In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain's imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women's traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys's Voyage in the Dark to Virginia Woolf's The Voyage Out and from Evelyn Scott's Escapade to Dorothy Richardson's Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley's book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ("Wanderlust"), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ("River of Shadows"), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. "A Field Guide to Getting Lost" draws on emblematic moments and relationships in Solnitas own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery. BACKCOVER: aA meditation on the pleasures and terrors of getting losta
a"The New Yorker"
aThis indispensable California writeras most personal book yet.a
a"San Francisco Chronicle"
aAn intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism . . . a book to set you wandering down strangely fruitful trails of thought.a
a"Los Angeles Times"

The road trip is a staple of modern American literature. But nowhere in American literature, until now, has a left-wing economist hit the road, observing and interpreting the extraordinary range and spectacle of U.S. life, bringing out its conflicts and contradictions with humor and insight.

Disillusioned with academic life after thirty-two years teaching economics, Michael D. Yates took early retirement in 2001, with a pension account that had doubled during the dot.com frenzy of the late 1990s. He and his wife Karen sold their house, got rid of their belongings, and have moved around the country since then, often spending months at a time on the road. Michael and Karen spent the summer of 2001 in Yellowstone National Park, where Michael worked as a hotel front-desk clerk. They moved to Manhattan for a year, where he worked for "Monthly Review," From there they went to Portland, Oregon, to explore the Pacific Northwest. After five months of travel in Summer and Fall 2004, they settled in Miami Beach. Ahead of the 2005 hurricane season, they went back on the road, settling this time in Colorado.

Cheap Motels and a Hotplate is both an account of their adventures and a penetrating examination of work and inequality, race and class, alienation and environmental degradation in the small towns and big cities of the contemporary United States.

Over the past several years, "the American in Tuscany" has become a literary subgenre. Launched by the phenomenal success of Frances Mayes's Under the Tuscan Sun, bookstores now burgeon with nimble, witty accounts of this clash in cultures-Americans trying to do American things in Italy and bumping against a brick wall of tradition. Before this subgenre exhausts itself, it's only fair that we hear the other side of the story-that of a native Tuscan and of dozens of Americans who have stormed through his life and homeland, determined to find in it whatever they are looking for, whether quaintness or wisdom, submission or direction. There is no one better to provide this view than Dario Castagno. A Tuscan guide whose client base is predominantly American, Dario has spent more than a decade taking individuals and small groups on customized tours through the Chianti region of Tuscany. Reared in Britain through early childhood, he speaks English fluently and is therefore capable of fully engaging his American clients and getting to know them. Too Much Tuscan Sun is Dario's account of some of his more remarkable customers, from the obsessive and the oblivious to the downright lunatic. It is also a primer on Tuscany--its charms and its culture. Structured around a typical Tuscan year, Dario takes us through the sights, smells, and sounds of Chianti during each of the twelve months, including the festivities and pageantry that accord with the season, most notable the Palio-the bareback horse race that consumes the social energies of the people of Siena for all of July and August. Dario also intersperses an account of his own life and times-that of a transplanted British "little lord" who learns to love the wilds of Chianti; of his discovery and adoption of abandoned peasant farmhouses; of his apprenticeship in the wine industry; and of his arduous transformation from bohemian layabout to thriving Tuscan guide. But the bulk of the book is devoted, with humor and affection, to the Americans he has met-the vain, the silly, the ignorant, the ambitious, the horny, the condescending, the charming, and the outright pathological. Some of them have made his life hell and live in his nightmares; others became lifelong friends.

Inspired by the discovery of his childhood copy of Treasure Island, The Mail on Sunday's Frank Barrett embarks on a literary quest around Britain, from Eliot's East Coker to Austen's Bath, Winnie-the-Pooh's Hartfield to Dracula's Whitby. Armed with a lifetime of reading and his National Trust membership, Frank is on a personal odyssey through the Britain that has inspired so many writers to capture it in lines or verse, the homes they lived in, the museums that remember them. There will be rain, there will be truculent tour guides, there will be satnav misdemeanours (there may even be tuberculosis), but Frank will carry on regardless. Where? To the lighthouse...

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Today, Dubai is a city of shimmering skyscrapers attracting thousands of tourists every year. Yet just sixty years ago Dubai's population scraped a living by picking dates, diving for pearls, or sailing in wooden dhows to trade with Iran and India. Dubai is everything the rest of the Arab world is not. Until recently it was the fastest-growing city in the world, with an economy whose growth outpaced China's while luring more tourists than all of India. The city has become a metaphor for the lush life, where the wealthy mingle in gilded splendour and luxury cars fill the streets, yet it is also beset by a backwash of bad design, environmental degradation and controversial labour practices. Dubai tells its unique story.

As spring and summer vacations beckon, this book invites and incites a whole new approach to travel. "Postmarks from a Political Traveler" is a series of travel recollections confronting the troubling topics of roots and racism, polar bears and climate change, anti-Americanism, and the war in Afghanistan. The book opens with the story of the author s experience growing up in the Jim Crow South, traveling in apartheid South Africa, and living in the post-apartheid South Africa of 2009 and 2010. It explores the not-so-dissimilar roots and racism of the United States and South Africa, as well as the cross-fertilization of ideas between the two countries. The next installment chronicles two trips to Churchill, Manitoba, where the planet s largest population of polar bears congregate each October. It recounts the dramatic changes that have occurred in both the human and the polar bear communities in just the last decade and shows how the bears have become an Arctic version of the proverbial canary in the coalmine. Then the book shifts to the author s journey back to the United States on a German freighter with a rabidly anti-American captain. Woven into this account of life aboard a long haul ship are threads of the author s travels and anti-American encounters over a decade of living in Africa and Asia. The book concludes with reflections on trips to Afghanistan in 2004 and in 2012, describing the effects of war and conflict zone politics on women, education, refugees, and aid workers. What ties these episodes together is the author s commitment to social justice and to changing the world through travel and writing that is, affirming travel as a political act."

In 1802 William Wordsworth, the great Romantic poet, gazed over London and claimed "Earth has not anything to show more fair". Two centuries after his famous sonnet "Upon Westminster Bridge", That Mighty Heart offers a visual and poetic tribute to a city that today has even stronger claims to be one of the greatest in the world. Designed in the form of seven walks across and around London, and radiating out in all directions from the heart of the city, this book portrays in paint and verse the buildings, parks and sights, both famous and less well-known, that have shaped its history, and contribute to its continuing fascination. The first sequence of poems and paintings focuses on Westminster, taking the reader (and walker) from Westminster Bridge via the Houses of Parliament to Buckingham Palace. The second follows a route through the Kensington area, including Harrods, the Royal Albert Hall and Kensington Palace. The third takes in the British Museum and Covent Garden. The fourth threads its way through the heart of London, from Piccadilly Circus to The Old Bailey, via Trafalgar Square, the National Gallery and Cleopatra's Needle. The fifth crosses the City of London, finishing at the Tower of London and Tower Bridge. The sixth follows the towpath westwards along the south bank of the Thames: Southwark Cathedral and the Shard, the Globe Theatre and the Festival Hall, the Imperial War Museum and the London Eye. The final sequence takes in memorable outlying sites like Hampton Court, Kew Gardens Highgate Cemetery Canary Wharf, Brick Lane, the EIIR Olympic Park and Greenwich. The Introduction provides a concise description of London today and brief history of this remarkable city. Simple and clear maps make it easy for visitors to follow the walks and find their way around London. In words and images That Mighty Heart evokes a place which has gradually changed over the centuries, and yet remains timeless in its beauty and interest.

For more than ten years, Elizabeth Peavey has been traveling around the state of Maine, and writing about her wide-ranging experiences and discoveries in Down East magazine. This book collects her very best columns and essays. In a light and entertaining style laced with lots of entertaining humor, she weaves a wide-ranging tapestry that will give readers a vivid and fresh view of the state.

You have either experienced unemployment or know someone who has. But what is it like to endure joblessness in a foreign country in the middle of an economic crisis? How would one survive cash-strapped circumstances for close to a year? In his beautiful and intelligently written travel memoir, Aponte tackles these questions as he tells his intimate, first-person, true story about triumphing over adversity, in the form of being poor and American, in Japan, during the countrys worst recession, since the second world war. Wayne Lionel Aponte's gift of observation, subtlety, and wry humor make THE YEAR OF NO MONEY IN TOKYO an extraordinary pleasure to read.

This book considers how contemporary travelers from Latin America write their journeys at and about home. How do Latin American writers of the late twentieth-century negotiate the hybrid and volatile category of travel writing, which has been shaped in large part by myriad Euro-American travelers? How do they engage with the enduring myths about the region perpetuated by their imperial/ist predecessors? And, if not journeys of expansion or exploration, on precisely what kinds of travel do their own journeys rest? Drawing on ideas from many disciplines, including anthropology, philosophy, sociology, literary and cultural studies, this book considers contemporary journey narratives from Latin America through a series of case studies concerning four key sites of travel, each of which engenders particular forms of travel and travel narrative: Patagonia, the Andes, Mexico and the Mexico-US border. This book thus explores the complex practice and representation of journeys in the region by writers including Luis Sepulveda, Mempo Giardinelli, Andres Ruggeri, Ana Garcia Bergua, Silvia Molina, Maria Luisa Puga, Ruben Martinez and Luis Alberto Urrea. In doing so, it explores questions relating to mobility, representation, and globalization that are of widespread concern across the world today."

Canals of Britain is the most comprehensive and absorbing survey of Britain's canal network ever published. It provides a fascinating insight into the linked up waterways as well as the isolated cuts and quiet waters which may not be fully navigable by larger craft. Infinitely varied, it passes picturesque open countryside, wild moorland, coastal harbours, historic industrial buildings, modern city centres, canalside public houses and abundant wildlife. Stuart Fisher looks at every aspect of the canals - their construction, rich history, stunning scenery, heritage, incredible engineering, impressive architecture and even their associated folklore, wildlife and art. Enticing photographs give a flavour of each place and places of interest close to the canals are included. Each canal is intricately mapped. For those who are keen to explore that little bit further, the book goes to points beyond which others usually turn back, with information on little-known parts of the system, offering a new insight into this country's unique, surprising and beautiful canal network. Attractive, inspiring and also a practical guide, Canals of Britain has proved very popular with walkers, cyclists, narrowboaters, canoeists, kayakers and others wanting to get the most out of Britain's canals. This fourth edition has been thoroughly revised to reflect the ever-changing landscape of Britain's canals, and includes many new colour photographs to help bring them to life.

As spring and summer vacations beckon, this book invites and incites a whole new approach to travel. "Postmarks from a Political Traveler" is a series of travel recollections confronting the troubling topics of roots and racism, polar bears and climate change, anti-Americanism, and the war in Afghanistan. The book opens with the story of the author s experience growing up in the Jim Crow South, traveling in apartheid South Africa, and living in the post-apartheid South Africa of 2009 and 2010. It explores the not-so-dissimilar roots and racism of the United States and South Africa, as well as the cross-fertilization of ideas between the two countries. The next installment chronicles two trips to Churchill, Manitoba, where the planet s largest population of polar bears congregate each October. It recounts the dramatic changes that have occurred in both the human and the polar bear communities in just the last decade and shows how the bears have become an Arctic version of the proverbial canary in the coalmine. Then the book shifts to the author s journey back to the United States on a German freighter with a rabidly anti-American captain. Woven into this account of life aboard a long haul ship are threads of the author s travels and anti-American encounters over a decade of living in Africa and Asia. The book concludes with reflections on trips to Afghanistan in 2004 and in 2012, describing the effects of war and conflict zone politics on women, education, refugees, and aid workers. What ties these episodes together is the author s commitment to social justice and to changing the world through travel and writing that is, affirming travel as a political act."

The little cottage stood out against a bleak skyline, forlorn, empty, neglected and overgrown. After a three-year search, could it be just what a retired English couple were looking for as a holiday home of their own? A magical holiday to rural France some years before had sowed the seeds of a daring plan for Brenda and Ray Barrington - to spend the early years of their retirement buying and restoring a cottage in the French countryside for use as a maison secondaire. Their budget and time were limited, but their enthusiasm and determination were boundless. The couple soon found themselves deeply engrossed in their dream project and discovering the full ramifications of owning a rural property deep in the land of wine and haute cuisine.

Vanishing Streets reveals an American writer's twenty-year love affair with London. Beguiling and idiosyncratic, obsessive and wry, it offers an illustrated travelogue of the peripheries, retracing some of London's most curious locations. As J. M. Tyree wanders deliriously in "the world's most visited city," he rediscovers and reinvents places that have changed drastically since he was a student at Cambridge in the 1990s. Tyree stumbles into the ghosts of Alfred Hitchcock, Graham Greene, and the pioneers of the British Free Cinema Movement. He offers a new way of seeing familiar landmarks through the lens of film history, and reveals strange nooks and tiny oddities in out-of-the-way places, from a lost film by John Ford supposedly shot in Wapping to the beehives hidden in Tower Hamlets Cemetery, an area haunted by a translation error in W. G. Sebald's Austerlitz. This book blends deeply personal writing with a foreigner's observations on a world capital experiencing an unsettling moment of transition. Vanishing Streets builds into an astonishing and innovative multi-layered project combining autobiography, movie madness, and postcard-like annotations on the magical properties of a great city. Tyree argues passionately for London as a cinematic dream city of perpetual fascinations and eccentricities, bridging the past and the present as well as the real and the imaginary.

An extraordinary photographic exploration of North Korea, from a Westerner who lived in Pyongyang and explored the country beyond for nearly two years. What happens when you travel to a place where even basic truths are ambiguous? Where sometimes you can't trust your own eyes or feelings? Where the divide between real and imagined is never clear? For two years, Lindsey Miller lived in North Korea, long regarded as one of the most closed societies on earth. As one of Pyongyang's small community of resident foreigners, Lindsey was granted remarkable freedoms to experience the country without government minders. She had a front row seat as North Korea shot into the headlines during an unprecedented period of military tension with the US and the subsequent historic Singapore Summit. However, it was the connection with individuals and their families, and the day-to-day reality of control and repression, that delivered the real revelations of North Korean life, and which left Lindsey utterly changed from the woman who had nervously disembarked from her plane onto an empty runway just two years before. This is her extraordinary photographic account, a testament to the hidden humanity of North Korea.

An important work for the nineteenth century history of East Africa. It contains a new introduction with a biographical sketch of Krapf.

Undertaken for the purpose of promoting legitimate trade in Central Africa, the Richardson mission was a compound of philanthropic and diplomatic interests advocated by Richardson. His main targets were the Sahara, Bornu and the Sudan.