A design tech portfolio showcases a theatre designer/technician's most prized accomplishments in stage design, lighting, costuming, or makeup. The ability to make a winning portfolio is essential to getting into choice colleges, obtaining scholarships, and getting new jobs in the field. Unfortunately the process can become time consuming and challenging if you don't know where to start. Show Case offers students, teachers, and aspiring professionals the information they need to know to create, maintain, and show off their portfolio. This fully revised second edition features new and expanded chapters that explore current and innovative approaches to creating a design-tech portfolio, including branding, social networking, and traditional and interactive e-portfolios. This comprehensive guide also covers planning and developing details such as page layout, content variety, aesthetic sequencing, marketing, personal presentation, and next steps. Each chapter features introductions, samples, and lists of "Do's and Don'ts" provided by experienced professionals in the different design/tech fields. Portfolios featured are from an incredible cast of contributors at different stages of their careers, including recent graduate students, officers of renowned organizations and international theater artists, and art directors representing narrative artists in the allied fields of film, TV, and other media. This book is designed as a reference guide, workbook, and an inspirational tool, assisting designers/technicians in the process of developing a showcase that can be used to apply for graduate school, to pursue new jobs in the field, and for career marketing purposes.

A new edition of the celebrated introduction to dramaturgy training and practice Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. The first textbook introduced students to the "ghost light" model of dramaturgy-a creatively engaged, artistically vibrant approach that draws on extensive knowledge of theatre history, practice, and theory-and this second edition brings the conversation up to the present. Over three parts, author and theory creator Michael Mark Chemers helps students explore the world of the dramaturg. Part 1 describes what dramaturgs do, presents a detailed history of dramaturgy, and summarizes many of the critical theories needed to analyze and understand dramatic texts. Part 2 teaches students to read, write, and analyze scripts through a twelve-step program with suggestions about how to approach various genres and play structures. The final part delves into the relationships dramaturgs forge and offers useful advice about collaborating with other artists. It also includes ideas for audience outreach initiatives such as marketing and publicity plans, educational programs, program notes and lobby displays, and more. Perfectly suited for the undergraduate theatre classroom, this holistic guide includes chapter exercises for students to practice the skills as they learn. The new edition also incorporates recent theory and new resources on multimedia performance and dramaturgy in the digital age. As the field of dramaturgy continues to shift and change, this new edition of Ghost Light: An Introductory Handbook for Dramaturgy prepares theatre students and practitioners to create powerful, relevant performances of all types.

The large-scale Broadway musical is one of America's great contributions to world theatre. Bill and Jean Eckart were stage designers and producers at the peak of the musical, and their designs revolutionized Broadway productions. At a time when sets were meant to remain simply backdrops that established time and place but not much else, an Eckart set became part of the performance on stage, equal at times to an actor. Anyone who has seen Phantom of the Opera or Les Miserables has seen the innovations that the Eckarts brought to the large Broadway-style musical production. They were best known for their designs for Damn Yankees (1955); Once Upon a Mattress (1959), in which Carol Burnett made her Broadway debut; and Mame (1966) with Angela Lansbury. Andrew B. Harris uses production stills and the Eckarts' sketches from every show they worked on to illustrate the magic behind an Eckart design. This lavishly illustrated book, with more than 500 full-color illustrations, is a fitting tribute to both the great American theatre and the couple who helped make it great.

Digital Media, Projection Design, and Technology for Theatre covers the foundational skills, best practices, and real-world considerations of integrating digital media and projections into theatre. The authors, professional designers and university professors of digital media in live performance, provide readers with a narrative overview of the professional field, including current industry standards and expectations for digital media/projection design, its related technologies and techniques. The book offers a practical taxonomy of what digital media is and how we create meaning through its use on the theatrical stage. The book outlines the digital media/projection designer's workflow into nine unique phases. From the very first steps of landing the job, to reading and analyzing the script and creating content, all the way through to opening night and archiving a design. Detailed analysis, tips, case studies, and best practices for crafting a practical schedule and budget, to rehearsing with digital media, working with actors and directors, to creating a unified design for the stage with lighting, set, sound, costumes, and props is discussed. The fundamentals of content creation, detailing the basic building blocks of creating and executing digital content within a design is offered in context of the most commonly used content creation methods, including: photography and still images, video, animation, real-time effects, generative art, data, and interactive digital media. Standard professional industry equipment, including media servers, projectors, projection surfaces, emissive displays, cameras, sensors, etc. is detailed. The book also offers a breakdown of all key related technical tasks, such as converging, warping, and blending projectors, to calculating surface brightness/luminance, screen size and throw distance, to using masks, warping content and projection mapping, making this a complete guide to digital media and projection design today. An eResource page offers sample assets and interviews that link to current and relevant work of leading projection designers.

Author Rich Dionne reframes the theatre production as a project and provides essential tools for understanding and managing it efficiently, whether it be a stage play, an opera, a dance piece, or other performance that requires the collaboration of the artists and artisans creating the visual and aural landscape for it. Project Planning for the Stage is organized into four sections corresponding to the life cycle of a theatre production: defining the goals and scope of the production and assembling the crew; planning, estimating, and scheduling; executing and managing; and closing and strike. Each section focuses on relevant concepts and skills and outlines the application of effective project-planning procedures and techniques-including critical path analysis. Dionne provides essential tools for tracking and monitoring a project's progress and uses examples from different theatre genres to illustrate these processes in clear and concise language. This book is a valuable addition to the libraries of technical managers in live entertainment. Technical directors, costume shop managers, master electricians, properties masters, and video supervisors-anyone managing even part of a production-needs to understand project-planning concepts such as knowing the boundaries of authority and responsibility, parametric and bottom-up estimates, and precedence diagrams. The incredibly useful and powerful tools outlined allow any technical manager to deliver the best possible outcome for a production.

Ming Cho Lee is considered to be the most influential stage designer in the United States in the past forty years, and one of the most respected designers in the world. His work with theater, opera, and dance companies in the 1960s, particularly the New York Shakespeare Festival, the New York City Opera, and the Joffrey Ballet, transformed the very nature of the design in America and introduced a scenic vocabulary and spatial aesthetic that underlies scenographic styles to the present day.

Lavishly illustrated with over five hundred images in both color and black and white, this book chronicles Lee's career from his early training as a water-colorist in China, his designs for over three hundred productions, and his esteemed forty-year career at the Yale School of Drama as a mentor to an entire generations of scenic designers. A recipient of the National Medal of Arts, the highest national award given in the arts awarded by the President of the United States, Lee's work has been showcased at the New York Public Library for the Performing Arts, and in early 2014, the Yale School of Architecture hosted a major retrospective of his work. His other awards include a Tony Award, Outer Circle Critics' Award, and three Drama Desk Awards.

Arnold Aronson has taught at Columbia University since 1991 and has previously worked in the theater departments at Hunter College, The University of Michigan, Cornell University, and The University of Virginia. He served as the editor of "Theatre Design & Technology" from 1978 to 1988 and is the author of "American Set Design." In 2007, he served as the first non-Czech General Commissioner of the Prague Quadrennial of Stage Design and Theatre Architecture.

The Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen. It is an invaluable resource for fight choreographers, props designers, backstage crew, directors, actors, stage managers, and more, at all levels of experience. Written in an informal and entertaining manner, with over 100 illustrations, it establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade. Within these pages you'll find practical instruction couched in the language of theatre and film, making firearms technology and concepts approachable to dramatic artists without any dumbing-down of the subject material. This handbook is equally at home within the worlds of academic training, professional performance, and independent or community theatre and video productions

How has light influenced the staging of theatre throughout history? What does light contribute to performance? How does it make meaning? This collection explores the creative potential of light in the theatre. Through a wide range of extracts from historical accounts, new research and rare documents, some presented for the first time in English, Scott Palmer provides new ways of thinking about lighting as a creative performance practice. Focusing on elements such as: * the emergence of lighting design in the theatre * equipment and techniques * the dramaturgy of light * its impact on actor, audience and playhouse * the semiotics and phenomenology of light in performance the book reveals why light has such a profound effect on the audience's experience of a theatrical event.

The only reporter James Cameron invited to chronicle the astonishing three-year odyssey that was the making of Titanic, Paula Parisi details the behind-the-scenes adventure so vividly you feel as if you are there. In this fast-paced narrative, we dive with Cameron twelve thousand feet to the wreckage of the Titanic. We're with him as he plans and budgets the film, scouts locations, and casts the actors; as he builds a state-of-the-art studio in Mexico, deals with studio executives, edits fourteen days' worth of film, and supervises more than five hundred special effects. Cameron also collaborates with composer James Horner and singer Celine Dion, and ultimately wins the gold: eleven Academy Awards, including Best Director and Best Picture. Excerpts from Cameron's journals are cited throughout.

In addition, there's Cameron's own story: his childhood and family life; his first experience in film, working for Roger Corman; and fascinating stories about the founding of Lightstorm and the making of Terminator, Aliens, The Abyss, Terminator 2, True Lies, and, ultimately, Titanic.

Originating in the conference held at the University of Cambridge in 2009, this collection of essays includes a range of innovative papers from across the diverse field of French and Francophone studies. From medieval texts to the dramatization of the novel, from postcolonial writing to the politics of film and the bande dessinee, the articles in this collection draw on recent developments in the theories of adaptation, translation, and cultural and textual transition. In keeping with these developments, they move the notion of adaptation away from questions of authenticity and fidelity, thinking instead about the movement across texts and time, and the way such movement generates new meanings. Offering insightful approaches to its subjects of study, the book is an engaging contribution to this growing area of research.

The theatre of Ana Diosdado and Paloma Pedrero in Spain, and Aida Bortnik and Griselda Gambaro in Argentina, written between 1960 and 1990, reveals an increasing preoccupation with women's issues together with a continuing awareness of problematic political realities. Whether they challenge the strict separation between the private and the public, or whether they choose to uphold that distinction, these authors make the personal political by appropriating the public space - the stage - for the stories of women.

This book articulates the first theoretical context for a 'cyborg theatre', metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.

"Really does enable anyone from first year student to the established lighting designer to learn more and improve" Focus, the Journal of the Association of Lighting Designers New technologies have made lighting more prominent in live performances of all kinds, not just stage theatre, and in many courses lighting has been subsumed into 'performance lighting'. Performance Lighting Design is a practical guide to the art and technique of lighting for the stage, concerts, and live events. The book will also cover the use of projected images in performance including projected scenery on the West End stage, in fringe shows, and on the stadium "rock" stage, as well as the use of images from live camera and from other sources as "performers". The book will serve students of lighting design and will also be accessible to anyone with an awareness of technical theatre. Practical knowledge is combined with aesthetic and theoretical considerations. The book will also address the difficult area of getting inspiration and evolving design ideas through a broad range of performance genre. The author will discuss the pros and cons of several computer based techniques, and incorporate 25 years of his own professional experience in the UK and Europe.

THE BEAUTY OF THE BEASTS is a chronicle of many years Ralph Helfer spent as a Hollywood animal behaviorist, and is full of behind-the-scenes accounts of the many television programs and films in which Helfer's animals appeared, including Charlie's Angels and The Ten Commandments, and the stars he and his animals worked with such as Elvis Presley, Clint Eastwood, and Marilyn Monroe. But this is more than a story of the famous, both four and two-legged -- it's also about the important roles animals play in our lives, and how much less human we would be without them.

For more than thirty years, the Wing has produced the "Working in the Theatre" seminars, a series that features the greatest names in theatre. It is now available in book form for the first time, compact, and at an affordable paperback price.Spanning the range of these seminars, with a concentration on the most recent shows and current stars, the information, anecdotes, gossip (yes!), heartaches and triumphs are all here.We learn: what a career in the theatre is really about, from inspiration to a Tony or Pulitzer Prize; how actors prepare; what actors have found to be the best techniques; how writers get their work staged; and, how playwrights and cast interact with the director.

For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to:

• Uncover your unique creative voice (Introspection)

• Work from real-life observations and experience (Inquiry)

• Draw on your nonconscious wells of creativity (Intuition)

• Strengthen your creative collaborations (Interaction)

• Communicate at the deepest level with your audience (Impact)

This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue.

The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are:

Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).

In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entry to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network. patriarchal, resistant film making practice. Rabinovitz convinces us that, in the case of Deren, Clarke, and Wieland, this practice has been articulated strongly since the 1940s - Donald Crafton, author of Emile Cohl, Caricature and Film.

This collection of interviews provides a revealing self-portrait of Martin Ritt (1914-1990), America's preeminent maker of social films and one of the most sensitive portraitists of the rural South.

Ritt's Hollywood career began in 1958 with "Edge of the City" and ended in 1990 with the release of "Stanley and Iris." In all, he directed twenty-six movies, including some of Hollywood's most enduring films--"Hud," "Hombre," "The Spy Who Came in from the Cold," "The Brotherhood," "The Molly Maguires," "The Front," and "Norma Rae."

Although he gave mostly boilerplate interviews to the press when promoting a movie, Ritt provided more revealing interviews for seminars, oral histories, and documentary filmmakers. The most significant of these, published here for the first time, create a close-up portrait of this distinguished director of plays and films.

Ritt speaks eloquently about his years with the Group Theatre and recreates the passion of the director Harold Clurman. He tells how the Group shaped his ideas about art and the communal nature of the theatrical enterprise, which he extended into his work in film. He speaks of his relationship with Clifford Odets and Elia Kazan, and he talks in detail about his experiences with the blacklist, directing and acting in TV during its Golden Age, his career as a theater director, and his experiences working with such actors as Paul Newman, Sally Field, Sophia Loren, Orson Welles, and Robert De Niro. Ritt discusses his philosophy of directing, the place of film in the history of art, his quarrels with "auteur theory," and the influence of his politics on his work.

Gabriel Miller, a professor of English at Rutgers University, is the author of "The Films of Martin Ritt: Fanfare for the Common Man" (University Press of Mississippi). Articles by him have appeared in the "Los Angeles Times," "American Book Review," and "Literature/Film Quarterly," among other publications.

Nacido en Teheran en 1940, Abbas Kiarostami, iniciado profesionalmente como disenador grafico, paso inmediatamente a realizar filmes publicitarios, forjandose una solida reputacion en este campo que acabaria abandonando por la prevalencia de las presiones comerciales sobre cualquier otra consideracion. Su ingreso en el Centro para el Desarrollo Intelectual de Ninos y Adolescentes hace que, de una manera un tanto fortuita, "se ponga" a dirigir su primera pelicula, Pan y Callejuela, un corto de no mas de 10 minutos. Pero no es hasta 1977 cuando debuta en el cine comercial, en un momento de gran efervescencia creadora, severa crisis industrial y fuertes tensiones politicas que desembocarian en 1979 con la Revolucion Islamica. Este libro reconstruye y estudia la obra cinematografica de Abbas Kiarostami, no de una manera aseptica o neutra, sino que ofrece una interpretacion de la misma y una imagen coherente del cineasta y de su filmografia.

The Stage Lighting Handbook is well established as the classic practical lighting guide. The book explains the process of designing lighting for all forms of stage production and describes the equipment used. This new edition includes up-to-date information on new equipment and discusses its impact on working methods.

Now in its second edition, Designing for the Theatre has established itself as the authoritative introduction to the processes of design for the theatre. Covering the contribution which can be made by costume, sets, props and lighting to a stage production, the author explains the purpose and process involved in their design. Included in this second edition are new photographs and drawings illustrating some of the most exciting and diverse current trends in stage design.