Sentenced to Lockdown, regarded as "non-essential", 40 South African writers get together in a virtual Corona Collective, to pen The Lockdown Collection, trying to make sense of a world, held hostage by a virus.

Powerfully visceral, this gem includes a list of South Africa's most celebrated writers, brilliantly capturing the emotional, the spiritual and even the humorous effects of a global pandemic.

This historical gem includes: Sisonke Msimang, Lebo Mashile, Fred Khumalo and Marianne Thamm.

All Lina ever wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her?

All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?

All Sloane wanted was to be admired. How did she end up a sexual object of men, including her husband, who liked to watch her have sex with other men and women?

Consequences are handed out to some but not to others. Three Women is a record of unmet needs, unspoken thoughts, disappointments, hopes and unrelenting obsessions that tests the boundaries of non-fiction.

It is the First World War and Susan Nell stands before the door of a private ward in a British military hospital. On the door she reads a single name. She knows that name. Sixteen years ago, during the Anglo-Boer War, she encountered that name in a concentration camp in Winburg. She lifts her hand to open the door. Her hand shakes uncontrollably. But she is a psychiatric nurse and this is what she has to do, bring traumatised soldiers back to the light. However, if this soldier is the one who sixteen years ago thrust all light out of you with his hips, it is not that obvious. Susan Nell hesitates before she opens the door, desperately uncertain – teetering on the threshold between life and death.

In The Camp Whore the resilience of the human spirit is weighed up against the equally persistent influence of trauma. It is a psychological thriller that will hold you in its icy grip till the very last page.

A debut novel set in 1944 war-torn Czechoslovakia amid the extreme privations of a prisoner of war camp. Based on a true story, passion, heroism and a love that transcends overwhelming odds.

In the dead of night a farm girl and a British soldier creep through abandoned villages. Izabela and prisoner-of-war Bill have secretly married and are on the run, searching for Izabela’s brother and father, who are fighting the Nazis as partisans. They’ve evaded capture in the countryside for a week, but when their luck runs out, they are delivered into the hands of the occupying enemy, the German army.

But they have prepared for this moment. Izabela’s hair has been shorn and, pretending to be unable to speak, she is assumed to be a mute young British soldier. The pair are transported to a POW camp and faced with living conditions far worse than those experienced by any animal on Izabela’s farm. They will need the help of their fellow POWs to maintain their deception, and the gravity of the situation becomes chillingly apparent; if they are discovered, Izabela will have put not just herself and Bill in great danger, but also all the men around them.

The Prisoner’s Wife tells of an incredible risk, and how our deepest bonds are tested in desperate times. Bill and Izabela’s is a story of love, and survival, against the darkest odds.

Based on a true story, and researched extensively by the author on location in Eastern Europe, this is a story that takes the reader deep into a rarely-seen side of the Second World War.

German South West Africa 1906, Australian horse trader Cyril Blake is executed in cold blood by the Kaiser’s soldiers.

Sydney, the present day. Blake’s great-great nephew, recently widowed Nick Eatwell, is approached by South African journalist Susan Vidler who is investigating his ancestor’s mysterious demise.

Intrigued and looking for distraction, Nick discovers a long-lost manuscript which tells how Blake stayed in South Africa after serving in the Anglo Boer War and joined the Nama people in their rebellion against the Germans in South West Africa, modern-day Namibia.

In Munich, historian Anja Berghoff, researching the origin of the wild ‘ghost’ horses of Namibia, stumbles across intriguing letters from Irish-German spy Claire Martin, with whom Blake had an affair.

As Nick and Anja’s paths cross, they find themselves racing through southern Africa and time on the trail of a legend.

But they’re not alone. Someone else is chasing these ghosts of the past, looking for clues to a hidden treasure worth killing for.

Ghosts of the Past is based on a true story.

ERIN BROCKOVICH meets SILENT SPRING in this astounding true story of a lawyer who spent two decades building a case against one of the world's largest chemical companies, uncovering a shocking history of environmental pollution and heartless cover-up. The story that inspired the forthcoming motion picture from Participant Media/Focus Features, starring Mark Ruffalo, Anne Hathaway, Bill Pullman and Tim Robbins, directed by Todd Haynes. In 1998, Robert Bilott was a 33-year-old Cincinnati lawyer on the verge of making partner when his career and life took an unforeseen turn. He was taken by surprise when he received a call from a man named Earl Tennant, a farmer from West Virginia with a slight connection to Robert's family. Earl was convinced the creek on his property, where his cattle grazed, was being poisoned by run-off from a neighbouring factory landfill. His cattle were dying in hideous ways, and he hadn't even been able to get a water sample tested by local agencies, politicians or vets. As soon as they heard the name DuPont - the area's largest employer - he felt they were reluctant to investigate further. Once Robert saw the thick, foamy water that bubbled into the creek, the gruesome effects it seemed to have on livestock, and the disturbing frequency of cancer and lung problems in the surrounding area, he was persuaded to fight against the type of corporation his firm routinely represented. With all the cards stacked against him, Rob happened upon a stray reference in a random memo to a chemical called PFOA - a substance he'd never heard of that is used in the manufacture of Teflon. From that one reference, he ultimately gained access to 110,000 pages of DuPont documents, some of them fifty years old, that reveal decades of medical studiesproving the harmful - more often than not fatal - effects of PFOA in animals and humans. And yet PFOA sludge had still been dumped into rivers and landfill, endangering many lives. The case of one farmer soon spawns a class-action suit and the shocking realisation that virtually every person on the planet has been exposed to PFOA and carries the chemical in his or her blood. This is the unforgettable story of the lawyer who worked tirelessly for twenty years to get justice for all those who had suffered because of this chemical.

Georges Salines lost his daughter Lola in the attack on the Bataclan Theatre in Paris on 13th November 2015. Azdyne Amimour lost his son. Both were aged 28. Lola was one of the 90 victims, Amimour's son one of the attackers. From his meeting with Azdyne Amimour, an unprecedented dialogue emerged. Georges Salines carries the memory of his daughter and many other victims, while Azdyne Amimour seeks to understand how his son was able to commit acts which he condemns without appeal. Driven by mutual curiosity, the two tell their stories and unfold the story of 'their' 13th November. In the course of this conversation, a deep respect was born between these two fathers whom everything should nevertheless have opposed. Their testimony feeds a peaceful reflection on radicalization, education and mourning. Because if there are words left, there is also hope.

When Ian Ridley's wife, the trailblazing sports reporter Vikki Orvice, died of cancer at the age of 56, he found himself plunged deep into a sadness that he expected and a world of madness that he did not. In an attempt to make sense of it all and seek some solace from the brutality of his grief and anxiety, he embarks on a summer of watching county cricket. Reliving bitter-sweet memories in places he and Vikki had visited together, he is alternately unnerved and consoled by the ebbs and flows of his mourning. But gradually, against a backdrop of the County Championship's peace and solitude - with the sun on his back and tea, cake and crossword at his side - he finds a way to survive the rhythms and cadences of his grief. The Breath of Sadness is an unflinching account of how we carry on when we are left behind, and a poignant, tender and candid exploration of love and loss.

The Personals reveals how classified ads are not just a few commercial lines of text in print or online - they can be a treasure trove of fascinating human stories; stories of love, loss, loneliness, redemption and hope. Some people do Sudoku, others watch Netflix. Brian O'Connell loves the classified ads. In an era of spin doctors and press releases, celebrities and social influencers, the classified ads can open a door into the lives of ordinary people with extraordinary stories. What draws Brian to the classified ads are the intriguing human stories he finds there, the unexpected twists and turns, the personalities, the curious objects and the range of human experience waiting to be discovered. The Personals is a diverse collection of compelling stories about the people and the lives behind the small ads.

Readers searching for courage and adventure will find just that and more in the engaging prose of Jack Schaefer in this vintage collection of Western vignettes. Exploring varied tales of life in the West, Schaefer shares the stories of exceptional characters conflicted with humanity as they navigate the challenges and opportunities that can only be found on the frontier. From the humor in "Cat Nipped" to the common concerns found in "Prudence by Name," Jack Schaefer again places himself as the authentic voice of the West. Other stories in the collection include "Something Lost," "Leander Frailey," "That Mark Horse," "My Town," "Harvey Kendall," "Out of the Past," "Old Anse," "Takes a Real Man," and "Hugo Kertchak, Builder." Published throughout the early 1950s, these stories have captured our hearts and imaginations as true classics in Western fiction and will continue to do so time and time again.

With more than 10 million followers across their social media channels, @WoodyandKleiny have established themselves as two of the world's foremost internet content creators. But how did they do it? The Social Struggle: How We Took Over The Internet shares their story of initial failure that through determination became success. From overcoming broken homes and broken dreams, filming blurry videos for no more than 100 views, working every hour of the day for four years to make a handful of loose change, @WoodyandKleiny's tale is sure to inspire readers around the world.

A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR

On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.

Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world - and some unknown ones - to go on the record. Three years later, it helped lead to his conviction.

This is how they did it.

The true story of 2 year-old Anna, abandoned by her natural parents, left alone in a neglected orphanage. Elaine and Ian had travelled half way round the world to adopt little Anna. She couldn't have been more wanted, loved and cherished. So why was she now in foster care and living with me? It didn't make sense. Until I learned what had happened. ... Dressed only in nappies and ragged T-shirts the children were incarcerated in their cots. Their large eyes stared out blankly from emaciated faces. Some were obviously disabled, others not, but all were badly undernourished. Flies circled around the broken ceiling fans and buzzed against the grids covering the windows. The only toys were a few balls and a handful of building bricks, but no child played with them. The silence was deafening and unnatural. Not one of the thirty or so infants cried, let alone spoke.

When Zoe was taken into care at the age of 13, she thought she was finally going to escape from the cruel abuse she had suffered throughout her childhood. Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before. Abused and ostracized by her mother, humiliated by her father's sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living. `I've sharpened a knife for you,' her mother told her the first time she noticed angry red wounds on her daughter's arms. And when Zoe didn't kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life. One day at school Zoe showed her teacher the livid bruises that were the result of her mother's latest physical assault and within days she was taken into care. Zoe had been at Denver House for just three weeks when an older girl asked if she'd like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill. For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her - she was worthless. Before long, she realised that the only way to survive in the unit was to go to the `parties' the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country. No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.

In the tradition of The Perfect Storm and Into Thin Air, Rachel Slade's Into the Raging Sea is a nail-biting account of the sinking of the container ship El Faro, the crew of thirty-three who perished onboard, and the destructive forces of globalisation that put the ship in harm's way. On October 1, 2015, Hurricane Joaquin barreled into the Bermuda Triangle and swallowed the container ship El Faro whole, resulting in one of the worst shipping disasters in decades. No one could fathom how a vessel equipped with satellite communications, a sophisticated navigation system, and cutting-edge weather forecasting could suddenly vanish - until now. Relying on hundreds of exclusive interviews with family members and maritime experts, as well as the words of the crew members themselves - whose conversations were captured by the ship's data recorder - journalist Rachel Slade unravels the mystery of the sinking of El Faro. As she recounts the final twenty-four hours onboard, Slade vividly depicts the officers' anguish and fear as they struggled to carry out Captain Michael Davidson's increasingly bizarre commands, which, they knew, would steer them straight into the eye of the storm. Taking a hard look at America's aging merchant marine fleet, Slade also reveals the truth about modern shipping - a cutthroat industry plagued by razor-thin profits and ever more violent hurricanes fueled by global warming. A richly reported account of a singular tragedy, Into the Raging Sea takes us into the heart of an age-old American industry, casting new light on the hardworking crew of El Faro who paid the ultimate price in the name of profit.

Van ongenooi na ingenooi is werklikheidsfiksie gebaseer op die ware verhaal van trauma en verlies en uiteindelike aanvaarding in die lewe van ’n jong vrou en haar gesin. Dit is ook die verhaal van ware vriendskap. Ná ’n besoek aan ’n chirurg word ulseratiewe kolitis by Tanja gediagnoseer en sy moet hoor dat dit reeds haar rektum en kolon aangetas het. Die dokter hanteer egter nie die saak as spoedeisend nie, verseker haar dat sy maar kan gaan vakansie hou. Die uiteinde is katastrofies. Tanja se kolon perforeer en sy sterf byna aan inwendige bloeding. Tientalle besoeke aan die hospitaal volg en sy moet vir die res van haar lewe met ’n stomasak saamleef. Ná haar ontslag besef en ondervind sy watter letsels die ongenooide siekte, trauma en aanhegsel aan haar liggaam en emosies laat. Van ongenooi na ingenooi is ’n boek vir:

• Vroue op die eensame reis wat in Noodgevalle of ’n onkologiekliniek begin het, waarna jy met jouself, God en jou medemens moet gaan saamleef
• Dié wat al deur groot trauma moes gaan, asook hul gesin en veral vir hul lewensmaat.
• Lesers wat hulle in ’n “nuwe normaal”bevind – in ’n liggaam wat waarskynlik nooit weer soos vroeër sal lyk of wees nie
• Die lewensmaats van vroue soos Tanja, asook die familie en vriende van ernstig siek mense

In Van ongenooi na ingenooi word hoop, innerlike genesing en die onfeilbare trou van die Drie-enige God verwoord. In hierdie ware liefdesverhaal reis jy saam van ongenooi na ingenooi.

In these classic stories acclaimed author Jack Schaefer yet again captures the spirit and adventure of the Old West. First Blood, Schaefer's follow-up to Shane, tells the tale of Jess Harker, a young stagecoach driver finding his way in this coming-of-age story. Jess admires Race Crimm, the Company's top messenger, for his stature and wild abandon and would have "shucked ten years of [his] life to be driving beside him." Jess, eager to ride the big trails, has the chance to prove himself by driving an important shipment when trouble arises. Facing hard choices of honor and justice, he must pick a side because his life might just depend on it. "Jacob," "Salt of the Earth," and "One Man's Honor" complete this engaging collection of stories by award-winning American treasure Jack Schaefer.

Schaefer shares the individual stories of seven people-rancher, sheepherder, homesteader, town settler, soldier, miner, and cowboy-in this collection. He tells the tales as they can only be told: in the open spaces of the Old West. In these memorable narratives Schaefer depicts the unique conflicts of settler life and captures the spirit of the resolute, willful, determined, and broken characters found on the Western frontier.

The true story of Melody, aged 8, the last of five siblings to be taken from her drug dependent single mother and brought into care. When Cathy is told about Melody's terrible childhood, she is sure she's heard it all before. But it isn't long before she feels there is more going on than she or the social services are aware of. Although Melody is angry at having to leave her mother, as many children coming into care are, she also worries about her obsessively - far more than is usual. Amanda, Melody's mother, is also angry and takes it out on Cathy at contact, which again is something Cathy has experienced before. Yet there is a lost and vulnerable look about Amanda, and Cathy starts to see why Melody worries about her and feels she needs looking after. When Amanda misses contact, it is assumed she has forgotten, but nothing could have been further from the truth...

'A candid, warm, sad, surprisingly funny, raw, brave, bittersweet book.' - MATT HAIG 'Chase the Rainbow is a game-changing book. Poorna Bell's moving account of the pressures on modern men could be a life-saver. This is a brave and bold work that will inspire us all to talk openly and honestly about depression once and for all. Everyone should read this book.' - ARIANNA HUFFINGTON 'I recently devoured this book in a couple of days. It's so beautifully written, honest and beyond thought-provoking. I urge you to delve into its courageously written pages to learn about Poorna Bell's story.' - FEARNE COTTON 'A story of love and loss and a vital contribution to the mental health debate. A great read.' - ALASTAIR CAMPBELL An honest yet uplifting account of a woman's life affected (but not defined) by the suicide of her husband and the deadly paradox of modern-day masculinity. Punk rocker, bird nerd and book lover Rob Bell had a full, happy life. He had a loving wife, a big-bottomed dog named Daisy and a career as a respected science journalist. But beneath the carefully cultivated air of machoism and the need to help other people, he struggled with mental health and a drug addiction that began as a means to self-medicate his illness. In 2015, he ended his life in New Zealand on a winter's night. But what happened? How did a middle-class Catholic boy from the suburbs, who had an ocean of people who loved him, and a brain the size of a planet, end up dying alone by his own hand? How did it get to this point? In the search to find out about the man she loved, and how he arrived at that desperate, dark moment, Poorna Bell, Executive Editor of The Huffington Post UK, went on a journey spanning New Zealand, India and England to discover more about him. A month after his death, she shared her personal tragedy in an open letter to Rob on the site, which went on to be read by hundreds of thousands of people across the world. This is Poorna's story, not only of how she met the man of her dreams and fell in love, but also Rob's story and how he suffered with depression since childhood and had secretly been battling addiction as a means to cope with the illness. Suicide is the biggest killer of men under 45 and a staggering 1 in 4 of us will experience mental illness disease at some point in our lives, but the stigma surrounding mental health means that millions still suffer in silence. Chase the Rainbow is an affecting, poetic, and deeply personal journey which teaches to seek hope and happiness, even in the most tragic of circumstances. Shattering the stigma surrounding depression and suicide, Poorna Bell challenges us talk about what we most fear, and to better understand the personal struggles of those closest to us.

‘Met die middagson kom die lugspieëlings wat aan die vallei sy naam gegee het: Deception Valley. Dan skuil alles wat asemhaal in die koelte van ’n matjarra, rug na die wind gedraai. In die lang geelwit gras lê die leeus uitgestrek en slaap. Net die vlakvarke draf stertorent nader vir ’n modderbad.’

Annelize Slabbert was ’n joernalis in Johannesburg en haar man, Gerard, ’n apteker. Stedelinge. Toe word hulle moeg vir die lewe in die stad, die spitsverkeer, die gebrek aan stilte en sterre. En hulle volg die krom wandelpad na Die Droom van ’n landelike idille met skape en groen gras. Tot, uiteindelik, in die son en sand van die Sentraal-Kalahari in Botswana waar hulle ’n vierster-lodge bestuur. Wat kan dan nou verkeerd loop? 'n Ware verhaal, uitstekend vertel, skreeusnaaks en aangrypend.

Hierdie boek is die voltooiing van Elsa Joubert se outobiografiese drieluik wat ingelei is deur ’n Wonderlike geweld (2005) en Reisiger (2009). Dit fokus hoofsaaklik op die skrywer se latere jare, in die aftreeoord in Kaapstad waar sy nou al geruime tyd woon, maar haar belewenis van die hede en onlangse verlede word onlosmaaklik vervleg met herinneringe aan veel verder terug, alles geteken met die kenmerkende woordvaardigheid van een van Afrikaans se mees gevierde skrywers.

Elsa Joubert - Biografiese inligting

Elsabé (Elsa) Antoinette Murray Joubert is op 19 Oktober 1922 in die Paarl gebore. Sy matrikuleer in 1939 aan die Hoër Meisieskool La Rochelle in die Paarl. Sy behaal ’n BA-graad (1942) en ’n Sekondêre Onderwysdiploma (1943) aan die Universiteit van Stellenbosch.

In 1945 verwerf sy ’n meestersgraad aan die Universiteit van Kaapstad. Daarna is sy die vroueredakteur van Die Huisgenoot van 1946 tot 1948. Hierna begin sy te reis en in 1957 verskyn haar eerste reisverhaal, Water en woestyn, wat handel oor haar ervarings in Egipte en Uganda. Elsa Joubert se reise deur Afrika, Suid-Amerika, Europa en die Verre-Ooste het op ’n besondere wyse in haar werk neerslag gevind.

In 1963 verskyn haar eerste roman, Ons wag op die kaptein, wat onder meer die Eugène Marais-prys ontvang het. Sy is met die WA Hofmeyr-, CNA- en Louis Luyt-prys bekroon vir haar invloedryke roman Die swerfjare van Poppie Nongena (1978), wat in 2002 aangewys as een van die honderd beste boeke in Afrika.

In 1981 ken die British Royal Society of Literature die Winifred Holtby-prys aan haar toe en word sy ’n Fellow van die Society. Haar magistrale roman Die reise van Isobelle (1995) is met die Hertzogprys bekroon. Haar lewenswerk word bekroon met eredoktorsgrade van die Universiteite van Stellenbosch (2001) en Pretoria (2007), en sy ontvang die Orde van Ikhamanga (2004).

Skakel van Maandag, 18 Junie 2018 af in op RSG om te luister na Elsa Joubert se jongste roman, Spertyd (2017, Tafelberg) voorgelees deur Rika Sennett.

First published thirty-five years ago, in 1978 - three years after her gaining the leadership of the Conservative Party and a year before her election as Britain's first woman prime minster - Mrs Thatcher's Bag, in the words of its publisher, was 'conceived in the public interest'...Its intent was to create a satirical parody of her particular brand of political fundamentalism (then a more friendly word than now), which was already dividing political attitudes in the UK into two very clear camps: those who thought her dynamic, potent and brave, and those convinced her conviction politics were destructive, extreme and all would end in tears. Given the provenance of most of Quartet's staff and its radical reputation there was little comfort for those who loved her. But few of us could realise then how iconic she would become or what a vivid champion she would be for the poujadist remnants of Great Britannia. Love or hate her, she was a formidable defender of her class. No wonder it was a handbag that we chose to contain, among other things, a guide to Managing, a mask and cut-out doll, a poster adorned with her pearls of wisdom and a flexi disc with both her song and that of the Silent Majority. Mrs Thatcher's Bag was a do-it-yourself guide to us all becoming what the display wrapper around the handbag claimed: M*RG*RET HILD* TH*TCHER writes, 'I have gathered together in this stylish handbag a most useful collection of practical tips so that even the most deprived of you who have the will and the enterprise can cultivate those exclusive qualities which have made me - and can make YOU - a model Tory lady.' As history seeks to assess her lasting impact, it's a good moment to recreate and remember what was, at the time, a quite scandalous object...