In 1504, the informal rivalry between two of the most celebrated
artists in Florence became a direct competition. Michelangelo was
commissioned to paint a scene from the ancient battle of Cascina on
a wall of the Palazzo Vecchio--in the same room where Leonardo da
Vinci had already been commissioned to paint a scene from another
great Florentine victory, the battle of Anghiari. As the paintings
progressed, Michelangelo set out to prove that his work, not
Leonardo's, embodied the future of art. In fact, the influence of
both is visible in the works of subsequent generations of
artists.
Historian and art critic Jonathan Jones offers a riveting
exploration of this great rivalry, which would become a turning
point in the careers of both men, and brings to life an era of
fascinating political and cultural transformation.
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