Brent Bittner, an attorney from Canada, travels to South India with his best friend Kavi for his friend's Indian wedding. He quickly learns how to adapt to an amazing culture that he finds interesting yet often challenging. Later, he is invited to visit the Indian court system by one of his new friends, an Indian attorney. He recounts fascinating stories from before and during the wedding and his time spent with his friend and his friend's family.

Following the wedding, Brent takes three weeks to explore the magic of India. While on a train to Cape Comorin, he meets up with a father and son from Bombay. They nickname him "Swami," the Hindu name for a spiritual guru. While on his trip, Brent learns that his father has died. Later, a visit from his father in spirit becomes a wonderful gift from the grave, confirming and enriching Brent's own spirituality.

This warm, funny, and insightful memoir was created for Brent's son, Keenan, as a present to him on his thirteenth birthday, to encourage him and others to take their own spiritual paths, wherever they may lead.

At a time when that 1960s notion of air travel as decadent and exceptional is experiencing an unexpected revival, this book ... could be the G&T in a plastic glass you need.' The Spectator Travel writer Julia Cooke's exhilarating portrait of Pan Am stewardesses in the Mad Men era. Come Fly the World tells the story of the stewardesses who served on the iconic Pan American Airways between 1966 and 1975 - and of the unseen diplomatic role they played on the world stage. Alongside the glamour was real danger, as they flew soldiers to and from Vietnam and staffed Operation Babylift - the dramatic evacuation of 2,000 children during the fall of Saigon. Cooke's storytelling weaves together the true stories of women like Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few African American stewardesses of the era, as they embraced the liberation of a jet-set life. In the process, Cooke shows how the sexualized coffee-tea-or-me stereotype was at odds with the importance of what they did, and with the freedom, power and sisterhood they achieved.

In 2016, while working as a journalist in Yangon, Clare Hammond discovered an obscure map that showed a web of new railways spanning the length and breadth of the country - railways not shown on any other publicly available maps. She was determined to uncover the railways' origins, purpose, and most of all, the silence that surrounded them. She would spend three months travelling on these mysterious railways, and the next five years piecing their story together.

Her journey would take her from Myanmar's tropical south to the embattled mountain towns that border India and China. In dilapidated carriages, along tracks in disrepair, through contested ethnic states and former sites of forced labour, visiting temples, tea shops and festivals, Clare encountered a colourful and contradictory Myanmar through the stories of its people. Simultaneously a lush and evocative travelogue, an unsparing account of Myanmar's recent history, and an astonishing, conversation-shifting engagement with Britain's colonial legacy, On the Shadow Tracks is that rare and necessary thing: a book that finds and tells the truth.

'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

An inspirational and beautifully illustrated book that tells the stories of 80 plants from around the globe. In his follow-up to the bestselling Around the World in 80 Trees, Jonathan Drori takes another trip across the globe, bringing to life the science of plants by revealing how their worlds are intricately entwined with our own history, culture and folklore. From the seemingly familiar tomato and dandelion to the eerie mandrake and Spanish 'moss' of Louisiana, each of these stories is full of surprises. Some have a troubling past, while others have ignited human creativity or enabled whole civilizations to flourish. With a colourful cast of characters all brought to life by illustrator Lucille Clerc, this is a botanical journey of beauty and brilliance. 'A beautiful celebration of the plants and flowers that surround us and a quiet call to arms for change' The Herald 'This charming and beautifully illustrated book takes readers on a voyage of discovery, exploring the many ingenious and surprising uses for plants in modern science and throughout history' Kew Magazine 'With beautiful illustrations from Lucille Clerc, this captivating book traverses the globe via plants: nettles in England, mangoes in India and tulips in the Netherlands' Daily Mail

Adventure is not just for the young! Though I own a boat! was the opening phrase to their courtship and eventual married life, little did Baby Boomer couple, George and Pat Hospodar, know then that those words would lead to their making a year-long journey of a lifetime aboard their boat, Reflection, almost forty years later. This book welcomes and encourages not only fellow boaters, but also armchair adventurers, and dreamers of all ages to join them aboard as they share a light hearted, real-life account of their travels on the circumnavigation of the waterways of the eastern United States and Canada. In addition, for those who may consider making this journey themselves, the authors offer insights and tips on:? Routes? Anchorages? Navigation? Locking? Marinas? Free dockage? Low bridges? Fuel stops? Restaurants? Shopping? Points of interest and local history? Border crossings in Canada and the United States? Local marine weather websites and phone numbers.

In Heavy Time psychogeographer Sonia Overall takes to the old pilgrim roads, navigating a route from Canterbury to Walsingham via London and her home town of Ely. Vivid in her evocation of a landscape of ancient chapels, ruined farms and suburban follies, Overall's secular pilgrimage elevates the ordinary, collecting roadside objects - feathers, a bingo card, a worn penny - as relics. Facing injury and interruption, she takes the path of the lone woman walker, seeking out 'thin places' where past and present collide, and where new ways of living might begin. 'It is a talisman of a book. Heavy Time doesn't just describe a pilgrimage, it becomes one, for both writer and reader. It is an invitation to resist 'busyness', to think of ourselves as explorers, to seek out 'the everyday divine'. It has sent me out looking for 'thin places: pockets in the landscape where the membrane is so tightly stretched that other worlds might shine through.' Beautiful and essential.' - Helen Mort

In a small medieval palace on Kathmandu's Durbar Square lives Nepal's famous Living Goddess - a child as young as three who is chosen from a caste of Buddhist goldsmiths to watch over the country and protect its people. To Nepalis she is the embodiment of Devi (the universal goddess) and for centuries their Hindu kings have sought her blessing to legitimize their rule. Legends swirl about her, for the facts are shrouded in secrecy and closely guarded by dynasties of priests and caretakers. How come a Buddhist girl is worshipped by autocratic Hindu rulers? Are the initiation rituals as macabre as they are rumoured to be? And what fate awaits the Living Goddesses when they attain puberty and are dismissed from their role? Weaving together myth, religious belief, modern history and court gossip, Isabella Tree takes us on a compelling and fascinating journey to the esoteric, hidden heart of Nepal. Through her unprecedented access to the many layers of Nepalese society, she is able to put the country's troubled modern history in the context of the complex spiritual beliefs and practices that inform the role of the little girl at its centre. Deeply felt, emotionally engaged and written after over a decade of travel and research, The Living Goddess is a compassionate and illuminating enquiry into this reclusive Himalayan country - a revelation.

Fables of the East is the first anthology to provide textual examples of representations of oriental cultures in the early modern period drawn from a variety of genres: travel writing, histories, and fiction. Organized according to genre in order to illustrate the diverse shapes the oriental tale adopted in the period, the extracts cover the popular sequence of oriental tales, the pseudo-oriental tale, travels and history, and letter fictions. Authors represented range from the familiar - Joseph Addison, Horace Walpole, Montesquieu, Oliver Goldsmith - to authors of great popularity in their own time who have since faded in reputation such as James Ridley, Alexander Dow, and Eliza Haywood. The selection has been devised to call attention to the diversity in the ways that different oriental cultures are represented to English readers. Readers of this anthology will be able to identify a contrast between the luxury, excess, and sexuality associated with Islamic Turkey, Persia, and Mughal India and the wisdom, restraint, and authority invested in Brahmin India and Confucian China. Fables of the East redraws the cultural map we have inherited of the eighteenth century, demonstrating contemporary interest in gentile and 'idolatrous' religions, in Confucianism and Buddhism especially, and that the construction of the Orient in the western imagination was not exclusively one of an Islamic Near and Middle East. Ros Ballster's introduction addresses the importance of the idea of 'fable' to traditions of narrative and representations of the East. Each text is accompanied by explanatory head and footnotes, also provided is a glossary of oriental terms and places that were familiar to the texts' eighteenth-century readers.

2011 marks the centenary of the death of Edward Whymper, one of the most important figures in the history of mountaineering. His ascent of the Matterhorn in 1865, and the deaths of four members of his party on the way down, attracted attention throughout the world, bringing him praise and criticism in equal measure. In later years, he largely devoted his life to lecturing and writing guidebooks, touring Britain, Europe and America. Whymper was an early member of the Alpine Club and in the club's archives is a set of magic lantern slides he used to illustrate his lectures. Based on extensive research, former AC Archivist Peter Berg has combined these images with extracts from Whymper's books and diaries and writings by his contemporaries, to recreate the lecture 'My Scrambles amongst the Alps', first given in 1895. These pictures, mostly not seen for 100 years and never been published as a set before, give us a unique glimpse of the mountain world at the end of the 19th century. We visit the Zermatt valley and its peaks, passes and glaciers, experience Whymper's many attempts to climb the Matterhorn, explore the Mont Blanc region, including the ill-fated building of an observatory on the summit, and share some of the joys and sorrows of mountaineering. Setting the lecture in context, is a foreword by the distinguished mountaineer and former AC President, Stephen Venables.

Now a limited Netflix series starring Zoe Saldana! This Reese Witherspoon Book Club Pick and New York Times bestseller is "a captivating story of love lost and found" (Kirkus Reviews) set in the lush Sicilian countryside, where one woman discovers the healing powers of food, family, and unexpected grace in her darkest hours. It was love at first sight when actress Tembi met professional chef, Saro, on a street in Florence. There was just one problem: Saro's traditional Sicilian family did not approve of his marrying a black American woman. However, the couple, heartbroken but undeterred, forged on. They built a happy life in Los Angeles, with fulfilling careers, deep friendships, and the love of their lives: a baby girl they adopted at birth. Eventually, they reconciled with Saro's family just as he faced a formidable cancer that would consume all their dreams. From Scratch chronicles three summers Tembi spends in Sicily with her daughter, Zoela, as she begins to piece together a life without her husband in his tiny hometown hamlet of farmers. Where once Tembi was estranged from Saro's family, now she finds solace and nourishment-literally and spiritually-at her mother-in-law's table. In the Sicilian countryside, she discovers the healing gifts of simple fresh food, the embrace of a close knit community, and timeless traditions and wisdom that light a path forward. All along the way she reflects on her and Saro's romance-an incredible love story that leaps off the pages. In Sicily, it is said that every story begins with a marriage or a death-in Tembi Locke's case, it is both. "Locke's raw and heartfelt memoir will uplift readers suffering from the loss of their own loved ones" (Publishers Weekly), but her story is also about love, finding a home, and chasing flavor as an act of remembrance. From Scratch is for anyone who has dared to reach for big love, fought for what mattered most, and those who needed a powerful reminder that life is...delicious.

Adam Thorpe's home for the past 25 years has been an old house in the Cévennes, a wild range of mountains in southern France. Prior to this, in an ancient millhouse in the oxbow of a Cévenol river, he wrote the novel that would become the Booker Prize-nominated Ulverton, now a Vintage Classic.

In more recent writing Thorpe has explored the Cévennes, drawing on the legends, history and above all the people of this part of France for his inspiration. In his charming journal, Notes from the Cévennes, Thorpe takes up these themes, writing about his surroundings, the village and his house at the heart of it, as well as the contrasts of city life in nearby Nîmes. In particular he is interested in how the past leaves impressions - marks - on our landscape and on us. What do we find in the grass, earth and stone beneath our feet and in the objects around us? How do they tie us to our forebears? What traces have been left behind and what marks do we leave now?

He finds a fossil imprinted in the single worked stone of his house's front doorstep, explores the attic once used as a silk factory and contemplates the stamp of a chance paw in a fragment of Roman roof-tile. Elsewhere, he ponders mutilated fleur-de-lys (French royalist symbols) in his study door and unwittingly uses the tomb-rail of two sisters buried in the garden as a gazebo. Then there are the personal fragments that make up a life and a family history: memories dredged up by 'dusty toys, dried-up poster paints, a painted clay lump in the bottom of a box.'

Part celebration of both rustic and urban France, part memoir, Thorpe's humorous and precise prose shows a wonderful stylist at work, recalling classics such as Robert Louis Stevenson's Travels with a Donkey in the Cévennes.

"IRRESISTIBLE AND PULSE-POUNDING" Karin Slaughter "A TENSE, PACY PAGE-TURNER" GUARDIAN "BRILLIANT AND RELENTLESS" Don Winslow The unmissable new thriller from the bestselling author of THE CHAIN. YOU DON'T KNOW WHAT YOU'RE CAPABLE OF UNTIL THEY COME FOR YOUR FAMILY. After moving from a small country town to Seattle, Heather Baxter marries Tom, a widowed doctor with a young son and teenage daughter. A working vacation overseas seems like the perfect way to bring the new family together, but once they're deep in the Australian outback, the jet-lagged and exhausted kids are so over their new mom. When they discover a remote Dutch Island, off-limits to outside visitors, the family talks their way onto the ferry, taking a chance on an adventure far from the reach of iPhones and Instagram. But as soon as they set foot on the island, which is run by a tightly knit clan of locals, everything feels wrong. Then a shocking accident propels the Baxters from an unsettling situation into an absolute nightmare. When Heather and the kids are separated from Tom, they are forced to escape alone, seconds ahead of their pursuers. Now it's up to Heather to save herself and the kids, even though they don't trust her, the harsh bushland is filled with danger, and the locals want her dead. Heather has been underestimated her entire life, but she knows that only she can bring her family home again and become the mother the children desperately need, even if it means doing the unthinkable to keep them all alive. SOON TO BE A HULU ORIGINAL SERIES

"A mesmerising trip across Central Asia . . . A fascinating travelogue" Financial Times SHORTLISTED FOR EDWARD STANFORD/LONELY PLANET DEBUT TRAVEL WRITER OF THE YEAR 2020 An unforgettable journey through the former Soviet Republics, by a prizewinning author of international reportage Erika Fatland takes the reader on a journey that is unknown to even the most seasoned globetrotter. The five former Soviet Republics' Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan all became independent when the Soviet Union fell apart in 1991. How have these countries developed since then? In the Kyrgyzstani villages Erika Fatland meets victims of the widely known tradition of bride snatching; she visits the huge and desolate Polygon in Kazakhstan where the Soviet Union tested explosions of nuclear bombs; she meets Chinese shrimp gatherers on the banks of the dried out Aral Sea and she witnesses the fall of a dictator. She travels incognito through Turkmenistan, a country that is closed to journalists. She meets exhausted human rights activists in Kazakhstan, survivors from the massacre in Osh in 2010, German Menonites that found paradise on the Kyrgyzstani plains 200 years ago. During her travels, she observes how ancient customs clash with gas production and she witnesses the underlying conflicts between ethnic Russians and the majority in a country that is slowly building its future in Nationalist colours. In these countries, that used to be the furthest border of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the bleakness of Soviet architecture, Erika Fatland moves with her openness towards the people and the landscapes around her. A rare and unforgettable travelogue. Translated from the Norwegian by Kari Dickson

"The most interesting Dutch writer of his generation" Herman Koch "Vivid and moving. A marvellous hybrid of a book about one one of the major contemporary causes of sickness and unhappiness. In it we recognise ourselves, our restlessness and insecurity" George Szirtes Something inside will not let me be . . . Daan Heerma van Voss is not just anxious. According to tests on the cortisone levels in his hair, he is seventy-four times as anxious as the average person. And that makes him hard to live with. When another relationship is broken by his crippling fears, the only way to cope is to get to the roots of his condition. But he also wants to dig deeper and tackle the big questions. Why are 264 million people worldwide suffering from anxiety, and why is this number growing every day? Is it hereditary? Is there a link with creativity? And how can you love when you're living in a constant state of fear? In his quest for answers, he takes us on a profoundly moving journey from his apartment in Amsterdam to France, Jakarta and San Francisco. Along the way we'll meet philosophers, artists, writers and other fascinating individuals from around the world. But this is also a journey through literature, the classics, the history of anxiety and the science behind it. Timely, learned and heartfelt, The Anxiety Project fuses the sharp musings of a curious mind with a raw and honest dissection of a relationship undercut by fear. It will appeal to anyone trying to remain calm on our very nervous planet. Translated from the Dutch by David Doherty

One of Italy's brightest literary lights reinvents travel writing with a seductive, intoxicating celebration fo the magical saltwater city
"Venice is a fish," writes Tiziano Scarpa. "It's like a vast sole stretched out against the deep. How did this marvelous beast make its way up the Adriatic and fetch up here, of all places?" Paying homage to his native city in a lyrical and evocative style, he guides readers down tiny alleys, over bridges, and through squares, daring us to lose ourselves, forget the guidebooks, and experience Venice as Venetians do.
"Venice Is a Fish" provides no hotel ratings or museum hours. Instead, in a delightful initiation, Scarpa tells us how to balance while standing on a gondola; where lovers will find the best secret hiding places; the finer points of etiquette and navigation during an agua alta; and how best to defend ourselves from the pitiless beauty of one of the world's most stimulating cities. Open "Venice Is a Fish," and Scarpa's magnificent images, secret history, and hidden lore unfold like a treasure map of the senses.

'Transports the reader to another world' Sunday Express Adventurer and TV presenter Alice Morrison takes the reader on three remarkable and inspirational journeys across Morocco, from the Sahara to the Atlas mountains, to reveal the growing challenges faced by our planet. Accompanied only by three Amazigh Muslim men and their camels, Scottish explorer Alice Morrison set off to find a hidden world. During her journey along the Draa river, she encountered dinosaur footprints and discovereda lost city, as well as what looked like a map of an ancient spaceship, all the while trying to avoid landmines, quicksand and the deadly horned viper. Few places better illustrate the reality of climate change and the encroachment of the desert than a dried-out riverbed, but this also means a constant search for the next source of water. Meeting other nomads as they travel, Alice also gets to hear a side of their lives few ever access, as the women would never be allowed to speak to men from outside their community. They explain the challenges of giving birth and raising children in the wilderness. As the journey continues, Alice learns to enjoy goat's trachea sausages, gets a saliva shower from Hamish the camel as he blows out his sex bubble, and shares riddles round the camp fire with her fellow travellers. Walking with Nomads reveals the transformative richness of the desert and the mountains, providing a total escape from everyday concerns, but it also shows how the ancient world of the nomad is under threat as never before.