Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the regime of sexual difference which governs society and culture.
Sexing the Groove also includes a comprehensive annotated bibliography for further reading and research into gender and popular music.

Contents:
Contributors: Mavis Bayton, Stella Bruzzi, Norma Coates, Sara Cohen, Sean Cubitt, Charlotte Crieg, Mary Celeste Kearney, Stan Hawkins, Marion Leonard, Paul McDoanld, Keith Negus, Gareth Palmer, David Sanjek, Will Straw

"Music affects every person. It is the soundtrack of our happiness, zest for achievement and relationships to others. Music brings great ideas and feelings. It soothes the soul. It creates and sustains memories." - Hank Moore Pop Music Legends covers change and growth of the music recording industry. It is based on the Hank Moore's involvement in music over the years, interviews with hundreds of music stars and his knowledge of pop culture. It is the only book that encompasses a full-scope music perspective and is designed to have high appeal mass appeal, historical, entertainment and is applicable to a broad audience.

Before The Beatles landed on American shores in February 1964 only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for sixty percent of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, the Kinks, the Hollies, the Yardbirds and the Who placed more than one hundred and thirty songs on the American Top Forty. In The British Invasion: The Crosscurrents of Musical Influence, Simon Philo illustrates how this remarkable event in cultural history disrupted and even reversed pop culture's flow of influence, goods, and ideas-orchestrating a dramatic turn-around in the commercial fortunes of British pop in North America that turned the 1960s into "The Sixties." Focusing on key works and performers, The British Invasion tracks the journey of this musical phenomenon from peripheral irrelevance through exotic novelty into the heart of mainstream rock. Throughout, Philo explores how and why British music from the period came to achieve such unprecedented heights of commercial, artistic, and cultural dominance. The British Invasion: The Crosscurrents of Musical Influence will appeal to fans, students and scholars of popular music history-indeed anyone interested in understanding the fascinating relationship between popular music and culture.

From Sia to Elton John, Dusty Springfield to Little Richard, LGBT voices have changed the course of modern music. But in a world before they gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who came after? Pulling back the curtain on the colourful world that shaped our musical and cultural landscape, Darryl W. Bullock reveals the inspiring and often heartbreaking stories of internationally renowned stars, as well as lesser-known names, who have led the revolution from all corners of the globe. David Bowie Made Me Gay is a treasure trove of moving and provocative stories that emphasise the right to be heard and the need to keep up the fight for equality in the spotlight.

An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences.In Before Elvis, Birnbaum daringly argues a more complicated history and rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues-a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.

With 2014 marking the 60th anniversary of the release of Elvis Presley's first record, "That's All Right," this book makes the perfect companion for celebrating the life and music of one of the world's most popular entertainers. Packed with history, trivia, lists, little-known facts, and must-do adventures, legions of Elvis fans around the globe who still adore him more than three decades after his death will delight in this ode to "The King." Ranked from one to 100, the songs, albums, movies, places, personalities, and events that are the most important to know in Elvis lore unfold on the pages, offering hours of entertainment for both casual and serious fans.

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys-Best Comedy Series and Best Director. Capitalizing on the show's success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. Twenty years later, the Monkees began a series of reunion tours that continued into their 50th anniversary. This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers. Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers' move into films such as Head, Easy Rider and Five Easy Pieces.

What do Motoerhead, Black Sabbath, Elvis Costello, Rush and Chumbawumba have in common? Kim Hawes, pioneering female tour manager. Through hard work, hard partying and hard times, Kim hurled a TV through the glass ceiling of the male-dominated music industry. Sleeping on tour buses, kicking superstars offstage and pranking members of the world's biggest rock bands, Kim has done it all. Lipstick and Leather is no ordinary tale of life on the road.

How can thoughtfully and intentionally listening to our world expand and inform our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self awareness, and calm in a work that is equal parts how-to guide and contemplative artist's workbook. Suarez's illustrated meditations follow in the artistic tradition of Yoko Ono's Grapefruit and the creations of the Fluxus group, but also offer a modern take on listening in a world that gets louder every day. Covering everything from the noise of everyday life to musical compositions, Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts to spark a sense of wonderment and appreciation for the intricacies of sound and the new perspectives it can bring to our daily creative worlds.

This book is the playful and romantic approach to gourmet dining for newlyweds. It includes elegant, yet easy, recipes to launch newlyweds' life together with fun and style. The book is designed to put a nice multiple course meal on the table, picture fine China.

The International Who's Who in Popular Music 2018 gives biographical information and contact details for some of the most talented and influential artists and individuals from the world of popular music. Now in its nineteenth edition, there are over 7,000 biographies charting the careers and achievements of artists in pop, rock, folk, jazz, dance, world, country music and much more. Key Features: - each entry includes full biographical information: principal career details, recordings and compositions, honours and contact information where available - each entrant is given the opportunity to update his or her information - spans the full range of the popular music industry, from rock to jazz and dance to country - provides information on established names as well as up-and-coming artists - a directory section provides details of music festivals, awards, organizations within the industry, and digital music sources - for ease of reference, the book includes an index of music group members. In one accessible volume this title offers users a vast collection of information on the most famous and influential people in the popular music industry.

Popular music is with us constantly. Not only do we listen to music in our homes and at live performances, but also as a sonic background in cars, bars, aeroplanes, restaurants and shopping malls. This book provides a comprehensive study of the international industry which produces, markets and distributes popular music. It considers the industry at a time of great change: facing up to the concentration of ownership and market share in the hands of the "big six" multinational companies, and adapting to technological innovations which are transforming the ways in which music is produced and consumed.;The author examines how the industry is responding to the need to produce global stars and global product for an ever-growing international audience. He discusses the effect of new media technologies and means of communication, including digitalization, satellite broadcasting and the Internet, and considers the role of the largest and single most important market for commercial music, the United States.

Contents:
Preface List of Tables List of Figures 1.INTRODUCTION 2. MUSIC AND THE ENTERTAINMENT INDUSTRY 3.MUSIC AS POPULAR CULTURE 4.THE MUSIC INDUSTRY IN TRANSITION 5.THE PRODUCTION OF POPULAR MUSIC 6.THE CONSUMPTION OF POPULAR MUSIC 7.THE AMERICAN EXAMPLE 8.THE SWEDISH EXAMPLE 9.FUTURE SOUNDS: TOWARDS A GLOBAL JUKEBOX ? Appendix 1 Internet WWW music sites Bibliography

Thriving within a narrow niche in rock music is the recording on which one artist composes, plays, sings and often produces each track. As a showcase of individual effort and talent, the single-artist rock album has been adopted by artists such as Neil Young, Stevie Wonder, and Prince to produce unique additions to their discographies. To this type of album, Steve Hamelman has affixed the label AlphaSoloism. In All by Myself: Essays on the Single-Artist Rock Album, eleven scholars explore eleven different albums, both well-known and obscure, released between 1970 and 2011. Their essays illuminate aesthetic, technical, and theoretical elements that distinguish AlphaSolo recordings from conventional ones. In addition to providing historical background on studio, live, original, and cover recordings released between the 1970 to the present, the essays explore questions of intention, craft, performance, and reception. All by Myself marks the AlphaSolo subgenre's moment of origin as a musical category and academic field. To date, no study exists on this unique genre of music-making, and All by Myself serves as a call for future investigations into this present and growing phenomenon in rock culture.

When rock 'n' roll began its ascendancy in the 1950s the older generation saw it as dangerous, renegade, threatening the moral stability of a nation. Young people saw it as freedom, and most importantly, as their music. The teenage revolution was here, This book, first published in 1982, traces the roots of this cultural transformation, its emergence in rock 'n' roll and other media, and shows just how violent the confrontation was by looking at contemporary newspaper reports.

Seeking to understand youth culture through its visual and musical expression, "In Garageland" presents a pioneering ethnographc study of rock bands and their fans.
The authors explore the functions of rock playing within three socially different peer groups, investigating how their activities relate to the external demands and resources of a postmodern world. Presented in the "dialogic" format--the authorial text juxtaposed on the page with the remarks of those interviewed--the authors analyze the objective, social, symbolic and subjective sources and meanings of rock playing, relating these to theories on modernity, social groups and the production and reception of cultural symbols.
Topics include class as well as sexual conflicts; mainstream and deviant subcultures, and the complex social, psychological and ethical relationships which exist within youth culture. "In Garageland" develops the notion of youth culture research as a way of mirroring our grown-up identities and of staking out the limits of late modern culture in general.

Popular music is not simply a series of musicians, moments, genres or recordings. Audiences matter; and the most ardent audience members are the fans. To be a fan is to feel a connection with music. The study of fandom has begun to emerge as a vital strand of academic research, one that offers a fresh perspective on the nature of music culture. Fan Identities and Practices in Context investigates fan identities and practices in different contexts and in relation to different bands and artists. Through a series of empirical case studies the book reflects a diverse array of objects and perspectives associated with this vibrant new field of study. Contributors examine how fans negotiate their identities and actively pursue their particular interests, touching on a range of issues including cultural capital, generational memory, gender, fan fiction and the use of new media. This book was originally published as two special issues of Popular Music and Society.

The legion of fans who refuse to believe that Elvis Presley died August 16, 1977 has been a major force behind the ever-expanding, elusive, and enduring Elvis myth during the past seventeen years. This network of fervent true believers engages in activities that include a melange of sightings and conspiracy theories. Mass media coverage of these phenomena has evolved from the underground grass-roots level to widespread publicity with social, religious, commercial, and ideological underpinnings. In True Disbelievers, R. Serge Denisoff and George Plasketes examine the implications of various accounts and several perspectives on Elvis Presley's death and transfiguration.

Denisoff and Plasketes also analyze the various media that those who doubt Elvis's death use to popularize their positions, including television, magazines, and books. They review the work of others who have written on the subject, such as Gail Brewer-Giorgio and Major Bill Smith, and raise provocative, yet valid questions about the phenomenon they describe. True Disbelievers takes a pointed look at the music industry as well, and how it has used and commercially benefitted by the continuing belief that Elvis lives. They examine common strands in the many reports of Elvis sightings since Presley's reported death.

Denisoff and Plasketes describe the Elvis phenomenon in serious, objective as well as empathetic terms, placing it in the context of studies of cult figures and their followers. True Disbelievers contains a great deal of fascinating information about America's popular culture and the power and influence of the media in modern society. It will be of significant interest to communication studiesscholars, sociologists, professionals in the music and media industries, and those interested in popular culture.

This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group's look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs - between the visual arts and groups, musicians and movements.

When the world's greatest pop band played their final public concert, in January 1969, there were no tickets or posters printed. When John Lennon, Paul McCartney, George Harrison, and Ringo Starr emerged at lunchtime from the headquarters of their own company, Apple, five storeys above London's Savile Row, only a select group of people knew what the hell was happening.The rooftop concert was one of the Beatles' most spontaneous acts. Beatles on the Roof studies the rooftop concert in penetrating detail, uncovering new truths and debunking old myths about the event. Nobody knew it yet - not even the band - but this was the last time they would play live to the public.

An explanation of types of jobs, and organizations within the rock and pop music business by the former publicist of the Beatles and music journalist and broadcaster. The jobs are related to each other so that a full picture of the music industry is developed on both the creative and administrative side - useful for those following music related courses who wish to work in the industry or perform in it. Ways into the industry are indicated with a full directory listing of useful contact names and addresses.

324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band's debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography. 2022 marks the 50th anniversary of Roxy Music's eponymous debut album, which the band are celebrating with a North America and UK tour, their first in over a decade. To coincide with this milestone, we are proud to present a one-of-a-kind historical document and celebration of one of the most beloved and enduring bands of our times. Documenting the band from their heyday in 1973 right up to Roxy's last live performance in 2019 - more often than not from the photographer's pit - and punctuated by rare memorabilia, priceless memories and cheeky anecdotes, Roxy Live is the book Roxy fans have been waiting for.

UPDATED TO INCLUDE PAUL McCARTNEY'S KNIGHTING AND THE DEATHS OF JOHN LENNON AND GEORGE HARRISON

Philip Norman's biography of the Beatles is the definitive work on the world's most influential band -- a beautifully written account of their lives, their music, and their times. Now brought completely up to date, this epic tale charts the rise of four scruffy Liverpool lads from their wild, often comical early days to the astonishing heights of Beatlemania, from the chaos of Apple and the collapse of hippy idealism to the band's acrimonious split. It also describes their struggle to escape the smothering Beatles' legacy and the tragic deaths of John Lennon and George Harrison. Witty, insightful, and moving, "Shout!" is essential reading not just for Beatles fans but for anyone with an interest in pop music.

Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmatized, yet at the same time they seem to represent the vanguard of new relationships with and within the media. 'Participatory culture' has become the new normative standard. Concepts derived from early fan studies, such as transmedial storytelling and co-creation, are now the standard fare of journalism and marketing text books alike. Indeed, usage of the word fan has become ubiquitous. The Ashgate Research Companion to Fan Cultures problematizes this exaltation of fans and offers a comprehensive examination of the current state of the field. Bringing together the latest international research, it explores the conceptualization of 'the fan' and the significance of relationships between fans and producers, with particular attention to the intersection between online spaces and offline places. The twenty-two chapters of this volume elucidate the key themes of the fan studies vernacular. As the contributing authors draw from recent empirical work around the globe, the book provides fresh insights and innovative angles on the latest developments within fan cultures, both online and offline. Because the volume is specifically set up as companion for researchers, the chapters include recommendations for the further study of fan cultures. As such, it represents an essential reference volume for researchers and scholars in the fields of cultural and media studies, communication, cultural geography and the sociology of culture.