Treatise on Divine Predestination is one of the early writings of the author of the great philosophical work Periphyseon (On the Division of Nature), Johannes Scottus (the Irishman), known as Eriugena (died c. 877 A.D.). It contributes to the age-old debate on the question of human destiny in the present world and in the afterlife.

Unternehmen in der digitalisierten Welt brauchen ebenso gut ausgebildete Fuhrungskrafte wie gute Fachkrafte. In diesem Buch wird erstmalig ein zweijahriges Ausbildungsmodell fur den Fuhrungsnachwuchs 4.0 vorgestellt, das die Entwicklung zur selbstverantwortlichen Persoenlichkeit zum Ziel hat. Anke Luneburg zeigt verschiedene Wege, sich durch Coaching selbst fuhren zu lernen, Potenziale zu aktivieren und Werte wie Vertrauen, Respekt fur Andersartigkeit, Klarheit und Freiheit als Fuhrungsziel zu entwickeln. So entsteht ein persoenliches Fuhrungsprofil, verstarkt durch Wissen uber Menschen und Organisationen. Unternehmen profitieren von Fuhrungskraften mit starker Haltung durch erhoehte Mitarbeiterbindung, verbesserte Entscheidungswege und damit verbesserter Produktivitat und Rendite.

Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics. OSMP is an essential resource for anyone working in the area.

Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics. OSMP is an essential resource for anyone working in the area.

The Trinitarian Christology of St Thomas Aquinas brings to light the Trinitarian riches in Thomas Aquinas's Christology. Dominic Legge, O.P, disproves Karl Rahner's assertion that Aquinas divorces the study of Christ from the Trinity, by offering a stimulating re-reading of Aquinas on his own terms, as a profound theologian of the Trinitarian mystery of God as manifested in and through Christ. Legge highlights that, for Aquinas, Christology is intrinsically Trinitarian, in its origin and its principles, its structure, and its role in the dispensation of salvation. He investigates the Trinitarian shape of the incarnation itself: the visible mission of the Son, sent by the Father, implicating the invisible mission of the Holy Spirit to his assumed human nature. For Aquinas, Christ's humanity, at its deepest foundations, incarnates the very personal being of the divine Son and Word of the Father, and hence every action of Christ reveals the Father, is from the Father, and leads back to the Father. This study also uncovers a remarkable Spirit Christology in Aquinas: Christ as man stands in need of the Spirit's anointing to carry out his saving work; his supernatural human knowledge is dependent on the Spirit's gift; and it is the Spirit who moves and guides him in every action, from Nazareth to Golgotha.

The Roman de la rose in its Philosophical Context offers a new interpretation of the long and complex medieval allegorical poem written by Guillaume de Lorris and Jean de Meun in the thirteenth century, a work that became one of the most influential works of vernacular literature in the European Middle Ages. The scope and sophistication of the poem's content, especially in Jean's continuation, has long been acknowledged, but this is the first book-length study to offer an in-depth analysis of how the Rose draws on, and engages with, medieval philosophy, in particular with the Aristotelianism that dominated universities in the thirteenth century. It considers the limitations and possibilities of approaching ideas through the medium of poetic fiction, whose lies paradoxically promise truth and whose ambiguities and self-contradiction make it hard to discern its positions. This indeterminacy allows poetry to investigate the world and the self in ways not available to texts produced in the Scholastic context of universities, especially those of the University of Paris, whose philosophical controversies in the 1270s form the backdrop against which the poem is analysed. At the heart of the Rose are the three ideas of art, nature, and ethics, which cluster around its central subject: love. While the book offers larger claims about the Rose's philosophical agenda, different chapters consider the specifics of how it draws on, and responds to, Roman poetry, twelfth-century Neoplatonism, and thirteenth-century Aristotelianism in broaching questions about desire, epistemology, human nature, the imagination, primitivism, the philosophy of art, and the ethics of money.

In Kreative Gegensatze Marcel Bubert analyses the debates among medieval scholastics on the social usefulness of learned knowledge in their specific social and cultural contexts. In particular, he shows how the skepticism towards the scholars as well as the tensions between the University of Paris, the French royal court, and the citizens of Paris had profound effects on the scientific community, and led to very different views on the utility of philosophy.

Constituting Freedom focuses on the question at the heart of Machiavelli's thinking, that is 'in what mode a free state, if there is one, can be maintained in corrupt cities; or, if there is not, in what mode to order it?' The book analyses the different solutions thought up by Machiavelli, starting from the hypothesis of the 'civil principality', the definition of the republican ' civil and free way of life' and the examination of the history of the Florentine institutions, to two short writings during the years 1520-1522, the Discursus florentinarum rerum and the Minuta di provisione per la riforma dello Stato di Firenze, in which Machiavelli explored publicly, for the first time, his projects to bring back the republican freedom in Florence after the fall of the first Republic of the City and the Medici's return. The book's main argument is that Machiavelli was always a committed republican, even when he worked for the Medici, and even though he believed that the city's constitution needed to change after the fall of Soderini. In the Discursus and in the Minuta Machiavelli proposed a constitution in which the 'humours' were forced to mix themselves with one another so as to be obliged to generate a new form of 'equality', which according to Machiavelli is the main characteristic of a free, just, and stable republic. The aim was not to obtain equilibrium among parts of the city leaving them unaltered, but to mix them. Only in this way could Florence return to being free.

The third volume of The Hackett Aquinas, a series of central philosophical treatises of Aquinas in new, state-of-the-art translations accompanied by a thorough commentary on the text.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "other"--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta. Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Building on concepts developed in his previously published New Theory of Beauty, Guy Sircello constructs a bold and provocative theory of love in which the objects of love are the qualities that "bear" beauty and the pleasure of all love is "erotic," without being "sexual." The theory reveals a continuity of subject matter between premodern notions of love and modern notions of aesthetic pleasure, thus providing grounds for criticizing modern tendencies to isolate the aesthetic both culturally and psychologically and to separate it from its home in the human body. The author begins with an analysis of enjoyment that reduces all enjoyment to the enjoyment of the "experience of qualities." He explains how we experience qualities as "circulating" in a special form of "space" that includes our own bodies, the external world, and their interpenetration. Sircello generalizes this analysis to encompass all forms of love and grounds the pleasure of all love--aesthetic or nonaesthetic, personal or nonpersonal, sexual or nonsexual--in an experience of the form of an "overall bodily caress." Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Quello delle sostanze corporee e degli animali e uno dei temi ricorrenti nella storiografia leibniziana degli ultimi anni: l'intento di questo lavoro e di estendere l'indagine anche alla botanica. L'interesse di Leibniz per lo studio del mondo vegetale e attestato da numerosi scritti, anche inediti, come le lettere di Leibniz al matematico R. C. Wagner, di cui si presenta in Appendice la trascrizione dell'originale in lingua latina. Tenendo sullo sfondo i principali sviluppi della botanica dell'epoca, la trattazione verte su due temi: l'evoluzione nel pensiero leibniziano del concetto di macchina naturale, dagli anni degli scritti di fisiologia agli sviluppi piu maturi, e il confronto tra Leibniz e Locke sulla botanica sistematica e sui problemi teorici ad essa connessi.

Enlightenment is not something that can just be handed to you. The closest thing to it that you can receive are thoughts and questions that can lead you inward in the search for meaning. What Does That Mean? is full of thoughts and questions that do just that. Some insights you may have thought of and then forgotten, and others you may have experienced but simply haven't appreciated. An old saying asserts that the value of a book is not in what it says but rather in what it does. What Does That Mean? is one of those books that will have a lifetime impact on all who read it. The book squarely faces the many inconsistencies held in our systems of belief, from the sciences to psychic phenomena. Eldon Taylor is willing to speak out without reservation, and without avoiding any so-called sanctities. The result is absolutely thought-provoking at every level, as this work addresses the meaning of life and the ultimate "humanness" of the human being. If you have ever questioned the nature of life, the power of the mind, unexplained events, and other mysteries, you will find this book totally riveting. Throughout these pages, Eldon shares life experiences that will lead you to revelations about your own life. Perhaps this book's greatest value is that it assists you in remembering who you really are and thereby places you firmly back on the path to personal enlightenment. English writer and poet Joseph Addison, said, "Reading is to the mind what exercise is to the body." If that is the case, then this book is the perfect workout to enrich your thinking. You may not always like what you read, but you will always find the depth of thought wholly provocative.

Anselm of Canterbury gave the first modal "ontological" argument for God's existence. Yet, despite its distinct originality, philosophers have mostly avoided the question of what modal concepts the argument uses, and whether Anselm's metaphysics entitles him to use them. Here, Brian Leftow sets out Anselm's modal metaphysics. He argues that Anselm has an "absolute", "broadly logical", or "metaphysical" modal concept, and that his metaphysics provides acceptable truth makers for claims in this modality. He shows that his modal argument is committed (in effect) to the Brouwer system of modal logic, and defends the claim that Brouwer is part of the logic of "absolute" or "metaphysical" modality. He also defends Anselm's premise that God would exist with absolute necessity against all extant objections, providing new arguments in support of it and ultimately defending all but one premise of Anselm's best argument for God's existence.

Sarah Hutton presents a rich historical study of one of the most fertile periods in modern philosophy. It was in the seventeenth century that Britain's first philosophers of international stature and lasting influence emerged. Its most famous names, Hobbes and Locke, rank alongside the greatest names in the European philosophical canon. Bacon too belongs with this constellation of great thinkers, although his status as a philosopher tends to be obscured by his status as father of modern science. The seventeenth century is normally regarded as the dawn of modernity following the breakdown of the Aristotelian synthesis which had dominated intellectual life since the middle ages. In this period of transformational change, Bacon, Hobbes, Locke are acknowledged to have contributed significantly to the shape of European philosophy from their own time to the present day. But these figures did not work in isolation. Sarah Hutton places them in their intellectual context, including the social, political and religious conditions in which philosophy was practised. She treats seventeenth-century philosophy as an ongoing conversation: like all conversations, some voices will dominate, some will be more persuasive than others and there will be enormous variations in tone from the polite to polemical, matter-of-fact, intemperate. The conversation model allows voices to be heard which would otherwise be discounted. Hutton shows the importance of figures normally regarded as 'minor' players in philosophy (e.g. Herbert of Cherbury, Cudworth, More, Burthogge, Norris, Toland) as well as others who have been completely overlooked, notably female philosophers. Crucially, instead of emphasizing the break between seventeenth-century philosophy and its past, the conversation model makes it possible to trace continuities between the Renaissance and seventeenth century, across the seventeenth century and into the eighteenth century, while at the same time acknowledging the major changes which occurred.

In diesem Band werden die beiden Diskurse zur Zivilisationskritik von Jean-Jacques Rousseau nah am Text und in einzelnen Schritten kommentiert. Rousseaus These lautet, dass sich der Mensch durch die technisch-wissenschaftlichen Fortschritte zunehmend von der eigenen Natur entfremdet und dadurch pervertiert. Das Beispiel dieses Autors zeigt, wie bereits wahrend der Epoche der Aufklarung die kritische Reflexion der modernen Zivilisation beginnt."

Die Autorin bietet in ihren einfuhrenden philosophischen Reflexionen eine Auswahl an klassischen und modernen Themen der AEsthetik: Dialektik der Aufklarung, Kunst nahe am Verstummen, Begriffsgeschichte des Schoenen und andere. In zehn Kapiteln werden Zitate durch kommentierende Abschnitte verbunden. Dabei geht das Buch nicht fortlaufend argumentierend vor, sondern prasentiert sich vielmehr als Collage. Jedem Kapitel ist ein literarisches Motto vorangestellt. Es soll den Gefuhlsraum zeigen, in dem sich AEsthetik dann bewegt. Gegenwartige Kunst als kritische Instanz verweist auf die Autonomie der AEsthetik, die stets Tendenzen abwehren muss, welche sie einzuschranken oder gar zu vernichten drohen: dies waren und sind hauptsachlich autoritar-politische Vereinnahmungen.

Die kantische Freiheitsphilosophie stellt eine sakulare Fassung der christlichen Freiheitslehre dar. Diese hat zwei unterschiedliche Grundbegriffe der Freiheit herausgearbeitet: die Freiheit der Wahl zwischen Gut und Boese und die moralische Freiheit. Im Hauptstrom seiner Philosophie stellt Kant allerdings nur den letzten und nicht den ersten Freiheitsbegriff in den Mittelpunkt seines Interesses. Damit entzieht er seiner Moralphilosophie und seiner Rechtslehre ihr eigentliches Fundament und kann dieses Defizit nur in seiner Religionsschrift annahernd ausgleichen. Das umfassende Problem der Freiheit bei Kant diskutiert der Verfasser vor dem Hintergrund zweier, fur das Christentum fundamentaler Freiheitslehren: der von Augustinus und der von Luther.

Which language should philosophers use: technical or common language? In a book as important for intellectual historians as it is for philosophers, Lodi Nauta addresses a vital question which still has resonance today: is the discipline of philosophy assisted or disadvantaged by employing a special vocabulary? By the Middle Ages philosophy had become a highly technical discipline, with its own lexicon and methods. The Renaissance humanist critique of this specialised language has been dismissed as philosophically superficial, but the author demonstrates that it makes a crucial point: it is through the misuse of language that philosophical problems arise. He charts the influence of this critique on early modern philosophers, including Hobbes and Locke, and shows how it led to the downfall of medieval Aristotelianism and the gradual democratization of language and knowledge. His book will be essential reading for anyone interested in the transition from medieval to modern philosophy.

Obwohl der Mundigkeitsbegriff seine herausragende Stellung in der erziehungswissenschaftlichen Diskussion mittlerweile eingebusst hat, ist er immer noch als Erziehungsziel gegenwartig. Wer von Mundigkeit redet, meint - mal mehr, mal weniger explizit - das Verantwortung begrundende Freiheitsvermoegen, sich selbst regieren zu koennen. Angenommen, die moderne Hirnforschung hatte Recht und Freiheit ware tatsachlich nur eine Illusion, musste mit der Unmoeglichkeit von Freiheit und Verantwortung konsequenterweise auch der Mundigkeitsbegriff verworfen werden. Kants Idee der Freiheit zeigt, warum Freiheit trotz (neuronaler) Determination widerspruchsfrei gedacht werden kann. Diese Fundierung des Mundigkeitsbegriffs in der Idee der Freiheit schrankt zugleich auch die Bandbreite dessen ein, was Mundigkeit sein kann und nimmt dem Begriff so seine Beliebigkeit.

Cahiers de l'Institut du Moyen-ge Grec et Latin (CIMAGL) publishes work done in the Department of Greek and Latin at the University of Copenhagen, or in collaboration with the Department. The researchpresented in multi-ligual essaysmainly focuses on the Latin trivium and quadrivium, and Byzantine music.