With sound becoming more important in cinema exhibition and DVD release, this book offers user-friendly knowledge and stimulating exercises to help compose a story, develop characters and create emotion through skilful creation of the sound track. Psychoacoustics, music theory, voice study and analysis of well-known films expand perception, imagination and the musical skills of the reader.

The Most Widely Used Manual For Aspiring And Veteran Stage Managers - Now Revised and Expanded

The next best thing to shadowing a Broadway stage manager, this detailed, behind-the-scenes book as been brought completely up to date. First published in 1991, it is widely used and has been lauded as the most comprehensive, educational book on stage management available. From preproduction planning and first rehersals to opening night and final strike, all the essentials of the profession are presented here in a friendly, engaging style.
Blending how-to information with anecdotes from his own career, author Thomas A. Kelly explains the entire theatrical process, including:
- Organizing all rehearsals and performances
- Maintaining the working script, cue sheets, and daily records
- Supervising the technical aspects of the show
- Running shows outdoors and at other non-theatrical venues
- Dealing with performers and crew members on all levels
This new edition reflects all the latest developments and innovations in the industry and adds a totally new chapter on opera stage management, complete with an in-depth breakdown of the challenges this style of production presents. The text is supported by sample documents, diagrams, and charts that straddle time-honored approaches with what can be generated by today's computer software. All the latest stage machinery is discussed, along with tips on finding employment. This guide remians the first choice for anyone who works in any branch of the profession, whether amateur, educational, or professional.

SWORD FIGHTING; A MANUAL FOR ACTORS AND DIRECTORS is a comprehensive new work on the art of creating realistic and exciting fight sequences for theatre, film and TV. This book is the product of thirty years research and experimentation into traditional European martial arts by acclaimed fight director John Waller and his associates, and possibly the most wide-ranging and practical book on stage combat ever published.

A Hollywood Insider Takes You Inside Hollywood! Richard Bare knows the film industry. He has worked with Spielburg and Lucas, discovered James Garner, and has been nominated for numerous awards, including three Oscars. Now this award-winning Hollywood veteran shares his experiences, advice, and techniques in this completely updated edition of the classic film-directing guide. In this invaluable book you'll find:

• A solid nuts-and-bolts handbook for the beginning director.
• A candid look at the technical aspects of how directors work on a set.
• Valuable guidance on moviemaking for the low-budget director.
• Discussions of the careers and working methods of such leading directors as George Lucas, James Cameron, Steven Spielberg, Spike Lee, and Mimi Leder.
• Practical knowledge on shooting, staging, camera style, rehearsing, and editing.
• Examples and advice on how to get a job directing with a studio or production company.

The profession of directing is barely a century old. On Directing considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversity of today's approaches to directing are explored through a series of interviews with leading contemporary practitioners. On Directing is a landmark book about the director's craft.

A complete guide to Reader's Theatre--what it is and how to stage it--including four award-winning scripts by Charles LaBorde, Jo Davidsmeyer, Caroline E. Wood, and Robert Hawkins. (Performing Arts)

This book, by Jerome Rockwood and endorsed by actors such as Bruce Willis and Burgess Meredith, has been praised as the best acting textbook on the market today. It covers auditioning, blocking, relaxing, improvisation, standard stage speech, dialects and accents, movement in period plays, and much more.

Historical Wig Styling: Victorian to the Present, 2nd edition, is a guide to creating beautiful, historically accurate hairstyles for theatrical productions and events. This volume covers hairstyles from the Victorian era through the contemporary styles of today. Chapters begin with an overview of historic figures and styles that influenced the look of each period, followed by step-by-step instructions and photographs showing the finished look from every angle. The book also explores the necessary supplies and styling products needed to create the perfect coif, tips for proper wig handling, a brief history of the makeup for each historical period, and basic styling techniques useful when working with wigs or real hair. New hairstyles featured in this edition include: - Civil War era women - Late Victorian African-American men - 1910s' Full width style women - 1920s' glossy waves - 1940s' Victory rolls - 1950s' Poodle updos - 1960s' flips With over 1,000 full-color images and detailed instructions on how to create iconic hairstyles and makeup, Historical Wig Styling: Victorian to the Present, 2nd edition, is an excellent resource for professional costume designers and wig makers, as well as for students of Costume Design and Wig Making and Styling courses.

The popularity of fantasy blockbusters and sci-fi television has made the call for prosthetic artists a staple requirement in the majority of film crews. Prosthetic make-up has the ability to transform actors into unique, one-of-a-kind characters who take us into the realms of impossibility, limited only by the artist's imagination. Yet it can also be used in more subtle ways to alter physical appearance and create ageing, weight gain or illness, useful for a variety of genres and entertainment mediums. This instructional book offers a fascinating insight into the world of prosthetic make-up artistry. It illustrates two- and three-dimensional make-up techniques and covers topics such as: life casting; sculpting techniques; gelatine prosthetics; airbrushing; hair punching; hand-laid hair techniques and novelty teeth design and manufacture.

Ensemble devising can be a daunting prospect for many actors: it requires a level of imagination, commitment and risk-taking not always seen in conventional theatre. In this handy volume, Davis Robinson uses his wealth of knowledge and expertise, garnered over thirty years of devising, to teach you the ins and outs of ensemble theatre making. A Practical Guide to Ensemble Devising leads you through the process of collaborative theatre, from warm-ups and generating ideas to editing and polishing a performance. It features a comprehensive series of exercises throughout, which will allow you to build the foundational skills required for a range of productive ensemble work. By discussing the work of a number of internationally acclaimed practitioners, Robinson encourages you to develop your own unique style of performance. Lively and accessible, this book is invaluable for anyone interested in developing their devising skills.

Das politische Theater der zwanziger Jahre, als dessen zentraler Vertreter Erwin Piscator (1893-1966) gilt, wurde in den Inszenierungen der Berliner Piscatorbuhnen zwischen 1927 und 1931 zum theatergeschichtlichen Ereignis. Nach Piscators Ruckkehr aus der New Yorker Emigration in die Bundesrepublik im Jahr 1951 erscheint ein bruchloses Anknupfen an seine spektakularen theatralen Verfahren der Weimarer Republik ausgeschlossen. Als Piscator in den sechziger Jahren die Intendanz der Freien Volksbuhne in West-Berlin ubertragen wird, leitet er mit einer Serie couragierter Inszenierungen die AEra des Dokumentartheaters ein. Mit der Urauffuhrung von Rolf Hochhuths umstrittenem "Stellvertreter" und der Werke Heinar Kipphardts und Peter Weiss' wird das Theater abermals zum Brennspiegel seiner Zeit. Die erhebliche Provokanz des politischen Theaters der sechziger Jahre besteht dabei nicht in einer parteinahen Inszenierungspraxis, sondern vielmehr in Piscators beharrlicher Fursprache fur eine Aufarbeitung der NS-Vergangenheit und fur eine Deeskalation wahrend des Kalten Kriegs. Ausgehend von den Umstanden, unter denen der Regisseur 1951 die Vereinigten Staaten verlassen muss, zeichnet die vorliegende Untersuchung ein prazises Profil von Piscators interventionistischer spater Theaterarbeit und vergleicht diese im Sinne inszenierungsorientierter Theatergeschichtsschreibung mit Piscators stilbildenden Inszenierungen der zwanziger Jahre.

Theatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward! Readers will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit the character with the use of highlight and shadow. Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup. Also covered are the tools readers will need to apply their own makeup, along with critical health and hygiene tips. This book is suitable for beginner Theatrical Makeup courses and for stage actors of all levels.

This practical guide covers all aspects of stage lighting equipment, special effects, lighting a performance space and lighting design. It is well illustrated with examples of equipment, diagrams, plans and technical data. It also features the work of current lighting designers. The associated video content shows the practical use of equipment and different lighting techniques and effects. It provides easy access to the content through the use of tabulated sections and keyword headings. The information in each chapter is presented at three levels which run visually throughout the guide enabling students to mix and match their own personal level of study or for practitioners to fast track through to the information they need on stage. This new and revised second edition brings the guide right up to date, and includes all new material on the development of LED lighting in recent years, as well as online video resources.

Sewing Techniques for Theatre: An Essential Guide for Beginners distills the intimidating art of sewing down into simple, quick, and effective lessons to prepare readers for an entry-level position in a costume shop. The lessons follow an hour-by-hour structure, offering detailed instructions to creating 11 sewing samples, a scrub shirt, and a tote bag. Embedded in the projects' directions are lecture materials on safety, irons, fabric, and patterns. With a wealth of hands-on exercises, review questions, photographs, and step-by-step instructions for compiling a portfolio, this guide teaches aspiring costume technicians about the culture and machinery of the costume shop, and equips them with the necessary skills to begin their career as members of a costume shop team.

This book brings together a collection of leading international experts to explore the lessons learnt through implementation and the future directions of crime prevention policies. Through a comparative analysis of developments in crime prevention policies across a number of European countries, contributors address questions such as: How has 'the preventive turn' in crime control policies been implemented in various different countries and what have its implications been? What lessons have been learnt over the ensuing years and what are the major trends influencing the direction of development? What does the future hold for crime prevention and community safety? Contributors explore and assess the different models adopted and the shifting emphasis accorded to differing strategies over time. The book also seeks to compare and contrast different approaches as well as the nature and extent of policy transfer between jurisdictions and the internationalisation of key ideas, strategies and theories of crime prevention and community safety.

Problems plague every screenwriter, and even most pros' first drafts inevitably need a bunch of rewrites. Good writers don't despair; they see their problems as creative springboards to make every subsequent draft better.

But how do you know what truly isn't working in your screenplay? And even when you've figured that out, how do you know exactly what changes to make to improve it? In this comprehensive, step-by-step guide, best-selling author Syd Field helps you identify and remedy common screenwriting problems. Field provides professional secrets that make movies brilliant - secrets that can elevate the quality of your screenplay, and aim it for success.

Using The Screenwriter's Problem Solver, you'll learn to:

• Understand how great stories work regarding: structure, feeling, entertainment value and more,
• Hook professional readers by writing the most powerful version of your script's first ten pages,
• Use a "dream assignment" to liberate elusive parts of your creative self, overnight,
• Leverage action to build character, the way Quentin Tarantino does,
• Recover when you "hit the wall" - and overcome writer's block forever.

Syd Field's ground-breaking work discerning the deep structure of successful screenplays is based on decades of study - encompassing thousands of scripts and films. This is the stuff that doesn't change - even as wildly popular trends, like superhero movies, come and go - because the fundamental elements that make stories resonate with audiences are rooted in our shared humanity. Field's insights about screenwriting are not only practical, they're also expressions of compassion and wisdom. You may find that some of the solutions you uncover using Field's approach to writing can apply to other challenging aspects of your life as well.

The subject of this book is theatre directing in four internationally famous instances. The four directors-Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook-all were monarchs of the profession in their time. Without their work, theatre in the twentieth century-so often called "the century of the director" -would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.

Stage Lighting: Design Applications and More builds upon the information introduced in Stage Lighting: The Fundamentals to provide an in-depth reference to a number of specialty areas of lighting design, from traditional applications such as drama, dance, and designing for different venues, to more advanced applications such as concert, corporate, film and video, virtual, architectural/landscape, and other forms of entertainment lighting. Each chapter gives the essential background, design practices, and equipment details for each specialization, so readers can make informed decisions and ask informed questions when encountering each field. The book provides insight on the latest technology and includes profiles of prolific designers, such as James Moody, Jeff Ravitz, Alan Adelman, and Paul Gregory. Stage Lighting: Design Applications and More is intended to help lighting designers translate their theatrical skills to other areas of lighting design, and provides guidance on how to take those initial steps into new ventures in their lighting careers.

Thrust into the international spotlight in 1966 when "The Hunt," his critique of the Franco regime, won the Silver Bear at Berlin, Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding presence and frequent victor at worldwide cinema competitions ever since.

Best known in the United States for his Flamenco trilogy--"Blood Wedding," "Carmen," and "A Love Bewitched"--he also received Oscar nominations for "Mama Turns a Hundred," "Carmen," and "Tango." Saura's movies are frequently ambiguous, sometimes controversial, and always narratively complex. In many of his films, such as "Cria" and "Goya in Bordeaux," he creates sophisticated expressions of time and space by fusing reality with fantasy, past with present, and memory with hallucination.

"Carlos Saura: Interviews" collects interviews the filmmaker has given in Spain, France, Germany, and Canada. All of the conversations appear here in English for the first time, and, as such, they represent a treasure trove of comments by Saura on his own work.

Covering the entire spectrum of his career, including his latest film "Bunuel and King Solomon's Table," the interviews discuss his early contributions to the New Spanish Cinema, his documentaries and documentary-like urban films, his cinematic essays on historical figures, his dance films, his adaptations of literary and theatrical works, and the films rooted in his personal reminiscences of the Spanish Civil War.

In addition, the collection touches upon Saura's efforts as a photographer, opera director, and novelist and explores his friendship with filmmaker Luis Bunuel. These interviews disclose Saura's amazingly consistent approach to his cinema, his role as an auteur, and the principles on which his creativity and intuition continue to build in innovative ways.

Linda M. Willem is professor of Spanish at Butler University. She is the author of "Galdos's Segunda Manera: Rhetorical Strategies and Affective Response" and editor of "A Sesquicentennial Tribute to Galdos." Her work has been published in "Literature/Film Quarterly," "Bulletin of Hispanic Studies," "Latin American Literary Review," "Letras Peninsulares," and "Critica Hispanica."

Focussing on costume in performance, this reader brings together key texts, case studies and interviews. Exploring costume's role and function in a variety of theoretical, historical, conceptual and practical contexts, this exciting volume also reflects on the broader relationship between costume and visual culture throughout.

Brian De Palma (b. 1940) isn't your average Hollywood director.

For years he reigned as the "master of the macabre," the man who massacred the class of '76 in "Carrie" and stalked Angie Dickinson in "Dressed to Kill." By the mid-1980s De Palma found himself assaulting his audience and critics, daring them to watch a chainsaw enter a man's skull in "Scarface" and a power drill disembowel a defenseless woman in "Body Double."

What drove De Palma to such extremes? In the late 1960s, he wanted to be the next Jean-Luc Godard and revolutionize American cinema. Instead, he found himself ostracized when Warner Bros. removed him from "Get to Know Your Rabbit," his first Hollywood feature. De Palma sought the refuge of Alfred Hitchcock until the late 1970s ("Sisters," "Obsession"), when his surreal approach to horror became a genre unto itself ("Carrie," "The Fury," "Dressed to Kill"). Ironically, just as De Palma achieved the success that his fellow Movie Brats George Lucas, Martin Scorsese, and Steven Spielberg had enjoyed since the mid-1970s, he could not hide his resentment toward Hollywood. After battling with the MPAA in the 1980s, he gradually became part of the mainstream with the success of "The Untouchables" and "Mission: Impossible," although he never suppressed his desire to make audiences aware of his camera-eye and his dark, penetrating worldview.

"Brian De Palma: Interviews" follows De Palma's fortunes as he makes the difficult transition from underground filmmaker to celebrity auteur. In profiles and q&a interviews, he emerges as a fascinating figure of excess and ambivalence. De Palma is not afraid to share his opinions about censorship, violence, feminism, American culture, and the fate of cinema in the twenty-first century.

How has light influenced the staging of theatre throughout history? What does light contribute to performance? How does it make meaning? This collection explores the creative potential of light in the theatre. Through a wide range of extracts from historical accounts, new research and rare documents, some presented for the first time in English, Scott Palmer provides new ways of thinking about lighting as a creative performance practice. Focusing on elements such as: * the emergence of lighting design in the theatre * equipment and techniques * the dramaturgy of light * its impact on actor, audience and playhouse * the semiotics and phenomenology of light in performance the book reveals why light has such a profound effect on the audience's experience of a theatrical event.