This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

This updated third edition explores new techniques in digital and 3D printing, as well as refreshing older techniques such as mono-printing. Printing has become a common part of the ceramic artist's practice and today there are more possibilities than ever before. From low-tech mono-prints to digital laser decal, it is now possible to employ a range of techniques to print on clay and vitreous surfaces. With the ongoing advancement of new technologies and more developed studio-based transfer processes artists continue to push the boundaries of the medium. In this comprehensive update of his popular Ceramics Handbook title, Paul Scott explains the historical context for contemporary printed ceramics before explaining the principles of core techniques and their application in the studio. He explores photographic processes, as well as the new opportunities presented by digital technology, including digital and 3D printing. Illustrated with brand new images of beautiful works by leading artists working in printed ceramics, Ceramics and Print is a must-read guide for artists and makers interested in this ever-developing field.

Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints- modest, intimate, fragile objects-are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter.

Chris Orr MBE RA is one of Britain's foremost printmakers. In this definitive book he and Robert Hewison explore his remarkable printmaking career, from his early experiments as a student in the 1960s, when he first discovered how etching could enhance his drawing, to his later innovations in lithography, silkscreen and digital printing, and his ingenious use of long-forgotten processes. Hewison also considers the significant contribution that Orr has made to printmaking as a teacher, first at Cardiff College of Art and then in London at Central St Martins and the Royal College of Art, where he was Professor of Printmaking from 1998 to 2008. Illustrated with over 150 of Orr's theatrical, witty and wilfully allusive prints, this book looks for the first time in depth at the gloriously original output of a ceaseless inventor. The book will also be published in a limited edition containing a specially made print signed by the artist.

From the beginning of the exciting century that saw a small nation expand into a mighty world power, the famous lithographic firm of Nathaniel Currier and James Merritt Ives produced over 7,000 prints, capturing scenes of American life in vivid detail. Currier & Ives prints were each coloured individually, by hand, and collectors have prized their skilled craftsmanship and keen sense of composition for generations. This timeless collection, complete with more than three hundred illustrations in full colour and a masterful text by historian Walton Rawls, captures a beloved piece of Americana. With festive holiday scenes, watershed historical moments, and idyllic depictions of the American countryside, this book will hold perennial appeal for lovers of history, art, and a classic take on the American experience.

This newly expanded book on Louis Icart - one of France's most well known art deco artists - now includes a section on his oil paintings, as well as over 512 different etchings, painstakingly acquired and photographed. Particular attention has been given to the early years (1911-1924), when Icart was a relatively unknown artist and his edition sizes were small. With few exceptions, the book contains large, full color illustrations that give the reader a true representation of the full-size etchings. The authors clarify some of the existing confusion surrounding Icart's work, explaining the variations in his signature, the use of the "Windmill" seal and other seals, and the myriad copyright notations found on his artwork. The illustrations have been carefully measured and dated. This is a great addition to the Icart legacy.