"The most interesting Dutch writer of his generation" Herman Koch "Vivid and moving. A marvellous hybrid of a book about one one of the major contemporary causes of sickness and unhappiness. In it we recognise ourselves, our restlessness and insecurity" George Szirtes Something inside will not let me be . . . Daan Heerma van Voss is not just anxious. According to tests on the cortisone levels in his hair, he is seventy-four times as anxious as the average person. And that makes him hard to live with. When another relationship is broken by his crippling fears, the only way to cope is to get to the roots of his condition. But he also wants to dig deeper and tackle the big questions. Why are 264 million people worldwide suffering from anxiety, and why is this number growing every day? Is it hereditary? Is there a link with creativity? And how can you love when you're living in a constant state of fear? In his quest for answers, he takes us on a profoundly moving journey from his apartment in Amsterdam to France, Jakarta and San Francisco. Along the way we'll meet philosophers, artists, writers and other fascinating individuals from around the world. But this is also a journey through literature, the classics, the history of anxiety and the science behind it. Timely, learned and heartfelt, The Anxiety Project fuses the sharp musings of a curious mind with a raw and honest dissection of a relationship undercut by fear. It will appeal to anyone trying to remain calm on our very nervous planet. Translated from the Dutch by David Doherty

'Will someone pay for the spilled blood? No. Nobody.' Mikhail Bulgakov wrote these words in Kiev during the turmoil of the Russian Civil War. Since then Ukrainian borders have shifted constantly and its people have suffered numerous military foreign interventions that have left them with nothing. As a state, Ukraine exists only since 1991 and what it was before is controversial among its people as well as its European neighbours. Writing in a simple and vivid way, Jens Muhling narrates his encounters with nationalists and old Communists, Crimean Tatars and Cossacks, smugglers, archaeologists and soldiers, all of whose views could hardly be more different. Black Earth connects all these stories to convey an unconventional and unfiltered view of Ukraine - a country at the crossroads of Europe and Asia and the centre of countless conflicts of opinion.

Remnants of Conquest offers a detailed account of the modern writers who have visited the Caribs, descendents of the supposedly fierce tribe in the West Indies who fought against European invaders for three centuries. Writers include Jean Rhys and Patrick Leigh Fermor.

In 2020, Christiaan De Beukelaer spent 150 days covering 14,000 nautical miles aboard the schooner Avontuur, a hundred-year-old sailing vessel that transports cargo across the Atlantic Ocean. Embarking in Santa Cruz de Tenerife, he wanted to understand the realities of a little-known alternative to the shipping industry on which our global economy relies, and which contributes more carbon emissions than aviation. What started as a three-week stint of fieldwork aboard the ship turned into a five-month journey, as the COVID-19 pandemic forced all borders shut while crossing the ocean, preventing the crew from stepping ashore for months on end. Trade winds engagingly recounts De Beukelaer's life-changing personal odyssey and the complex journey the shipping industry is on to cut its carbon emissions. The Avontuur's mission remains crucial as ever: the shipping industry urgently needs to stop using fossil fuels, starting today. If we can't swiftly decarbonise shipping, we can't solve the climate crisis. -- .

Half boat, half aeroplane, taking off in a thrilling tumult of spray, the flying boat was the journey of a lifetime, Imperial Airways' legendary Empire boats flying up the Nile in nightly hops and alighting on lakes and in harbours all the way down to South Africa. But in 1939 the Empire boat Corsair came down in fog on a tiny river in the Belgian Congo and, through an epic salvage operation, gave its name to a new village in an obscure backwater of Central Africa. The Flying Boat That Fell to Earth, re-published with a new Afterword, tells the story of this amazing adventure, and seeks out, from Alaska to the Bahamas, the very last places on earth where it was still possible to catch a flying boat.

In Russia's Far East sits the wild Ussuri Kray, a region known for its remote highlands and rugged mountain passes where tigers and bears roam the cliffs, and salmon and lenok navigate the rivers. In this collection of travel writing by famed Russian explorer and naturalist Vladimir K. Arsenyev (1872-1930), readers are shuttled back to the turn of the 20th century when the Russian Empire was reeling from its defeat in the Russo-Japanese War (1904-1905) and vulnerable to its Far Eastern neighbors. What began as an expedition to survey the region's infrastructure for the Russian military turned into an adventure through a territory rich in ethnic and ecological diversity. Encountering the disappearing indigenous cultures of the Nanai and Udege, engaging the help of Korean farmers and Chinese hunters, and witnessing the beginning of indomitable Russian settlement, Arsenyev documents the lives and customs of the region's inhabitants and their surroundings. Originally written as "a popular scientific description of the Kray," this unabridged edition includes photographs largely unseen for nearly a century and is annotated by Jonathan C. Slaght, a biologist working in the same forests Arsenyev explored. Across the Ussuri Kray is a classic of northeast Asian cultural and natural history.

Craving an escape from everyday life, Gregor Ewing writes a personal account of his 1,000 mile walk over nine weeks with collie Meg that takes them through the central belt of Scotland, literally following in Robert the Bruce's footsteps. From Kintyre, Arran and Ardrossan north to Ayr through Glasgow to Fort William and Elgin, south to Inverurie, Aberdeen and Dundee, over the Forth to Edinburgh and Berwick upon Tweed then east through Roxburghshire to Bannockburn, Gregor frames his expedition with historical background that follows Robert the Bruce's journey to start a campaign which led to his famous victory seven years later.

One life sabbatical. Two laps around the world. After being married for a year, Bob Riel and his wife, Lisa, decided to take a chance in life. They took time off from their careers and embarked on a round-the-world journey, intent on having an adventure before starting a family. Then, two-and-a-half years later, when the children hadn't arrived and the travel bug hadn't left, they set out on another voyage to resume their sabbatical experience. During their two journeys, they faced the shock of a terrorist bombing in Egypt, met a Turkish carpet dealer who trained acrobatic pigeons, discussed life with Masai tribesmen, visited a Japanese family whose mother thought she knew them in another lifetime, and watched the sunrise from a boat on the Ganges River and from atop Mount Sinai. Lyrical and humorous, "Two Laps Around the World" is a testament to the possibilities of travel, as Bob and Lisa's explorations also grew into a series of Life Lessons and Global Rules that will inspire reflection. This captivating memoir is certain to arouse wanderlust in every reader.

How I Accidentally Became a Global Stock Photo and Other Strange and Wonderful Stories is part memoir, part travelogue and part love letter. Shubnum Khan takes the reader on a journey around the world. Whether it is teaching children in a remote village in the Himalayas, attending a writers’ residency where the movie The Blair Witch Project was shot, getting pulled out of the ocean in Turkey or becoming a bride on a rooftop in Shanghai, Shubnum is quirky, moving and vulnerable in what she shares.

Shubnum offers an introspective reflection on what it means to be a woman, particularly a single Muslim woman in South Africa, trying to find herself in a modern world. The stories are drawn from her life journey, which has been full of unexpected twists and turns, and are interspersed with reflections on culture and religion as well as musings on family, relationships and love.

The Mindy Project meets Bridget Jones’s Diary with a side of Keeping Up With The Kandasamys, this is a book about holding onto hope and a reminder that once ‘you step off the edge, anything can happen’.

In 1972, Gilles Mora and his wife Francoise left France to teach the French language in public schools in Louisiana. At the time, he knew nothing about photography. Fascinated by the Deep South, however, Mora soon started a photographic project on its culture. Greatly influenced by artists such as Walker Evans, Ben Shahn, Eudora Welty, and Clarence John Laughlin; playing music with some of the major figures of the rockabilly scene, including Carl Perkins; and infused with the sensuality of the South, Mora produced a unique body of pictures over more than twenty years. Rarely exhibited or published, the images in Antebellum present a kind of travelogue, a photographic recording of Mora's personal mythologies, which evoke the disappearing world of the Deep South.

Moving beyond travelogue, V. S. Naipaul's The Masque of Africa considers the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of African civilization. Beginning in Uganda, at the centre of the continent, Naipaul's journey takes in Ghana and Nigeria, the Ivory Coast and Gabon, and ends, as the country does, in South Africa. Focusing upon the theme of belief - though sometimes the political or economical realities are so overwhelming that they have to be taken into account - Naipaul examines the fragile but enduring quality of the old world of magic. To witness the ubiquity of such ancient ritual, to be given some idea of its power, was to be taken far back to the beginning of things. To reach that beginning was the purpose of this book. 'The quality of Naipaul's writing - simple, concise, engaging - rarely varies . . . Above all, Naipaul's latest African journey is eyewitness reporting at its best' Time

The years Li Xinfeng spent as a Chinese correspondent in South Africa are evident in the insights he shares in China in Africa: Following Zheng He's Footsteps – the narrative of his research into the traces left by the famed navigator during his travels in and around Africa. Beginning on Kenya's Pate Island, Li's research led him to travel around much of the southern part of the African continent, searching for signs that Zheng He's fleet had been there some six centuries earlier. China in Africa: Following Zheng He's Footsteps is more than just one person's quest to retrace the journey of an alluring historical figure, shrouded in legend: Zheng He has become an important symbol for the Chinese people and the world of peace-loving cultural exchange in general. Li's comprehensive research into the African travels of this iconic figure presents a challenge to the postcolonial world, highlighting the stark contrast between colonising and fair exchange for mutual benefit. A consistent thread in the narrative is how best to respond to the challenge of overturning the exploitation of colonial relationships with friendly collaboration in modern times.

'Jonathan Raban is the only person I listen to in matters of travel and books and writing in general. Reading him, talking to him as I have over fifty years, he has made my work better and me happier.' Paul Theroux 'For Love and Money ... is as good a book as there is about the writing life. Delighted that it will be safeguarded in print by Eland.' Tim Hannigan This collection of writing undertaken for love and money is about books and travel, and makes for an engrossing and candid exploration of what it means to live from writing. Jonathan Raban weighs up the advantages of maintaining an independent spirit against problems of insolvency and self-worth, confesses to travel as an escape from the blank page, ponders the true art of the book review, admires the role of the literary editor and remembers with affection and hilarity events from his eccentric life at the heart of literary London. Reading it is like embarking on a humane, rigorous and witty conversation.

Rome Through the Mist: Walks Among the Fountains of the Eternal City invites readers to join Joe Gartman, long-time culture columnist for Italia! Magazine, on a journey among 80 of Rome's celebrated fountains, to find a more intimate way of experiencing the Eternal City. On foot with book in hand, or simply in imagination, each chapter takes readers on a vividly described walk, enhanced with colorful, subtly revealing photographs of Roman life. Every fountain in Rome tells a story; every story is about Rome: her history, her legends, and her extraordinary people, from poets to popes, artists to models, architects to emperors. Every street, piazza, wall and garden that contains a fountain has a past worth knowing. You are invited to follow the paths in this book, with 15 different turn-by-turn walking tours, 17 maps, and 182 photos. There are plenty of hints, too, about things to see and experience along the way, especially the matchless artistic treasures that await behind unexpected doors. In your armchair or on your feet, journey from Trevi's torrents to the Naiad's naughty nymphs; from the quiet basins in Piazza San Simeone to Bernini's mighty Four Rivers in Piazza Navona; from the Dark Fountains in Villa Borghese to the charming lionesses in Piazza del Popolo; and listen to the voices of the waters.

After a decade of making documentaries about offbeat characters on the fringes of US society, Louis had the urge to return to America and track down the people who most fascinated him. It would be a reunion tour, but this time without the cameras and the sense of performance being filmed inevitably brings. It would allow him to get closer to people, to discover what really motivated them and what had happened to the assorted dreamers, outlaws and eccentrics since he last saw them. On a journey that took him from the porn sets of Los Angeles to the gangsta rappers of Memphis, from a convention of UFO contactees in Arizona to Northern Idaho for a festive get-together of neo-Nazis, he asked what 'weird people' have to tell us about our own secret natures. Had he learned anything about himself by being among them? Do we choose our beliefs or do our beliefs choose us? Louis Theroux's first book is a hilarious, thought-provoking and at times surreal voyage into the heart of weirdness.

When thinking of intrepid travelers from past centuries, we don't usually put Muslim women at the top of the list. And yet, the stunning firsthand accounts in this collection completely upend preconceived notions of who was exploring the world. Editors Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma recover, translate, annotate, and provide historical and cultural context for the 17th- to 20th-century writings of Muslim women travelers in ten different languages. Queens and captives, pilgrims and provocateurs, these women are diverse. Their connection to Islam is wide-ranging as well, from the devout to those who distanced themselves from religion. What unites these adventurers is a concern for other women they encounter, their willingness to record their experiences, and the constant thoughts they cast homeward even as they traveled a world that was not always prepared to welcome them. Perfect for readers interested in gender, Islam, travel writing, and global history, Three Centuries of Travel Writing by Muslim Women provides invaluable insight into how these daring women experienced the world-in their own voices.

Shortlisted for the 2021 Stanford Dolman Travel Book of the Year Award Shortlisted for the 2020 Wainwright Prize for UK Nature Writing Alone on a remote mountaintop one dark night, a woman hears a mysterious voice. Propelled by the memory and after years of dreaming about it, Jini Reddy dares to delve into the 'wanderlands' of Britain, heading off in search of the magical in the landscape. A London journalist with multicultural roots and a perennial outsider, she determinedly sets off on this unorthodox path. Serendipity and her inner compass guide her around the country in pursuit of the Other and a connection to Britain's captivating natural world. Where might this lead? And if you know what it is to be Othered yourself, how might this colour your experiences? And what if, in invoking the spirit of the land, 'it' decides to make its presence felt? Whether following a 'cult' map to a hidden well that refuses to reveal itself, attempting to persuade a labyrinth to spill its secrets, embarking on a coast-to-coast pilgrimage or searching for a mystical land temple, Jini depicts a whimsical, natural Britain. Along the way, she tracks down ephemeral wild art, encounters women who worship The Goddess, falls deeper in love with her birth land and struggles - but mostly fails - to get to grips with its lore. Throughout, she rejoices in the wildness we cannot see and celebrates the natural beauty we can, while offering glimpses of her Canadian childhood and her Indian parents' struggles in apartheid-era South Africa. Wanderland is a book in which the heart leads, all things are possible and the Other, both wild and human, comes in from the cold. It is a paean to the joy of roaming, both figuratively and imaginatively, and to the joy of finding your place in the world.

Travel writing has, for centuries, composed an essential historical record and wide-ranging literary form, reflecting the rich diversity of travel as a social and cultural practice, metaphorical process, and driver of globalization. This interdisciplinary volume brings together anthropologists, literary scholars, social historians, and other scholars to illuminate travel writing in all its forms. With studies ranging from colonial adventurism to the legacies of the Holocaust, The Long Journey offers a unique dual focus on experience and genre as it applies to three key realms: memory and trauma, confrontations with the Other, and the cultivation of cultural perspective.

At a fateful travel writing workshop, Barbara, Louise, and Janet knew they had to collaborate. Soon, Wendy joined them, and the new writing group got to work.

LOUISE enjoys easy travels, wine, and good food. She takes you deep inside a Hungarian wine cellar and travels from Dawson City in the wild north of Canada, to Guadeloupe and Barbados. JAN adores the sea. She recounts the adventures of flying around Cape Horn, exploring the Galapagos, and learning to jump off a boat near Ireland's wild Aran Islands.

WENDY seeks out those places most of us wouldn't dare to visit. She's been to much of Africa and Asia and calls Pakistan her second home. While sick in Malawi, she found refuge in a tea estate. In Germany, the discovered lost Jewish roots.

BARBARA, the group's hiker, has traveled through Mali, fed hungry children in Kinshasa, and trekked around Mont Blanc and into the Himalayas for a glimpse into the Dragon Kingdom of Bhutan and the Valley of the Flowers in India.

Here, they share adventures and mishaps, frustrations and delights. They invite readers in for intimate reflections on what it means to travel-and why they are so drawn in by the planet's many siren songs.

A landmark journey along the full length of the old Iron Curtain - from the Arctic Circle to Turkey's eastern border - tracing the history of the Cold War and meeting the people who live with its legacy. The Iron Curtain divided the continent of Europe, north to south, with the Berlin Wall as its most visible, infamous manifestation. Since the Cold War ended and these borders came down, Europe has transformed itself. New generations have grown up, freed from the tensions and restrictions of the past. But what do the Curtain and the Wall mean today? What has happened to the people and places they divided? What have they left in their wake? In a major new book, Timothy Phillips travels the route of the Iron Curtain from deep inside the Arctic Circle to the meeting point of Armenia, Azerbaijan and Turkey. He explores the borderlands where the clash of civilisations was at its most intense between 1945 and 1989, and where the world's most powerful ideologies became tangible in reinforced concrete and barbed wire. He looks at the new Europe that emerged from the ruins. The people he meets bear vivid witness to times of change. There are those who look back on the Cold War with nostalgia and affection. Others despise it, unable to forgive the hard and sometimes lost decades that their families, friends and nations endured. These old fault lines have much to tell us about Europe now and about our societies' current disputes - over borders, and about belonging and the meaning of progress. The Curtain and the Wall transports the reader across 5,000 kilometres of Europe and through eight decades to show how one of the defining stories of the 20th century continues to shape our world today.

Pakistan's largest city is a sprawling metropolis of 20 million people. A place of political turbulence, where lavish wealth and absolute poverty sit side by side, and where the lines between idealism and corruption can quickly blur. Through the stories of those who know the city best - including a journalist, an activist, and an ambulance driver - Samira Shackle paints a vivid, vibrant and often violent portrait of Karachi over the past decade: a period during which the Taliban arrived in Pakistan, adding to the daily perils of its residents and pushing their city into the international spotlight. Nuanced and fast-paced, Karachi Vice is an immersive, electrifying journey around one of the most compelling cities in the world.

In The Story of Scandinavia, political scholar Stein Ringen chronicles more than 1,200 years of drama, economic rise and fall, crises, kings and queens, war, peace, language and culture. Scandinavian history has been one of dramatic discontinuities of collapse and restarts, from the Viking Age to the Age of Perpetual War to the modern age today. For a thousand years, the Scandinavian countries were kingdoms of repression where monarchs played at the game of being European powers, at the expense of their own populations. The brand we now know as "Scandinavia" is a recent invention. During most of its history, Denmark and Sweden, and to some degree Norway, were bloody enemies. These sentiments of enmity have not been fully settled. Under the surface of collaboration remain undercurrents of hatred, envy, contempt and pity. What does it mean today to be Scandinavian? For the author, whose identity is Scandinavian but his life European, this masterly history is a personal exploration as well as a narrative of compelling scope.