Offering a bold intervention in the ongoing debate about the relationship between 'theology' and 'science', Theology, Science and Life proposes that the strong demarcation between the two spheres is unsustainable; theology occurs within and not outside what we call 'science', and 'science' occurs within and not outside theology. The book applies this in a penetrating way to the most topical, contentious and philosophically charged science of late modernity: biology. Rejecting the easy dualism of expressions such as 'theology and science', 'theology or science', modern biology is examined so as to illuminate the nature of both. In making this argument, the book achieves two further things. It is the first major English-language reception and application of the thought of philosopher Hans Jonas in theology, and it makes a decisive contribution to the unfolding reception of 'Radical Orthodoxy', one of the most influential schools in contemporary Anglophone theology.

In today's society characterized by pluralism and transition, theology is increasingly being done in conversation with other disciplines - a process that is challenging narrow conceptions of God's work in the world. John W. de Gruchy has been at the forefront of efforts to reimagine theology as an interdisciplinary task, and this volume not only honors de Gruchy's work but uses it as a wellspring for theology in the twenty-first century. The title explores the relationship between Christian theology and a wide range of disciplines drawn from the arts, humanities, and sciences. These engaging chapters reveal the contributions that other facets of life can make to Christian thought while also upholding the vital religious grounding that theology brings to conversations about culture, politics, ethics, history, sociology, and other topics.

Organ Donation in Islam: The Interplay of Jurisprudence, Ethics, and Society delves into the complexities and nuances of organ donation in Muslim communities. A diverse group of authors including Muslim jurists, academic researchers, clinicians and policy stakeholders engage with the multi-faceted topic. Contributions from Sunni and Shia scholars are positioned alongside each other, giving the reader an appreciation of the different Islamic traditions and legal methodologies; and qualitative research examining the views and potential concerns of Muslim families towards donating organs of loved ones is juxtaposed with the work of academicians and community advocates engaging diverse Muslim communities to equip them with the knowledge and tools to make informed donation decisions. Taken together the collection yields new ethical, empirical and sociological insights into how issues of body ownership, the definition of death, and community engagement interface with the act of donation. Accordingly, this wide-ranging volume represents a invaluable resource for religious leaders, healthcare professionals, social scientists, policy makers, researchers, and others interested in the interplay between contemporary healthcare, religious tradition, health policy and the topic of organ donation.

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.