Stage Lighting: Design Applications and More builds upon the information introduced in Stage Lighting: The Fundamentals to provide an in-depth reference to a number of specialty areas of lighting design, from traditional applications such as drama, dance, and designing for different venues, to more advanced applications such as concert, corporate, film and video, virtual, architectural/landscape, and other forms of entertainment lighting. Each chapter gives the essential background, design practices, and equipment details for each specialization, so readers can make informed decisions and ask informed questions when encountering each field. The book provides insight on the latest technology and includes profiles of prolific designers, such as James Moody, Jeff Ravitz, Alan Adelman, and Paul Gregory. Stage Lighting: Design Applications and More is intended to help lighting designers translate their theatrical skills to other areas of lighting design, and provides guidance on how to take those initial steps into new ventures in their lighting careers.

Focussing on costume in performance, this reader brings together key texts, case studies and interviews. Exploring costume's role and function in a variety of theoretical, historical, conceptual and practical contexts, this exciting volume also reflects on the broader relationship between costume and visual culture throughout.

Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniques for making, measuring, coloring, and cutting wigs from any time period. Whether you're a student or a professional, you'll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs, multiple approaches to solving wig-making problems, and industry best practices.

Are you one of the thousands who would like to forego the daily ritual of applying makeup? Do you yearn for faultless eyeliner, perfectly shaped eyebrows, and beautifully outlined lips? Whether your hands are not as steady as you would like, you are allergic to ordinary cosmetics, or you simply want to save time, permanent makeup will help you feel effortlessly beautiful from morning to night. This procedure, which originated in Asia and is sweeping across Europe and America, can also conceal scars and put the finishing touches on cosmetic or plastic surgery. Before taking such an important step, however, there are many questions to be answered. Written by a specialist in the field and featuring many before and after photos, this book provides detailed information on what permanent makeup can do, who benefits from it, how much it costs, finding and working with the right professional, advantages and disadvantages and much more. Those interested in becoming practitioners will also find valuable information on color theory, equipment, certification, state regulations, and professional associations. This fascinating book is a must for permanent makeup practitioners, cosmetic surgeons, tattoo artists, and those who want to improve their self-image, poise, and appearance once and for all.

This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. "Mise en scene" is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scene, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.

Clown: The Physical Comedian is a detailed and comprehensive workbook for those interested in the art of clowning and physical theatre, including actors, directors, improvisers, stand-up comedians, circus artists, mask performers and devisers of new work. Offering an extensive and hugely diverse compilation of tried-and-tested exercises and games, the book is for students, teachers and practitioners to aid ensemble-building, character development, devising theatre, physicalising text and vocalising movement, plus creating cabaret acts, clown routines and adding physical play to scripted scenes. It offers advice on subjects such as developing presence onstage; increasing strength, flexibility and physical expression; developing partner and trio relationships; understanding the power of the mask; and working with an audience - in particular, turning a performance into a conversation with the audience and increasing the actor's ability to connect with a crowd. The exercises and teachings have been developed in classrooms, workshops and theatres all over the world and the book is packed with insights from the author, who has worked for over 35 years in a wide variety of venues, from intimate performance spaces to large-scale sports stadiums.

"A straightforward, tasteful, and articulate account of what it is to bring a play to palpitating life upon a stage" ("The New York Times Book Review").
In this classic guide to directing, we are taken logically from the choice of the play right through ever aspect of its production to performances and beyond. Harold Clurman, director of such memorable productions as "A Member of the Wedding" and "Uncle Vanya," describes the pleasures and perils of working with such celebrated playwrights and actors as Marlon Brando, Arthur Miller, Julie Harris, and Lillian Hellman. He also presents his own directing notes for ten of his best-known productions.

Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices.

Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.

The volume is organised thematically in five sections:

• looking, the experience of seeing
• space and place
• the designer: the scenographic
• bodies in space
• making meaning

This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography ? the term increasingly used to describe a more integrated reading of performance ? this unique anthology recognises the role played by all the elements of production in the creation of meaning.

Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.

"The Handbook of Set Design" is a comprehensive guide to designing scenery of all kinds for a wide variety of stages, large and small. From concept to final dress rehearsal and performance, it takes you through the practical process of turning initial ideas and sketches into final sets that enhance the audience's understanding of the play as well as providing a memorable experience in their own right. Many photographs of stage sets designed by the author are included, together with explanatory illustrations, stage plans, technical drawings, models and colour renderings for a wide range of productions. Topics covered include: various types of stage, stage directions and naturalism; style, colour, texture and form, realism and naturalism; both traditional and state-of-the-art digital techniques involved in stage design; tools and methods for hand drafting, painting and model making; moving and changing scenery; and scenic tricks and special effects.

A Director Prepares is a thought-provoking examination of the challenges of making theatre. In it, Anne Bogart speaks candidly and with wisdom of the courage required to create 'art with great presence'.
Each chapter tackles one of the seven major areas Bogart has identified as both potential partner and potential obstacle to art-making. They are Violence; Memory; Terror; Eroticism; Stereotype; Embarrassment; and Resistance. Each one can be used to generate extraordinary creative energy, if we know how to use it.
A Director Prepares offers every practitioner an extraordinary insight into the creative process. It is a handbook, Bible and manifesto, all in one. No other book on the art of theatre comes even close to offering this much understanding, experience and inspiration.


eBook available with sample pages: 0203165543

A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible.
Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound:
Noise measurement
Acoustics
Microphones
Loudspeakers
Mixing equipment
CDs, DAT, MIDI, MiniDisc
Telephony
ISDN
Digital interfacing
Ultrasonics
This second edition also features:
Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements.
An extended list of further reading.

Handy pocket-sized reference
Straightforward explanations
Must-have facts and figures for Sound Engineers

Edward Gordon Craig's ideas regarding set and lighting have had an enormous impact on the development of the theatre we know today.
In this new and updated edition of his well-known study of Edward Gordon Craig, Professor Christopher Innes shows how Craig's stage work and theoretical writings were crucial to the development of modern theatre. This book contains extensive documentation and re-evaluates his significance as an artist, actor, director and writer. Craig is placed in historical context, and his productions are reconstituted from unpublished prompt-books, sketches, journals and correspondence. Most of the designs and photographs, and many of Craig's writings cited, are not available elsewhere in print. Readers will gain insight into a key period of theatrical history, the life of one of its most fascinating individuals, the nature of stage performance, and into revolutionary ideas that are still challenging today.

Tracing Lyubimov's work play by play, we discover an indivudual doomed to be at odds with the prevailing political and social climate of his literary contemporaries. From this unique book there emerges a clear picture of Lyubimov's mischievous, provocative, fearless, and tireless imagination.
In this fascinating study of Yury Lyubimov's tempestuous career and his liberating style of theatre, Birgit Beumers thoroughly explores the making of a major figure in twentieth-century theatre. She traces the development of Lyubimov's ideas, from his arrival at the Taganka theatre in 1964, through his expulsion in 1984 and his period of exile in the West, until his return in 1989 to a much-changed Russia.

(Excerpt)
Grotowski knows that to learn something means to conquer it in practice. One must learn through "doing" and not through memorization of ideas and theories . . . the axis of this text is a method, or better yet a practice, finally central to the work of Stanislavski, and later developed by Grotowski: "physical actions."
Grotowski is inheritor of the mantle of Stanislavski, renowned and revered for his radical innovation as a director, and for his seminal manifesto "Towards a Poor Theatre,"
"At Work With Grotowski on" "Physical Actions" by Thomas Richards, Grotowski's long-time collaborator, is the first available statement in English of Grotowski's current working practices and theoretical position in over twenty years.
This is Thomas Richards' inside account of his decade-long exclusive collaboration with one of the central figures of 20th-century theatre. It reviews in jargon-free terms Grotowski's developments since the time of "Towards a Poor Theatre,"
With the preface and concluding chapter by Grotowski himself, "At Work With Grotowski" is not only a portrait of the master at work, but also Grotowski's personal testimony to a life spent on the leading edge of the theatre world.
"At Work with Grotowski on Physical Actions" will take its rightful place alongside the dozen or so seminal theatre books of this century. Richards' account will prove a unique resource for actors, students, and anyone seriously interested in the best that the theatre has to offer.

As long as plays have been presented, choices have been made about the environment in which they occur, the garments the performers wear, and how to focus the audience's attention. Designers, then, have been instrumental in shaping the history of theater. But before designers were routinely listed in playbills, they could only be identified through other sources, including press releases, reviews, news articles, contracts, and personal papers. This reference provides alphabetically arranged entries for the more than 2,300 scenery, costume, and lighting designers who worked on Broadway in the 20th century. It begins with the 1899-1900 season and ends with the 2000-2001 season.

Each entry includes a brief biography and a list of the designer's credits. The emphasis is on individuals rather than companies, but some small businesses formed by designers have been retained as examples. Appendices list the winners of major design awards, and the volume includes a selected bibliography. The extensive index cites the more than 10,000 plays produced on Broadway in the 20th century. While not a narrative history, this reference is nonetheless a comprehensive chronicle of theatrical design on Broadway.

Written for all media-make up students this new edition of The Complete Make-up Artist will help you develop the skills needed to become a qualified, professional make-up artist. Endorsed by both Habia and VTCT, it covers all aspects of media make-up, from working in fashion and beauty to period and character make-up, and is fully updated with the latest national occupational standards.

Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a 'kinaesthetic mode of attention' leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia's historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.

Theatre Masks Out Side In examines masks from different angles and perspectives, combining the history, design, construction, and use of masks into one beautifully illustrated resource. Each chapter includes key information about an element of mask study: history and uses, theatre traditions, practical principles for directing, performing exercises, design considerations, mask making techniques, and considering makeup as mask. Artist interviews, theatre company profiles, and hundreds of images provide insight into the variety of mask styles and performance applications. Project suggestions, discussion questions, useful worksheets, creative prompts, and resources for sourcing masks are included to inspire further exploration. Theatre Masks Out Side In is designed with the beginning theatre maker in mind, as well as prop makers, costume designers and technicians, and actors learning to use masks in performance.

The Environment on Stage: Scenery or Shapeshifter? investigates a pertinent voice of theatrical performance within the production and reception of ecotheatre. Theatre ecologies, unavoidably enmeshed in the environment, describe the system of sometimes perverse feedback loops running through theatrical events, productions, performances and installations. This volume applies an ecoaware spectatorial lens to explore live theatre as a living ecosystem in a literal sense. The vibrant chemistry between production and reception, and the spiralling ideas and emotions this generates in some conditions, are unavoidably driven by flows of matter and energy, thus, by the natural environment, even when human perspectives seem to dominate. The Environment on Stage is an intentionally eclectic mix of observation, close reading and qualitative research, undertaken with the aim of exploring ecocritical ideas embedded in ecotheatre from a range of perspectives. Individual chapters identify productions, performances and installations in which the environment is palpably present on stage, as it is in natural disasters such as floods, storms, famine, conflict and climate change. These themes and others are explored in the context of site-specificity, subversive spectators, frugal modes of narrative, the shifting 'stuff' of theatre productions, and imaginative substitutions. Ecotheatre is nothing less than vibrant matter that lets the environment speak for itself

The definitive text for today's and tomorrow's lighting designers, covering the complete history, theory and practice of lighting design. With over four hundred illustrations and nearly sixty colour photographs, as well as interviews with many well-known professionals, Stage Lighting Design is a comprehensive, insightful and inspiring book that every designer and would-be designer should own. It is arranged in four sections: Design: the basic principles, illustrated with reference to specific productions History: a brief survey of the historical development of stage lighting The Life: interviews with 14 other lighting designers, plus notes on Pilbrow's own career Mechanics: a comprehensive section dealing with all the technical data today's designer will need.

* This book curates new thinking through interviews with designers who are artists, producers, professors, partners, parents, and collaborators. This book is a place to observe how one career can contain many possibilities. * Would be recommended reading in scenic design, stage craft and theatre design courses. At the majority of universities in the United States there are theatrical design courses for undergraduate students. * The closest competitors focus more on a 'basics' approach to set design. This book is not only relevant to students but also early career and more established industry professionals.

Technical automation - the ability of man-made (or god-made) objects to move and act autonomously - is not just the province of engineering or science fiction. In this book, Maria Gerolemou, by taking as her starting point the close semantic and linguistic relevance of technical automation to natural automatism, demonstrates how ancient literature, performance and engineering were often concerned with the way nature and artifice interacted. Moving across epic, didactic, tragedy, comedy, philosophy and ancient science, this is a brilliant assembly of evidence for the power of 'automatic theatre' in ancient literature. Gerolemou starts with the earliest Greek literature of Homer and Hesiod, where Hephaestus' self-moving artefacts in the Iliad reflect natural forces of motion and the manufactured Pandora becomes an autonomous woman. Her second chapter looks at Greek drama, where technical automation is used to augment and undermine nature not only through staging and costume but also in plot devices where statues come to life and humans behave as automatic devices. In the third chapter, Gerolemou considers how the philosophers of the 4th century BCE and the engineers of the Hellenistic period with their mechanical devices contributed to a growing dialogue around technical automation and how it could help its audience glance and marvel at the hidden mechanisms of self-motion. Finally, the book explores the ways technical automation is employed as an ekphrastic technique in late antiquity and early Byzantium.

Shakespeare's plays are fascinated by the problems of speed and flight. They are repeatedly interested in humans, spirits, and objects that move very fast; become airborne; and in some cases even travel into space. In Speed and Flight in Shakespeare, the first study of any kind on the subject, Steggle looks at how Shakespeare's language explores ideas of speed and flight, and what theatrical resources his plays use to represent these states. Shakespeare has, this book argues, an aesthetic of speed and flight. Featuring chapters on The Comedy of Errors, A Midsummer Night's Dream, Romeo and Juliet, Henry V, Macbeth and The Tempest, this study opens up a new field around the 'historical phenomenology' of early modern speed.