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Books > Humanities > Philosophy > Western philosophy > Western philosophy, c 500 to c 1600 > General
Building on concepts developed in his previously published New
Theory of Beauty, Guy Sircello constructs a bold and provocative
theory of love in which the objects of love are the qualities that
"bear" beauty and the pleasure of all love is "erotic," without
being "sexual." The theory reveals a continuity of subject matter
between premodern notions of love and modern notions of aesthetic
pleasure, thus providing grounds for criticizing modern tendencies
to isolate the aesthetic both culturally and psychologically and to
separate it from its home in the human body.
The author begins with an analysis of enjoyment that reduces all
enjoyment to the enjoyment of the "experience of qualities." He
explains how we experience qualities as "circulating" in a special
form of "space" that includes our own bodies, the external world,
and their interpenetration. Sircello generalizes this analysis to
encompass all forms of love and grounds the pleasure of all
love--aesthetic or nonaesthetic, personal or nonpersonal, sexual or
nonsexual--in an experience of the form of an "overall bodily
caress."
Originally published in 1989.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
its founding in 1905.
Nathan L. King's The Excellent Mind considers the importance of the
intellectual virtues: the character traits of excellent thinkers.
He explains what it means to have an excellent mind: one that is
curious, careful, self-reliant, humble, honest, persevering,
courageous, open, firm, and wise. Drawing from recent literature in
philosophy and psychology, he considers what these virtues are like
in practice, why they are important, and how we grow in them. King
also argues that despite their label, these virtues are not just
for intellectuals: they are for everyone. He shows how intellectual
virtues are critical to living everyday life, in areas as diverse
as personal relationships, responsible citizenship, civil
discourse, personal success, and education. Filled with vivid
examples and relevant applications, The Excellent Mind will serve
as an engaging introduction to the intellectual virtues for
students and anyone interested in the topic.
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Meditations
(Paperback)
Marcus Aurelius
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R234
R220
Discovery Miles 2 200
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Diese Abhandlung ist im Marz 1988 geschrieben, im August 1989 und
im Sommer 1990 Uberarbeitet worden. Es ergab sich unbeabsichtigt,
daB sie im hun- dertsten Todesjahr Gontscharovs herauskommt. Die in
ihr gegebene Erklarung von Gontscharovs drittem und letztem Roman,
nach eigener Dberzeugung seinem wichtigsten, will keine
vollstandige Interpreta- tion geben. Vieles bleibt offen: das Bild
der Statue und das Pygmalionmotiv, das eine wohl aus der
Goethe-Kritik des Jungen Deutschlands, das andere aus Schiller
genommen; das Instinktmotiv, das Fenstermotiv, das Motiv der
Dammerung, das aus Gogol entwickelt ist, des Schusses, das es auch
in Turgenevs Vater und Sohne gibt. Bestimmte Stilfiguren wie die
Reflexion in Dreierformeln, die gewiB eine Analyse wert sind,
werden gesehen, aber nicht behandelt. Literarische Beziehun- gen
wie die zu Karamzin, Gogol, Lermontov, Byron sind kaum beriihrt;
die zu Ossian und Bellini wurden friiher an anderer Stelle
behandelt. Die Tiervergleiche verdienen genauere Betrachtung; hier
ist nur einer, der Hundevergleich unter- sucht; ein anderer, der
Vogelvergleich, gestreift. Manche wichtige Person, wie die
Babuschka und Tuschin, mUBte in ihrer allegorischen Form
ausfiihrlicher unter- sucht werden, als es hier geschieht. Vieles
ist freilich erwahnt, Einiges in Anmer- kungen angedeutet; Manches
haben Andere erschopfend untersucht und es wurde deshalb nicht
wiederholt. Das Ziel dieser Abhandlung ist ein anderes. Das Feuer
der Kritik hat yom ersten Augenblick an Die Schlucht in eine
Beleuchtung getaucht, aus der sie sich bisher nicht hat befreien
konnen.
Justus Lipsius' De Constantia (1584) is one of the most important
and interesting of sixteenth century Humanist texts. A dialogue in
two books, conceived as a philosophical consolation for those
suffering through contemporary religious wars, De Constantia proved
immensely popular in its day and formed the inspiration for what
has become known as 'Neo-stoicism'. This movement advocated the
revival of Stoic ethics in a form that would be palatable to a
Christian audience. In De Constantia Lipsius deploys Stoic
arguments concerning appropriate attitudes towards emotions and
external events. He also makes clear which parts of stoic
philosophy must be rejected, including its materialism and its
determinism. De Constantia was translated into a number of
vernacular languages soon after its original publication in Latin.
Of the English translations that were made, that by Sir John
Stradling (1595) became a classic; it was last reprinted in 1939.
The present edition offers a lightly revised version of Stradling's
translation, updated for modern readers, along with a new
introduction, notes and bibliography.
This book examines how English writers from the Elizabethan
period to the Restoration transformed and contested the ancient
ideal of the virtuous mean. As early modern authors learned at
grammar school and university, Aristotle and other classical
thinkers praised "golden means" balanced between extremes: courage,
for example, as opposed to cowardice or recklessness. By uncovering
the enormous variety of English responses to this ethical doctrine,
Joshua Scodel revises our understanding of the vital interaction
between classical thought and early modern literary culture.
Scodel argues that English authors used the ancient schema of
means and extremes in innovative and contentious ways hitherto
ignored by scholars. Through close readings of diverse writers and
genres, he shows that conflicting representations of means and
extremes figured prominently in the emergence of a self-consciously
modern English culture. Donne, for example, reshaped the classical
mean to promote individual freedom, while Bacon held extremism
necessary for human empowerment. Imagining a modern rival to
ancient Rome, georgics from Spenser to Cowley exhorted England to
embody the mean or lauded extreme paths to national greatness.
Drinking poetry from Jonson to Rochester expressed opposing visions
of convivial moderation and drunken excess, while erotic writing
from Sidney to Dryden and Behn pitted extreme passion against the
traditional mean of conjugal moderation. Challenging his
predecessors in various genres, Milton celebrated golden means of
restrained pleasure and self-respect. Throughout this
groundbreaking study, Scodel suggests how early modern treatments
of means and extremes resonate in present-day cultural debates.
The enigmatic sixteenth-century Swiss physician and natural
philosopher Philippus Aureolus Theophrastus Bombastus von
Hohenheim, called Paracelsus, is known for the almost superhuman
energy with which he produced his innumerable writings, for his
remarkable achievements in the development of science, and for his
reputation as a visionary (not to mention sorcerer) and alchemist.
Little is known of his biography beyond his legendary achievements,
and the details of his life have been filled in over the centuries
by his admirers. This richly illustrated anthology presents in
modernized language a selection of the moral thought of a man who
was not only a self-willed genius charged with the dynamism of an
impetuous and turbulent age but also in many ways a humble seeker
after truth, who deeply influenced C. G. Jung and his
followers.
Medieval philosophy is primarily associated today with
university-based disputations and the authorities cited in those
disputations. In their own time, however, scholastic debates were
recognized as just one part of wide-ranging philosophical and
theological discussions. A Hidden Wisdom breaks new ground by
drawing attention to another crucial component of these
conversations: the Christian contemplative tradition. The period
from 1200 to 1500, in particular, saw a dramatic increase in the
production and consumption of mystical and contemplative literature
in the 'Christian West', by laypeople as well as religious
scholars, women as well as men. A Hidden Wisdom focuses on five
topics of particular interest to both scholastics and
contemplatives in this period, namely, self-knowledge, reason and
its limits, love and the will, persons, and immortality and the
afterlife. This focus centers the (often overlooked) contributions
of medieval women and demonstrates that when we re-unite
scholasticism with its contemplative counterpart, we gain not only
a more accurate understanding of the scope of medieval Christian
philosophy and theology but also an increased awareness of a deeply
practical tradition that builds up as well as tears down, generates
as well as deconstructs. The book's treatment of topics and figures
is meant to be representative rather than exhaustive: a tasting
menu, rather than a comprehensive study. The choice of topics
offers a series of 'hooks' for philosophers to connect their own
interests to issues central to medieval contemplative philosophy,
while also providing medievalists in other disciplines a fresh lens
through which to view these texts.
Giordano Bruno (1548-1600) is one of the great figures of early
modern Europe, and one of the least understood. Ingrid D. Rowland's
biography establishes him once and for all as a peer of Erasmus,
Shakespeare, and Galileo--a thinker whose vision of the world
prefigures ours.
Writing with great verve and erudition, Rowland traces Bruno's
wanderings through a sixteenth-century Europe where every certainty
of religion and philosophy has been called into question, and
reveals how he valiantly defended his ideas to the very end, when
he was burned at the stake as a heretic on Rome's Campo de'
Fiori.
"A loving and thoughtful account of Bruno's] life and thought,
satires and sonnets, dialogues and lesson plans, vagabond days and
star-spangled nights. . . . Ingrid D. Rowland has her reasons for
preferring Bruno to Copernicus, Tycho Brahe, Johannes Kepler, even
Galileo and Leonardo, and they're good ones."--John Leonard,
"Harper's
""Whatever else Bruno was, he was wild-minded and extreme, and
Rowland communicates this, together with a sense of the excitement
that his ideas gave him. . . . It's that feeling for the
explosiveness of the period, and Rowland's] admiration of Bruno for
participating in it--indeed, dying for it--that is the central and
most cherishable quality of the biography."--Joan Acocella, "New
Yorker
""Rowland tells this great story in moving, vivid prose,
concentrating as much on Bruno's thought as on his life. . . . His
restless mind, as she makes clear, not only explored but
transformed the heavens."--Anthony Grafton, "New York Review of
Books
"" Bruno] seems to have been an unclassifiable mixture of
foul-mouthed Neapolitan mountebank, loquacious poet, religious
reformer, scholastic philosopher, and slightly wacky
astronomer."--Anthony Gottlieb, "New York Times Book Review
""A marvelous feat of scholarship. . . . This is intellectual
biography at its best."--Peter N. Miller, "New Republic
""An excellent starting point for anyone who wants to rediscover
the historical figure concealed beneath the cowl on Campo de'
Fiori."--Paula Findlen, "Nation"
Francis Bacon (1561-1626), commonly regarded as one of the
founders of the Scientific Revolution, exerted a powerful influence
on the intellectual development of the modern world. He also led a
remarkably varied and dramatic life as a philosopher, writer,
lawyer, courtier, and statesman. Although there has been much
recent scholarship on individual aspects of Bacon's career, Perez
Zagorin's is the first work in many years to present a
comprehensive account of the entire sweep of his thought and its
enduring influence. Combining keen scholarly and psychological
insights, Zagorin reveals Bacon as a man of genius, deep paradoxes,
and pronounced flaws.
The book begins by sketching Bacon's complex personality and
troubled public career. Zagorin shows that, despite his idealistic
philosophy and rare intellectual gifts, Bacon's political life was
marked by continual careerism in his efforts to achieve
advancement. He follows Bacon's rise at court and describes his
removal from his office as England's highest judge for taking
bribes. Zagorin then examines Bacon's philosophy and theory of
science in connection with his project for the promotion of
scientific progress, which he called "The Great Instauration." He
shows how Bacon's critical empiricism and attempt to develop a new
method of discovery made a seminal contribution to the growth of
science. He demonstrates Bacon's historic importance as a prophetic
thinker, who, at the edge of the modern era, predicted that science
would be used to prolong life, cure diseases, invent new materials,
and create new weapons of destruction. Finally, the book examines
Bacon's writings on such subjects as morals, politics, language,
rhetoric, law, and history. Zagorin shows that Bacon was one of the
great legal theorists of his day, an influential philosopher of
language, and a penetrating historian.
Clearly and beautifully written, the book brings out the
richness, scope, and greatness of Bacon's work and draws together
the many, colorful threads of an extraordinarily brilliant and
many-sided mind.
This anthology of medieval philosophy collects 54 readings - many of them not widely available - by the most important and influential Christian, Jewish, and Muslim philosophers of the middle ages. The readings are organized into nine thematic sections; the six readings comprising each section are arranged chronologically within it. Each reading is preceded by a biographical note on the author and by a brief explanatory epitome.
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