceeds from the sale of this book will go to help fund the UK's first national memorial to service dogs.

50 extraordinary new stories from The Moth.

Before television and radio, people would gather on porches, on the steps outside their homes, and tell stories. Their bewitched listeners would sit and listen long into the night as moths flitted around overhead. Storytelling phenomenon The Moth recaptures this lost each week in cities across America, Britain, Australia and beyond, playing to packed crowds at sold-out live events.

Occasional Magic is a selection of 50 of the finest Moth stories from recent shows, from storytellers who found the courage to face their deepest fears. The stories feature voices familiar and new. Alongside Neil Gaiman, Adam Gopnik, Andrew Solomon, Rosanne Cash, and Cristina Lamb, there are stories from around the world describing moments of strength, passion, courage and humour - and when a little magic happened.

In finest Moth tradition, Occasional Magic encourages us all to be more open, vulnerable and alive.

The true-crime cult classic that inspired the Netflix docuseries The Sons of Sam: A Descent into Darkness and a companion podcast, The Ultimate Evil follows journalist Maury Terry s decades-long investigation into the terrifying truth behind the Son of Sam murders. On August 10, 1977, the NYPD arrested David Berkowitz for the Son of Sam murders that had terrorized New York City for over a year. Berkowitz confessed to shooting sixteen people and killing six with a .44 caliber Bulldog revolver, and the case was officially closed. Journalist Maury Terry was suspicious of Berkowitz s confession. Spurred by conflicting witness descriptions of the killer and clues overlooked in the investigation, Terry was convinced Berkowitz didn t act alone. Meticulously gathering evidence for a decade, he released his findings in the first edition of The Ultimate Evil. Based upon the evidence he had uncovered, Terry theorized that the Son of Sam attacks were masterminded by a Yonkers-based cult that was responsible for other ritual murders across the country. After Terry s death in 2015, documentary filmmaker Josh Zeman (Cropsey, The Killing Season, Murder Mountain) was given access to Terry s files, which form the basis of his docuseries with Netflix and a companion podcast. Taken together with The Ultimate Evil, which includes a new introduction by Zeman, these works reveal the stunning intersections of power, wealth, privilege, and evil in America from the Summer of Sam until today.

The sequel to the #1 Bestseller I Catch Killers As a cop, I used to sit on one side of the interview room table facing murderers, child abductors and rapists. Now I'm sitting on the other side: disgraced, forced out of the police and judged to be a criminal. I want to show you what the world looks like from here. Talking to crooks, cops, forensic psychologists, scientists and victims, I've gone back to some of Australia's worst acts of badness, including unsolved murders that never made the front pages as well as infamous killings carried out by Ivan Milat and the Granny Killer, the murder of Anita Cobby, the Hoddle Street massacre, Port Arthur, horrific abuse at the Parramatta girls' home and the disappearance of preschooler William Tyrrell. What I've found has made me question everything, including where evil comes from, what drives us to commit crimes and how we can prevent them. I used to think I was on the side of the angels. Now I am not so sure. Gary Jubelin was one of Australia's most celebrated Homicide detectives, leading investigations into the William Tyrrell case, the serial killing of three Aboriginal children in Bowraville and the brutal gangland murder of Terry Falconer. In 2020, he was found guilty of illicitly recording conversations with a witness. Since leaving the NSW Police Force, he has built a career in the media, working in newspapers, television and podcasts. Gary still works hard to help the victims of crime.

In these classic stories acclaimed author Jack Schaefer yet again captures the spirit and adventure of the Old West. First Blood, Schaefer's follow-up to Shane, tells the tale of Jess Harker, a young stagecoach driver finding his way in this coming-of-age story. Jess admires Race Crimm, the Company's top messenger, for his stature and wild abandon and would have "shucked ten years of [his] life to be driving beside him." Jess, eager to ride the big trails, has the chance to prove himself by driving an important shipment when trouble arises. Facing hard choices of honor and justice, he must pick a side because his life might just depend on it. "Jacob," "Salt of the Earth," and "One Man's Honor" complete this engaging collection of stories by award-winning American treasure Jack Schaefer.

Only in real life do we find coincidences so unbelievably farfetched that the names are changed to safeguard those who wish to remain anonymous. A nationally renowned Japanese artist falls in love with an uncouth South African businessman. He promised her the world and flew her to Johannesburg, only to lock her up as a sex slave and to work as a servant in the flat of his mistress. This is the heartrendering story of proposed marriage, heartache, extreme abuse, violence and eventual solace, set against the background of cultural taboos and apartheid pitfalls. Naka Pillman is known for being an adventurous traveller. In 1963 she took her eleven-year-old daughter on a 6 000 km journey from Cape Town to Cairo. Alone in Afghanistan she wore a chador and followed the Buddhist route through the foothills and valleys of the Hindu Kush mountain range up to the sacred lakes of Bandi Amir to explore the ancient artworks in the cold Bamiyan caves. In Teheran she had an unfortunate misunderstanding with the police and lived through the adventure of spending time in an Iranian jail! There she discovered their use of a woollen zip, which idea she took to Pennsylvania and taught to the Amish. She is the author of numerous articles published in educational and art magazines, and specialises in the research of unusual art expression. She is a founder member of the Museum of Man and Science. Presently she lives in George. She is 90 years old.

Over forty million people a year travel to Vegas, more than to Mecca. It is a global celebrity, an improbable oasis, a place offering bank-breaking fortunes and instant gratification, 24/7, with no moral debits. Award-winning writer Timothy O'Grady lived in Vegas for two years. He finally began to understand it when he talked to people who had grown up there, the children of the card dealers and cocktail shakers, the jugglers and the dancers - young people who had been bearing witness to this strange city all their lives. One had her student loans and credit card limits stolen by her father. Another fled a sequence of exploiters until she found herself living in the storm drains under the casinos. There is the boy whose father entered him into a drinking contest when he was eight, the casino owner's son, the erudite contortionist turned stripper. Each tells their own tale. In Children of Las Vegas, O'Grady renews his partnership with renowned photographer Steve Pyke. Through short essays, Pyke's portraits and ten witness testimonies, he pierces the city's glittering facade to reveal the darker reality that lies beneath.

Over the years, authors, artists and amblers aplenty have felt the pull of the Thames, and now travel writer Tom Chesshyre is following in their footsteps. He's walking the length of the river from the Cotswolds to the North Sea - a winding journey of over two hundred miles. Join him for an illuminating stroll past meadows, churches and palaces, country estates and council estates, factories and dockyards. Setting forth in the summer of Brexit, and meeting a host of interesting characters along the way, Chesshyre explores the living present and remarkable past of England's longest and most iconic river.

An engaging and informative first-hand account of the last 'grain race' of maritime history, from respected travel writer Eric Newby. In 1939, a young Eric Newby - later renowned as a travel writer of exceptional talent - set sail aboard Moshulu, the largest sailing ship still employed in the transportation of grain from Australia to Europe. Every year from 1921 to 1939, the vessels involved in the grain trade would strive to find the shortest, fastest passage home - 'the grain race' - in the face of turbulent seas, atrocious weather conditions and hard graft. First published in 1956, 'The Last Grain Race', featuring many photographs from the author's personal collection, celebrates both the spirit of adventure and the thrill of sailing on the high seas. Newby's first-hand account - engaging and informative, with frequent bursts of humour and witty observations from both above and below deck - chronicles this classic sailing voyage of the Twenties and Thirties, and records the last grain race of maritime history.

In Through Her Eyes Australian women correspondents tell their own stories from the frontline - covering the breaking news, the issues and the events that are changing the world. They tell of Russian tanks and Ukrainian mothers fleeing with their children, vicious Afghan warlords, anti-government rebels in Central Africa, terrorist attacks in the United States, and the chaos faced by ordinary people caught up in disasters and political upheaval. While a woman strapping on a reporters' flak jacket is now a common sight, there was a time when they were locked out of the big stories because of their gender. Unlike their male counterparts, they needed single-minded determination to score a plum assignment or win a posting to a foreign bureau. Through Her Eyes tells of the exhilaration that comes with a big story but also the dangers, the risks, the struggle and the big issues women still face, from vicious media trolling to threats of sexual violence. Through Her Eyes includes well-known women correspondents for major media organisations inside and outside Australia including the ABC, BBC, SBS, CNN, The Associated Press of America, UPI, Reuters, The Times of London, Al Jazeera, China Global Television Network, The Australian, The Sydney Morning Herald, The Age, and the Australian Financial Review.

'There's a lot of stigma attached to sex. Particularly with women, you have a big dichotomy between: Do you have sex? Do you not? Do you be a slut? Do you be a virgin? Do you be a prude? Do you be a man-whore? You can't really win.' Women are always being told how to be sexy, but are rarely asked what actually turns them on. Wendy Jones wanted to find out, so she interviewed twenty-four women from all walks of life, including a burlesque dancer, a girl guide leader, a shop assistant, a ninety-four year old who remembers the sexual freedom of the war, a transexual, a nun, a feminist into BDSM, a covered Muslim, a mother, a student, a polyamorist, and a sexual healer. The women talked about their lives, bodies, sexual fantasies and relationships, about what they've learned, how they have been hurt, what they enjoy and what they long for. The interviews are frank, engaging, and surprising. Each woman is unique but together they speak for a majority, and it's time we listened. This honest and inspiring exploration of female desire will change the way we think and talk about sex forever. 'English women have a reputation for being reserved and uptight; actually behind closed doors we're outrageous.'

A collection of 20 pieces by people in prison and on probation, covering the theme of 'hope'. Explores aspects of prisons, the criminal justice system, and rehabilitation.

How many times have you seen a woman artist solely referred to as the wife, girlfriend, muse, or 'mistress' of a man in the public eye? Throughout history, the achievements of women working across artistic disciplines - from visual artists to writers to filmmakers - have been largely undervalued, with the title of 'genius' reserved mainly for men. More than a Muse unpacks the complex romantic relationships that left women overshadowed, anonymous or underestimated in their work. Katie McCabe shines a light on the stories of talents like photographer Dora Maar, pioneering film editor and Hitchcock-collaborator Alma Reville, jazz pianist Lil Hardin Armstrong and many more. Exploring a broad scope of art movements and moments from Surrealism to early British silent film, Katie reexamines the contributions of women that have too often been ignored. More than a Muse views our history through the lens of artistic partnership, and positions women solidly in the foreground.

When Zoe was taken into care at the age of 13, she thought she was finally going to escape from the cruel abuse she had suffered throughout her childhood. Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before. Abused and ostracized by her mother, humiliated by her father's sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living. 'I've sharpened a knife for you,' her mother told her the first time she noticed angry red wounds on her daughter's arms. And when Zoe didn't kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life. One day at school Zoe showed her teacher the livid bruises that were the result of her mother's latest physical assault and within days she was taken into care. Zoe had been at Denver House for just three weeks when an older girl asked if she'd like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill. For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her - she was worthless. Before long, she realised that the only way to survive in the unit was to go to the 'parties' the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country. No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.

Berkeley linguistics professor John McWhorter, born at the dawn of the post-Civil Rights era, spent years trying to make sense of this question. Now he dares to say the unsayable: racism's ugliest legacy is the disease of defeatism that has infected black America. Losing the Race explores the three main components of this cultural virus: the cults of victimology, separatism, and antiintellectualism that are making blacks their own worst enemies in the struggle for success.

More angry than Stephen Carter, more pragmatic and compassionate than Shelby Steele, more forward-looking than Stanley Crouch, McWhorter represents an original and provocative point of view. With Losing the Race, a bold new voice rises among black intellectuals.