'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

Pakistan's largest city is a sprawling metropolis of 20 million people. A place of political turbulence, where lavish wealth and absolute poverty sit side by side, and where the lines between idealism and corruption can quickly blur. Through the stories of those who know the city best - including a journalist, an activist, and an ambulance driver - Samira Shackle paints a vivid, vibrant and often violent portrait of Karachi over the past decade: a period during which the Taliban arrived in Pakistan, adding to the daily perils of its residents and pushing their city into the international spotlight. Nuanced and fast-paced, Karachi Vice is an immersive, electrifying journey around one of the most compelling cities in the world.

Perfect Camping for You in Montana. From the Cabinet Mountain Wilderness in the northwest to the Yellowstone River Valley in the south, the new full color edition of Best Tent Camping: Montana by Jan and Christiana Nesset is a guidebook for car campers who like quiet, scenic, and serene campsites. This completely updated guidebook includes 50 private, state park, and state and national forest campgrounds divided into distinct regions; detailed campground maps; key information such as fees, restrictions, and dates of operation; driving directions; and ratings for beauty, privacy, spaciousness, security, and cleanliness. Whether you are a native Montanan in search of new territory or a vacationer on the lookout for that dream campground, this book by local outdoor adventurers Jan and Christina Nesset unlocks the secrets to the best tent camping Montana has to offer.

The Inside Passage to Alaska, with its outer fringes and entailments, is a very complicated sea-route. Parts of it are open ocean, parts of it no wider than a modest river, and it has been in continuous use for several thousand years. Its aboriginal past - still tantalizingly close to hand - puts the inside passaged on terms of close kinship with the ancient sea of the Phoenicians and the Greeks. This book is much more than a book about a sea voyage; it is about Jonathan Raban's journey home to his father who is dying; about his crumbling relationship with his wife and also about the historical journey of the maddening Vancouver in his search for the North West Passage.

I can move only with the aid of barrels of anti-inflammatory gel, sticking plasters and real ale anaesthetic. Martin and I descend from hours of walking to the small town of Middleton-in-Teesdale. I walk, stiff legged, into the campsite office and a plump, middle-aged woman looks up from her desk and can see the old timer is in trouble. "Oh, what a shame you weren't here last week," she says, pity radiating from behind her horn-rimmed specs. "You've missed him." I look at her, puzzled. "Elvis!" she explains. "You missed Elvis." Oh God, now I'm hallucinating... In Bothy Tales, the follow-up to The Last Hillwalker from bestselling mountain writer John D. Burns, travel with the author to secret places hidden amongst the British hills and share his passion for the wonderful wilderness of our uplands. From remote glens deep in the Scottish Highlands, Burns brings a new volume of tales - some dramatic, some moving, some hilarious - from the isolated mountain shelters called bothies. Meet the vivid cast of characters who play their games there, from climbers with more confidence than sense to a young man who doesn't have the slightest idea what he's letting himself in for...

These timely reconsiderations of European Travel writing from the 1930s reassert the oppositional primacy of subjective translations and disavow hermetic notions that travel should or even can be divorced from socio-political or cultural contexts. * Journeys Cultural Encounters offers a rich, varied and yet impressively coherent collection of essays on the meanings and practices of travel writing in 1930s Europe. Carefully building on theoretical interest in travel writing of recent years, the essays follow written journeys to Graham Greene's Liberia and Lorca's Cuba, to Fascist Italy's Greece and France's Indochina, and many more. Throughout, texts and authors are shown to be alive with hybrid constructions of self and of ideological, national and colonial identity. What is more, the book provides compelling reasons for seeing 1930s travel writing as being of particular fascination, lying on a cusp between the Depression, totalitarianism, colonialism and modernism, and the seeds of mass tourism, post-colonialism and globalization.* Re-reading German literature since 1945, Robert Gordon, Cambridge University The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s. Charles Burdett is lecturer in Italian at the University of Bristol and co-editor of European Memories of the Second World War (1999). He is currently working on representations of Africa in fascist Italy. Derek Duncan is lecturer in Italian at the University of Bristol. He has published extensively on twentieth century Italian literature with particular reference to questions of gender and sexuality.

In 1972, Gilles Mora and his wife Francoise left France to teach the French language in public schools in Louisiana. At the time, he knew nothing about photography. Fascinated by the Deep South, however, Mora soon started a photographic project on its culture. Greatly influenced by artists such as Walker Evans, Ben Shahn, Eudora Welty, and Clarence John Laughlin; playing music with some of the major figures of the rockabilly scene, including Carl Perkins; and infused with the sensuality of the South, Mora produced a unique body of pictures over more than twenty years. Rarely exhibited or published, the images in Antebellum present a kind of travelogue, a photographic recording of Mora's personal mythologies, which evoke the disappearing world of the Deep South.

Travel and Representation is a timely volume of essays that explores and re-examines the various convergences between literature, art, photography, television, cinema and travel. The essays do so in a way that appreciates the entanglement of representations and travel at a juncture in theoretical work that recognizes the limits of representation, things that lie outside of representation and the continuing power of representation. The emphasis is on the myriad ways travelers/scholars employ representation in their writing/analyses as they re-think the intersections between travelers, fields of representation, imagination, emotions and corporeal experiences in the past, the present and the future.

When Jet McDonald cycled four thousand miles to India and back, he didn't want to write a straightforward account. He wanted to go on an imaginative journey. The age of the travelogue is over: today we need to travel inwardly to see the world with fresh eyes. Mind is the Ride is that journey, a pedal-powered antidote to the petrol-driven philosophies of the past. The book takes the reader on a physical and intellectual adventure from West to East using the components of the bike as a metaphor for philosophy, which is woven into the cyclist's experience. Each chapter is based around a single component, and as Jet travels he adds new parts and new philosophies until the bike is 'built'; the ride to India is completed; and the relationship between mind, body and bicycle made apparent.

Hundreds of hardy people have tried to carve a living in the Alaskan bush, but few have succeeded as consistently as Heimo Korth. Originally from Wisconsin, Heimo traveled to the Arctic wilderness in his feverous twenties. Now, more than three decades later, Heimo lives with his wife and two daughters approximately 200 miles from civilization -- a sustainable, nomadic life bounded by the migrating caribou, the dangers of swollen rivers, and by the very exigencies of daily existence.
In "The Final Frontiersman," Heimo's cousin James Campbell chronicles the Korth family's amazing experience, their adventures, and the tragedy that continues to shape their lives. With a deft voice and in spectacular, at times unimaginable detail, Campbell invites us into Heimo's heartland and home. The Korths wait patiently for a small plane to deliver their provisions, listen to distant chatter on the radio, and go sledding at 44 below zero -- all the while cultivating their hard-learned survival skills that stand between them and a terrible fate.
Awe-inspiring and memorable, "The Final Frontiersman" reads like a rustic version of the American Dream and reveals for the first time a life undreamed by most of us: amid encroaching environmental pressures, apart from the herd, and alone in a stunning wilderness that for now, at least, remains the final frontier.

Brent Bittner, an attorney from Canada, travels to South India with his best friend Kavi for his friend's Indian wedding. He quickly learns how to adapt to an amazing culture that he finds interesting yet often challenging. Later, he is invited to visit the Indian court system by one of his new friends, an Indian attorney. He recounts fascinating stories from before and during the wedding and his time spent with his friend and his friend's family.

Following the wedding, Brent takes three weeks to explore the magic of India. While on a train to Cape Comorin, he meets up with a father and son from Bombay. They nickname him "Swami," the Hindu name for a spiritual guru. While on his trip, Brent learns that his father has died. Later, a visit from his father in spirit becomes a wonderful gift from the grave, confirming and enriching Brent's own spirituality.

This warm, funny, and insightful memoir was created for Brent's son, Keenan, as a present to him on his thirteenth birthday, to encourage him and others to take their own spiritual paths, wherever they may lead.

Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. Without the tremendous influences of Francesco Petrarch and Giovanni Boccaccio, the author of The Canterbury Tales might never have assumed his place as the 'father' of English literature. Nevertheless, Richard Owen's Chaucer's Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official, before his involvement in arranging the marriage of King Edward III's son Lionel in Milan and diplomatic missions to Genoa and Florence. Scrutinising his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood, Owen reveals the deep influence of Italy's people and towns on Chaucer's poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but, as Owen's enlightening short study of Chaucer's Italian years makes clear, the poet's life was internationally eventful. The consequences have made the English canon what it is today.

The outer world flew open like a door, and I wondered - what is it that we're just not seeing? In this greatly anticipated sequel to Findings, prize-winning poet and renowned nature writer Kathleen Jamie takes a fresh look at her native Scottish landscapes, before sailing north into iceberg-strewn seas. Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

Meanwhile don't push and squeeze is an account of the year that writer spent teaching at a university in Hangzhou, China. Filled with puzzlement and discovery, it is enriched by the writings of Berold's enthusiastic students and those of his articulate companion. Berold's passion for literature soon takes him well beyond limits of his contract as a 'foreign expert'. This is a wide-ranging and at times very funny title, filled with fresh, startling images of 21st Century China. Robert Berold spent a year teaching creative writing in China, and this is his poetic and delightful record of that year.

The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Since gaining independence from the UK, Nigeria has been in a state of permanent crisis. Dependence on oil is the glue that has kept together a country deeply divided but obsessed with an ideal of "national unity". But this dependence has eroded institutions, compromised socio-economic development, caused corruption, coup d'etats, and environmental disasters. The arrival of democracy in the 90s failed to bring much improvement. It's estimated that over 100 million Nigerians live under the poverty threshold. Violence is widespread: from the Boko Haram terrorists to the armed secessionist movements and the growing scourge of kidnappings. How to live in a country where the state is absent? In these circumstances, Nigerians bring out all their dynamism, entrepreneurial skills, and their inventiveness. As the generation of generals who governed the country for 60 years dies out, and younger citizens refuse to ignore injustice and violence, the hope is born that a new, vibrant generation will take the country's future into their hands. And, as they are accustomed to doing, fix it.

'Everything you would expect of a James Naughtie book - droll, absorbing and wonderfully perceptive.' Bill Bryson 'A revealing and at times spellbinding tapestry of a nation...It is thought-provoking, constantly surprising and hugely entertaining. Sublime stuff.' Michael Simkins, Mail on Sunday 'An insightful account of living through momentous times...much to enjoy in Naughtie's astute memoir.' Martin Chilton, Independent James Naughtie, the acclaimed author and BBC broadcaster, now brings his unique and inquisitive eye to the country that has fascinated him and drawn him across the Atlantic for half a century. In looking at America, from Presidents Nixon through to Biden, he tells the story of a country that is grappling with a dream. What has it come to mean in the new century, and who do Americans now think they are? Drawing on his travels and encounters over forty years in the 'Land of the Free', On The Road is filled with anecdotes, memories, tears and laughter reflecting Naughtie's characteristic warmth and enthusiasm in encountering the America of Washington, of Broadway, of the small town and the plains. As a student, Naughtie watched the fall of President Richard Nixon in 1974, and subsequently as a journalist followed the story of the country - its politicians, artists, wheeler-dealers and the people who make it what it is, in the New York melting pot or the western deserts. This is a story filled with encounters, for example with the people he has watched on every presidential campaign from the late 1970s to the victory of Joe Biden in 2020. This edition is fully updated to include Naughtie's fascinating insights on the controversial presidential election battle in 2020 between Donald Trump and Joe Biden.

Shortlisted for the NSW Premier's History Awards - Australian History Prize 2021 How vast then is forgetting - of language, of places, of the dead? Are these even things that can be measured? They are not - but they can be described. Amnesia Road is a powerful literary consideration of historic violence in two different parts of the world, the seldom-visited mulga plains of south-west Queensland and the backroads of rural Andalusia. It is also an unashamed celebration of the landscapes where this violence - frontier conflict and civil war - has been carried out. Australian Hispanist Luke Stegemann uncovers neglected history and its victims and asks where such forgotten people can find a place in contemporary debates around history, nationality, guilt and identity. Stegemann writes powerfully about these landscapes, finding threads of forgotten history, particularly the brutal murderous Indigenous history that is so often deliberately ignored and the mass killings of civilians in the Spanish Civil War, in Andalusia and Cadiz in particular. Characterised by beautiful, lush writing that remains unflinching, this book prompts us to consider traumatic history and the places where it unfolded in new ways.

This work introduced a major modern author to the reading public. Doig's life was formed among the sheepherders and other denizens of small-town saloons and valley ranches as he wandered beside his restless father. New Preface by the Author.

'Terrific ... His love for his subjects - both the food and the cook - sings' Telegraph 'Christ, could Bourdain weave words ... the guy wrote like a poet' Guardian A celebration of the life and legacy of one of the most important food writers of all time - the inimitable Anthony Bourdain Anthony Bourdain saw more of the world than nearly anyone. His travels took him from his hometown of New York to a tribal longhouse in Borneo, from cosmopolitan Buenos Aires, Paris, and Shanghai to the stunning desert solitude of Oman's Empty Quarter - and many places beyond. In World Travel, a life of experience is collected into an entertaining, practical, fun and frank travel guide that gives readers an introduction to some of his favorite places - in his own words. Featuring essential advice on how to get there, what to eat, where to stay and, in some cases, what to avoid. Additionally, each chapter includes illustrations by Wesley Allsbrook. Supplementing Bourdain's words are a handful of essays by friends, colleagues, and family that tell even deeper stories about a place, including sardonic accounts of traveling with Bourdain by his brother, Chris; a guide to Chicago's best cheap eats by legendary music producer Steve Albini, and more.

Hilary Bradt's classic account of a journey through Ireland on horseback in the 1980s published for the first time in a single volume. In 1984, Hilary Bradt achieved an ambition from her pony-mad childhood to undertake a long-distance ride. This warm, funny and heart-wrenching account centres on the growing bond between the author and her Connemara ponies, Mollie and Peggy. Using her experience of horsepacking in Peru with saddlebags imported from America, she and Mollie set forth with no decent maps, and only a vague idea of the route. The many challenges and obstacles they face include impassable rivers, bogs, stone walls, and the author's own shyness. The book is also a portrait of a vanished rural Ireland before the Celtic Tiger era, built up from descriptions and conversations with local people. The journey takes Bradt and her ponies a thousand miles south from county Mayo, around the peninsulas of Kerry and Cork, and inland towards Waterford. 'I've never tried hitchhiking with a horse before,' comments the author, faced with the challenge of getting across the River Shannon. 'It's not easy!' Originally published in two separate volumes, Connemara Mollie and Dingle Peggy, this brand new edition brings the whole story together for the first time, with additional, previously unpublished photographs.