This book focuses on a forgotten place-the Khami World Heritage site in Zimbabwe. It examines how professionally ascribed values and conservation priorities affect the cultural landscape when there is a disjuncture between local community and national interests, and explores the epistemic violence that often accompanied colonial heritage management and archaeology in southern Africa. The central premise is that the history of the modern Zimbabwe nation, in terms of what is officially remembered and celebrated, inevitably determines how that past is managed. It is about how places are experienced and remembered through narratives and how the loss of this heritage memory may mark the un-inheriting of place. Memory and Cultural Landscape at the Khami World Heritage Site, Zimbabwe is informed by the author's experience of living near and working at Great Zimbabwe and Khami as an archaeologist, and uses archives and traditional narratives to build a biography for this lost cultural landscape. Whereas Great Zimbabwe is a resource for the state's contentious narrative of unity, and a tool for cultural activism among communities whose cultural rights are denied through the nationalisation and globalisation heritage, at Khami, which has lost its historical gravity, there is only silence. Researchers and students of cultural heritage will find this book a much-needed case study on heritage, identity, community and landscape from an African perspective.

This volume celebrates the 50th anniversary of the Society for Medieval Archaeology (established in 1957), presenting reflections on the history, development and future prospects of the discipline. The papers are drawn from a series of conferences and workshops that took place in 2007-2008, in addition to a number of contributions that were commissioned especially for the volume.

Examining stone vessels in the Levant during the 2nd millennium BC, the author explores the links between material culture and society through a comprehensive study of production and distribution. Extensively illustrated with 100 drawings, maps and charts, this volume includes a full object catalogue. This study represents the first comprehensive overview of the stone vessel assemblagesof the Levant in this period, a time which, fed by an increase of wealth and interregional trade, saw a growth in the popularity and variety of such vessels. Previously, our understanding of the varied functions and forms of these diverse vessels has been relatively underdeveloped. In this volume the author attempts to address this problem by creating a typological framework though which we can analyse variability and define essential characteristics of local stone vessel workshops. Only once this has been achieved is it possible to look at stone vessel production in its wider cultural context. Subsequent chapters explore broader themes, beginning within the workshops themselves, examining the links between craftsmen, their sources of raw materials, and the authorities that controlled and distributed their output. Considerations of the geographical and chronological distribution of such goods are then used to provide a regional perspective for the operation of these workshops, connections between them, and further insights into the nature of local and international trade. Finally, the objects themselves can be used to assess the impact of trends such as the growing Egyptianization of the ruling classes of the Levant at this time.

The essays in Archaeology and History in Roman, Medieval and Post-Medieval Greece honor the contributions of Timothy E. Gregory to our understanding of Greece from the Roman period to modern times. Evoking Gregory's diverse interests, the volume brings together anthropologists, art historians, archaeologists, historians, and philologists to address such contested topics as the end of Antiquity, the so-called Byzantine Dark Ages, the contours of the emerging Byzantine civilization, and identity in post-Medieval Greece. These papers demonstrate the continued vitality of both traditional and innovative approaches to the study of material culture and emphasise that historical interpretation should be the product of methodological self-awareness. In particular, this volume shows how the study of the material culture of post-Classical Greece over the last 30 years has made significant contributions to both the larger archaeological and historical discourse. The essays in this volume are organized under three headings - Archaeology and Method, the Archaeology of Identity, and the Changing Landscape - which highlight three main focuses of Gregory's research. Each essay interlaces new analyses with the contributions Gregory has made to our understanding of Medieval and Post-Medieval Greece. Read together these essays not only make a significant contribution to how we understand the post-Classical Greek world, but also to how we study the material culture of the Mediterranean world more broadly.

The Cleatham cemetery in North Lincolnshire is, with over 1200 cremations and 62 burials, England's third largest Anglo-Saxon cemetery. It was in use throughout the early Anglo-Saxon period from the mid-5th century to the late 7th century. Following full excavation, the site was analysed in detail and it proved possible to phase the 1204 inter-cut urns and a sequence of five phases was constructed. This phasing was also applied to the grave goods found within the urns, giving an insight into the sequence of metalwork, beads, combs etc. Direct links were found between urns from Cleatham and those from other cemeteries in Anglian England allowing wider conclusions to be drawn.

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East. Drawing upon a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator. Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

For many, perhaps most, the title "Early Celtic Art" summons up images of Early Christian stone crosses in Ireland, Scotland, Wales, or Cornwall; of Glendalough, lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes, the consummate works of art produced under the aegis of the early churches in Britain or Ireland, in regions Celtic by tradition or language, have an ancestry behind them only partly Celtic.

One strain in an eclectic style was borrowed from the ornament of the northern Germanic world, the classical Mediterranean, and even the Eastern churches. Early Celtic art, originating in the fifth century b.c. in Central Europe, was already seven or eight centuries old when it was last traced in the pagan, prehistoric world, and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples, the first great contribution of the barbarians to European arts.

It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance, it has been said by N. K. Sandars in "Prehistoric Art in Europe" "is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement, delicacy, and equilibrium are not altogether what one would expect of men who, though courageous and not without honor even in the records of their enemies, were also savage, cruel and often disgusting; for the archaeological refuse, as well as the reports of Classical antiquity, agree in this verdict."

This book comprises the first major exhibition of "Early Celtic Art" from its origins and beginnings to its aftermath, and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeology at the University of Edinburgh, where he held the Abercromy Chair. He retired from the Chair in 1977, and in 1983 he received the gold medal of the Society of Antiquaries of London, as well as the Grahame Clark medal of the British Academy in 1992. Through his knowledge of the subject, he has made accessible an obscure but fascinating period of European culture.

The emergence of Israel in Canaan is perhaps the most debated topic in biblical/Syro-Palestinian archaeology, and related fields. Accordingly, it has received a great deal of attention in recent years, both in scholarly literature and in popular publications.Generally speaking, however, the archaeology of ancient Israel is wedged in a paradoxical situation. Despite the large existing database of archaeological finds (from thousands of excavations conducted over an extremely limited area) scholars in this (sub)discipline typically do not engage in theoretical (anthropological) discussions, thus exposing a large gap between it and other branches of archaeology, in this respect. Numerous archaeologically oriented studies of Israelite ethnicity are still conducted largely in the spirit of the culture history school, and are absent of thorough reference to the work of more recent critics, which, at best, make a selected appearance in these analyses.Israel's Ethnogenesis provides an anthropologically-oriented perspective on the discussion of Israel's ethnogenesis. This monograph incorporates detailed archaeological data and relevant textual sources, within an anthropological framework. Moreover, it contributes to the archeology of ethnicity, a field which currently attracts significant attention of archaeologists and anthropologists all over the world. Making use of an unparalleled archaeological database from ancient Israel, this volume has much to offer to the ongoing debate over the nature of ethnicity in general, and to the understudied question of how ethnic groups evolve (ethnogenesis), in particular.

This book is the first to bring together all that is known about the humanly-modified and cultivated landscapes of Middle America just prior to the European conquest. It assesses the agricultural and human-environment conditions existing at that time, and its implications for various contemporary themes ranging from global change to the presumed 'environment friendly' Native American.

The Scandinavian Early Modern World explores the early modern colonialism, globalization, and modernity in Scandinavia, along with its colonies, and its role in the shaping of the modern world. Scandinavians played an active role in early modern globalization and were present as traders, as colonialists, and as consumers in competition and collaboration with indigenous agents and other colonial actors in America, Africa, and India. This story is rarely told. The joint study of history, historical landscape, and material culture, from a Scandinavian vantage point, provides for a comprehensive and original interpretation of the birth of globalization and modernity. New perspectives and data are presented, deepening and challenging our knowledge of the long seventeenth century. In-depth analysis of case studies, encompassing four continents and their material entanglement, makes this book a unique contribution to historical archaeology. The Scandinavian Early Modern World aims at students and scholars of anthropology, archaeology, and history, alike, taking interest in the global connections of the long seventeenth century and the role of Scandinavia in that process.

This revealing text describes the exciting discovery and deciphering of the 5,000-year-old stone chambers and standing stones of pre-Celtic Ireland. At midwinter sunrise, Martin Brennan and his research partner observed a beam of light shining into the central chamber at Newgrange, illuminating a series of glyphs on the back wall. They went on to observe significant solar and lunar events at other chambers and stone complexes in the Boyne Valley and Loughcrew Mountains. Through a combination of careful observation, analysis of the astronomical alignment of the sites, and personal insight into the meanings of megalithic symbols and carvings, Brennan demonstrates conclusively that the passage mounds and chambers are actually sophisticated calendar devices, and that the abstract wheels, spirals, zigzags, and wavy lines are symbols of solar and lunar timekeeping.

This book provides the first truly comprehensive multi-period study of the archaeology of Ethiopia, surveying the country's history, detailing the discoveries from the late Stone Age, including the famous 'Lucy' and moving onto the emergence of food production, prehistoric rock art and an analysis of the increasing social complexity that can be observed from the remains of the first nucleated settlements. The author then discusses the Aksumite empire, the emergence of Christianity in the Middle Ages and Ethiopia's encounters with the west, leading up to the feudal Ethiopia of the twentieth century and the present day.

This book is an excellent and very readable story of the rich heritage of this very misunderstood country.

Authoritative and readable, this excellent text, illustrated by a unique pictorial record of period architecture, surveys and examines how and why the architecture of pleasure related to the stylistic and ideological concerns of modernism in 1930s Britain. Responding to the current interest in modernism and packed with a substantial archive of high quality photographs and other documentation, it relates the professional, entrepreneurial and institutional infrastructures affecting the pleasure industry's architectural development and appearance in 1930s. A broad range of building through which the general public first experienced Modernism are covered, including: commercial - holiday camps, cinemas and greyhound racing stadia municipal and governmental projects - zoos, seaside pavilions, concert halls, and imperial and international exhibitions. Arguing that the responses to modernism through the architecture of pleasure were conditioned by wider debates about the role of design in relation to high and mass culture, this book is an ideal resource for all those interested in architectural history and design in Britain between the wars.

This book is an introduction to the archaeology of Australia from prehistoric times to the eighteenth century AD. It is the only up-to-date textbook on the subject and is designed for undergraduate courses, based on the author's considerable experience of teaching at the Australian National University. Lucidly written, it shows the diversity and colourfulness of the history of humanity in the southern continent.

The Archaeology of Ancient Australia demonstrates with an array of illustrations and clear descriptions of key archaeological evidence from Australia a thorough evaluation of Australian prehistory. Readers are shown how this human past can be reconstructed from archaeological evidence, supplemented by information from genetics, environmental sciences, anthropology, and history. The result is a challenging view about how varied human life in the ancient past has been.

This book is an introduction to the archaeology of Australia from prehistoric times to the eighteenth century AD. It is the only up-to-date textbook on the subject and is designed for undergraduate courses, based on the author's considerable experience of teaching at the Australian National University. Lucidly written, it shows the diversity and colourfulness of the history of humanity in the southern continent.

The Archaeology of Ancient Australia demonstrates with an array of illustrations and clear descriptions of key archaeological evidence from Australia a thorough evaluation of Australian prehistory. Readers are shown how this human past can be reconstructed from archaeological evidence, supplemented by information from genetics, environmental sciences, anthropology, and history. The result is a challenging view about how varied human life in the ancient past has been.

Authoritative and readable, this excellent text, illustrated by a unique pictorial record of period architecture, surveys and examines how and why the architecture of pleasure related to the stylistic and ideological concerns of modernism in 1930s Britain. Responding to the current interest in modernism and packed with a substantial archive of high quality photographs and other documentation, it relates the professional, entrepreneurial and institutional infrastructures affecting the pleasure industry's architectural development and appearance in 1930s. A broad range of building through which the general public first experienced Modernism are covered, including: commercial - holiday camps, cinemas and greyhound racing stadia municipal and governmental projects - zoos, seaside pavilions, concert halls, and imperial and international exhibitions. Arguing that the responses to modernism through the architecture of pleasure were conditioned by wider debates about the role of design in relation to high and mass culture, this book is an ideal resource for all those interested in architectural history and design in Britain between the wars.

Written as a travelogue, Surface Collection: Archaeological Travels in Southeast Asia tackles the most pressing issues of cultural-heritage management in an engaging and accessible way. In each chapter the author makes the past relevant to the present through his encounters with archaeological sites. While the book's anecdotes are associated primarily with Thailand and Indonesia-from a decaying National Museum in Manila, to the search for traces of the thousands of Communists who were killed after an attempted coup in Bali, to the discovery of a bottle of perfume found among the personal effects of Indonesian ex-president Sukarno-they have broad international interest because of the issues they raise. These archaeological stories, again and again, remind us what history both remembers and conceals.

Among the best-known and most esteemed people known from antiquity is the Babylonian king Hammurabi. His fame and reputation are due to the collection of laws written under his patronage. This book offers an innovative interpretation of the Laws of Hammurabi. Ancient scribes would demonstrate their legal flair by composing statutes on a set of traditional cases, articulating what they deemed just and fair. The scribe of the Laws of Hammurabi advanced beyond earlier scribes in composing statutes that manifest systematization and implicit legal principles, and inserted the Laws of Hammurabi into the form of a royal inscription, shrewdly reshaping the genre. This tradition of scribal improvisation on a set of traditional cases continued outside of Mesopotamia. It influenced biblical law and the law of the Hittite empire significantly. The Laws of Hammurabi was also witness to the start of another stream of intellectual tradition. It became the subject of formal commentaries, marking a profound cultural shift. Scribes related to it in ways that diverged from prior attitudes; it became an object of study and of commentary, a genre that names itself as dependent on another text. The famous Laws of Hammurabi is here given the extensive attention it continues to merit.

In recent decades anthropology, especially ethnography, has supplied the prevailing models of how human beings have constructed, and been constructed by, their social arrangements. In turn, archaeologists have all too often relied on these models to reconstruct the lives of ancient peoples. In lively, engaging, and informed prose, Timothy Pauketat debunks much of this social-evolutionary theorizing about human development, as he ponders the evidence of 'chiefdoms' left behind by the Mississippian culture of the American southern heartland. This book challenges all students of history and prehistory to reexamine the actual evidence that archaeology has made available, and to do so with an open mind.

Palenque is one of the best known and oldest Mayan archaeological sites. But recently little has been published on the ongoing work here. Marken's collection brings the archaeological record of Palenque up to date. Chapters cover a wide range of topics from architecture to hieroglyphic texts, from broad issues of chronology to settlement to theoretical and methodological issues concerning architectural excavations. Palenque represents an important update of research for any Mayan archaeologist.

In this fascinating in-depth study, Arlene Rosen highlights the unique and varied ways that different societies respond to their changing environments, going against the commonly held notion of simple climatic determinism. Social responses to climate change are the result of human perceptions of nature and their environment. From the Terminal Pleistocene through to the Late Holocene, Rosen describes various communities' responses to climate change, further exploring the intriguing connections between climate and society. A must-read for archaeologists, geographers, students, and historians!

In this fascinating in-depth study, Arlene Rosen highlights the unique and varied ways that different societies respond to their changing environments, going against the commonly held notion of simple climatic determinism. Social responses to climate change are the result of human perceptions of nature and their environment. From the Terminal Pleistocene through to the Late Holocene, Rosen describes various communities' responses to climate change, further exploring the intriguing connections between climate and society. A must-read for archaeologists, geographers, students, and historians!

Pamela Willoughby provides a wide-ranging synthesis of current knowledge about the evolution of fully modern humans in Africa during the Middle Palaeolithic / Middle Stone Age. According to most scholars, our modern ancestors first emerged in Africa and then spread throughout the habitable world. Willoughby brings evidence from mitochondrial DNA, ancient fossils, and archaeological remains (including her own research in Tanzania) to bear on questions regarding the place of human species in nature, the specific origins of Homo Sapiens, and the dispersal of these modern humans throughout Africa and around the globe. She confronts straightforwardly the problems of dating the earliest modern humans, and she discusses the various alternative models of modern human origins, which will be debated for years to come. The Evolution of Modern Humans in Africa is a compelling, thought-provoking book for both students and scholars.

This is an in-depth treatment of the antecedents and first flourescence of early state and urban societies in lowland Mesopotamia over nearly three millennia, from approximately 5000 to 2100 BC. The approach is explicitly anthropological, drawing on contemporary theoretical perspectives to enrich our understanding of the ancient Mesopotamian past. It explores the ways people of different genders and classes contributed and responded to political, economic, and ideological changes. The interpretations are based on studies of regional settlement patterns, faunal remains, artifact distributions and activity patterning, iconography, texts and burials.

Historical Archaeology in Africa is an inquiry into historical questions that count, proposing different ways of thinking about historical archaeology. Peter Schmidt challenges readers to expand their horizons . Confronting topics of oral traditions, the role of cultural landscapes in social memory, and historical misrepresentations of various cultures, Schmidt calls for a new pathway to an enriched, more nuanced, and more inclusive historical archaeology. Allowing Africa to speak for itself without colonial interpreters, Historical Archaeology in Africa will be of interest not only to historians and archaeologists, but to all concerned with Africa's past and present.