The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans-and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

This is part of a catalogue of all Latin manuscripts of the works of Beothius, including his translations of Aristotle and Porphyry. The six volumes are arranged geographically and are accompanied by a general index, although each volume is also indexed separately. The conspectus includes fragmentary texts, as witnesses of a once-complete version. Each entry includes a short physical description of the manuscript, a complete list of contents, a note of any glosses present, a brief summary of any decoration, the provenance of the manuscript and a select bibliography for each codex. Particular attention is paid to the use of the manuscripts. Since Boethius was an advocate of "artes" teaching, these manuscripts give an insight into who was taught what, where, to what level, and in what way.

Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics. OSMP is an essential resource for anyone working in the area.

In diesem Band deckt Diego D'Angelo semiotische Strukturen in der Husserl'schen Phanomenologie der Wahrnehmung auf. Ist es der Phanomenologie darum zu tun, die Erfahrung von Dingen in unserer Umwelt zu beschreiben, so ist dabei der Begriff des Horizontes von zentraler Bedeutung: Was wir unmittelbar wahrnehmen, verweist immer schon auf anderes, was nur "mitgegeben" ist. Wenn wir Dinge wahrnehmen, haben wir nur eine bestimmte Perspektive, d.h. wir sehen lediglich einen Aspekt. Aber wir nehmen immer ganze Gegenstande wahr (wir sehen Tische und Stuhle und andere Menschen). Jeder dieser Gegenstande erscheint in einem Feld weiterer Gegenstande, und es ist der Horizontbegriff, der es erlaubt, das Verhaltnis zwischen Selbstgegebenheit und Mitgegebenheit zu explizieren. Dieses Buch stellt den ersten detaillierten Versuch dar, die Ursprunge solcher horizontaler Felder in semiotischen Strukturen zu suchen. Aus der Verbindung zwischen Husserls eigener Semiotik und seiner Phanomenologie der Wahrnehmung ergibt sich, dass das wahrgenommene Phanomen als Zeichen verstanden werden muss. Das Zeichen wiederum bezeichnet etwas, was in leiblicher Bewegung eingeholt werden kann. Mit der Verbindung von Leiblichkeit, Semiotik und Wahrnehmung thematisiert diese Monographie das Verhaltnis zwischen folgenden phanomenologischen Forschungsgebieten: * Husserls Semiotik der Wahrnehmung in den Logischen Untersuchungen * Phanomenologische Raumanalyse - kinasthetische Indikation * Horizont und Noema * Passive Anzeige * Zeichen und Leiblichkeit als Grundlagen der Fremderfahrung * Genetische Phanomenologie und Semiotik der Erfahrung * Protentionen und teleologische Semiose * Induktion und Ursprung des menschlichen Ichs Das Buch eroeffnet die Moeglichkeit, Husserls Phanomenologie jenseits einer Metaphysik der Prasenz zu verstehen. Zudem leisten D'Angelos Einzeluntersuchungen einen Beitrag zu aktuellen Diskussionen in der Philosophie der leiblichen Kognition. - Eine hilfreiche Leseempfehlung fur * Interessierte Themenneulinge * Bachelor- und Masterstudenten der Geisteswissenschaften * Hochschulabsolventen sowie Forschungswissenschaftler

Entirely faithful to Boethius' Latin; Relihan's translation makes the philosophy of the Consolation intelligible to readers; it gives equal weight to the poetry--in fact, Relihan's metrical translation of Boethius' metro are themselves contributions of the first moment to Boethian studies. Boethius finally has a translator equal to his prodigious talents and his manifold vision. --Joseph Pucci, Brown University

Giovanni Pontano, who adopted the academic sobriquet "Gioviano," was prime minister to several kings of Naples and the most important Neapolitan humanist of the quattrocento. Best known today as a Latin poet, he also composed dialogues depicting the intellectual life of the humanist academy of which he was the head, and, late in life, a number of moral essays that became his most popular prose works. The De sermone (On Speech), translated into English here for the first time, aims to provide a moral anatomy, following Aristotelian principles, of various aspects of speech such as truthfulness and deception, flattery, gossip, loquacity, calumny, mercantile bargaining, irony, wit, and ridicule. In each type of speech, Pontano tries to identify what should count as the virtuous mean, that which identifies the speaker as a person of education, taste, and moral probity.

The selections included in this anthology, drawn from a variety of Aquinas' works, focus on the roles of reason and faith in philosophy and theology. Expanding on these themes are Aquinas' discussions of the nature and domain of theology; the knowledge of God and of God's attributes attainable through natural reason; the life of God, including God's will, justice, mercy, and providence; and the principal Christian mysteries treated in theology properly speaking--the Trinity and the Incarnation.

This book provides a comprehensive overview of the key themes in Greek and Roman science, medicine, mathematics and technology. A distinguished team of specialists engage with topics including the role of observation and experiment, Presocratic natural philosophy, ancient creationism, and the special style of ancient Greek mathematical texts, while several chapters confront key questions in the philosophy of science such as the relationship between evidence and explanation. The volume will spark renewed discussion about the character of 'ancient' versus 'modern' science, and will broaden readers' understanding of the rich traditions of ancient Greco-Roman natural philosophy, science, medicine and mathematics.

This volume examines how the notion of law was transformed and reformulated during the Middle Ages. It focuses on encounters between ancient and local legal traditions and the three great revelation religions Judaism, Christianity, and Islam each of which understood the written word of God as law and formulated new cultures. The work thus furnishes interdisciplinary and intercultural insight into medieval legal discourse."

"Machiavelli's Ethics" challenges the most entrenched understandings of Machiavelli, arguing that he was a moral and political philosopher who consistently favored the rule of law over that of men, that he had a coherent theory of justice, and that he did not defend the "Machiavellian" maxim that the ends justify the means. By carefully reconstructing the principled foundations of his political theory, Erica Benner gives the most complete account yet of Machiavelli's thought. She argues that his difficult and puzzling style of writing owes far more to ancient Greek sources than is usually recognized, as does his chief aim: to teach readers not how to produce deceptive political appearances and rhetoric, but how to see through them. Drawing on a close reading of Greek authors--including Thucydides, Xenophon, Plato, and Plutarch--Benner identifies a powerful and neglected key to understanding Machiavelli.

This important new interpretation is based on the most comprehensive study of Machiavelli's writings to date, including a detailed examination of all of his major works: "The Prince, The Discourses, The Art of War, " and "Florentine Histories." It helps explain why readers such as Bacon and Rousseau could see Machiavelli as a fellow moral philosopher, and how they could view "The Prince" as an ethical and republican text. By identifying a rigorous structure of principles behind Machiavelli's historical examples, the book should also open up fresh debates about his relationship to later philosophers, including Rousseau, Hobbes, and Kant.

'A ripping read ... fascinating, charming, enjoyably unorthodox' Daily Telegraph Was Niccolo Machiavelli really the cynical schemer of legend - or was he a profound ethical thinker, who tried to save the democratic freedom of Renaissance Florence as it was threatened by ruthless dynasties? This revelatory biography shows us a man of fox-like dissimulation: a master of disguise in dangerous times. 'A gripping portrait of a brilliant political thinker, who understood the dangers of authoritarianism and looked for ways to curb them' The New Yorker 'Compelling ... this unconventional biography questions whether the philosopher deserves his reputation as an advocate for tyranny' Julian Baggini, Financial Times

The third volume of The Hackett Aquinas, a series of central philosophical treatises of Aquinas in new, state-of-the-art translations accompanied by a thorough commentary on the text.

Desmond M. Clarke presents a thematic history of French philosophy from the middle of the sixteenth century to the beginning of Louis XIV's reign. While the traditional philosophy of the schools was taught throughout this period by authors who have faded into permanent obscurity, a whole generation of writers who were not professional philosophers-some of whom never even attended a school or college-addressed issues that were prominent in French public life. Clarke explores such topics as the novel political theory espoused by monarchomachs, such as Beze and Hotman, against Bodin's account of absolute sovereignty; the scepticism of Montaigne, Charron, and Sanches; the ethical discussions of Du Vair, Gassendi, and Pascal; innovations in natural philosophy that were inspired by Mersenne and Descartes and implemened by members of the Academie royale des sciences; theories of the human mind from Jean de Silhon to Cureau de la Chambre and Descartes; and the novel arguments in support of women's education and equality that were launched by De Gournay, Du Bosc, Van Schurman and Poulain de la Barre. The writers involved were lawyers, political leaders, theologians, and independent scholars and they acknowledged, almost unanimously, the authority of the Bible as a source of knowledge that was claimed to be more reliable than the fragile powers of human understanding. Since they could not agree, however, on which books of the Bible were canonical or how that should be understood, their discussions raised questions about faith and reason that mirrored those involved in the infamous Galileo affair.

Ethics was a central preoccupation of medieval philosophers, and medieval ethical thought is rich, diverse, and inventive. Yet standard histories of ethics often skip quickly over the medievals, and histories of medieval philosophy often fail to do justice to the centrality of ethical concerns in medieval thought. This volume presents the full range of medieval ethics in Christian, Islamic, and Jewish philosophy in a way that is accessible to a non-specialist and reveals the liveliness and sophistication of medieval ethical thought. In Part I there is a series of historical chapters presenting developmental and contextual accounts of Christian, Islamic, and Jewish ethics. Part II offers topical chapters on such central themes as happiness, virtue, law, and freedom, as well as on less-studied aspects of medieval ethics such as economic ethics, the ethical dimensions of mysticism, and sin and grace. This will be an important volume for students of ethics and medieval philosophy.

This book gathers wide-ranging essays on the Italian Renaissance philosopher and cosmologist Giordano Bruno by one of the world's leading authorities on his work and life. Many of these essays were originally written in Italian and appear here in English for the first time. Bruno (1548-1600) is principally famous as a proponent of heliocentrism, the infinity of the universe, and the plurality of worlds. But his work spanned the sciences and humanities, sometimes touching the borders of the occult, and Hilary Gatti's essays richly reflect this diversity.

The book is divided into sections that address three broad subjects: the relationship between Bruno and the new science, the history of his reception in English culture, and the principal characteristics of his natural philosophy. A final essay examines why this advocate of a "tranquil universal philosophy" ended up being burned at the stake as a heretic by the Roman Inquisition. While the essays take many different approaches, they are united by a number of assumptions: that, although well versed in magic, Bruno cannot be defined primarily as a Renaissance Magus; that his aim was to articulate a new philosophy of nature; and that his thought, while based on ancient and medieval sources, represented a radical rupture with the philosophical schools of the past, helping forge a path toward a new modernity.

This is a study of the union of matter and the soul in the human being in the thought of the Dominican Thomas Aquinas. At first glance this issue might appear arcane, but it was at the centre of polemic with heresy in the thirteenth century and at the centre of the development of medieval thought more broadly. The book argues that theological issues, especially the need for an identical body to be resurrected at the end of time, but also considerations about Christ's crucifixion and saints' relics, were central to Aquinas's account of how human beings are constituted. The book explores in particular how theological questions and concerns shaped Aquinas's thought on individuality and personal and bodily identity over time, his embryology and understanding of heredity, his work on nutrition and bodily growth, and his fundamental conception of matter itself. It demonstrates, up-close, how Aquinas used his peripatetic sources, Aristotle and (especially) Averroes, to frame and further his own thinking in these areas. The book also indicates how Aquinas's thought on bodily identity became pivotal to university debates and relations between the rival mendicant orders in the late thirteenth and early fourteenth centuries, and that quarrels surrounding these issues persisted into the fifteenth century. Not only is this a study of the interface between theology, biology, and physics in Aquinas's mind; it also fundamentally revises the view of Aquinas that is generally accepted. Aquinas is famous for holding that the one and only substantial (or nature-determining) form in a human being is the soul, and most scholars have therefore thought that he located the identity of the individual in their soul. This book restores the body through a thorough and critical examination of the range of Aquinas's works.

Thomas Williams presents the most extensive collection of John Duns Scotus's work on ethics and moral psychology available in English. John Duns Scotus: Selected Writings on Ethics includes extended discussions-and as far as possible, complete questions-on divine and human freedom, the moral attributes of God, the relationship between will and intellect, moral and intellectual virtue, practical reasoning, charity, the metaphysics of goodness and rightness, the various acts, affections, and passions of the will, justice, the natural law, sin, marriage and divorce, the justification for private property, and lying and perjury. Relying on the recently completed critical edition of the Ordinatio and other critically edited texts, this collection presents the most reliable and up-to-date versions of Scotus's work in an accessible and philosophically informed translation.

Anselm of Canterbury gave the first modal "ontological" argument for God's existence. Yet, despite its distinct originality, philosophers have mostly avoided the question of what modal concepts the argument uses, and whether Anselm's metaphysics entitles him to use them. Here, Brian Leftow sets out Anselm's modal metaphysics. He argues that Anselm has an "absolute", "broadly logical", or "metaphysical" modal concept, and that his metaphysics provides acceptable truth makers for claims in this modality. He shows that his modal argument is committed (in effect) to the Brouwer system of modal logic, and defends the claim that Brouwer is part of the logic of "absolute" or "metaphysical" modality. He also defends Anselm's premise that God would exist with absolute necessity against all extant objections, providing new arguments in support of it and ultimately defending all but one premise of Anselm's best argument for God's existence.