As America's finest writer, Mark Twain could make entertaining reading -- and great literature -- out of almost anything. Here we have a book begun out of adversity. The great novelist, satirist, and public celebrity was broke, ruined by various ill-advised investment schemes; but, being a man of honor on a public stage, he resolved to pay off every cent of his crushing debt. He did so by going on a two-year, round-the-world lecture tour, where he spoke to sold-out houses in Europe, India, and Australia, all the while gathering material for yet another best-selling travel book, filled with his trademark wit and brilliant observation. Even after more than a century this book is still a must-read. Whatever has been forgotten about the times and places Twain describes he has recreated for us, vividly and forever.

The journal of the Lander brothers provides a narrative of one of the most important missions of exploration in the history of West Africa. The editor's introduction contains much new material on the Landers and their journey drawn from hitherto unpublished sources, while an epilogue describes Richard Lander's last expedition to the Niger in 1832-4 and his death at Fernando Po. Originally published in 1965.

After spending three decades advising multinational companies on geopolitics and security crises, Richard Fenning knows all about danger and intrigue. Kidnappings, terrorist attacks, coups d'etat, corruption scandals, cyber attacks, earthquakes and hurricanes were all in a day's work in a career that coincided with the rise of China, the tumult of the Middle East wars, the resurgence of populism and the digital revolution. Amid chaos and upheaval, he also found humanity and humour. Often witty and always insightful, What on Earth Can Go Wrong takes us from the battlefields of Iraq to the back streets of Bogota, from the steamy Niger Delta to the chill of Putin's Moscow. In a remarkable memoir of a life on the frazzled edge of globalisation, Fenning looks back with humanity and insight on the people and places he got to know, while offering some timely thoughts on the relationship between risk and fear in a profoundly volatile world.

'Of all the places where I feel the translucency of things, places that are thin for me, bluebell woods are first among them.' Some travellers are driven by the need to scale a natural wonder, or to see a city's sights or a place of history. Others, like Alice Maddicott, travel in search of a particular scene, feeling or atmosphere, often inspired by music, literature and art. Taking us deep into our emotional and creative responses to place, this extraordinary book explores the author's relentless travelling, from the heat of Sicily to the mountains of Japan. With her uniquely lyrical approach to psycho-geography, Maddicott explores the relationship with landscape that is the very essence of human creativity. From seventeenth-century salons of Paris to the underground culture and crumbling balconies of modern Tbilisi, through writers as diverse as Italo Calvino and L. M. Montgomery and artists like Ana Mendieta and eighteenth-century girls embroidering their lives, Tender Maps is a beautifully evocative book of travel, culture and imagination that transports readers in time and place. 'A rich and beguiling work of literary travel memoir that nimbly tracks the wider contours of the world in terms of feeling, memory, introspection and the imagination.' - Travis Elborough, author of Atlas of Vanishing Places

8000 miles from home

1085 calories a day

3 months to write the novel that would make her name

At least that was the plan. But when Nell Stevens travelled to Bleaker Island in the Falklands (official population: two) she didn’t count on the isolation getting to her . . .

Hilarious and heartbreaking, this is a book about loneliness and creativity. It is about discovering who you are when there’s no one else around. And it’s about what to do when a plan doesn’t work: ultimately Nell may have failed to write a novel, but she succeeded in becoming a writer.

"The Island That Dared" is a passionate book from the pen of Dervla Murphy, which begins with a three-generational family holiday in Cuba. Led by their redoubtable hard-walking grandmother, the trio of young girls and their mother soon find themselves camping out on empty beaches beneath the stars with only crabs and mosquitoes for company. This pure Swallows and Amazons experience confirms Dervla in her quest to understand the unique society that has been created by the Cuban Revolution. She returns again and again to explore the island, investigating the experience of modern Cuba with her particular, candid curiosity. Through her own research and through conversations with Fidelistas and their critics alike, "The Island That Dared" builds a complex picture of a people struggling to retain their identity in the face of insistent hostility, and to stand against the all-but-overwhelming fire-power of capitalism. Whatever the fate of Cuba, "The Island That Dared" beautifully fulfils the role of a great travel book, 'to catch the moment on the wing, and stop it in Time' - Colin Thubron.

Twee vriendinne besluit om die spoor van die die Nama-mense (afstammelinge van die Khoi-Khoi) van die Noord-Kaap te volg. Hulle vertrek met die doel om uit te vind hoe hulle "gefragmenteerde" kulturele ervaringe eenders of anders as die van Annie en haar mense, die sogenaamde Kaapse bruinmense is. Maar wat begin het as 'n soeke na "objektiewe" feite en inligting, het mettertyd gelei tot 'n proses van selfondersoek en 'n ontdekkingstog wat deur noue, intieme interaksie met die mense van Namakwaland, hoop skep dat lampe aangesteek kan word wat die "andersheid", maar veral die "eendersheid" van die verskillende etniese en kulturele groepe in SA sal uitlig.

This volume is not a guide of where to stay and what to do, rather it is a collection of writing that aims to invest the traveller with a cultural and historical background to Croatia, which will give life and meaning into the sights, sounds and tastes that the traveller will experience.

'There are four roads leading to Santiago, which combine to form a single road'So begins The Pilgrim's Guide, the world's first guidebook. Written early in the twelfth century by Benedictine monks, it served travellers taking part in the great pilgrimage of the Middle Ages, to the tomb of the apostle St James, the cousin of Christ, at Santiago de Compostela in north-west Spain. The four roads are all in France: from Paris in the north; from Vezelay in Burgundy; from Le Puy-en-Velay in the Massif Central; and from Arles in Provence - all threading their way across the country before joining as a single road in northern Spain. A step-by-step account of these four journeys through medieval France, the Guide's aim was to explain to pilgrims the religious sites they would see on their way to Santiago, but it also offered advice on where to stay, what to eat and drink, and how to avoid dishonest innkeepers and murderous boatmen.Edwin Mullins follows the same four roads as they exist today in the footsteps of those medieval travellers. He explores the magnificent churches, abbeys and works of art which are the proud legacy of the pilgrimage, as well as reconstructing a turbulent period of history that encompassed wars, crusades and the Reconquest of Spain. Many of the buildings and landmarks that sprang up along the pilgrim routes still stand there today, and The Four Roads to Heaven brings to life their historical, architectural and spiritual significance. From imposing Romanesque and Gothic cathedrals to humble pilgrims' hospices, this book looks at the living legacy of one of the great social phenomena of the Middle Ages - the pilgrimage to Santiago. Richly illustrated with Adam Woolfitt's colour photographs, The Four Roads to Heaven offers an invaluable guide - nine hundred years after its predecessor - to the paths still trodden by increasing numbers of pilgrims.

Join Joe Mack on his journey through ten countries as Europeans and fellow Americans talk about the events of 1968 that are worth remembering and sharing.

The man with the gun pushed me down onto the carpet. I tried to cower to make my body curl smaller, instinctively covering my head. `Oh God, please don't kill me.' My words clung to my teeth and now my whole body was so cold. All I had left were these words. `Please. Please don't kill me. Jesus. God. Please.' I wanted to live and I knew it with absolute certainty. I don't want to die. Emma Slade was a high-flying debt analyst for a large investment bank, when she was taken hostage in a hotel room on a business trip to Jakarta. She thought she was lucky to come out of it unscathed, but over the ensuing weeks and months, as the financial markets crashed, Emma became her own distressed asset as the trauma following the event took hold. Realising her view on life had profoundly changed she embarked upon a journey, discovering the healing power of yoga and, in Bhutan, opening her eyes to a kinder, more peaceful way of living. From fast-paced City life to the stillness of Bhutan's Himalayan mountains, Set Free is the inspiring true story of Emma's astonishing life lived to extremes and all that that entails: work, travel, spirituality, Buddhism, relationships, and the underlying question of what makes a meaningful life.

With a new introduction by the author

If you want to know about writing, about how to make others share the horror and intensity of an experience, try the first piece in this collection, Justice at Night. Martha Gellhorn wrote it as a 28-year-old, having just returned home to the States after four years in Europe, in 1936. What follows is a selection of fifty years of peacetime journalism, history caught at the moment of its unfolding, as it looked and felt to those who experienced it. It's about revolutions in the making, guilty acts of state terrorism, poverty, injustice and recovery. It vividly captures the range and intensity of Gellhorn's courageous work and is also a passionate call to arms, not only to remember the wronged and to bear witness to evil, but to stand your ground in the face of it.

Full of stunning photography, this travel pictorial and Philippines guidebook captures the soul of a tropical island nation. The Philippines: Islands of Enchantment captures all the marvels and excitement found throughout the 7000-island archipelago. Beautiful photographs by award-winning photographer George Tapan are paired with rich text by author Alfred A. Yuson to make this new paperback edition a must for those that have traveled to this island paradise or just spend their days dreaming about going. The Philippines: Islands of Enchantment is a fascinating exploration of the islands and her people including: sun-blessed beaches and pristine rainforests centuries-old churches and tribal rituals dynamic cities and a wealth of ethic and environmental diversity yearlong fiestas celebrated by Filipinos and more!

Before he ascended to the highest office in the land as the United States youngest president, Theodore Roosevelt, with illustrations by Frederic Remington, though a New York City man born and bred, was a devotee of the Old West. In 1888, he published this charming ode to the American frontier, from the rewarding hard work of a rancher on the open plains to the pleasures of hunting the big game of mountains high. Today, the inimitable prose and infectious enthusiasm of Roosevelts writing here serves as much to limn a unique aspect of the character of the nation as it sings an elegy for a disappearing way of life. Includes numerous illustrations by Frederic Remington. Also available from Cosimo Classics: Roosevelts Letters to His Children, A Book-Lovers Holidays in the Open, America and the World War, Through the Brazilian Wilderness and Papers on Natural History, The Strenuous Life: Essays and Addresses, and Historic Towns: New York Politician and soldier, naturalist and historian, American icon THEODORE ROOSEVELT, (18581919) was 26th President of the United States, serving from 1901 to 1909, and the first American to win a Nobel Prize, in 1906, when he was awarded the Peace Prize for mediating the Russo-Japanese War. He is the author of 35 books.

A personalized travelogue, My World chronicles the inspiring story of a poor Kentucky boy who learned how to turn the rough grist of his life into the fine art of literature.

Jesse Stuart's life centered on W-Hollow, Greenup County, Kentucky, and extended to the far corners of the world. As a writer, teacher, and lecturer, he traveled to all but one of the United States and to ninety countries on six continents. As the core of Stuart's world, W-Hollow was the place of his birth and his first reaching out -- to the brown earth and the green shoots growing out of it, to the insects and animals that inhabited its wooded slopes, to the blue sky and the birds that flashed across it. From W-Hollow he went out first to Greenup High School, then to Lincoln Memorial University, then to all of Kentucky, and finally to the world.

In My World, we see Stuart's expanding universe through his eyes. Through the telescoping essays, Stuart slowly extends his vision to encompass more of the world and humanity. He is conscious of the social and geographical forces that shaped and defined his life. He is also very aware of the forces that draw him home again. He saw his beloved Kentucky as many states in one. Each region -- from the east Kentucky mountains to the Jackson Purchase -- was a unique kingdom. Stuart brings Kentucky's varied scenery, its people, and their distinctive dialects and social customs to life for his readers.

In 1974 Roland Barthes travelled in China as part of a small delegation of distinguished French philosophers and literary figures. They arrived in China just as the last stage of the Cultural Revolution was getting underway - the campaign to criticize Lin Biao and Confucius. While they were welcomed by writers and academics, the travelers were required to follow a pre-established itinerary, visiting factories and construction sites, frequenting shows and restaurants that were the mainstay of Western visitors to China in the 70s.Barthes planned to return from the trip with a book on China: the book never materialized, but he kept the diary notes he wrote at the time. The notes on things seen, smelled and heard alternate with reflections and remarks - meditations, critiques or notes of sympathy, an aside from the surrounding world. Published now for the first time more than thirty years after the trip, these notebooks offer a unique portrait of China at a time of turbulence and change, seen through the eyes of the world's greatest semiotician.

"[An] unusual meditation on sex, death, art, and Jewishness. . . . Weber weaves in musings on his own sexual and religious experiences, creating a freewheeling psychoanalytic document whose approach would surely delight the doctor, even if its conclusions might surprise him." -New Yorker "Freud's Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired." -John Banville, author of The Sea and The Blue Guitar "This is an ingenious and fascinating reading of Freud's response to Signorelli's frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty." -Colm Toibin, author of Brooklyn and Nora Webster After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli's frescoes the greatest artwork he'd ever encountered; yet, a year later, he couldn't recall the artist's name. When the name came back to him, the images he had so admired vanished from his mind's eye. This is known as the "Signorelli parapraxis" in the annals of Freudian psychoanalysis and is a famous example from Freud's own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues. What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud's biography. As he sounds the depths of Freud's feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman. Freud's Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art's singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires. Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.