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Books > Religion & Spirituality > Aspects of religions (non-Christian) > Theology > General
The Knowledge of God turns to consider the knowledge of God
revealed in the Word of God, with several essays addressing the
doctrine of God, then the person of Christ, and finally the miracle
of the church. Michael Allen shows the exegetical shape of
historical and dogmatic reasoning as well as the significance of
thinking about these topics in their interrelationships with a
range of other Christian themes, not least the doctrine of the
living and true God. In each of these topics, the theme of the
promise and nature of God's presence (whether in his own life or
then in the economy of the incarnation and of the church) proves to
be a unifying thread. The gospel is shown to be rooted backward in
God's own life and to have consequence forward for the ongoing life
of Christ displayed in his church. This volume explores what it
means to learn of and come to know God, who has life in himself and
then shares his life with us in the coming of his Son and the
ongoing presence amidst his body, the church of Christ.
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Within literature, history, politics, philosophy and theology, the
interpretation of utopian ideals has evolved constantly.
Juxtaposing historical views on utopian diagnoses, prescriptions
and on the character and value of utopian thought with more modern
interpretations, this volume explores how our ideal utopia has
transformed over time. Challenging long-held interpretations, the
contributors turn a fresh eye to canonical texts, and open them up
to a twenty-first century audience. From Moore's Utopia to Le
Guin's The Dispossessed, Utopian Moments puts forward a lively and
accessible debate on the nature and significance of utopian thought
and tradition. Each essay focuses on a key passage from the
selected work using it to encourage both the specialist and the
reader new to the field to read afresh. Written by an international
team of leading scholars, the essays range from the sixteenth
century to the present day and are designed to be both stimulating
and accessible.
Norbert M. Samuelson is Harold and Jean Grossman Chair of Jewish
Studies and Professor of Religious Studies at Arizona State
University in Tempe, Arizona. Trained as an analytic philosopher,
he went on to establish the Academy of Jewish Philosophy in 1980,
which contributed greatly to the professionalization of Jewish
philosophy in America. An ordained Reform rabbi, a constructive
theologian, and a public intellectual, Samuelson has insisted that
philosophy is the very heart of Judaism and that in order to
survive in the 21st century Judaism must rethink itself in light of
contemporary science. Through his scholarship and organizational
work he has brought a Jewish voice to the dialogue of religion and
science. Viewing Jewish philosophy as central to the understanding
of the Jewish past, Samuelson has explicated the philosophical
dimension of Judaism, from the Bible to the present.
The Re-enchantment of the World is a philosophical exploration of
the role of art and religion as sources of meaning in an
increasingly material world dominated by science. Gordon Graham
takes as his starting point Max Weber's idea that contemporary
Western culture is marked by a "disenchantment of the world"--the
loss of spiritual value in the wake of religion's decline and the
triumph of the physical and biological sciences. Relating themes in
Hegel, Nietzsche, Schleiermacher, Schopenhauer, and Gadamer to
topics in contemporary philosophy of the arts, Graham explores the
idea that art, now freed from its previous service to religion, has
the potential to re-enchant the world. In so doing, he develops an
argument that draws on the strengths of both "analytical" and
"continental" traditions of philosophical reflection.
The opening chapter examines ways in which human lives can be made
meaningful as a background to the debates surrounding
secularization and secularism. Subsequent chapters are devoted to
painting, literature, music, architecture, and festival with
special attention given to Surrealism, 19th-century fiction, James
Joyce, the music of J. S. Bach and the operas of Wagner. Graham
concludes that that only religion properly so called can "enchant
the world," and that modern art's ambition to do so fails.
The present study is a pioneering account of the development of
late medieval Karaite Jewish thought, challenging the oft-repeated
assertion that Karaite thinkers remained loyal to Kal?m, the
dominant theological philosophy during the earlier Golden Age of
Karaism. A careful reading of Karaite sources demonstrates that the
watershed figure whose influence led to changes in Karaite thought
was the Rabbanite Maimonides, whose attacks on the Kal?m had
revealed its scientific shortcomings. This book discusses major
Karaite thinkers from the twelfth to sixteenth centuries, as well
as the central themes in their writings. It also outlines the
impact of Karaism on the dominant Rabbanite Jews and their major
thinkers, especially Maimonides. It should be of interest to all
those who study medieval philosophy, intellectual history, Judaism
and sectarianism.
Despite its centrality in mainstream linguistics, cognitive
semantics has only recently begun to establish a foothold in
biblical studies, largely due to the challenges inherent in
applying such a methodology to ancient languages. The Semantics of
Glory addresses these challenges by offering a new, practical model
for a cognitive semantic approach to Classical Hebrew, demonstrated
through an exploration of the Hebrew semantic domain of glory. The
concept of 'glory' is one of the most significant themes in the
Hebrew Bible, lying at the heart of God's self-disclosure in
biblical revelation. This study provides the most comprehensive
examination of the domain to date, mapping out its intricacies and
providing a framework for its exegesis.
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