Our story begins as the mischievous Goldilocks flees from the Three Bears into the deep, dark wood. As she stumbles down a rabbit hole to escape, she finds herself in Wonderland! And all is not well... Teaming up with The Three Musketeers and a whole host of fairy tale favourites (with a little help from the audience), can Goldilocks rescue Wonderland and live happily ever after before it's too late? With original live music, songs and plenty of chances to join in, Goldilocks and The Three Musketeers is a madcap festive adventure that will keep young audiences spellbound.

This classic short novel gets a classic Mark Wheeller treatment. An adaptation of a George Eliot novel might seem something of a departure, but as the play contains only words used in the novel the production exhibits narrative characteristics of other Mark Wheeller plays. He has created a beautifully taut and compelling script with immense skill. Karen Robson. Southern Daily Echo. Silas Marner, a member of a strict religious community, is wrongly accused of theft and is forced to move to the faraway village of Raveloe. A robbery at his new home leaves Marner without his hard earned gold and in the depths of depression. A mysterious, drug addicted woman is later found dead in the woods outside Marner's cottage. That same night he thinks his gold has returned... but it proves to be something very different... Silas Marner was originally performed as a Promenade production. It offers opportunities for imaginative staging that has become the hallmark for all the best known Wheellerplays. It will serve as a great read around the class script in English lessons because of its narrative style. The book is one of those allowed on various English GCSE Syllabi and is a set text for Edexcel GCSE English.

Four inspirational tales of Essex resilience intertwine to make an unmissable world premiere by the region's most exciting playwrights. The Essex Princess by Anne Odeke It's 1908 and Joanna's planning to provoke the attention of Southend and the whole of the nation, by becoming the first black woman to compete in a beauty pageant. Fiza by Guleraana Mir Fiza's moved home with her parents. Under dire circumstances... At nearly 40. Will she pick herself up in time for the dreaded school reunion? Never Never Land by Kenny Emson Tag's out with the lads in 1998 - it's his last night as a proper Essex boy. But there are last nights, and there are last nights. Everybody Gets Born by Sadie Hasler Daisy's having a baby. Yep, right now. Actually having a baby. The drugs kick in, the room goes fuzzy, and Daisy finds herself back in 1978... in her mum's glam band.

Inside these pages aspiring young performers will find 75 challenging monologues just right for kids. All of the pieces are about subjects appropriate for production in schools a much of it serious and challenging a which will interest child performers without offending administrators teachers or parents. Some are comical some are dramatic and some are seriocomic (a little bit of both). Most of the monologues are from plays and some are original pieces written especially for this book. Despite the listed age of each character these monologue can all be performed by kids of any age.THThe collection features wonderful monologues by some of our finest playwrights such as Don Nigro Cassandra Lewis Reina Hardy Kayla Cagan Jenny Lyn Bader Eric Coble Glenn Alterman Constance Congdon and Barbara Dana. It also highlights exciting up-and-comers such as Sharon Goldner Gabriel David Deanna Alisa Ableser Martha Patterson David Eliet Connie Schindewolf Mark Lambeck and Phoebe Farmer.

Eli libali elilungiselelwe umdlalo weqonga. Usomashishini oselula nodumileyo okwidolophu yaseNgcobo unoshishino oluxube nokulukuhlwa kwabantwana abangamantombazana aselula, uwafundisa ukusebenzisa iziyobisi, aze kamva awaxhaphaze ngokwesini, andule ke ukuwafaka kushishino lwakhe lokuthengisa ngemizimba. Kumaxhoba singabalula intwazana entle kakhulu, eselula kwaye ekrele-krele ibikhula kwaye ibonisa inkangeleko elandelwa koko kufunwa yintliziyo yayo. Le ntwazana igqibele ngokuba neengcwangu, umsindo, inzondo nentiyo engummangaliso kwaye iqinisekile ngokuziphindezela. Kazi yozala nkomoni na le ntiyo? Masizivele! The story is about a young school girl who disobeys her parents and dates a cruel businessman who is engaged in illegal activities. The businessman dismisses the girl and she moves to Cape Town with a broken heart. She becomes the warder at a prison and this is where she starts to have a feeling of revenge. This eBook is a digital version of the printed, CAPS-approved book. Benefits of the ePUB format include: The ability to view on a desktop computer, notebook or tablet.; As learners adjust fonts, rotate and flip pages, content reflows to fit the device's screen giving the user a more flexible experience; and Learners can take notes, highlight and bookmark, and access video and audio for visual learning.

The revised second edition of this practical manual is filled with easy-to-follow exercises and activities designed to facilitate creative drama sessions for people with learning difficulties. The activities in this book bring together music, theatre, movement and storytelling to not only develop fun and engaging group sessions, but to build confidence, increase self-esteem, and develop social and emotional awareness in group members. Highly sensitive to the range of learning needs and physical abilities of group members, the activities have been created to be engaging for a broad range of individuals regardless of age and ability, and can be adapted for use in a multitude of sectors such as education, psychology and speech and language therapy. Key features of this edition include: * New chapters exploring mindfulness, and the importance of reflection * Fully photocopiable resources including a session notes template to evaluate the impact of the creative drama group and collect useful data for the writing of reports * Activities organised around key elements of creative drama, such as sensory work, life skills role-play, improvisation and de-roling With its wealth of guidance, practical and adaptable activities and easy-to- follow structure, this is an invaluable resource for anybody leading or supporting children, young people and adults in creative drama.

Structuring Drama Work is the only drama resource that explores 100 dramatic conventions and techniques and provides ideas for how to practise them. This book explains dramatic conventions and what they do, explores how dramatic techniques can be used, provides cultural connections and global contexts and includes examples of the techniques in the context of plays and texts. The compact size and simple format make this book convenient and easy to use. Suitable for IGCSE (R) students up to A Level, IB Diploma and beyond, this resource will give inspiration and ideas to students and save teachers valuable planning time by providing numerous examples in a global context.

Dickens' irresistible portrayal of poverty, cruelty and crime in Victorian Britain tells of Oliver's arrival in London, where he falls under the influence of Fagin, a gang of young thieves and the irrepressible Artful Dodger.

For teachers and lovers of Shakespeare, ShakesFear and How to Cure It provides a comprehensive approach to the challenge and rewards of teaching Shakespeare and gives teachers both an overview of each of Shakespeare's 38 plays and specific classroom tools for teaching it. Written by a celebrated teacher, scholar and director of Shakespeare, it shows teachers how to use the text to make the words and the moments come alive for their students. It refutes the idea that Shakespeare's language is difficult and provides a survey of the plays by someone who has lived intimately with them on the page and on the stage.

This Play Guide is specifically written for students studying Malorie Blackman's Noughts & Crosses, as adapted by Dominic Cooke, as a set play text for the AQA GCSE Drama specification. // It fully supports the written examination and helps you develop your key knowledge and understanding of the set play. // It provides structured support for the three Sections that are all part of Component 1 Understanding Drama in the specification: Section A Theatre Roles and Responsibilities, Section B Study of a Set Play, Section C Understanding Drama - Live Theatre Production. // Knowledge and understanding are developed alongside the key drama skills through a range of practical ideas and activities, tasks and exercises. // It includes a dedicated section on how to improve exam and writing skills with a number of practice exam-style questions. //

Play Time: Plays for all ages includes eleven fun-to-act short plays for all children to enjoy, especially those in primary school (Key Stage 1 and Key Stage 2). Each play comes complete with helpful guidance on target age, running time and cast. Ranging from adaptations of traditional tales (e.g., the legend of Persephone and The Three Billy Goats Gruff) to original and contemporary short plays, Julia Donaldson has produced an entertaining, simple, satisfying collection.