Celebrate 45 women artists, and gain inspiration for your own practice, with this beautiful exploration of contemporary creators from the founder of The Jealous Curator. Walk into any museum, or open any art book, and you'll probably be left wondering: where are all the women artists? A Big Important Art Book (Now with Women) offers an exciting alternative to this male-dominated art world, showcasing the work of dozens of contemporary women artists alongside creative prompts that will bring out the artist in anyone! This beautiful book energizes and empowers women, both artists and amateurs alike, by providing them with projects and galvanizing stories to ignite their creative fires. Each chapter leads with an assignment that taps into the inner artist, pushing the reader to make exciting new work and blaze her own artistic trail. Interviews, images, and stories from contemporary women artists at the top of their game provide added inspiration, and historical spotlights on art "herstory" tie in the work of pioneering women from the past. With a stunning, gift-forward package and just the right amount of pop culture-infused feminism, this book is sure to capture the imaginations of aspiring women artists.

Artistry, philosophy, and the beauty of South Beach harmonize in this beautiful portfolio work. Luminous imagery lit by the imagination of artist Mark Rutkowski and inspired by Miami's art deco architecture. This celebrated artist has helped spread the beauty of South Beach Florida to collectors world wide. The imagery accompanied by short essays that draw on decades of Buddhist practice. Includes a preface by noted television personality and columnist Ben Stein. So get ready to wander the streets of one of America's most unique neighborhoods guided by an artist who helped popularize Miami, Florida's Deco District. The magical realm of the South Beach Deco District is reflected in 115 paintings of sun-splashed pastel hotels, coral rocks, and dolphins dancing on oceans of aqua stucco as seen over the many years through the artist's eyes. It's a view like no other! Prepare to enjoy two decades in the Deco District.

With more than 280 entries, this architectural A-Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work. Like a bespoke global architecture tour, you'll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudi's Palau Guell in Barcelona to Lina Bo Bardi's sports and leisure center in a former factory site in Sao Paulo. You'll take in Gio Ponti's colored geometries, Zaha Hadid's free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh's unique blend of Scottish tradition and elegant japonisme. The book's A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

A biography of the elusive but celebrated Dada and Surrealist artist and photographer connecting his Jewish background to his life and art Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the twentieth century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray's Jewish background as one filter to understand his life and art. Man Ray began life as Emmanuel Radnitsky, the eldest of four children born in Philadelphia to a mother from Minsk and a father from Kiev. When he was seven the family moved to the Williamsburg section of Brooklyn, where both parents worked as tailors. Defying his parents' expectations that he earn a university degree, Man Ray instead pursued his vocation as an artist, embracing the modernist creed of photographer and avant-garde gallery owner Alfred Stieglitz. When at the age of thirty Man Ray relocated to Paris, he, unlike Stieglitz, made a clean break with his past.

The first biography of America's greatest twentieth-century sculptor. In this beautifully written, deeply researched book Jed Perl shows how Alexander Calder became an avant-garde artist with enduring appeal. One of our most beloved modern artists, Calder is celebrated above all as the inventor of the mobile. Only now is the full story of his life being told in a gloriously illustrated biography, which features unseen photographs and is based on scores of interviews and unprecedented access to Calder's papers. Born into a family of artists, Calder forged important friendships with a who's who of twentieth-century creators, including Georges Braque, Marcel Duchamp, Martha Graham, Joan Miro, Piet Mondrian and Virgil Thomson. His early years studying engineering were followed by artistic triumphs in Paris in the late 1920s, and his emergence as a leader in the international abstract avant-garde. His marriage in 1931 to Louisa James-a great-niece of Henry James-is a richly romantic story. This transatlantic life carries readers from New York's Greenwich Village, to the Left Bank of Paris during the Depression, and then to a refugee-filled London just before the War, where Calder's circle of friends included Barbara Hepworth, Ben Nicholson and Kenneth Clark.

This book examines the photography's unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium's ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The book features studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images. A closer look at these images and their unique cultural/historical contexts reveals photography to be a unique medium for expressing changing perceptions of time, and the anxiety its passage provokes.

This text provides a fascinating study of Michael Morgan's aspirations, his influences and the challenges he has faced on his extraordinary journey.

Some Kind of Duty features all new handmade weavings by Chicago-based artist Karolina Gnatowski, known as kg. In monumental and small-scale tapestries, kg, anAmerican artist who was born in Poland incorporates references ranging from Polish immigration, badminton, Jim Morrison, and feminist fiber artists to addiction, mourning, and their pet. The artist's keen attention to the details of life's coincidences and moments of intersection finds a fitting form in their reverence for the history of tapestry weaving, and the evidence of everyday life incorporated into the artist's work makes their weavings an offering to those both living and dead. This catalog accompanies an exhibition at the DePaul Art Museum, and it features full-color plates of the works on view, an interview between the artist and DPAM Director and Chief Curator Julie Rodrigues Widholm, an essay by K. L. H. Wells, assistant professor in the Department of Art History at the University of Wisconsin-Milwaukee, and poems written by the artist to accompany each work.

Over the course of his career, William Scott painted more than 1,000 works in oil, all of which are catalogued in this four-volume publication, which covers the artist's output from 1928 to 1986. Each work is accompanied by a catalogue note giving reasons for the dating together with any documentary material relevant to its history, much of it published here for the first time. An enormous amount of new information has been unearthed during the six years of research that has gone into this important project, research that not only reveals a great deal more than was previously known about the artist's life and work but also about how both these aspects of his career had a bearing on the wider context of contemporary British art. The artist's own papers and many previously unpublished letters and lecture notes have been made available by his family especially for this project. This landmark work will provide scholars and collectors with a vital tool for further research, and all lovers of Scott's art with a source of inspiration and insight.

This book examines the domains of public space and the private, domestic realm and the interstices between them by focusing on ways that women enter the public arena while using the domestic politics of the private one to propel them forward in their cause for social justice, equality, and citizenship. The subject is unique not only in its focus on the visual culture of first-wave feminists in Edwardian England with a comparator analysis, where appropriate, on feminist developments in France, but also in its attention to women's movements into the public arena in the late 20th/21st century more globally in the context of how they continue to honor this first-wave suffrage history. Women's bodies were and are at the center of every debate on women's rights worldwide. The present study connects the hard work of women activists in the streets of London, Paris and beyond in making their desires known.

This sumptuously illustrated volume, edited by eminent war historian Joanna Bourke, offers a comprehensive visual, cultural and historical account of the ways in which armed conflict has been represented in art. Covering the last two centuries, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, truthful depiction of warfare and its consequences. Featuring illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Francis Bacon, Kathe Kollwitz, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix and many others, as well as those who are often overlooked, such as children, women, non-European artists and prisoners of war, this extensive survey is a fitting and timely contribution to the understanding, memory and commemoration of war, and will appeal to a wide audience interested in warfare, art, history or politics. Introduction by Joanna Bourke, with essays by Jon Bird, Monica Bohm-Duchen, Joanna Bourke, Grace Brockington, James Chapman, Michael Corris, Patrick Crogan, Jo Fox, Paul Gough, Gary Haines, Clare Makepeace, Sue Malvern, Sergiusz Michalski, Manon Pignot, Anna Pilkington, Nicholas J. Saunders, John Schofield, John D. Szostak, Sarah Wilson and Jay Winter.

Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of 'The Beggar's Opera' at the Lyric Theatre, Hammersmith.

This brand new full-colour art book reveals in sumptuous detail more than 100 paintings based on The Lord of the Rings by acclaimed Dutch artist, Cor Blok, many of which appear here for the first time. Fifty years ago, shortly after The Lord of the Rings was first published, Cor Blok read the work and was completely captivated by its invention and epic storytelling. The breadth of imagination and powerful imagery inspired the young Dutch artist, and this spark of enthusiasm, coupled with his desire to create art that resembled a historical artefact in its own right, led to the creation of more than 100 paintings. Following an exhibition at the Hague in 1961, JRR Tolkien's publisher, Rayner Unwin, sent him five pictures. Tolkien was so taken with them that he met and corresponded with the artist and even bought some paintings for himself. The series bears comparison with the Bayeux Tapestry, in which each tells an epic and complex story in deceptively simple style, but beneath this simplicity lies a compelling and powerful language of form that becomes more effective as the sequence of paintings unfolds. The full-colour paintings in this new book are presented in story order so that the reader can enjoy them as the artist intended. They are accompanied by extracts from The Lord of the Rings and the artist also provides an extensive introduction illuminating the creation of the series and notes to accompany some of the major compositions. Many of the paintings appear for the very first time. Readers will find Cor Blok's work refreshing, provocative, charming and wholly memorable - the bold and expressive style that he created stands as a unique achievement in the history of fantasy illustration. Rarely has an artist captured the essence of a writer's work in such singular fashion; the author found much to admire in Cor Blok's work, and what higher accolade is there?

Phenomenal Difference grants new attention to contemporary black British art, exploring its critical and social significance through attention to embodied experience, affectivity, the senses and perception. Featuring attention to works by the following artists: Said Adrus, Zarina Bhimji, Sonia Boyce, Vanley Burke, Chila Burman, Mona Hatoum, Bhajan Hunjan, Permindar Kaur, Sonia Khurana, Juginder Lamba, Manjeet Lamba, Hew Locke, Yeu-Lai Mo, Henna Nadeem, Kori Newkirk, Johannes Phokela, Keith Piper, Shanti Thomas, Aubrey Williams, Mario Ybarra Jr. Much before scholars in the arts and humanities took their recent 'ontological turn' toward the new materialism, black British art had begun to expose cultural criticism's overreliance on the concepts of textuality, representation, identity and difference. Illuminating that original field of aesthetics and creativity, this book shows how black British artworks themselves can become the basis for an engaged and widely-reaching philosophy. Numerous extended descriptive studies of artworks spell out the affective and critical relations that pertain between individual works, their viewers and the world at hand: intimate, physically-involving and visceral relations that are brought into being through a wide range of phenomena including performance, photography, installation, photomontage and digital practice. Whether they subsist through movement, or in time, through gesture, or illusion, black British art is always an arresting nexus of making, feeling and thought. It celebrates particular philosophical interest in: - the use of art as a place for remembering the personal or collective past; - the fundamental 'equivalence' of texture and colour, and their instances of 'rupture'; - figural presence, perceptual reversibility and the agency of objects; - the grounded materialities of mediation; - and the interconnections between art, politics and emancipation. Drawing first hand on the founding, historical texts of early and mid-twentieth century phenomenology (Heidegger; Merleau-Ponty), and current advances in art history, curating and visual anthropology, the author transposes black British art into a freshly expanded and diversified intellectual field. What emerges is a vivid understanding of phenomenal difference: the profoundly material processes of interworking philosophical knowledge and political strategy at the site of black British art.

This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonisation, social justice, democracy, precarity, vulnerability), negotiated with and through the body. Drawing upon the legacy of feminist art historical critique, the book scrutinises activist strategies, practices and resilience techniques in intersectional and transnational frameworks. It interrogates how the arts enable the creation of civil and political resilience, become engaged with politics as a response to disaster capitalism and attempt to reform and improve society. The book will be of interest to scholars working in art history, visual culture, fine arts, women's studies, gender studies, feminism and cultural studies.

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production. Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their 'self'. This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.

By studying the importance of specialist art periodicals in creating the artistic, economic and cultural-historical value of modern art and visual culture, this volume is dedicated to the history and legacy of specialist art reviews, bulletins, and magazines across Europe-and their echoes elsewhere-in the early to mid-twentieth century. It assembles historical case studies on European modern art periodicals (British, French, German, Belgian, Finnish, Danish), presenting new research on the multiple meanings that such specialist publications assume within the history of modern art. Paying special attention to the interdependence of the art market and the art press, and reflecting upon the fresh insights that new forms of reading bring, each chapter adds to our historical understanding of the modern art review.

Published on the 100th anniversary of the discovery of Tutankhamun’s tomb and the 200th anniversary of the deciphering of the Rosetta stone, this book responds to the ever-growing enthusiasm and curiosity for Egyptomania. This concept refers to a collective imagination which was nurtured throughout the 19th and 20th centuries by archaeological digs and exploratory trips. These key discoveries were crucial for creation and particularly for the Art Deco artists who found their inspiration in Egyptian lines and patterns. Art Déco & Egyptomanie explores the origins and functioning of this cultural and artistic movement shaped by many fields: architecture, cinema, sculpture, popular art, theatre and fashion. Art Déco & Egyptomanie comes with an explicit and previously unseen iconography. Text in French.

As we approach the bicentennial, in 2017, of the birth of Henry David Thoreau, there is considerable debate and confusion as to what he may, or may not have, contributed to American life and culture. Almost every American has heard of Thoreau, but only a few are aware that he was deeply engaged with most of the important issues of his day, from slavery to "Manifest Destiny" and the rights of the individual in a democratic society. Many of these issues are still affecting us today, as we move toward the second quarter of the twenty-first century. By studying how various American artists have chosen to portray Thoreau over the years since the publication of Walden in 1854, we can gain a clear understanding of how he has been interpreted (or misinterpreted) throughout the years since his death in 1862. But along the way, we might also find something useful, for our times, in the insights that Thoreau gained as he wrestled with the most urgent problems being experienced by American society in his day.

Now available in paperback, this definitive book explores the multidisciplinary career of one of the most experimental and pioneering artists of the 20th century. Encompassing the entirety of Isamu Noguchi's work in sculpture, ceramics, photography, architecture, design, as well as the artist's playscapes, gardens and stage sets for modern dance and theatre performance, this survey explores Noguchi's creative process and lesser-known aspects of his practice, his engagement with a wide range of mediums and cultures, and his innovative achievements over six decades. Brimming with imagery and contributions from an international range of authors, this book helps readers grasp the diversity and patterns of Noguchi's work both in situ and in galleries. Archival photographs of the artist's studios offer glimpses into his experimental attitude towards sculpture. Themes of harmony and dissonance, which were central to his practice, are explored in a series of essays that consider the artist's dual heritage, the Japanese American experience, his worldwide travel and his many influences. It also pays tribute to Noguchi's fruitful collaborations with creatives from a range of industries, such as R. Buckminster Fuller, Martha Graham and Louis Kahn. Throughout the monograph Noguchi's own words provide a critical backdrop towards understanding an artist who embraced many schools of thought, and whose entire life and career set an example for partnership and cooperation across artistic, political and cultural boundaries.

The first art book to explore Rossetti's art and poetry together, including her own artworks, illustrations to her writing, and art inspired by her Christina Rossetti (1830-1894) is among the greatest of English Victorian poets. The intensity of her vision, her colloquial style, and the lyrical quality of her verse still speak powerfully to us today, while her striking imagery has always inspired artists. Rossetti lived in an exceptionally visual environment: her brother, Dante Gabriel Rossetti, was the leading member of the avant-garde Pre-Raphaelite Brotherhood, and she became a favorite model for the group. She sat for the face of Christ in William Holman Hunt's The Light of the World, while both John Everett Millais and Frederick Sandys illustrated her poetry. Later on, the pioneering photographer Julia Margaret Cameron and the great Belgian Symbolist Fernand Khnopff were inspired by Rossetti's enigmatic verses. This engaging book explores the full artistic context of Rossetti's life and poetry: her own complicated attitude to pictures; the many portraits of her by artists, including her brother, John Brett, and Lewis Carroll; her own intriguing and virtually unknown drawings; and the wealth of visual images inspired by her words. Published in association with Watts Gallery Exhibition Schedule: Watts Gallery, Guildford, Surrey (11/13/18-03/17/19)