At a fateful travel writing workshop, Barbara, Louise, and Janet knew they had to collaborate. Soon, Wendy joined them, and the new writing group got to work.

LOUISE enjoys easy travels, wine, and good food. She takes you deep inside a Hungarian wine cellar and travels from Dawson City in the wild north of Canada, to Guadeloupe and Barbados. JAN adores the sea. She recounts the adventures of flying around Cape Horn, exploring the Galapagos, and learning to jump off a boat near Ireland's wild Aran Islands.

WENDY seeks out those places most of us wouldn't dare to visit. She's been to much of Africa and Asia and calls Pakistan her second home. While sick in Malawi, she found refuge in a tea estate. In Germany, the discovered lost Jewish roots.

BARBARA, the group's hiker, has traveled through Mali, fed hungry children in Kinshasa, and trekked around Mont Blanc and into the Himalayas for a glimpse into the Dragon Kingdom of Bhutan and the Valley of the Flowers in India.

Here, they share adventures and mishaps, frustrations and delights. They invite readers in for intimate reflections on what it means to travel-and why they are so drawn in by the planet's many siren songs.

One summer, Simon Armitage decided to walk the Pennine Way - a challenging 256-mile route usually approached from south to north, with the sun, wind and rain at your back. However, he resolved to tackle it back to front, walking home towards the Yorkshire village where he was born, travelling as a 'modern troubadour', without a penny in his pockets and singing for his supper with poetry readings in village halls, churches, pubs and living rooms. Walking Home describes his extraordinary, yet ordinary, journey of human endeavour, unexpected kindnesses and terrible blisters. The companion volume, Walking Away, is published in June 2015.

In 2020, Christiaan De Beukelaer spent 150 days covering 14,000 nautical miles aboard the schooner Avontuur, a hundred-year-old sailing vessel that transports cargo across the Atlantic Ocean. Embarking in Santa Cruz de Tenerife, he wanted to understand the realities of a little-known alternative to the shipping industry on which our global economy relies, and which contributes more carbon emissions than aviation. What started as a three-week stint of fieldwork aboard the ship turned into a five-month journey, as the COVID-19 pandemic forced all borders shut while crossing the ocean, preventing the crew from stepping ashore for months on end. Trade winds engagingly recounts De Beukelaer's life-changing personal odyssey and the complex journey the shipping industry is on to cut its carbon emissions. The Avontuur's mission remains crucial as ever: the shipping industry urgently needs to stop using fossil fuels, starting today. If we can't swiftly decarbonise shipping, we can't solve the climate crisis. -- .

"Erika Fatland [is] shaping up to be one of the Nordics' most exciting new travel writers" National Geographic **SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020** "A hauntingly lyrical meditation to the contingencies of history" Wall Street Journal "[An] impressive mix of history, reportage and travel memoir" Washington Post The Border is a book about Russia and Russian history without its author ever entering Russia itself; a book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their cultures, their people, their landscapes. Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-fiction. Translated from the Norwegian by Kari Dickson

Ted Simon is the author of the classic travel book JUPITER'S TRAVELS. It documents his four-year journey round the world by motorbike, travelling through Europe, Africa, South and North America, and Asia. A number one bestseller in the late 1970s, it is still regarded as one of the greatest motorcycle books - indeed, one of the greatest travel books - ever written. In 2001, at the age of 69, Ted Simon decided to retrace his journey, and DREAMING OF JUPITER is the result. It took him two and a half years - during which time he revisited all the countries he had travelled through in the 1970s. He found much had changed, and he reflects upon the increased poverty, political upheavals, environmental issues and indeed the changes in himself. But ultimately, DREAMING OF JUPITER is a hugely inspiring read with a positive message at its heart - that even at the age of 70 you can still set off on an adventure, and be surprised and excited by what life throws at you along the way.

Travel writing has always been intimately linked with the construction of American identity. Occupying the space between fact and fiction, it exposes cultural fault lines and reveals the changing desires and anxieties of both the traveller and the reading public. These specially-commissioned essays trace the journeys taken by writers from the pre-revolutionary period right up to the present. They examine a wide range of responses to the problems posed by landscapes found both at home and abroad, from the Mississippi and the Southwest to Europe and the Holy Land. Throughout, the contributors focus on the role played by travel writing in the definition and formulation of national identity, and consider the experiences of minority writers as well as canonical authors. This Companion forms an invaluable guide for students approaching this new, important and exciting subject for the first time.

Today, Dubai is a city of shimmering skyscrapers attracting thousands of tourists every year. Yet just sixty years ago Dubai's population scraped a living by picking dates, diving for pearls, or sailing in wooden dhows to trade with Iran and India. Dubai is everything the rest of the Arab world is not. Until recently it was the fastest-growing city in the world, with an economy whose growth outpaced China's while luring more tourists than all of India. The city has become a metaphor for the lush life, where the wealthy mingle in gilded splendour and luxury cars fill the streets, yet it is also beset by a backwash of bad design, environmental degradation and controversial labour practices. Dubai tells its unique story.

Shortlisted for the 2021 Stanford Dolman Travel Book of the Year Award Shortlisted for the 2020 Wainwright Prize for UK Nature Writing Alone on a remote mountaintop one dark night, a woman hears a mysterious voice. Propelled by the memory and after years of dreaming about it, Jini Reddy dares to delve into the 'wanderlands' of Britain, heading off in search of the magical in the landscape. A London journalist with multicultural roots and a perennial outsider, she determinedly sets off on this unorthodox path. Serendipity and her inner compass guide her around the country in pursuit of the Other and a connection to Britain's captivating natural world. Where might this lead? And if you know what it is to be Othered yourself, how might this colour your experiences? And what if, in invoking the spirit of the land, 'it' decides to make its presence felt? Whether following a 'cult' map to a hidden well that refuses to reveal itself, attempting to persuade a labyrinth to spill its secrets, embarking on a coast-to-coast pilgrimage or searching for a mystical land temple, Jini depicts a whimsical, natural Britain. Along the way, she tracks down ephemeral wild art, encounters women who worship The Goddess, falls deeper in love with her birth land and struggles - but mostly fails - to get to grips with its lore. Throughout, she rejoices in the wildness we cannot see and celebrates the natural beauty we can, while offering glimpses of her Canadian childhood and her Indian parents' struggles in apartheid-era South Africa. Wanderland is a book in which the heart leads, all things are possible and the Other, both wild and human, comes in from the cold. It is a paean to the joy of roaming, both figuratively and imaginatively, and to the joy of finding your place in the world.

It's two decades since Chris Stewart moved to his farm on the wrong side of a river in the mountains of southern Spain and his daughter Chloee is preparing to fly the nest for university. In this latest, typically hilarious dispatch from El Valero we find Chris, now a local literary celebrity, using his fame to help his old sheep-shearing partner find work on a raucous road trip; cooking a TV lunch for visiting British chef, Rick Stein; discovering the pitfalls of Spanish public speaking; and recalling his own first foray into the adult world of work. Yet it's at El Valero, his beloved sheep farm, that Chris remains in his element as he, his wife Ana and their assorted dogs, cats and sheep weather a near calamitous flood and emerge as newly certified organic farmers. His cash crop? The lemons and oranges he once so blithely drove over, of course.

Rome Through the Mist: Walks Among the Fountains of the Eternal City invites readers to join Joe Gartman, long-time culture columnist for Italia! Magazine, on a journey among 80 of Rome's celebrated fountains, to find a more intimate way of experiencing the Eternal City. On foot with book in hand, or simply in imagination, each chapter takes readers on a vividly described walk, enhanced with colorful, subtly revealing photographs of Roman life. Every fountain in Rome tells a story; every story is about Rome: her history, her legends, and her extraordinary people, from poets to popes, artists to models, architects to emperors. Every street, piazza, wall and garden that contains a fountain has a past worth knowing. You are invited to follow the paths in this book, with 15 different turn-by-turn walking tours, 17 maps, and 182 photos. There are plenty of hints, too, about things to see and experience along the way, especially the matchless artistic treasures that await behind unexpected doors. In your armchair or on your feet, journey from Trevi's torrents to the Naiad's naughty nymphs; from the quiet basins in Piazza San Simeone to Bernini's mighty Four Rivers in Piazza Navona; from the Dark Fountains in Villa Borghese to the charming lionesses in Piazza del Popolo; and listen to the voices of the waters.

The topos of the journey is one of the oldest in literature, and even in this age of packaged tours and mediated experience, it still remains one of the most compelling. This volume examines the ways in which the legacy of the Grand Tour is still evident in works of travel and literature. From its aristocratic origins and the permutations of sentimental and romantic travel to the age of tourism and globalization, the Grand Tour still influences the destinations tourists choose and shapes the ideas of culture and sophistication that surround the act of travel. The essays in this collection examine a wide variety of literature-travel, memoir, and fiction-and explore the ways travel and ideas of "culture" have evolved since the heyday of the Grand Tour in the 18th century. The sites of the Grand Tour remain a powerful cultural draw, and they continue to define ideas of taste and learning for those who visit them.

'Transports the reader to another world' Sunday Express Adventurer and TV presenter Alice Morrison takes the reader on three remarkable and inspirational journeys across Morocco, from the Sahara to the Atlas mountains, to reveal the growing challenges faced by our planet. Accompanied only by three Amazigh Muslim men and their camels, Scottish explorer Alice Morrison set off to find a hidden world. During her journey along the Draa river, she encountered dinosaur footprints and discovereda lost city, as well as what looked like a map of an ancient spaceship, all the while trying to avoid landmines, quicksand and the deadly horned viper. Few places better illustrate the reality of climate change and the encroachment of the desert than a dried-out riverbed, but this also means a constant search for the next source of water. Meeting other nomads as they travel, Alice also gets to hear a side of their lives few ever access, as the women would never be allowed to speak to men from outside their community. They explain the challenges of giving birth and raising children in the wilderness. As the journey continues, Alice learns to enjoy goat's trachea sausages, gets a saliva shower from Hamish the camel as he blows out his sex bubble, and shares riddles round the camp fire with her fellow travellers. Walking with Nomads reveals the transformative richness of the desert and the mountains, providing a total escape from everyday concerns, but it also shows how the ancient world of the nomad is under threat as never before.

Discover some of the world’s most awe-inspiring and holy places, from Stonehenge to Uluru, and Walden Pond to Angkor Wat. Humans have always searched for and created meaning in the world around them, whether in breathtakingly stunning natural features and phenomena, acknowledging the ancient home of a particular faith or movement, or honouring the location of a significant event. In this beautifully illustrated guide, Alice Peck discusses what makes a place spiritual – whether reaches of time, geography, the provision of sustenance or inspiration, or mystery and magic – and then explores 80 such locations around the globe. Rather than a comprehensive travel guide, the description of each one includes a detail or tip – something beautiful, strange, relatively unknown or unfamiliar – to allow readers to deepen their focus and perhaps experience the place in a different way than they might expect. If you are unable to travel at this time, this book will help you plan your next adventure. And if you are trying to limit your carbon footprint, each destination is accompanied by a related meditation, prayer, practice or quotation to help you connect to the spirit of it from your own home.

Martyn Murray was finding modern life, with all its restrictions and controls, suffocating. Following years of soul-searching, his father's death triggered him into opening the old logbooks and charts to retrace the sailing trips they had once shared together. He determined to revisit those waters and bring home the freedom of the seas. Falling in love with an old ketch in Ireland, he bought and restored her enough to sail back to Scotland. Over the next two summers he cruised Scotland's Western Isles, with one goal: to reach St Kilda - the remotest part of the British Isles, 40 miles from the Outer Hebrides. During his cruising he considered the islanders and their sense of freedom - often restricted by absentee landlords and officialdom. He riled against bureaucracy and commercial enterprise restricting the yachtsman's ability to roam free. For parts of his journey he was joined by the beguiling Kyla; a rare, independent spirit who both excited and frustrated Martyn. But much of Martyn's voyaging was undertaken alone, encountering a variety of places, situations and characters along the way. He attempted his long-awaited sail out to St Kilda through the teeth of a storm, believing that achieving this feat would bring him the freedom and clarity that he craved. What he came up against was far more testing and turbulent than the tides and gales of the North Atlantic. As he sailed back to the mainland things fell into place: a sense of achievement in completing the arduous voyage alone, but - most of all - an understanding of who he is, clarity on his relationship with Kyla and a real sense of his own freedom.

'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

When thinking of intrepid travelers from past centuries, we don't usually put Muslim women at the top of the list. And yet, the stunning firsthand accounts in this collection completely upend preconceived notions of who was exploring the world. Editors Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma recover, translate, annotate, and provide historical and cultural context for the 17th- to 20th-century writings of Muslim women travelers in ten different languages. Queens and captives, pilgrims and provocateurs, these women are diverse. Their connection to Islam is wide-ranging as well, from the devout to those who distanced themselves from religion. What unites these adventurers is a concern for other women they encounter, their willingness to record their experiences, and the constant thoughts they cast homeward even as they traveled a world that was not always prepared to welcome them. Perfect for readers interested in gender, Islam, travel writing, and global history, Three Centuries of Travel Writing by Muslim Women provides invaluable insight into how these daring women experienced the world-in their own voices.

'Several Ways to Die in Mexico City' is a one-of-a-kind history of a magical city with a rich, vibrant and often dark culture. Living in any major city is a health hazard, but Kurt Hollander illustrates the ways in which this mega city is uniquely deadly.

This volume is not a guide of where to stay and what to do, rather it is a collection of writing that aims to invest the traveller with a cultural and historical background to Croatia, which will give life and meaning into the sights, sounds and tastes that the traveller will experience.

The story of the Giro d'Italia - Italy's equivalent of the Tour de France, and its superior in the eyes of many - is as dramatic and full of extraordinary characters as the story of Italy itself. Heroism, suffering, feuds and betrayals, tradition under threat from modernity all play out against a timeless landscape. The iconic riders, mythical stories and career defining exploits are conveyed in rich, vibrant prose.

If you want to know about writing, about how to make others share the horror and intensity of an experience, try the first piece in this collection, Justice at Night. Martha Gellhorn wrote it as a 28-year-old, having just returned home to the States after four years in Europe, in 1936. What follows is a selection of fifty years of peacetime journalism, history caught at the moment of its unfolding, as it looked and felt to those who experienced it. It's about revolutions in the making, guilty acts of state terrorism, poverty, injustice and recovery. It vividly captures the range and intensity of Gellhorn's courageous work and is also a passionate call to arms, not only to remember the wronged and to bear witness to evil, but to stand your ground in the face of it.

Istanbul, through the mind of its most celebrated writer. ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'A declaration of love.' Sunday Times 'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist 'An irresistibly seductive book' Jan Morris, Guardian In a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years. What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.