This series offers central philosophical treatises of Aquinas in new, state-of-the-art translations distinguished by their accuracy and use of clear and nontechnical modern vocabulary. Annotation and commentary accessible to undergraduates make the series an ideal vehicle for the study of Aquinas by readers approaching him from a variety of backgrounds and interests.

The Cosmographia of Bernard Silvester was the most important literary myth written between Lucretius and Dante. One of the most widely read books of its time, it was known to authors whose interests were as diverse as those of Vincent of Beauvais, Dante, and Chaucer. Bernard offers one of the most profound versions of a familiar theme in medieval literature, that of man as a microcosm of the universe, with nature as the mediating element between God and the world. Brian Stock's exposition includes many passages from the Cosmographia translated for the first time into English. Arising from the central analysis are several more general themes: among them the recreation by twelfth-century humanists of the languages of myth and science as handed down in the classical tradition; the creation of the world and of man, the chief mythical and cosmographical problem of the period; the development of naturalistic allegory; and Bernard's relation to the "new science" introduced from Greek and Arabic sources. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Leo Bersani, known for his provocative interrogations of psychoanalysis, sexuality, and the human body, centers his latest book on a surprisingly simple image: a newborn baby simultaneously crying out and drawing its first breath. These twin ideas--absorption and expulsion, the intake of physical and emotional nourishment and the exhalation of breath--form the backbone of Receptive Bodies, a thoughtful new essay collection. These titular bodies range from fetuses in utero to fully eroticized adults, all the way to celestial giants floating in space. Bersani illustrates his exploration of the body's capacities to receive and resist what is ostensibly alien using a typically eclectic set of sources, from literary icons like Marquis de Sade to cinematic provocateurs such as Bruno Dumont and Lars von Trier. This sharp and wide-ranging book will excite scholars of Freud, Foucault, and film studies, or anyone who has ever stopped to ponder the give and take of human corporeality.

This Handbook is intended to show the links between the philosophy written in the Middle Ages and that being done today. Essays by over twenty medieval specialists, who are also familiar with contemporary discussions, explore areas in logic and philosophy of language, metaphysics, epistemology, moral psychology ethics, aesthetics, political philosophy and philosophy of religion. Each topic has been chosen because it is of present philosophical interest, but a more or less similar set of questions was also discussed in the Middle Ages. No party-line has been set about the extent of the similarity. Some writers (e.g. Panaccio on Universals; Cesalli on States of Affairs) argue that there are the closest continuities. Others (e.g. Thom on Logical Form; Pink on Freedom of the Will) stress the differences. All, however, share the aim of providing new analyses of medieval texts and of writing in a manner that is clear and comprehensible to philosophers who are not medieval specialists. The Handbook begins with eleven chapters looking at the history of medieval philosophy period by period, and region by region. They constitute the fullest, most wide-ranging and up-to-date chronological survey of medieval philosophy available. All four traditions - Greek, Latin, Islamic and Jewish (in Arabic, and in Hebrew) - are considered, and the Latin tradition is traced from late antiquity through to the seventeenth century and beyond.

Presents a new, critical introduction to Machiavelli's thought for students of politics and philosophy. All students of Western political thought encounter Niccolo Machiavelli's work. Nevertheless, his writing continues to puzzle scholars and readers who are uncertain how to deal with the seeming paradoxes they encounter. The Political Philosophy of Niccolo Machiavelli is a clear account of Machiavelli's thought, major theories and central ideas. It critically engages with his work in a new way, one not based on the problematic Cambridge school approach. Geared towards the specific requirements of students who need to reach a sound understanding of Machiavelli's ideas, it is the ideal companion to the study of this influential and challenging philosopher. Introduces Machiavelli's life and the historical and theoretical context within which he developed his ideas; detailed examinations Machiavelli's most commonly encountered texts, including The Prince, The Discourses, The Florentine Histories and The Art of War; critically analyses Machiavelli's most important concepts and shows how they continue to reverberate within Western political philosophy and pays particular attention to Machiavelli's language and central themes such as Virtue, Fortune, Conflict, History and Religion.

This volume casts a new light on Byzantium as a geographical and cultural intersection. For nearly a millennium, Byzantium was an important crossroads where cultures, people, and institutions from the entire Mediterranean area came together. Key subjects of interest explored by this volume include reciprocal cultural and epistemic processes of reception and transformation and the forms of knowledge associated with them.

Eva Brann examines the great philosophers and their articulations of the idea of "will." The diversity of thought found in the roughly fifty writers considered here suggests that the term refers not to just one fixed constituent of the "soul," but to many senses--perhaps linked, perhaps disparate.

Die menschliche Lebensfuhrung ist weder durch Wesenheiten vorherbestimmt noch eine beliebige Konstruktion. Sie bedarf der Aufdeckung der zum Leben notigen Moglichkeiten. Dieser Kategorische Konjunktiv beugt der unmenschlichen Verstetigung ungespielten Lachens und Weinens vor. Menschliche Lebewesen brauchen einen geschichtlichen Prozess, um ihre Natur offentlich herausproduzieren zu konnen. Die Wahrnehmung der ersten Person bedeutet Teilnahme an der Semiosis lebendiger Augenblicke. Diesseits von Naturalismus und Sprachidealismus wird hier der dritte Weg eines modernitatskritischen Philosophierens erkundet. Auf jenem Weg Philosophischer Anthropologie kommt der Geschlechterfrage ein hoher Stellenwert zu. Die Selbstermachtigung zur Produktion biologischer und soziokultureller Geschlechterbestimmungen hat ihre Grenzen am notigen Respekt vor unserer erotischen Leibesnatur."

Building on concepts developed in his previously published New Theory of Beauty, Guy Sircello constructs a bold and provocative theory of love in which the objects of love are the qualities that "bear" beauty and the pleasure of all love is "erotic," without being "sexual." The theory reveals a continuity of subject matter between premodern notions of love and modern notions of aesthetic pleasure, thus providing grounds for criticizing modern tendencies to isolate the aesthetic both culturally and psychologically and to separate it from its home in the human body.

The author begins with an analysis of enjoyment that reduces all enjoyment to the enjoyment of the "experience of qualities." He explains how we experience qualities as "circulating" in a special form of "space" that includes our own bodies, the external world, and their interpenetration. Sircello generalizes this analysis to encompass all forms of love and grounds the pleasure of all love--aesthetic or nonaesthetic, personal or nonpersonal, sexual or nonsexual--in an experience of the form of an "overall bodily caress."

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Previously unpublished writings by and about Kenneth Burke plus essays by such Burkean luminaries as Wayne C. Booth, William H. Rueckert, Robert Wess, Thomas Carmichael, and Michael Feehan make the publication of Unending Conversations a significant event in the field of Burke studies and in the wider field of literary criticism and theory.

Editors Greig Henderson and David Cratis Williams have divided their material into three parts: "Dialectics of Expression, Communication, and Transcendence", "Criticism, Symbolicity, and Tropology", and "Transcendence and the Theological Motive".

In the first part, Williams's textual introduction and Rueckert's essay analyze the genesis and composition of Burke's "A Symbolic of Motives" and "Poetics, Dramatistically Considered".

Henderson opens part two by showing how in these two essays concerns with literary form hearken back to Burke's first book of criticism, Counter-Statement. Thomas Carmichael discusses Burke's relationship to thinkers such as Paul de Man, Jacques Derrida, Stanley Fish, Fredric Jameson, Jean-Francois Lyotard, and Richard Rorty. Wess analyzes the relation between Burke's dramatistic pentad of act, agent, scene, agency, and purpose and his four master tropes -- metaphor, metonymy, synecdoche, and irony.

In the third part, Booth mines his unpublished correspondence with Burke to demonstrate that Burke is a coy theologian. Michael Feehan discusses Burke's revelation in a 1983 interview that rather than rebounding from a naive kind of Marxism in Permanence and Change, he was rebounding from what he had "learned as a Christian Scientist".

Philosophy Bites Back is the second book to come out of the hugely successful podcast Philosophy Bites. It presents a selection of lively interviews with leading philosophers of our time, who discuss the ideas and works of some of the most important thinkers in history. From the ancient classics of Socrates, Plato, and Aristotle, to the groundbreaking modern thought of Wittgenstein, Rawls, and Derrida, this volume spans over two and a half millennia of western philosophy and illuminates its most fascinating ideas. Philosophy Bites was set up in 2007 by David Edmonds and Nigel Warburton. It has had over 12 million downloads, and is listened to all over the world.

Die MISCELLANEA MEDIAEVALIA prasentieren seit ihrer Grundung durch Paul Wilpert im Jahre 1962 Arbeiten des Thomas-Instituts der Universitat zu Koeln. Das Kernstuck der Publikationsreihe bilden die Akten der im zweijahrigen Rhythmus stattfindenden Koelner Mediaevistentagungen, die vor uber 50 Jahren von Josef Koch, dem Grundungsdirektor des Instituts, ins Leben gerufen wurden. Der interdisziplinare Charakter dieser Kongresse pragt auch die Tagungsakten: Die MISCELLANEA MEDIAEVALIA versammeln Beitrage aus allen mediavistischen Disziplinen - die mittelalterliche Geschichte, die Philosophie, die Theologie sowie die Kunst- und Literaturwissenschaften sind Teile einer Gesamtbetrachtung des Mittelalters.

In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of Aristotle's works on logic and the natural sciences. This study therefore not only examines the intertextual and literary-historical relations linking the work of the three poets, but takes their shared interest in cognition and epistemology as a starting point to assess their wider cultural and intellectual significance in the context of broader developments in late medieval philosophy of mind, knowledge, and language. Vernacular literature more broadly played an extremely important role in lending an enlarged cultural resonance to philosophical ideas developed by scholastic thinkers, but it is also shown that allegorical narrative could prompt philosophical speculation on its own terms, deliberately interrogating the dominance and authority of scholastic discourses and institutions by using first-person fictional narrative as a tool for intellectual speculation.

Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.

William of Ockham (1287-1347) is oft considered the most important nominalist thinker of the Middle Ages. Nominalism, a metaphysical view that has had adherents throughout the history of Western philosophy, largely denies the extramental existence of universals and abstract objects by reducing them to linguistic or mental items. Philosopher Claude Panaccio views Ockham's genre of nominalism as consisting of three theses: that there are no universals in the external world, no relations, and no quantities considered as distinct entities. Claude Panaccio here displays the outlines of a rich and carefully crafted nominalist system that is still of great philosophical interest today. In so doing, the volume situates Ockham's thought with respect to several salient contemporary debates in philosophy. Ockham's Nominalism provides a unique systematic introduction to his thought about universals, relations, and quantities, situating his doctrines on these matters with respect to today's debates in metaphysics, philosophy of mind, philosophy of language, and epistemology.

Volume 1 includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting. Volume 2 includes substantial selections from the Second Part of the Summa Theologica and the Summa Contra Gentiles. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.

This book is a study ofthe psychology of Averroes and its influence on Roman philosophy. It addresses his famous doctrine of the intellect, and its critical defence by the English 14th-century theologian Thomas Wylton. The major questions related to the body-mind problem are tackled: the relation between soul and body, the status of imagination, the nature of the intellect s power, and the autonomy of the thinker."

Chronologically, this translation comprises the third book of Ficino's letters ("Liber III"), as published during his lifetime, and dates from August 1476 to May 1477. They follow volume 1 and are therefore published as volume 2. Both book two and three of Ficino's Letters were dedicated to King Matthias of Hungary whom Ficino regarded as a model of the philosopher king referred to in Plato's "Republic". Indeed, Matthias was no ordinary king. He became one of the very few Christian leaders to defeat the Ottoman Turks decisively during the period of their empire's almost continuous growth from the early 1300s to the death of Suleiman I in 1566. King Matthias was also a devotee of philosophy, keenly interested in the practical study of Plato. Members of Ficino's Academy dwelt at this court, and an invitation to visit his court was extended to Ficino himself. Ficino's Academy was consciously modelled on the philosophical schools of antiquity. It was not merely an institute of learning. The bond between Ficino and the other members of the Academy was their mutual love, based on the love of the Self in each, a love capable of expression in all fields of human activity. It was because such love was the basis of his School that Ficnio could write (letter 21) - "the desire of him, who strives for anything other than love, is often totally frustrated by the event. But he alone who loves nothing more than love itself, by desiring immediately attains, and in always attaining continues to desire." It is the principle of unity to which Ficnio repeatedly returns in this volume. He returns to it not just as a philosophical concept, but as an immediate perception. In his letter to Paul of Middelburg ("distinguished scientist and astronomer"), Ficino observes - "If any age can be called a golden one it is undoubtedly the one that produces minds of gold in abundance. And no one who considers the wonderful discoveries of our age will doubt that it is a golden one. For this golden age has restored to the light the liberal arts that were almost extinct: grammar, poetry, rhetoric, painting, sculpture, architecture, music and the ancient art of singing to the Orphic lyre."

It is hard to overestimate the importance of the contribution made by Dame Frances Yates to the serious study of esotericism and the occult sciences. To her work can be attributed the contemporary understanding of the occult origins of much of western scientific thinking, indeed of western civilization itself. The Occult Philosophy of the Elizabethan Age was her last book, and in it she condensed many aspects of her wide learning to present a clear, penetrating, and, above all, accessible survey of the occult movements of the Renaissance, highlighting the work of John Dee, Giordano Bruno, and other key esoteric figures. The book is invaluable in illuminating the relationship between occultism and Renaissance thought, which in turn had a profound impact on the rise of science in the seventeenth century. Stunningly written and highly engaging, Yates' masterpiece is a must-read for anyone interested in the occult tradition.

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