Originally formed by singer-songwriter Ian Anderson in psychedelic 1968, the band Hethro Tull has been recording its own kind of rock and roll and touring the globe for more than three decades. This is a history of the band through the present, written by a personal acquaintance of several of its members. The book includes a chronology of all of the band's recordings and information on all accompanying tours, with the author's critiques as well as the band's own reminiscences and opinions of each album. Also included are previously unpublished interviews with founder Ian Anderson long-time band member David Pegg, Mick Abrahams, Jeffrey Hammond, and Doane Perry, and other band members.

The Art of the Dead showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley Mouse Miller, Alton Kelley, Wes Wilson, and Victor Moscoso.
The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
The book is in four-color throughout, featuring iconic and rare images as well as extensive process material, including sketches, original art, blue lines, film, and printing plates that show how the art was created. It will also include essays by Greil Marcus, Peter Coyote, and Victoria Binder, as well as essays on the elements of the printing process from the original art to the final poster.
Ultimately, the Art of the Dead makes the case that poster art is truly an original form of American fine art.

Progressive or art rock was one of the most important trends in rock and roll during the early and mid-'70s. Groups like Genesis, Yes, Procol Harum, and Pink Floyd broke new ground by taking classical composition techniques and structures and wedding them with the power and drive of rock. Yet, by the end of the decade, the punk backlash had pretty much ended prog-rock's reign as rock's leading style. Today, scholars of rock and popular culture have returned to these musical groups and their achievements with new recognition of the musical sophistication they brought to rock and roll. In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters, and songs that made prog-rock such an innovative style. For fans-both old and new-this collection sheds new light on an important trend in rock and roll with repercussions still being felt among today's artists. Progressive Rock Reconsidered is a landmark work on this important era in rock's history.

Progressive or art rock was one of the most important trends in rock and roll during the early and mid-'70s. Groups like Genesis, Yes, Procol Harum, and Pink Floyd broke new ground by taking classical composition techniques and structures and wedding them with the power and drive of rock. Yet, by the end of the decade, the punk backlash had pretty much ended prog-rock's reign as rock's leading style. Today, scholars of rock and popular culture have returned to these musical groups and their achievements with new recognition of the musical sophistication they brought to rock and roll. In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters, and songs that made prog-rock such an innovative style. For fans-both old and new-this collection sheds new light on an important trend in rock and roll with repercussions still being felt among today's artists. Progressive Rock Reconsidered is a landmark work on this important era in rock's history.

Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of "Piper at the Gates of Dawn," the band's painstaking and Byzantine recording sessions at Abbey Road, and the fractious negotiations to bring about their fragile, tantalizing reunion in Hyde Park.

Meticulous, exacting, and ambitious as any Pink Floyd album, "Comfortably Numb" is the definitive account of this most adventurous--and most English--rock band.

The year 1972 saw the release of Jethro Tull's iconic album, Thick As A Brick. A song spanning two whole sides of the LP with no gaps in between, Thick As A Brick was unusual even by so-called progressive rock standards at the time. Ironically, even though band leader Ian Anderson joked that the album was intended as "a bit of a spoof", it has gone on to be remembered as a masterpiece of the genre nearly fifty years later. In this book, music author Laura Shenton MA LLCM DipRSL offers an in depth perspective on Thick As A Brick from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull's legacy today. As the author explains: "Basically, the book covers how the album was made, what was going on with the music in terms of the artist's intentions, how it did musically and commercially and what happened next." The narrative is essentially driven by contemporary interviews with the artists with small bits of music theory where relevant... in some cases they delve into the structure / key signatures / time signatures, based on the original sheet music without straying away from being an engaging read for non-musicians.

This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from Generation Terrorists through Holy Bible and right up to last year's remarkable album, Postcards from a Young Man. Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, Death of The Polaroid promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

Million Dollar Quartet' is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played - and its relevance to subsequent popular music. The early lives and careers of the quartet - where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The "reunions" of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception - the enduring appeal of the music.

Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.

THE SUNDAY TIMES BESTSELLER "Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" NICK CAVE "A stoned cold classic" IAN RANKIN 'Mark Lanegan writes like he sings, from the pained heart of a damaged soul with brutal honesty' BOBBY GILLESPIE "Powerfully written and brutally, frighteningly honest" LUCINDA WILLIAMS A ROUGH TRADE AND MOJO BOOK OF THE YEAR From the back of the van to the front of the bar, from the hotel room to the emergency room, Mark Lanegan takes us back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and saturated with drugs. He tracks the tumultuous rise and fall of Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favourites with an enduring legacy, and tells of his own personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. Gritty, gripping and unflinchingly raw, SING BACKWARDS AND WEEP is about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating. 'The most brutally honest rock memoir imaginable' DAILY TELEGRAPH

As told by the musicians who made it happen, Desperados: The Roots of Country Rock revisits country rock's rise to the top of the charts. Music scholar John Einarson delves into the years from 1963, when Buck Owens and his Buckaroos brought an electric edge to their Texas honky-tonk tunes, to 1973, when The Eagles released their album "Desperado" on David Geffen's label. Einarson examines how folk, rockabilly, blues, Nashville country, Tejano, bluegrass, and other musical idioms influenced a generation of journeyman musicians. He traces the paths taken by the songsmiths, the bands in which they served their apprenticeships, and the songs they wrote together, as they steadily shaped the country rock sound. The protagonists of this story include talented but troubled Gram Parsons, a virtuoso determined to burn out before he faded away; the versatile and appealing Linda Ronstadt; Mike Nesmith, the Monkee from Texas who returned to his musical roots with a trilogy of country-rock albums; TV heartthrob turned country rocker Rick Nelson; folkie songbird Emmylou Harris before she made it in Nashville; and many others.

With Chris Trengove and Peter Lawrence In 1967 Peter 'Dougal' Butler became a roadie for The Who and their mercurial genius drummer Keith Moon. Soon he would be Moon's personal assistant, chauffeur, and all-purpose wingman. The ride lasted a tumultuous ten years, ending just prior to Moon's untimely death in 1978. Full Moon is Butler's memoir of that ride: essential reading for Who fans, and a masterclass in the mayhem caused by rock 'n' roll excess. 'The most candid insight into the Who star's life.' Daily Star 'Written in a wonderful fast, racy style, Runyonesque and full of good jokes.' Girl About Town 'A welcome change from the usual bland rock book reportage... Butler clearly has a deep and lasting affection for Moon.' Andy Gill, NME 'Certainly outrageous, sometimes funny, but mostly a sad account of life with a talented neurotic.' Daily Mirror

Dark Side of the Spoon: The Rock Cookbook features thirty recipes inspired by some of the most renowned rock acts of today and yesteryear. The dishes are accompanied by exclusive artworks from thirty top illustrators. Catering for cooks of all abilities and tastes, this book will help you master a wide range of starters, mains and desserts - including Smashing Pumpkin Pie, Fleetwood Mac and Cheese and Primal Bream. Dark Side of the Spoon celebrates the many humorous parallels between food and rock, and is a must-have for anyone with a love for cooking, music or illustration, or indeed all three.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

From the publisher of Electric Bass Guitar comes Bass Heroes - interviews with 30 of the world's greatest bass players. It's a collection of interviews spanning the past 25 years, adapted from Guitar Player magazine. The interviews here feature some of the best players who ever lived, regardless of stylistic leanings. Divided into rock, jazz, studio and pop, and blues and funk, all the greats are included...from Monk and Montgomery to Paul McCartney to James Jamerson and John Patitucci. This book also features private lessons with luminaries such as Billy Sheehan. These select musicians come alive in their own words as they discuss topics ranging from early musical influences to unique playing and recording techniques and their favorite basses and amps. 8-1/2 inch. X 11 inch.. 208 pages. 30 photos.

Women and Popular Music explores the changing role of women musicians and the ways in which their songs resonate in popular culture. Sheila Whiteley begins by examining the counter-culture's reactionary attitudes to women through the lyrics of The Beatles and The Rolling Stones. She explores the ways in which artists like Joplin and Joni Mitchell confronted issues of sexuality and freedom, redefining women's participation in the industry, and assesses the personal cost of their achievements. She considers how stars such as Annie Lennox, Madonna and k.d. lang have confronted issues of gender stereotyping and sexuality, through pop videos for 'Justify My Love' and 'Sweet Dreams (Are Made of This)', and looks at the enduring importance of the singer-songwriter through artists such as Tracey Chapman. Lastly, she assesses the contribution of contemporary artists including Tori Amos, P.J. Harvey and Courtney Love, and asks whether the Spice Girls are just a 'cartoon feminist pop group' or if they provide positive role models for teenage girls.

Shortlisted for the NME Best Music Book Award 2018 THE SUNDAY TIMES BESTSELLER 'The definitive book on Bowie' The Times Dylan Jones's engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written. Drawn from over 180 interviews with friends, rivals, lovers, and collaborators, some of whom have never before spoken about their relationship with Bowie, this is the definitive oral history of his remarkable rise to stardom and his unparalleled artistic path. Tracing Bowie's life from the English suburbs to London to New York to Los Angeles, Berlin, and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and salacious, DAVID BOWIE is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones's interviews with him across two decades, DAVID BOWIE is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.

This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes. The book begins by revisiting and re-evaluating key themes and issues that have been used in studying the cultural meaning of alternative and underground music scenes, notably aspects of space, place and identity and the political economy of DIY cultural practice. The book then explores how the DIY cultural practices that characterize alternative and underground music scenes have been impacted and influenced by technological change, notably the emergence of digital media. Finally, in acknowledging the over 40-year history of DIY cultural practice in punk and post-punk contexts, the book considers how DIY cultures have become embedded in cultural memory and the emotional geographies of place. Through combining high-quality data and fresh conceptual insights in the context of an international body of work spanning the disciplines of popular-music studies, cultural and media studies, and sociology the book offers a series of innovative new directions in the study of DIY cultures and underground/alternative music scenes. This volume will be of particular interest to undergraduate students in the above-mentioned fields of study, as well as an invaluable resource for established academics and researchers working in these and related fields.

Experimentation in Improvised Jazz: Chasing Ideas challenges the notion that in the twenty-first century, jazz can be restrained by a singular, static definition. The worldwide trend for jazz to be marginalized by the mainstream music industry, as well as conservatoriums and schools of music, runs the risk of stifling the innovative and challenging aspects of its creativity. The authors argue that to remain relevant, jazz needs to be dynamic, proactively experimental, and consciously facilitate new ideas to be made accessible to an audience broader than the innovators themselves. Experimentation in Improvised Jazz explores key elements of experimental jazz music in order to discern ways in which the genre is developing. The book begins with an overview of where, when and how new ideas in free and improvised jazz have been created and added to the canon, developing the genre beyond its initial roots. It moves on to consider how and why musicians create free and improvised jazz; the decisions they make while playing. What are they responding to? What are they depending on? What are they thinking? The authors analyse and synthesise the creation of free jazz by correlating the latest research to the reflections provided by some of the world's greatest jazz innovators for this project. Finally, the book examines how we respond to free and improvised jazz: artistically, critically and personally. Free jazz is, the book argues, an environment that develops through experimentation with new ideas.

The harmonica is one of the most important, yet overlooked, instruments in music. This definitive volume celebrates the history of the world's most popular musical device, its impact on various forms of music, folk, country, blues, rock, jazz and classical music. The author traces the development of the harmonica from the ancient Chinese sheng to futuristic harmonica sythesizers. Nearly seventy harmonica masters are profiled including Stevie Wonder, Little Walter, Bob Dylan, Jimmy Reed, Charlie McCoy, Sonny Terry, and John Popper. This updated edition includes an extensive new afterword, an expanded discography of the finest harmonica recordings, and a listing of the best harmonica resources on the internet.

The Sunday Times bestseller Growing up in Liverpool in the 1960s and '70s, when skinheads, football violence and fear of just about everything was the natural order of things, a young Will Sergeant found the emerging punk scene provided a shimmer of hope amongst a crumbling city still reeling from the destruction of the Second World War. From school-day horrors and mud flinging fun to nights at Liverpool's punk club, Eric's, Sergeant was fuelled by and thrived on music. It was this devotion that led to the birth of the Bunnymen, to the days when he and Ian McCulloch would muck around with reel-to-reel recordings of song ideas in the back parlour of his parents' council estate house, and to finding a community - friends, enemies and many in between - with those who would become post-punk royalty from the likes of Dead or Alive, Frankie Goes to Hollywood and the Teardrop Explodes to name a few. It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar,' 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s.

On the Sunset Strip in Los Angeles in 1965 and 1966 an electrifying scene appeared out of nowhere, exploded into creativity, and then, just as suddenly, vanished. So much remarkable music, art, and social revolution came from one place at one time, it's difficult now to grasp how it all happened. This book tells the story of the astonishing time when rock'n'roll displaced movies as the centre of action in Hollywood. From the moment The Byrds debuted at Ciro's on March 26th 1965-with Bob Dylan joining them onstage-right up to the demonstrations of November 1966, Sunset Strip nightclubs nurtured and broke The Doors, Love, Buffalo Springfield (featuring Neil Young and Stephen Stills), Frank Zappa's Mothers Of Invention, Captain Beefheart and His Magic Band, The Turtles, The Mamas and The Papas, and many others. The Strip was a hotbed for garage punk bands such as The Standells, The Electric Prunes, and The Leaves. Folk-rock and psychedelia were born there, while it was also a favourite hangout and inspiration for The Beatles, The Rolling Stones, and The Velvet Underground. Republished to coincide with the 50th anniversary of these incredible times, Riot On Sunset Strip: Rock'n'Roll's Last Stand In Hollywood captures the excitement of this great artistic awakening, telling how the scene came together and then fell apart at the Monterey Pop festival, the tragic grand finale of the Summer of Love. It serves as a startling evocation of the social and artistic revolution that was the 60s.