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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art > General
This small book was originally designed to help students slow down
and enjoy a specific exhibit about the genius of Leonardo da Vinci.
But it has been redone to be useful for students anywhere -
students who have access to websites or books about Leonardo da
Vinci. It includes a scavenger hunt that gives a good overview of
Leonardo da Vinci as artist, architect, inventor, mathematician and
more Then there are several other hunts that delve into some of
those other "job titles" that Leonardo held during his very busy
67-year life. Happy Hunting
The growth of princely states in early Renaissance Italy brought a
thorough renewal to the old seats of power. One of the most
conspicuous outcomes of this process was the building or rebuilding
of new court palaces, erected as prestigious residences in accord
with the new 'classical' principles of Renaissance architecture.
The novelties, however, went far beyond architectural forms: they
involved the reorganisation of courtly interiors and their
functions, new uses for the buildings, and the relationship between
the palaces and their surroundings. The whole urban setting was
affected by these processes, and therefore the social, residential
and political customs of its inhabitants. This is the focus of A
Renaissance Architecture of Power, which aims to analyse from a
comparative perspective the evolution of Italian court palaces in
the Renaissance in their entirety. Contributors are Silvia
Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti,
Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile,
Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
Michelangelo in the New Millennium presents six paired studies in
dialogue with each other that offer new ways of looking at
Michelangelo's art as a series of social, creative, and emotional
exchanges where artistic intention remains flexible; probe deeper
into the artist's formal borrowing and how it affects meaning
regarding his early religious works; and consider the making and
significance of his late papal painting projects commissioned by
Paul III and Paul IV for chapels at the Vatican Palace.
Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe,
Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret
Kuntz, Tamara Smithers and Marcia B. Hall
This Is A New Release Of The Original 1900 Edition.
Illuminating Leonardo opens the new series Leonardo Studies with a
tribute to Professor Carlo Pedretti, the most important Leonardo
scholar of our time, with a wide-ranging overview of current
Leonardo scholarship from the most renowned Leonardo scholars and
young researchers. Though no single book could provide a
comprehensive overview of the current state of Leonardo studies,
after reading this collection of short essays cover-to-cover, the
reader will come away knowing a great deal about the current state
of the field in many areas of research. To begin the series,
editors Constance Moffatt and Sara Taglialagamba present an
impressive group of essays that offer fresh ideas as a departure
point for future studies. Contributors include Andrea Bernardoni,
Pascal Broist, Alfredo Buccaro, Francesco Paolo di Teodoro, Claire
Farago, Francesca Fiorani, Fabio Frosini, Sabine Frommel, Leslie
Geddes, Damiano Iacobone, Martin Kemp, Matthew Landrus, Domenico
Laurenza, Pietro C. Marani, Max Marmor, Constance Moffatt, Romano
Nanni, Annalisa Perissa-Torrini, Paola Salvi, Richard Schofield,
Sara Taglialagamba, Carlo Vecce, Alessandro Vezzosi, Marino Vigano,
and Joanna Woods-Marsden.
Another book in the "Enjoying Great Art" series: Horses are a part
of our everyday life. But do we think of them when we think of
great art? Here is a picture book for students of all ages...A
picture book of horses in art Different colors, shapes,
sizes...Some that are only small parts of the painting, some which
are the focus of the painting.
In this paradigm shifting study, developed through close textual
readings and sensitive analysis of artworks, Clare Lapraik Guest
re-evaluates the central role of ornament in pre-modern art and
literature. Moving from art and thought in antiquity to the Italian
Renaissance, she examines the understandings of ornament arising
from the Platonic, Aristotelian and Sophistic traditions, and the
tensions which emerged from these varied meanings. The book views
the Renaissance as a decisive point in the story of ornament, when
its subsequent identification with style and historicism are
established. It asserts ornament as a fundamental, not an accessory
element in art and presents its restoration to theoretical dignity
as essential to historical scholarship and aesthetic reflection.
Architecture is a part of our everyday life. But do we think of it
when we think of great art? Here is a picture book for adults and
students of all ages...A picture book of architecture in art
Different colors, shapes, sizes...Some where the buildings are only
a small part of the painting, some where they are the focus of the
painting...Some where the exteriors of the buildings are the focus,
a few where it is the interior that is the important portion. As
with the other books in this series, the paintings in this book
have been selected to be family-friendly (though the same cannot be
said by all of the other paintings of some of these artists).
Mr. Lopez reinterprets the civilization of the High Renaissance in
Italy as a dramatic succession of three ages: Youth, 1454-1494;
Maturity, 1494-1527; Decline, 1527-1559. In the first period,
political and economic stabilization brings forth a mood of
confident expectation which expresses itself in literature, art,
and philosophy, all reaching for a goal of "self-centered aesthetic
harmony." In the second period, a series of foreign invasions
shatters the political and economic well-being of the Indian elite
but does not slow down the artistic and literary drive. Whether in
hope or in sorrow, in response to shock or in escape from reality,
the Renaissance attains its glorious climax. The third period is
torn between conflicting tendencies. The political battle is lost
but there is a second economic revival; art and literature give out
despondent notes but successfully explore new channels; philosophic
permissiveness comes to an end but scientific reserach comes into
its own. Mr. Lopez's tripartition of an age which is usually
described as a single sweep adds depth to the definition of the
Italian Renaissance. It is enhanced by his fresh translations of
Renaissance poems and by twenty-four illustrations which pick out
from the incomparable wealth of Renaissance art a few historically
significant works. All the famous names are there, from Lorenzo
de'Medici to Ariosto, Machiavelli, and Cardano, from Botticelli to
Leonardo, Michelangelo, and Palladio; but one also meets a large
number of minor figures and anonymous people in the street. America
is discovered; new diseases appear; anti-Semitism reawakens;
religious unity is destroyed - these and other events form the
backdrop. The sparkling narration is thoroughly grounded in
contemporary sources.
Maps and globes have been a big part of our everyday life, at least
in the past. But do we think of them when we think of great art?
Here is a picture book for adults and students of all ages...A
picture book of maps and globes in art In some of the paintings the
globes or maps are props, in some they are wall decorations. In
some they are only small parts of the painting, and in some they
are more the focus of the painting. Note to parents: All of the
paintings selected for the books in this series are child-friendly
- but we aren't necessarily recommending all of the other paintings
by these same artists If you and your children want to go exploring
after this - please exercise caution.
The newest book in the "Enjoying Great Art" Series: Great art comes
in many sizes and shapes, in many colors and styles. It can also be
about many different themes - real and imaginary. Other books in
the series have included art arranged around many topics -
including bridges, hats, and animals, to name just a few. But this
book arranges the art around a geographical theme - the fifty
different states of the United States. Here each state is presented
through one or more pictures. They represent some combination of
the landscape, flower, and/or animal of each state. Some are
historical in nature, though many are of a more time-less style.
Note to parents: All of the paintings selected for the books in
this series are child-friendly - but we aren't necessarily
recommending all of the other paintings by these
This book includes a rich and fascinating consideration of the
golden age of French printmaking. Once considered the golden age of
French printmaking, Louis XIV's reign saw Paris become a powerhouse
of print production. During this time, the king aimed to make fine
and decorative arts into signs of French taste and skill and, by
extension, into markers of his imperialist glory. Prints were ideal
for achieving these goals; reproducible and transportable, they
fueled the sophisticated propaganda machine circulating images of
Louis as both a man of war and a man of culture. This richly
illustrated catalogue features more than one hundred prints from
the Getty Research Institute and the Bibliotheque nationale de
France in Paris, whose print collection Louis XIV established in
1667. An esteemed international group of contributors investigates
the ways that cultural policies affected printmaking; explains what
constitutes a print; describes how one became a printmaker; studies
how prints were collected; and considers their reception in the
ensuing centuries.A Kingdom of Images is published to coincide with
an exhibition on view at the Getty Research Institute from June 18
through September 6, 2015, and at the Bibliotheque nationale de
France in Paris from November 2, 2015, through January 31, 2016.
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