When a young teenage boy ventures into an old bookstore; things become very mysterious. The book takes him on an adventure no one understands.

Drama Start 2 is a collection of drama activities and plays suitable for children between the ages of nine and twelve. This book is also suitable for anyone working with children in a setting where drama is used, such as community groups, out-of-school care facilities, therapeutic group work and so on. The book is accessible and easy to follow. It is divided into two parts: Part 1 - Drama Games Part 2 - Plays Each section provides educators/leaders with a variety of creative and imaginative ideas to stimulate drama activities in many different settings.

The Tempest like you have never read it before: quick, fun, and easy to understand. Designed for 9-18+ actors, kids of all ages, or anyone who wants to enjoy and loosely understand Shakespeare's play.

What you will get: Fun 3 melodramatic modifications for group sizes: 9-11+ 12-15+ 14-18+ Actual lines from Shakespeare's play mixed in Creatively funny interpretations of the remaining script A delightfully funny rendition that is easy for ADULTS to understand too A kid who loves Shakespeare

This mini-melodramatic masterpiece is sure to be a doorway for your child to love all the classics. Shakespeare is difficult enough in class or watching on stage, let alone trying to teach the stories to children, but as the author's mantra states in the book, "there is no better way to learn than to have fun " Kids who have read this have also eventually purchased Shakespeare's entire works and have completed 'hero' reports on Shakespeare at school. Guaranteed to have you coming back for more

"'...bubbles over with imaginative ideas which could be used to good effect by non-specialist as well as seasoned drama teachers. Excellent resource for primary, secondary and other drama teachers.'"
- Teaching Drama Magazine, Spring 2013.

"'..this book cheered me up. Buy it and smile. There will be a lot of laughter in your classroom.'"
- Drama Magazine, Spring 2013.

This sequel to the best-selling 101 Drama Games and Activities contains inspirational and engaging games and exercises suitable for children, young people and adults. The activities can be used in drama lessons and workshops as well as during rehearsal and devising periods.

The book includes lively and fun warm-up games, as well as activities to develop concentration, focus and team building. The drama strategies can be used as creative tools to explore themes and characters. There are dozens of ideas for developing improvisation (which can be extended over several sessions). There are many new activities for exploring storytelling skills as well as mime and movement.

Perfect for pupils aged 11+, this stage version of Dickens' classic tale uses John Mortimer's much-loved dramatisation first produced by the RSC in 1994. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: - meets the new requirements at KS3 and GCSE (2010) - features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis - places pupils' understanding of the learning process at the heart of the activities - will help pupils to boost English GCSE success and develop high-level skills at KS3 - will save teachers considerable time devising their own resources. Dickens' tale of cold-hearted Ebenezer Scrooge has delighted generations of readers. This edition of the National Curriculum recommended author's work provides an engaging, active approach to studying the Literary Heritage and developing a range of reading, writing and speaking skills. Combining Mortimer's acclaimed adaptation with expertly written activities, this is the perfect edition for classroom use.

After numerous near hits, Jamaicans had become desensitized to hurricanes and as Gilbert approached, the author was not alone in that sea of denial. Unlike other hurricanes, Gilbert signaled its intent from its inception, and it did not alter course, but strengthened dramatically, as it headed straight for Jamaica. The book describes the chaotic rush for supplies, the suspension of normal daily activities, media coverage, the desertion of cities and favorite hangouts, and more wrenching; a supernatural encounter that served to confirm the worst. It depicts split-second scenes of environmental transformation and thrill, even in disaster. There was that intermittent hope of survival that had to be altered as often as the house absorbed successive, vicious jolts. There were the sounds that could not be analyzed, but some of which were even hauntingly melodious. Never to be forgotten were those feelings of loneliness and isolation, the looks of fear and the signs of sinners praying, presumably from the heart. Gratitude for survival could not outweigh the feelings of anger and dejection at the monumental loss.

In this book Mark Wheeller reflects on his ongoing career as a secondary school drama teacher after 30 years in the profession. The book is interspersed with some fascinating biographical detail which will make this an interesting read and a useful resource for both those already familiar with Mark Wheeller's output, and those discovering his work for the first time. Drama Schemes also features a section in which Mark discusses the crucial role of the much-maligned school production. Throught this chapter he shows how he developed many of his plays, which have become staple parts of the curriculum, both in the UK and overseas. Two of the schemes also focus on his use of drama across the curriculum, including his growing admiration for the Mantel of the Expert system of learning.

The Beast of Rickards Road appeared out of the darkness one October night and terrorized the small community of Walkertown, NC. Is it a hoax perpetrated by a person wearing a dark suite or a demon with supernatural powers on the loose in a rural farming community? In the second ghost story, the ghostly murders have been unexplained for over a century, until the sheriff's department hires a private investigator to solve the serial murders out on Payne Road. The investigator, Bill Christian meets Clara Bell and Wilber Parker, as they join forces to battle the evil demon out on Payne Road! Bill Christian goes to Old Salem to research the old records of the early Moravians to look for clues in his investigation. They must ask the Cherokee Nation for spiritual assistance because they are in for the battle of their very lives! Will the demon slayers uncover lost treasure from centuries past?

Community Shakespeare Company Editions make Shakespeare's plays instantly accessible to everyone, from children through Shakespeare-shy adults. These unique performance scripts, developed in a youth theater company, inspire student actors and captivate their audiences. Award-winning playwright Richard Carter delivers the best of the Bard in original verse adaptation. CSC Editions represent a dynamic model that can be used in schools, clubs, camps, and communities worldwide. With nearly thirty years experience working with young people, Carter is Artistic Director of the Community Shakespeare Company.* Its mission: "to enrich young lives and cultivate community, with theater as the means and Shakespeare the inspiration."
(*www.communityshakespeare.org)

"This is to recommend Richard Carter with a full heart. We have enthusiastically shared many ideals and passions, especially regarding theatre by, with and for youngsters."
-Lenka Peterson O'Connor, author: "Kids Take The Stage" (Backstage Books)

"I take my theatre very seriously and I know what I am talking about when I say that we are indeed blessed to have Community Shakespeare in our midst."
-Kenneth W. Jenks: Director Emeritus,
University of Utah Playwriting Program

"Having taught all over the world, I can imagine how excited teachers would be to have the opportunity to introduce a Shakespeare play to their students, knowing they would be able to grasp meaning and still retain the Shakespearian experience."
-Ann H. Goss: Retired International School Teacher

Community Shakespeare Company Editions make Shakespeare's plays instantly accessible to everyone, from children through Shakespeare-shy adults. These unique performance scripts, developed in a youth theater company, inspire student actors and captivate their audiences. Award-winning playwright Richard Carter delivers the best of the Bard in original verse adaptation. CSC Editions represent a dynamic model that can be used in schools, clubs, camps, and communities worldwide. With nearly thirty years experience working with young people, Carter is Artistic Director of the Community Shakespeare Company.* Its mission: "to enrich young lives and cultivate community, with theater as the means and Shakespeare the inspiration."
(*www.communityshakespeare.org)

"This is to recommend Richard Carter with a full heart. We have enthusiastically shared many ideals and passions, especially regarding theatre by, with and for youngsters."
-Lenka Peterson O'Connor, author: "Kids Take The Stage" (Backstage Books)

"I take my theatre very seriously and I know what I am talking about when I say that we are indeed blessed to have Community Shakespeare in our midst."
-Kenneth W. Jenks: Director Emeritus,
University of Utah Playwriting Program

"Having taught all over the world, I can imagine how excited teachers would be to have the opportunity to introduce a Shakespeare play to their students, knowing they would be able to grasp meaning and still retain the Shakespearian experience."
-Ann H. Goss: Retired International School Teacher

I think I'd sleep a lot easier if I knew none of us would wake up tomorrow. Ollie's sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city. Here at the centre of everything, journeys end and nightmares are born. Pomona premiered in 2014 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Dan Rebellato. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study This play includes some strong language.

Community Shakespeare Company Editions make Shakespeare's plays instantly accessible to everyone, from children through Shakespeare-shy adults. These unique performance scripts, developed in a youth theater company, inspire student actors and captivate their audiences. Award-winning playwright Richard Carter delivers the best of the Bard in original verse adaptation. CSC Editions represent a dynamic model that can be used in schools, clubs, camps, and communities worldwide. With nearly thirty years experience working with young people, Carter is Artistic Director of the Community Shakespeare Company.* Its mission: "to enrich young lives and cultivate community, with theater as the means and Shakespeare the inspiration." (*www.communityshakespeare.org)

"This is to recommend Richard Carter with a full heart. We have enthusiastically shared many ideals and passions, especially regarding theatre by, with and for youngsters." -Lenka Peterson O'Connor, author: "Kids Take The Stage "(Backstage Books)

"I take my theatre very seriously and I know what I am talking about when I say that we are indeed blessed to have Community Shakespeare in our midst." -Kenneth W. Jenks: Director Emeritus, University of Utah Playwriting Program

"Having taught all over the world, I can imagine how excited teachers would be to have the opportunity to introduce a Shakespeare play to their students, knowing they would be able to grasp meaning and still retain the Shakespearian experience." -Ann H. Goss: Retired International School Teacher

Winner - Maskew Miller Longman 2012 Literature Awards. Inkintsela yaseMontana ngumdlalo ondimanye, ongemiba ethwaxa abazali abangoomama abaphila phantsi kweemeko ngeemeko, batsho abantwana babo barhintyelwe yimigibe yobu bomi. Lo mkrwelo uyayigqabhuza intswelabulungisa kwanenkqubo yeenganga ezingatshonelwa langa. Iglosari, imisetyenzana esekwe kulo mdlalo nesishwankathelo somboniso ngamnye, yenza kube lula ukuwulandela. Zifundele lo mdlalo ohlaba ikhwelo kuluntu luphela.

Wenner - Maskew Miller Longman 2014 Letterkundeprys. BFF deur Cecilia du Toit is die Afrikaanse wenner van Maskew Miller Longman se Letterkunde-kompetisie in 2014. Dis 'n heerlike eietydse drama oor vier vriendinne wat desperaat op soek is na metgeselle vir die Graad 11 bal, en nie juis soos BFF (Best Friends Forever) teenoor mekaar optree nie. Een van die vier besluit om vir die ander 'n les in lojaliteit te leer, en span 'n Facebook-hartebreker in om haar plan deur te voer. Die toneelstuk verwys tong-in-die-kies na die mite van Pygmalion wat vir homself 'n vrou skep, en na Frankenstein wat 'n monster maak om sy wraakplanne uit te voer. Deon Opperman, bekende dramaturg en vanjaar beoordelaar van die Letterkunde-kompetisie, se die volgende oor BFF: Die karakters is juis, eg en uniek.; Die dialoog is kraakvars, geloofwaardig en uiters vermaaklik.; Die stuk bied baie interessante moontlikhede vir opvoering op die verhoog.; Die teks is relevant vir 'n tienerleser en 'n gehoor.; 'n Mens kan baie by die karakters leer; tog is daar nooit die gevoel van 'n preek wat afgesteek word nie. Four friends are desperately looking for dates for the Grade 11 ball and do not exactly act like BFF's (Best Friends Forever) to each other. One of the four friends decides to teach the other a lesson in loyalty and gets a Facebook heartbreaker to help her carry out her plan.

There are thousands of students enrolled in school drama classes and yet very often young actors cannot be heard, are culturally encouraged to trail off at the ends of sentences, and habitually use only the lowest pitches of the voice. Drama teachers, frequently ask, "How can I get my students to speak up, to be clear, to articulate?" Voice and the Young Actor is written for the school actor, is inviting in format, language and illustration and offers clear and inspiring instructions. The accompanying video content features 85 mins and 28 filmed voice workshop exercises with the author and two students. These students log their reflections in the book on what they have learned throughout their training and there is space for the reader to do the same. A workbook in format, Voice and the Young Actor provides simple, interactive vocal exercises and shows young performers how to take voice work into acting.

Winner - Maskew Miller Longman 2014 Literature Awards. Eli libali elilungiselelwe umdlalo weqonga. Usomashishini oselula nodumileyo okwidolophu yaseNgcobo unoshishino oluxube nokulukuhlwa kwabantwana abangamantombazana aselula, uwafundisa ukusebenzisa iziyobisi, aze kamva awaxhaphaze ngokwesini, andule ke ukuwafaka kushishino lwakhe lokuthengisa ngemizimba. Kumaxhoba singabalula intwazana entle kakhulu, eselula kwaye ekrele-krele ibikhula kwaye ibonisa inkangeleko elandelwa koko kufunwa yintliziyo yayo. Le ntwazana igqibele ngokuba neengcwangu, umsindo, inzondo nentiyo engummangaliso kwaye iqinisekile ngokuziphindezela. Kazi yozala nkomoni na le ntiyo? Masizivele! The story is about a young school girl who disobeys her parents and dates a cruel businessman who is engaged in illegal activities. The businessman dismisses the girl and she moves to Cape Town with a broken heart. She becomes the warder at a prison and this is where she starts to have a feeling of revenge.