Albrecht Durer (1471-1528) is arguably the first truly international artist, a celebrity both during his own lifetime and since. A major artist of the northern Renaissance, he was praised by his contemporaries and described shortly after his death as 'the prince among German painters'. Durer's achievements as a painter were matched by his remarkable manipulation of the traditional techniques of woodcut and engraving, which altered the history of printmaking and ensured that his works were admired and collected throughout Europe. The British Museum holds one of the finest collections of Durer's graphic art in the world, with superlative prints and drawings from all phases of his career. Beginning with an introduction to the life of the artist, the book presents a selection of Durer's best-known works including early figure studies, landscape watercolours, animal studies drawn from nature and his imaginative famous prints such as Adam and Eve, Rhinoceros and Melancholia. As well as demonstrating Durer's astonishing range of subject matter, the book explores his working method and the versatile, spontaneous nature of his draughtsmanship. The development of Durer's ideas from drawings to related woodcuts and engravings is also investigated, making the book a perfect concise introduction to this fascinating and much-admired artist.

Another book in the "Enjoying Great Art" series: Horses are a part of our everyday life. But do we think of them when we think of great art? Here is a picture book for students of all ages...A picture book of horses in art Different colors, shapes, sizes...Some that are only small parts of the painting, some which are the focus of the painting.

Architecture is a part of our everyday life. But do we think of it when we think of great art? Here is a picture book for adults and students of all ages...A picture book of architecture in art Different colors, shapes, sizes...Some where the buildings are only a small part of the painting, some where they are the focus of the painting...Some where the exteriors of the buildings are the focus, a few where it is the interior that is the important portion. As with the other books in this series, the paintings in this book have been selected to be family-friendly (though the same cannot be said by all of the other paintings of some of these artists).

Mr. Lopez reinterprets the civilization of the High Renaissance in Italy as a dramatic succession of three ages: Youth, 1454-1494; Maturity, 1494-1527; Decline, 1527-1559. In the first period, political and economic stabilization brings forth a mood of confident expectation which expresses itself in literature, art, and philosophy, all reaching for a goal of "self-centered aesthetic harmony." In the second period, a series of foreign invasions shatters the political and economic well-being of the Indian elite but does not slow down the artistic and literary drive. Whether in hope or in sorrow, in response to shock or in escape from reality, the Renaissance attains its glorious climax. The third period is torn between conflicting tendencies. The political battle is lost but there is a second economic revival; art and literature give out despondent notes but successfully explore new channels; philosophic permissiveness comes to an end but scientific reserach comes into its own. Mr. Lopez's tripartition of an age which is usually described as a single sweep adds depth to the definition of the Italian Renaissance. It is enhanced by his fresh translations of Renaissance poems and by twenty-four illustrations which pick out from the incomparable wealth of Renaissance art a few historically significant works. All the famous names are there, from Lorenzo de'Medici to Ariosto, Machiavelli, and Cardano, from Botticelli to Leonardo, Michelangelo, and Palladio; but one also meets a large number of minor figures and anonymous people in the street. America is discovered; new diseases appear; anti-Semitism reawakens; religious unity is destroyed - these and other events form the backdrop. The sparkling narration is thoroughly grounded in contemporary sources.

Maps and globes have been a big part of our everyday life, at least in the past. But do we think of them when we think of great art? Here is a picture book for adults and students of all ages...A picture book of maps and globes in art In some of the paintings the globes or maps are props, in some they are wall decorations. In some they are only small parts of the painting, and in some they are more the focus of the painting. Note to parents: All of the paintings selected for the books in this series are child-friendly - but we aren't necessarily recommending all of the other paintings by these same artists If you and your children want to go exploring after this - please exercise caution.

The newest book in the "Enjoying Great Art" Series: Great art comes in many sizes and shapes, in many colors and styles. It can also be about many different themes - real and imaginary. Other books in the series have included art arranged around many topics - including bridges, hats, and animals, to name just a few. But this book arranges the art around a geographical theme - the fifty different states of the United States. Here each state is presented through one or more pictures. They represent some combination of the landscape, flower, and/or animal of each state. Some are historical in nature, though many are of a more time-less style. Note to parents: All of the paintings selected for the books in this series are child-friendly - but we aren't necessarily recommending all of the other paintings by these

This book includes a rich and fascinating consideration of the golden age of French printmaking. Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries.A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliotheque nationale de France in Paris from November 2, 2015, through January 31, 2016.

Enjoying Great Art Series: Umbrellas are a part of our everyday life. But do we think of them when we think of great art? Here is a picture book for adults and students of all ages...A picture book of umbrellas (used to keep off the rain) and parasols (to keep off the sun) in art Different colors, shapes, sizes...Some that are only small parts of the painting, some which are the focus of the painting. You can look through these paintings that span many centuries, and notice the similarities and the differences between them...See the colors, the textures and patterns, and more. Take note of whether there are people included in the different paintings, and if so, if men, women, or children are more often portrayed. And most of all, enjoy Note to parents: All of the paintings selected for the books in this series are child-friendly - but we aren't necessarily recommending all of the other paintings by these same artists If you and your children want to go exploring after this - please exercise caution.

Another book in the "Enjoying Great Art" series: Self-Portraits - More than three dozen different self-portraits by artists from around the world and through the ages. Great fun for adults and students of all ages. (As with the other books in this series, all the paintings in this book are family-friendly - though, sadly, we can't say the same of all of the other paintings by the same artists.)

When I think of cities in the United States, I think first of New York City. And one of the first things to come to mind in New York City is Central Park. This small book takes a quick look at Central Park through art. It is meant to be enjoyed by adults and students of all ages. Look through these paintings that span many decades, and notice the similarities and the differences between them...See the colors, the textures and patterns, and more. Take note of whether there are people included in the different paintings; and if so, are men, women, or children more often portrayed? Do you like certain artists or styles more than others? But, most of all, enjoy Note to parents: All of the paintings selected for the books in this series are child-friendly - but we aren't necessarily recommending all of the other paintings by these same artists If you and your children want to go exploring after this - please exercise caution.

A new book in the "Enjoying Great Art" series: Today candles are generally not part of our everyday lives, often relegated to merely "emergency light" status. But before electric lights, candles and lanterns were an every day occurrence. So we probably should be surprised to see them popping up in our great art. Here is a picture book for adults and students of all ages...A picture book with candlelight in art Different colors, shapes, and sizes of candles...Some that are only small parts of the painting, some which are the focus of the painting.

This book takes a new look at the interpretations of, and the historical information surrounding, Michelangelo's David. New documentary materials discovered by Rolf Bagemihl add to the early history of the stone block that became the David and provide an identity for the painted terracotta colossus that stood on the cathedral buttresses for which Michelangelo's statue was to be a companion. The David, with its placement at the Palazzo della Signoria, was deeply implicated in the civic history of Florence, where public nakedness played a ritual role in the military and in the political lives of its people. This book, then, places the David not only within the artistic history of Florence and its monuments but also within the popular culture of the period as well.

Enjoying Great Art Series: Turkey is a land of intersections - the intersection of Asia and Europe and the intersection of a variety of people groups across a multitude of ages. A booklet this size can merely touch on the art from across such a great region - and from across more than two millennia. But maybe it will whet your appetite to investigate this historic country more. This small booklet is meant to be enjoyed by adults and students of all ages. You may enjoy finding the similarities and differences between different paintings or different artists - both topically and stylistically: Explore the different treatments of color, of landscapes, of animals, people, and more. Please pay special attention to the variety of maps included.

Word searches, drawings, quotes, and more...all arranged in both a topical and chronological order to help introduce students to the amazing work of Leonardo da Vinci. This book is a great compliment to Da Vinci: His Life and His Legacy, but it is also a great stand-alone title. Each topic - Leonardo the Mathematician, Leonardo and the Horse, Leonardo the Architect, and many others - includes a historical context and ideas for hands-on study of that topic. The ideas in the book have been classroom tested and kid-approved (This book includes everything from Catherine's Da Vinci Unit Study, Da Vinci Student Book, and more )

This is a special book of art - one to celebrate the military - an important, but oft overlooked part of society. These paintings are all of soldiers or soldiers' gear - depicting soldiers from across the globe and down through the centuries. But they are not paintings depicting battles. Instead they are paintings that show soldiers in a variety of other activities - both in and out of camps, towns, and more.

The newest book in the "Enjoying Great Art" series: Trains may or may not be part of our everyday life today. In fact, many of us think of them more in a historical setting. But how many of us think of them when we think of great art? Here is a picture book for adults and students of all ages...A picture book of trains in art - trains, train stations, passengers, and more. The paintings include different colors, shapes, and sizes. Look through these paintings that span almost exactly one century, and notice the similarities and the differences between them...

This publication is the first volume to appear in the catalogue series devoted to the British Isles and covers Insular and Anglo-Saxon manuscripts produced between c. 700 and c. 1100 AD. This was a period in which Britain witnessed a great blossoming of cultural awareness and artistic craftsmanship. Under the reign of King Alfred towards the end of the ninth century England experienced a renewed impetus for scholarly activity, and as a result the production of books intensified greatly. By the early tenth century, influenced and inspired by new trends and ideas from Continental Europe, English art began to flourish, and manuscript illumination especially made a great impact with the high quality of its figure style and decorated initials, and with its elegance of script and mise-en-page. Cambridge is fortunate in having a significant collection of manuscripts from this period, and the ninety-seven works catalogued and richly illustrated here are amongst the finest surviving examples of Anglo-Saxon decoration. Included here are the fragmentary yet striking remains of a once magnificent early eighth-century Northumbrian Gospels, while an early tenth-century copy of Bede's Life of St Cuthbert contains a full-page image of King Aethelstan offering a book to St Cuthbert, that may be the earliest presentation scene surviving in England. In another tenth-century manuscript, Amalarius of Metz's Liber officialis, one may see the fullest repertoire of ingenious interlace and zoomorphic initials-the high-point of Anglo-Saxon drawing skills. In yet another Gospel book, from the early eleventh century, a de luxe manuscript resplendent with gold, one can find all the characteristic features of Anglo-Saxon iconography and style, including exuberant frame ornamentation, as well as examples of drapery with agitated fluttering hemlines, the hall-mark of Carolingian-inspired draughtsmanship. In addition to the detailed catalogue of Anglo-Saxon manuscripts produced in England, Ireland and Wales, the volume also includes an Addenda to the previously published Part One of this series, listing thirteen Frankish manuscripts from the eighth to the tenth century that had not been catalogued before. Among these is the well-known copy of Hrabanus Maurus' De laudibus sanctae crucis whose place of origin and circumstances of production still remain to be established. Every manuscript catalogued is illustrated in full colour, mostly with several illustrations, and frequently with special detail images. There is also an exhaustive bibliography and the catalogue is fully indexed including a comprehensive iconographic index.