In Tibetan Printing: Comparisons, Continuities and Change the editors publish the results of the workshop "Printing as an Agent of Change in Tibet and beyond" held at Pembroke College, Cambridge, in November 2013. This is the first study of the social and cultural history of Tibetan book technology that takes materials, living traditions and cross-cultural comparisons into consideration. Bringing together leading experts from different disciplines, it discusses the introduction of printing in Tibetan societies in the context of Asian book cultures with an eye to the questions raised by the study of the European history of printing. This title is available online in its entirety in Open Access. Contributors are: Tim Barrett, Alessandro Boesi, Peter Burke, Michela Clemente, Hildegard Diemberger, Dorje Gyeltsen, Franz-Karl Ehrhard, Helmut Eimer, Johan Elverskog, Camillo Formigatti, Imre Galambos, Agnieszka Helman-Wazny, Tomasz Wazny, Sherab Sangpo Kawa, Peter Kornicki, Leonard van der Kuijp, Stefan Larsson, Ben Nourse, Anuradha Pallipurath, Porong Dawa, Paola Ricciardi, Tsering Dawa Sharshon, Sam van Schaik, Cristina Scherrer-Schaub, Marta Sernesi, Pasang Wangdu.

A selection of photographs from the UK and Europe. Categories include Flora, Fauna, Landscapes, Architecture and Details.

""Beautiful and inspiring."
"Wonderfully presented.""

Thorough, comprehensive handbook covers materials and equipment, tools, printing papers, presses and other essentials. Detailed instructions for etching (hard ground, soft ground, aquatint, sugar lift, etc.), engraving, drypoint, collagraphs, tuilegraphs and the Blake transfer method. Profusely illustrated; also includes bibliography and updated list of suppliers. ..".excellent, step-by-step comprehensive outline...superbly organized..."--AB Bookman's Weekly.

Even though, this book is categorized as a children's book, it is timeless and ageless because the underlying theme of the book is love; teaches children at a very early age of the positive effect love has in their everyday lives. This beautifully, delicately and highly sensitively illustrated book shows the exquisite taste and inner joy of the love the artist has toward the world. It wakes up feelings inside when staring at the elegant artwork. So mush detail, time, and care into each page The illustrations and text are etchings made on individual cooper plates where a needle is used to draw into wax ground applied over the copper plate. The plate is then submerged in acid bath which bites only into the exposed parts of the metal surface. The wax is removed, ink is forced into the etched depressions, the unetched surfaces are wiped, and an impression is printed with a special printing press. After the print is produced, the artist water colors each print by hand. The style appeals not only to the eyes, but also to the feelings inside the heart. It seems to calm and comfort, while bringing up feelings of excitement and wonder... Time to start exploring and to make this a better world for everyone in it.

This book has character profiles from 1994 & 2004 and illustrations from 2004-2012. It includes covers, illustrations from the books, and original artwork never seen before. Creator Crystal Selness has every piece of artwork she made for the series, including pencil drawings and colored pencil illustrations. This double-page book is perfect as an addiction to the series or for any art lover's collection. Finally art for Lachymal Chronicles Enjoy Please visit www.crystalselnessbooks.vpweb.com for more books, Thanks.

This book includes a rich and fascinating consideration of the golden age of French printmaking. Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries.A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliotheque nationale de France in Paris from November 2, 2015, through January 31, 2016.

Twelve portraits of women by artist Audrey Hergert.