This volume approaches the Word of Faith as a worldview, and analyses the movement through N. T. Wright's model for worldview-analysis in order to provide necessary nuance and complexity to scholarly interpretations of the Word of Faith. The reader receives insights into the movement's narrative, semiotic, practical and propositional dimensions, which cumulatively offer a multifaceted understanding of how the Word of Faith interprets reality and engages with the world. The analysis shows that there is a narrative core to Word of Faith beliefs in the form of a unique theological story with focus set on the present restoration of Eden's authority and blessings. This study demonstrates how the Word of Faith operates as a distinct worldview that parses the world through the lens of faith's causative power to affect a direct correspondence between present reality and Eden's perfection. The findings advance a critical and therapeutic approach that acknowledges how the worldview both strengthens and subverts Pentecostalism.

The only comprehensive critical anthology of theological and historical aspects related to Florovsky's thought by an international group of leading academics and church personalities. It is the only book in English translation of Florovsky's key study in French - "The Body of the Living Christ: An Orthodox Interpretation of the Church". The contributors tackle a broad range of subjects that comprise the theological legacy of one of the most influential theologians of the twentieth century. The essays examine the life and work of Florovsky, his theology and theological methodology, as well as ecclesiology and ecumenism. A must-have volume for those who study Florovsky and his legacy.

This book provides a creative and highly imaginative critical theological genealogy of modern secular reason and the nature of modernity more generally. Francesca Murphy offers a critical perspective that shapes the exploration of modernity, driven by Catholic traditions and sources. Murphy's method is unique: she uses artificial intelligence as her framing parable, analyzing the nature and limits of the robotic 'reasoning' of several AI characters (Pistis, Gnosis and Cultus). This enables her to develop several interrelated themes, with further didactic chapters offering a mytho-poetic retelling of human history. Her reflections on the absence of creativity and any meaningful relation to 'time' further renders an acute critique of the limits of technological rationality. The end result is an unusual and compelling exploration of rationality and fundamental theological anthropology.

A New Physiognomy of Jewish Thinking is a search for authenticity that combines critical thinking with a yearning for heartfelt poetics. A physiognomy of thinking addresses the figure of a life lived where theory and praxis are unified. This study explores how the critical essays on music of German-Jewish thinker, Theodor Wiesengrund Adorno (1903-1969) necessarily accompany the downfall of metaphysics. By scrutinizing a critical juncture in modern intellectual history, marked in 1931 by Adorno's founding of the Frankfurt Institute for Social Research, neglected applications of Critical Theory to Jewish Thought become possible. This study proffers a constructive justification of a critical standpoint, reconstructively shown how such ideals are seen under the genealogical proviso of re/cognizing their original meaning. Re/cognition of A New Physiognomy of Jewish Thinking redresses neglected applications of Negative Dialectics, the poetics of God, the metaphysics of musical thinking, reification in Zionism, the transpoetics of Physics and Metaphysics, as well as correlating Aesthetic Theory to Jewish Law (halakhah). >