Roy Cross RSMA GAvA began work as an illustrator in Fairey Aviation during World War II. Over the next thirty years, he progressed from line illustration, via colour artwork, to top-class advertising art for the aircraft industry and other companies, including Airfix, for whom he produced many hundreds of artworks to adorn model kit boxes over a ten-year period. His illustrations for Airfix included superb depictions of aircraft, cars, ships, spacecraft, armoured vehicles and dioramas. Though Roy is perhaps most famous for his Airfix box art, his work has encompassed book and magazine illustrations, including highly detailed cutaways and other technical drawings. In more recent years, Roy has concentrated on the production of his magnificent maritime paintings.

In 1954, following her death, Frida Kahlo's possessions were locked away in the Casa Azul in Mexico City, her lifelong home. Half a century later, her collection of clothing, jewellery, cosmetics and other personal items was rediscovered. Frida Kahlo: Making Her Self Up offers a fresh perspective on the life story of this extraordinary artist, whose charisma and entirely individual way of dressing made her one of the most photographed women of her time. Specially-commissioned photographs show her distinctive Mexican outfits alongside her self-portraits, an unprecedented pairing that is enriched by iconic images taken in her lifetime.

Traces the evolution of Matisse's work on paper, from experimental beginnings to the artist's instantly recognizable mature style An internationally recognized expert in the European tradition of draughtsmanship, Christopher Lloyd offers rare insights about the technical qualities of Matisse's drawings. This book traces the evolution of Matisse's large and varied body of drawings and works on paper-including graphic work, the celebrated cut-outs and the famous decoration of the Chapel of the Rosary at Vence, France. The artist's drawings are contextualized within his own biography and times, from vibrant early twentieth-century Paris to later periods in luxurious Nice. Lively prose and a wealth of reproductions illustrate Matisse's versatility in different media and his innovative, expansive concept of drawing. Despite the variety of his output, the work always reflects the artist's constant desire to express pure emotion in visual terms. Since 2014, Christopher Lloyd has published four highly successful books on the drawings of modern artists. This book follows his most recent publication, Picasso and the Art of Drawing. With over 150 illustrations, including archival photographs of Matisse's studio and the artist at work, this volume concisely covers Matisse's entire graphic oeuvre. Distributed for Modern Art Press

St Ives has long been a centre of avante-garde art activity. This book is concerned with the artistic events which occured there during the years 1939-75, and the broader circumstances in the art world which they influenced.

"I love this book! Brilliant biography of the...utterly fascinating artist Isabel Rawsthorne" Jennifer Higgie "Every page is gripping, fascinating, forcefully and excitingly written, and sad." Andrew Motion "Isabel Rawsthorne's life reads like a ready-made screenplay... - a poverty stricken upbringing, world wars, espionage, affairs, addiction, politics ... all set to a series of evocative cinematic backdrops. And that's before any mention of her career as one of the most hidden but influential artists of the 20th century." Interiors and Home "Jacobi's bigger project here, seems to be to reimagine what an artist biography... can be." The Art Newspaper "Highlights how talented women have often missed out on the recognition they deserved" Observer Isabel Rawsthorne's painting career at the centre of the Parisian and London avantgardes was eclipsed by the many occasions on which her friends made her the subject of their art, notably Epstein, Derain, Giacometti, Picasso and Bacon. This pioneering painter exhibited from the early 1930s, was influential in the 1940s and well known in the 1960s, but in her later years Giacometti's and Bacon's blockbuster biographies made her famous as a muse. Rawsthorne's work is now in major collections, and this beautifully illustrated book re-writes the pre- and post-war art history of which she was a part: it is traced through the upheavals of the 20th century and her singular relationships with some of its most fascinating figures. A decade of research into the period, Rawsthorne's art and archives, and the memories of friends, has revealed for the first time her role in a rebel group at Liverpool School of Art; success and tragedy in the 1930s when she was studio assistant to Jacob Epstein; her life-long collaborations with Alberto Giacometti; and, after the war, with Francis Bacon and with African Modernism in the 1960s, as well as her exceptional late work. It also tells the full story of her break from art during the second world war, when she worked for the government in black propaganda.

The visual arts in Wales are in ferment. The growing fascination in painters, installation artists, sculptors and those working in mixed and electronic media has been reflected both in booming sales and private gallery growth on the one hand and, institutionally, by new public gallery space, a first Welsh pavilion at the 2003 Venice Biennale and the worldwide Artes Mundi Prize. Here + Now offers a welcome and in depth survey of the visual arts in Wales, addressing as it does the practise of individual artists and the infrastructure in which they work. Here are essays on artists as diverse as established painters Ivor Davies and the late Ernest Zobole, through younger painters like Neal Howells, Elfyn Lewis and Sue Williams, to installation artist David Hastie and the internationally acclaimed performance artist Andre Stitt. Beyond the artist, author Iwan Bala explores what art might mean in Wales and to the Welsh, in essays about the representation of Welsh history and culture in the visual arts. He also discusses the controversial issue of how art is curated in Wales and who decides what the public sees. This stimulating book offers a snapshot of contemporary Welsh art and explores how it functions on the wider stage of world art.

From Zappa hurting someone to Kurt Cobain hurting himself. From trees of peace (except one) to bicycles of terrorism and crappy nappies, this book contains everything you ever need to know - and some things you wish you didn't This is to be Sexton Ming's first ever mass market paperback, and the first book ever to be devoted to his strange and wonderful drawings. Ming is a writer/musician/painter extraordinaire and his meandering mind can take you on an otherworldly journey steeped in so much black humour, tangential weirdness and biting observation of the human race it makes this world a much better place. He is little known in mainstream culture but is in fact world famous. He was a founding member of the Medway Poets, has appeared on over 20 albums, painted some of the strangest paintings in the world, supported Sonic Youth live, was called a failed intellectual by Ralph Steadman, once saved Billy Childish's life

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. With his vivid imagination, wit and flair, Philippe Starck has transformed everyday objects into icons of modern design, heralding in the democratic design movement that has influenced what we buy and how we live. Among instantly recognizable classics such as the long-legged Juicy Salif lemon squeezer and the much imitated Sissi Lamp, Starck has created some of the world's most ground-breaking furniture, interiors, hotels and architecture, all of which are celebrated in this curated selection of images, accompanied by a critical essay of his life and work.

Republics and empires provides transnational perspectives on the significance of Italy to American art and visual culture and the impact of the United States on Italian art and popular culture. Covering the period from the Risorgimento to the Cold War, it reveals the complexity of the visual discourses that bound two relatively new nations together. It also gives substantial attention to literary and critical texts that addressed the evolving cultural relationship between Italy and the United States. While American art history has tended to privilege French, British and German ties, these chapters highlight a rich body of contemporary research by Italian and American scholars that moves beyond a discussion of influence as a one-way directive towards a deeper understanding of cultural transactions that profoundly affected the artistic expression of both nations. -- .

As featured in the New York Times, ARTnews, Colossal, Metropolis and New York Magazine's The Strategist A groundbreaking A-Z survey of the work of over 300 modern and contemporary artists born or based in Africa Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today's art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available. Features the work of more than 300 artists, including El Anatsui, Marlene Dumas, David Goldblatt, Lubaina Himid, William Kentridge, Julie Mehretu, Wangechi Mutu, and Robin Rhode, as well as lesser-known names from across Africa, with stunning and surprising examples of their art paired with insightful texts that demonstrate their contribution to the painting, sculpture, installation, photography, moving image, and performance art. Advisory Panel: Alayo Akinkugbe, Kavita Chellaram, Raphael Chikukwa, Julie Crooks, Tandazani Dhlakama, Oumy Diaw, Janine Gaelle Dieudji, Ekow Eshun, Ndubuisi C. Ezeluomba, Joseph Gergel, Danda Jaroljmek, Omar Kholeif, Rose Jepkorir Kiptum, Alicia Knock, Nkule Mabaso, Lucy MacGarry, Owen Martin, Aude Christel Mgba, Bongani Mkhonza, Riason Naidoo, Paula Nascimento, Simon Njami, Robert Njathika, Ugochukwu-Smooth C. Nzewi, Chika Okeke-Agulu, Hannah O'Leary, Sean O'Toole, John Owoo, Brenda Schmahmann, Mark Sealy, Yasmeen Siddiqui, and Joseph L. Underwood

The name which predominates in the development of art throughout the twentieth century, and to which many of the revolutionary changes are ascribed, is that of Pablo Picasso (1881-1973). Not only was he one of the most influential artists, he was also one of the most versatile. This beautifully produced book surveys the whole range of his paintings, from the haunting works of the Blue Period, to the brute power of Les Demoiselles d'Avignon, the lyrical sweetness of his family portraits, the revolutionary developments of Cubism and the later manifold experimentations with form and colour. Roland Penrose's introductory essay on Picasso was first published in 1971, when the great master was still alive. Penrose was acclaimed in his own right as a painter, and his long friendship with Picasso gave him unique insight into his life and work. David Lomas has written a preface introducing us to the friendship between these two artists. He has also written notes to each full-page colour plate, discussing the picture in detail, making this a perfect introduction to the twentieth century's most famous artist.

After the Crisis offers a platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.

The Material Culture of Tableware is a fascinating and authoritative study of patterned tableware in the USA. This book undertakes a visual analysis of Johnson Brothers patterns of tableware pottery, with reference to comparable designs by other British companies, such as Spode and Adams. It examines how this practical genre reflected the aesthetic values, sense of identity and aspirations of the American consumers who purchased its products. The study also sheds light on British opinions and understandings of American culture. The book's chronological organization shows how tableware designs reflected the cultural developments of American society during the long 20th century. From status-seeking 1890s beaux-arts patterns and the nostalgic historical scenes of the 1930s, to whimsical 1960s patterns and the contemporary motifs of the 1970s, The Material Culture of Tableware tells a compelling story about who 20th-century middle-class Americans were and wanted to be.

Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.

One hundred artists showcase their conceptions of the world's all-time favorite bad boy, Satan, in this subversive response to the popular traveling exhibit "100 Artists See God. As the popularity of angels rises, so does their oversaturation in the art world. This is a tongue-in-cheek balancing of the cultural phenomena of angels: 100 devilish works of art, sincere, irreverent, and parodic.

The brilliant mid-century modern artist, Harry Bertoia (1915 1978), left a rich legacy of art and design, each with an intriguing history. And yet, while just about everyone has seen the Diamond Chair, few can identify Harry Bertoia as its designer. Even fewer recognize the Bertoia sculptures and other monumental pieces at various public venues. This important volume, illustrated with over 200 revealing photos, allows easy identification and appreciation of Bertoia's work. Written with insights that only a daughter could offer, this impressive book also reveals the complex man behind the fascinating art. Personal letters and family anecdotes offer a deep look into the life and motivations of this profound metal artist. Not only will readers get a peek at the behind-the-scenes skirmishes involved in making art, but will also gain insight into the philosophy as well as technical innovation of this dynamic artist."

Companion to an exhibition organised by the Museum of Fine Arts in Santa Fe, SoQ presents the work of sixty-four New Mexico artists living and working in towns and villages south of the state's population centre, Albuquerque. The isolation of some of the artists' homes and studios distinguishes them from their 'northern' counterparts in Albuquerque, Santa Fe, and Taos. Freed by the pressures of gallery shows and the stimulation and influences of other artists, many of the artists have opted for the 'freedoms' allowed by living in remote and rural areas of the state. Representing recent works in a variety of mediums -- including painting, sculpture, photography, fibre art, ceramics, videography and earthworks -- this catalogue features a roster of established artists, both prominent and lesser known, including H Joe Waldrum of T or C, Elmer Schooley of Roswell, Luis Jiminez of Hondo, Iva Morris of Belen, Sharon Brush of Gila, and Jose Andres Giron of Reserve.

The monochrome - a single-colour work of art - is highly ambiguous. For some it epitomizes purity, and is art reduced to its essence. For others it is just a stunt, the emperor's new clothes. Why are monochromes so admired, yet such an easy target of scorn? In this illuminating book Simon Morley unpacks the meanings of the monochrome as it developed internationally over the twentieth century to today. In doing so he explores more general questions such as how artists have understood what they make, how critics variously interpret it and how art is encountered by viewers.

Widely regarded as the best British painter since Turner, very little is known about Francis Bacon's life. In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

The years before World War I were a fertile period for artists in Europe and the United States who were challenging aesthetic convention in music, writing, and the visual arts. These early pioneers of modernism sometimes preferred to work alone, but just as often they were associated with groups whose boundaries were permeable and freely changing. While these individual groups_including the Futurists, Imagists, Blue Rider, and the Second Vienna School_have been thoroughly studied, scholars of the period have often neglected the formative and pervasive interactions of these groups across geographic and artistic boundaries. Providing a historical taxonomy of this influential milieu, Milton Cohen demonstrates how these groups were largely responsible for the artistic innovation and nearly all the avant-garde agitation and major events of these years. With concluding appendices intended for scholars and specialists, this engagingly written book will be useful not only for classroom use and scholarly research, but will appeal to anyone interested in reading a fresh approach to the history of early modernism.

An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of California's contribution to modern and contemporary art in the United States and globally. With 168 illustrations in colour

Published to accompany the first Francis Bacon retrospective in Paris for twenty years, this catalogue analyses Bacon's works from 1971 onwards in light of his relationship to literature. Bacon always vigorously opposed over-analysis of his paintings, preferring to interpret them in purely illustrative or symbolic terms; he admitted, however, that literature was a powerful stimulus to his imagination. The artist was inspired by the images conjured up by certain texts: Aeschylus' phrase 'the reek of human blood smiles out at me' in particular haunted Bacon, while his 1978 work Painting refers to T. S. Eliot's seminal poem The Waste Land. The inventory of Bacon's personal library has identified more than 1,300 books, ranging from Bataille and Conrad to Nietzsche and Leiris. Including twelve of Bacon's renowned triptychs, this lavish publication features eleven gatefolds and some sixty paintings created by Bacon between 1971 and his death in 1992. Reproduced here with analyses of Bacon's paintings in the light of some of his most admired authors, these specially commissioned texts reveal new ways of understanding some of the most powerful works in the modern canon.