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Books > Humanities > Archaeology > Archaeology by period / region > General
Situated at the intersection of cultural heritage and local community, this book enlarges our understanding of the Indigenous peoples of southern Mexico and northern Central America who became detached from "the ancient Maya" through colonialism, government actions, and early twentieth-century anthropological and archaeological research. Through grass-roots heritage programs, local communities are reconnecting with a much valorized but distant past. Maya Cultural Heritage explores how community programs conceived and implemented in a collaborative style are changing the relationship among, archaeological practice, the objects of archaeological study, and contemporary ethnolinguistic Mayan communities. Rather than simply describing Maya sites, McAnany concentrates on the dialogue nurtured by these participatory heritage programs, the new "heritage-scapes" they foster, and how the diverse Maya communities of today relate to those of the past.
Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East. Drawing upon a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator. Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.
This book focuses on a forgotten place-the Khami World Heritage site in Zimbabwe. It examines how professionally ascribed values and conservation priorities affect the cultural landscape when there is a disjuncture between local community and national interests, and explores the epistemic violence that often accompanied colonial heritage management and archaeology in southern Africa. The central premise is that the history of the modern Zimbabwe nation, in terms of what is officially remembered and celebrated, inevitably determines how that past is managed. It is about how places are experienced and remembered through narratives and how the loss of this heritage memory may mark the un-inheriting of place. Memory and Cultural Landscape at the Khami World Heritage Site, Zimbabwe is informed by the author's experience of living near and working at Great Zimbabwe and Khami as an archaeologist, and uses archives and traditional narratives to build a biography for this lost cultural landscape. Whereas Great Zimbabwe is a resource for the state's contentious narrative of unity, and a tool for cultural activism among communities whose cultural rights are denied through the nationalisation and globalisation heritage, at Khami, which has lost its historical gravity, there is only silence. Researchers and students of cultural heritage will find this book a much-needed case study on heritage, identity, community and landscape from an African perspective.
Two prehistoric cave sites on the Bird's Head of western New Guinea provide a detailed narrative of 26,000 years of human occupation of this area. During Late Pleistocene times, lower temperatures allowed a suite of montane animal species to descend onto the lowland Ayamaru Plateau. When the montane fauna receded during the subsequent climatic amelioration, people switched their hunting focus to a forest wallaby, known locally as Djief. Detailed analysis of this species' remains, including the reconstruction of their age profile, provides insights into why prolonged hunting of this species did not lead to its extinction. The wallaby population evidently thrived at its demographic maximum throughout the early and mid-Holocene, suggesting that human population densities, and therefore hunting pressure, were low until c. 5000 BP.This volume of Modern Quaternary Research in Southeast Asia offers a unique perspective on sustainable hunting in prehistory and provides intriguing insights into hunter-gatherer subsistence, tool manufacturing and use, the changing intensity of occupation of the sites, and environmental exploitation from Late Pleistocene times onwards in a lowland tropical region. It forms an important contribution to the current debate on the possibilities of human occupation of tropical rainforest before the advent of agriculture.
Examining stone vessels in the Levant during the 2nd millennium BC, the author explores the links between material culture and society through a comprehensive study of production and distribution. Extensively illustrated with 100 drawings, maps and charts, this volume includes a full object catalogue. This study represents the first comprehensive overview of the stone vessel assemblagesof the Levant in this period, a time which, fed by an increase of wealth and interregional trade, saw a growth in the popularity and variety of such vessels. Previously, our understanding of the varied functions and forms of these diverse vessels has been relatively underdeveloped. In this volume the author attempts to address this problem by creating a typological framework though which we can analyse variability and define essential characteristics of local stone vessel workshops. Only once this has been achieved is it possible to look at stone vessel production in its wider cultural context. Subsequent chapters explore broader themes, beginning within the workshops themselves, examining the links between craftsmen, their sources of raw materials, and the authorities that controlled and distributed their output. Considerations of the geographical and chronological distribution of such goods are then used to provide a regional perspective for the operation of these workshops, connections between them, and further insights into the nature of local and international trade. Finally, the objects themselves can be used to assess the impact of trends such as the growing Egyptianization of the ruling classes of the Levant at this time.
Motherhood is a subject that has largely been ignored by archaeologists who focus on gender and history-until now. Using archaeological materials recovered from a housesite in Mobile, Alabama, Laurie Wilkie explores how one extended African-American family engaged with competing and conflicting mothering ideologies in the post-Emancipation South. The female head of this household, Lucrecia Perryman, turned to midwifery to support her family and as a midwife, became a vehicle for transmitting cultural, social and political knowledge regarding mothering performance and practice to the broader African-American community.
Motherhood is a subject that has largely been ignored by archaeologists who focus on gender and history-until now. Using archaeological materials recovered from a housesite in Mobile, Alabama, Laurie Wilkie explores how one extended African-American family engaged with competing and conflicting mothering ideologies in the post-Emancipation South. The female head of this household, Lucrecia Perryman, turned to midwifery to support her family and as a midwife, became a vehicle for transmitting cultural, social and political knowledge regarding mothering performance and practice to the broader African-American community.
Archaeology, Nation, and Race is a must-read book for students of archaeology and adjacent fields. It demonstrates how archaeology and concepts of antiquity have shaped, and have been shaped by colonialism, race, and nationalism. Structured as a lucid and lively dialogue between two leading scholars, the volume compares modern Greece and modern Israel - two prototypical and influential cases - where archaeology sits at the very heart of the modern national imagination. Exchanging views on the foundational myths, moral economies, and racial prejudices in the field of archaeology and beyond, Hamilakis and Greenberg explore topics such as the colonial origins of national archaeologies, the crypto-colonization of the countries and their archaeologies, the role of archaeology as a process of purification, and the racialization and 'whitening' of Greece and Israel and their archaeological and material heritage. They conclude with a call for decolonization and the need to forge alliances with subjugated communities and new political movements.
Southern Africa has one of the longest histories of occupation by modern humans and their ancestors anywhere in the world: over three million years. Research in Southern Africa is central to many key debates in contemporary archaeology, including hominid origins, the origins of anatomically modern humans and modern forms of behavior, and the development of ethnographically informed perspectives for understanding its rich heritage of rock art. This is the first attempt at a synthesis of the sub-continent's past in over forty years.
East Greek Pottery provides the only dedicated study of the pottery
created by the Greek settlers along the western coast of Turkey
between 1100 and 500 BC. The authors examine in detail significant
developments in shape, material and decoration from the emergence
of the protogeometric style in the eleventh century to the fifth
century BC, when competition from Athenian imports forced craftsmen
to use only very simple ornamentation. The twenty-three chapters
offer a comprehensive style-by-style analysis of both familiar and
lesser-known pottery types, including Grey ware, relief ware and
archaic trade amphorae.
A guide to over 60 of Britain's most notable abbeys and monasteries. Taking you on a journey that has inspired pilgrims and visitors for centuries, Abbeys and Priories of Britain is the perfect introduction to some of the country's oldest and most beautiful religious centres. The guide will take you from the wilds of the Isle of Iona in Scotland and Iona Abbey to Tintern Abbey in the beautiful Wye Valley in Wales, to the pomp and circumstance of Westminster Abbey, shining regally in England's capital. While many of the entries are now ruins due to Henry VIII's 'Dissolution of the Monasteries' period, a visit still reveals the rich influence and legacy they have had on Britain's history. Beautifully illustrated with over 130 stunning colour images, and with concise and accessible history for each entry, this is both a perfect guide and a much-cherished souvenir of a visit. Includes extended entries on Binham Priory, Blanchland Abbey, Buckfast Abbey, Dryburgh, Fountains Abbey, Glastonbury Abbey, Hexham Abbey, Holyrood Abbey, Jedburgh Abbey, Lindisfarne Priory, Melrose Abbey, Mountgrace Priory, Rievaulx Abbey, Selby Abbey, Strata Florida Abbey, Tewkesbury Abbey, Tintern Abbey, Westminster Abbey, Whitby Abbey and St George's Windsor.
Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has long held a firm grip on the historical imagination. Byzantium in the Iconoclast Era is the first book in English to survey the original sources crucial for a modern understanding of this most elusive and fascinating period in medieval history. It is also the first book in any language to cover both the written and the visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors, an art historian and a historian who both specialise in the period, have worked together to provide a comprehensive overview of the visual and the written materials that together help clarify the complex issues of iconoclasm in Byzantium.
"Like J. Eric Thompson, Carrasco has applied an informed
imagination to identify some of the ways that ideas could lie
behind material form." "A must for both professional and serious non-professional
students in Mesoamerica. Those who are interested in complex
society and urbanism in general, as well as students of comparative
religion, will find it stimulating. Most importantly, for anyone
interested in the history of ideas, the book illuminates the
tremendously powerful impact and role of a complex
deity/mythico-historical figure in shaping one of the world's great
pristine civilizations."
The Caribbean before Columbus is a new synthesis of the region's insular history. It combines the results of the authors' 55 years of archaeological research on almost every island in the three archipelagoes with that of their numerous colleagues and collaborators. The presentation operates on multiple scales: temporal, spatial, local, regional, environmental, social, and political. In addition, individual sites are used to highlight specific issues. For the first time, the complete histories of the major islands and island groups are elucidated, and new insights are gained through inter-island comparisons. The book takes a step back from current debates regarding nomenclature to offer a common foundation and the opportunity for a fresh beginning. In this regard the original concepts of series and ages provide structure, and the diversity of expressions subsumed by these concepts is embraced. Historical names, such as Taino and Lucayan, are avoided. The authors challenge the long-held conventional wisdom concerning island colonization, societal organization, interaction and transculturation, inter- and intra-regional transactions (exchange), and other basic elements of cultural development and change. The emphasis is on those elements that unite the Bahamas, Lesser Antilles, and Greater Antilles as a culture area, and also on their divergent pathways. Colonization is presented as a multifaceted wave-like process. Continuing ties to the surrounding mainland are highlighted. Interactions between residents and new colonists are recognized, with individual histories contingent on these historical interactions. New solutions are offered to the "Huecoid problem" the "Carib problem," the "Taino problem," and the evolution of social complexity, especially in Puerto Rico.These solutions required a rethinking of social organization and its expression on the landscape. There comes a time when the old foundation can no longer support the structure that was built upon it; this is that time.
Did Trajan really deserve his reputation as the embodiment of all imperial virtues? Why did Dante, writing in the Middle Ages, place him in the sixth sphere of Heaven among the Just and Temperate rulers? In this, the only biography of Trajan available in English, Julian Bennett rigorously tests the substance of this glorious reputation. Surprisingly, for a Roman emperor, Trajan comes through the test with his reputation relatively intact.
The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour's iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today's world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.
Deep in the desert of Jordan lies the hidden city of Petra, one of the greatest marvels of the ancient world. Carved from rose-red rock, Petra's monuments, dwellings and temples were for centuries the centre of a splendid civilization. Later the city fell into ruin and its location was lost, until the Swiss explorer Johann Burckhardt rediscovered it in 1812. Petra's mysterious beauty and dramatic story have long captivated the imaginations of historians and art lovers. Excavations by the authors Christian Auge and Jean-Marie Dentzer provide new information about this unique city.
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