This collection of essays focuses on sacrifice in the context of Jewish and Christian scripture and is inspired by the thought and writings of Rene Girard. The contributors engage in a dialogue with Girard in their search for answers to key questions about the relation between religion and violence. The book is divided into two parts. The first opens with a conversation in which Rene Girard and Sandor Goodhart explore the relation between imitation and violence throughout human history, especially in religious culture. It is followed by essays on the subject of sacrifice contributed by some of the most distinguished scholars in the field, including Bruce Chilton, Robert Daly, Louis Feldman, Michael Fishbane, Erich Gruen, and Alan Segal. The second part contains essays on specific scriptural texts (Abraham's sacrifice of Isaac in Genesis 22 and the book of Job in the Jewish tradition, the Gospel and Epistles in the Christian tradition). The authors explore new ways of applying Girardian analysis to episodes of sacrifice and scapegoating, demonstrating that fertile ground remains to further our understanding of violence in the Hebrew and Christian scriptures. Contributors: Sandor Goodhart, Ann W. Astell, Rene Girard, Thomas Ryba, Michael Fishbane, Bruce Chilton, Robert Daly, S.J., Alan F. Segal, Louis H. Feldman, Erich S. Gruen, Stuart D. Robertson, Matthew Pattillo, Stephen Stern, Chris Allen Carter, William Morrow, William Martin Aiken, Gerard Rosse, Christopher S. Morrissey, Poong-In Lee, Anthony Bartlett

"My desire is that this book may help readers to know more fully the God of biblical revelation and, as a result, to proclaim God as the God of life". Who is God? Where is God? How are we to speak of God? Gutierrez looks at these classic questions through a review of the Bible, and his answers challenge all Christians to a deepening of faith.

This reader shows why Edward Schillebeeckx remains one of the most influential Catholic theologians of the 20th century. Spanning more than half a century and including several texts that appear in English for the first time, it enables students to understand how Edward Schillebeeckx's thought resonates with current debates in theology, for instance on ecology and secularization. T&T Clark Reader in Edward Schillebeeckx includes selections from both pre- and post-Conciliar texts that illustrate the evolution in Schillebeeckx's thought, while also pointing towards the deep underlying continuity which comes from his essential commitment to his faith. His Christological Trilogy, which was a touchstone for doctrinal controversy and methodological progress, is represented here, as well as important works on ministry, the sacraments, hermeneutics, secularization, and the environment. These complex theological topics are broken down in every chapter with the help of explanatory notes, discussion questions and further reading suggestions. This reader is an essential resource which will enable students to contextualize and unpack the rich layers within Schillebeeckx's theology.

Mighty Baal: Essays in Honor of Mark S. Smith is the first edited collection devoted to the study of the ancient Near Eastern god Baal. Although the Bible depicts Baal as powerless, the combined archaeological, iconographic, and literary evidence makes it clear that Baal was worshipped throughout the Levant as a god whose powers rivalled any deity. Mighty Baal brings together eleven essays written by scholars working in North America, Europe, and Israel. Essays in part one focus on the main collection of Ugaritic tablets describing Baal's exploits, the Baal Cycle. Essays in part two treat Baal's relationships to other deities. Together, the essays offer a rich portrait of Baal and his cult from a variety of methodological perspectives. The Harvard Semitic Studies series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Studies in the Archaeology and History of the Levant and Harvard Semitic Monographs, https://hmane.harvard.edu/publications.

This is a new interpretation of Dostoevsky’s novel The Brothers Karamazov that scrutinizes it as a performative event (the “polyphony” of the novel) revealing its religious, philosophical, and social meanings through the interplay of mentalités or worldviews that constitute an aesthetic whole. This way of discerning the novel’s social vision of sobornost’ (a unity between harmony and freedom), its vision of hope, and its more subtle sacramental presuppositions, raises Tilley’s interpretation beyond the standard “theology and literature” treatments of the novel and interpretations that treat the novel as providing solutions to philosophical problems. Tilley develops Bakhtin’s thoughtful analysis of the polyphony of the novel using communication theory and readers/hearer response criticism, and by using Bakhtin's operatic image of polyphony to show the error of taking "faith vs. reason", argues that at the end of the novel, the characters learned to carry on, in a quiet shared commitment to memory and hope.