This is an intimate, loving portrait of Michael Jackson, illuminating the private man like never before; now fully revised and updated to include the trial of Dr. Conrad Murray. 'Let the boy sing if he wants to sing!' said Mama Martha. 'You want to sing, Michael?' Michael's five-year-old face lit up. In the front room, Joseph begrudgingly turned on the music. Jackie, Tito and I stood to one side to let him have his moment. What he produced stunned everyone. This was Michael, shy but confident, knowing exactly what to do. He played the mic, he worked the floor; he sang beautifully. I didn't know where that voice came from. 'Heaven,' said Mother.

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

Lewis Wickes Hines documentary photography helped promote the cause of the National Child Labor Committee, which published there declaration in 1913. This text is a collection of photographs showing children at work from 1910 to 1935 as Hines travelled across America.

A scholarly work that aims to be both broad enough in scope to satisfy upper-division undergraduates studying folk belief and narrative and detailed enough to meet the needs of graduate students in the field.

As humanly possible, this book attempts to evaluate every track that Paul McCartney has released on a major label. Thus, the premise of this book: to sift the gems from the chaff and examine what's driven McCartney up and down for fifty years. There are plenty of tracks suitable for casual fans, adolescents, even pre-schoolers. But there are tracks for an older audience too, tracks so good they can supply grown-ups with a rewarding soundtrack for a lifetime. It's these that make for a playlist worth keeping. From 1970 and beyond, the songwriting McCartney seemed to be saddled with a rickety who-cares system that generated iffy results. Gone were 'Eleanor Rigby' and 'Penny Lane'. Instead, came the thought-free 'Mary Had a Little Lamb' and 'Bip Bop', songs The Beatles wouldn't have considered for a second. Troubles swarmed around him as he searched for his place. The Beatles had theirs - where was his? Was he overly obsessed with perfection? Maybe. Or was it insecurity? His next record couldn't be a forward-thinking experiment, with sales falling wherever they may. It had to - had to - be a chart topper adored all over the world.

Elvis and Me is the unforgettable memoir of Elvis Presley. This New York Times bestseller reveals the intimate story that could only be written by the woman who lived it. It serves as a tribute to the man as well as the King of Rock n' Roll.

John Trumbull's sweeping historical paintings of battle scenes of the American Revolution hang in the United States Capitol in Washington, D.C., for all to see. This patriot-artist painted lifelike portraits of George Washington, Thomas Jefferson, and Benjamin Franklin, and he traveled around the country to capture realistic likenesses of the other Founding Fathers who drafted the Declaration of Independence in 1776. Pore over the landmark work left by this brilliant artist and become acquainted with a man who, despite great adversity, was determined to portray in lush detail the first stirrings of the nation that would become America. The inscription on John Trumbull's memorial fittingly reads: "To his country he gave his sword and pencil."

John Trumbull's sweeping historical paintings of battle scenes of the American Revolution hang in the United States Capitol in Washington, D.C., for all to see. This patriot-artist painted lifelike portraits of George Washington, Thomas Jefferson, and Benjamin Franklin, and he traveled around the country to capture realistic likenesses of the other Founding Fathers who drafted the Declaration of Independence in 1776. Pore over the landmark work left by this brilliant artist and become acquainted with a man who, despite great adversity, was determined to portray in lush detail the first stirrings of the nation that would become America. The inscription on John Trumbull's memorial fittingly reads: "To his country he gave his sword and pencil."

Most know that the legendary English rock band the Who performed concerts at ear-splitting volume, smashed their instruments, and became one of the world's most influential groups. Their period from 1964 to 1976 saw the creation of such classic songs as "My Generation", "Pinball Wizard" and "Won't Get Fooled Again" as well as the Tommy, Who's Next, and Quadrophenia albums. But how many know the stories of those fans affected by their music and live performances, or the angst and insecurities that drove bandleader Pete Townshend to new heights during this time? Who saw Pete Townshend handing his guitar from the stage to a grateful fan, and what happened next? Or who has seen photos of bassist John Entwistle being anything but the "Quiet One"? Or what happened backstage at Woodstock and the Monterey Pop Festival? This book offers what Pete Townshend himself describes as an "intriguing and extremely insightful take on the Who and myself". The reader will be thrown into untold stories, hundreds of previously unpublished photographs, and uncirculated recordings clarifying the misinformation, myths, and legends. It is a labour of love from a fan for fans that gives voice to a collective consciousness that might otherwise fall silent over time.

After learning to play guitar at the age of ten, Shawn Colvin was determined to make a life in music - a decision that would send a small-town girl out on the open road for good. In 1997, two decades after she started, she got her big break. Like the troubled would-be arsonist and survivor of her smash hit Sunny Came Home, Colvin knows a thing or two about heartache-and setting fires. Diamond in the Rough recounts this passionate musician's coming-of-age, from the prairies of South Dakota to the dark smoky bars in Austin, Texas, to the world stage at the Grammys. Humorous and deeply honest, Colvin relates the experiences behind her best-loved songs in vivid color in this memoir. Diamond in the Rough captures her years of touring cross-country in bands and vans full of guys; falling in and out of love; meeting heroes like Joni Mitchell; searching for her musical identity; and making friendships that would last a lifetime. It is also an unflinching account of Colvin's struggles-weathering addiction and depression, learning to care for not only herself but also a child-and, always, channeling those experiences into song. With the wit, lyricism, and empathy that have characterized Colvin's performances and inspired audiences worldwide, Diamond in the Rough looks back over a rich lifetime of highs and lows with stunning insight and candor. In its pages, we witness the inspiring story of a woman honing her artistry, finding her voice, and making herself whole.

This book guides you through 10 simple projects that will bring a touch of superstardom to your life and a smile to your face. Each project has clear step-by-step instructions, as well as suggestions for how to show off your symbolic creations. Learn how to make a Finger Prince. Laugh with your own Purple Crane. Fall in love with some Raspberry Crochet. Tonight you're getting crafty like it's 2019. With step-by-step photography and tips, When Doves Craft is ideal for beginner crafters as well as those looking for something completely unique. And with inspirational quotes and facts about Prince, it is a perfect tribute to the most creative artist of them all.

Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo - energised by the introduction of studio technologies into the live performance space, which has since developed into internationally recognised, eclectic, hybrid jazz styles. This book explores these oft-overlooked musicians and their forms that have nonetheless expanded the plane of jazz's continued prosperity, popularity, and revitalisation in the twenty-first century - one where remix is no longer the sole domain of studio producers. Seeking to update the orthodoxies of the field of jazz studies, Remixing European Jazz Culture: incorporates electronic and digital performance, recording, and distribution practices that have transformed the culture since the 1980s; provides a more diverse and multifaceted cultural representation of European jazz and the contributions of a variety of performers; and offers an encompassing picture of the depth of jazz practice that has erupted through Northern Europe since 1989. With an expansion of international networks and a disintegration of artistic boundaries, the collaborative, performative, and real-time improvisational process of remixing has stimulated a merging of the music's past and present within European jazz culture.

Pitched somewhere between Almost Famous and Withnail & I, Apathy for the Devil is a unique document of this most fascinating and troubling of decades - a story of inspiration, success and serious burn out. As a 20-something college dropout Nick Kent's first five interviews as a young writer were with the MC5, Captain Beefheart, The Grateful Dead, Iggy Pop and Lou Reed. Along with Charles Shaar Murray and Ian MacDonald he would go on to define and establish the NME as the home of serious music writing. And as apprentice to Lester Bangs, boyfriend of Chrissie Hynde, confidant of Iggy Pop, trusted scribe for Led Zeppelin and the Rolling Stones, and early member of the Sex Pistols, he was witness to both the beautiful and the damned of this turbulent decade.

They were the envy of all the more "earthly" rock acts scrambling to make it in the world of '70s hard rock, each and all aspiring to the success levels of Aerosmith, Ted Nugent, Blue Oyster Cult, Styx and Angel label mates Kiss. But the story of Angel is of a band out of time, playing regal progressive heavy metal and then changing to try reach radio, in either guise, not quite clicking with enough Kiss fans-Kiss were the devils in black and Angel were the good guys in white-nor the fans of progressive rock or, later, those more inclined to Foreigner, Journey and Cheap Trick. Along the way, the band went first class, with the best gear, a killer stage show and tons of promotion from Neil Bogart and Casablanca until they had racked up a million dollars of debt by the end of their blessed run, the guys often oblivious to what lesser bands had to go through. Indeed, this is a story of a band hailed as rock stars and indeed often headlining like rock stars, without the record sales to justify the crazy spending that a believing Bogart threw at the band. Then it was all over and we heard virtually nothing from any of them (save for keyboardist Gregg) after 1981 until... well, both Punky Meadows and Frank DiMino stormed back with solo albums. And then, appearing outta nowhere like they did in their famous stage show, Angel returned in 2019 with a blindingly white and quite sprightly new album called Risen. Come celebrate what it was like to live as the alter-ego to Kiss as we examine the band's five studio albums of the original run, the crushing concert album, Live Without a Net, as well as where it all went wrong and the inspiring return of Frank and Punky through the spirited hard rocker that is Risen.

Dig If U Will The Picture is a portrait of The Artist who will be remembered by many as the most seductive and enigmatic pop star of his generation. A year after Prince's death at the age of 57, acclaimed writer Ben Greenman brilliantly anatomizes the star's dramatic career and an aesthetic that at times seemed otherworldly. In thematically structured chapters that blend critical consideration of Prince's art with the author's personal connection to the music, this is a fitting memorial to a legendary performer: monumental, yet deeply intimate. Drawing on over 40 studio albums, a repertoire of 2,000 plus live shows, and close analysis of the unreleased highlights of the Vault, Dig If U Will the Picture is the definitive book on Prince's work.

Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars. Explains classic rock composition and songwriting techniques as well as studio production values Considers the vast array of classic rock styles as well the diversity of artists who recorded classic rock Includes often overlooked contributors to classic rock such as Jim Croce, Marvin Gaye, Tina Turner, and The Ventures as well as overlooked subgenres such as soft rock Covers rock and roll's precursors that helped give rise to classic rock as well as how classic rock has continued as a popular music genre from the late 1970s into the present Offers historical context of the development of classic rock, discussing its lasting impact on popular culture and its legacy

What made the Beatles so special? Drawing upon Spencer Leigh's extensive interviews this book is packed with contributions from Mike Batt, Pete Best, Dave Clark through to Ken Dodd, Hunter Davies, Adam Faith, Georgie Fame, Alan Freeman, Steve Harley, Graham Nash and Barry Norman to name just a few. Leigh has been interviewing musicians, roadies, fellow broadcasters for over thirty years. Each chapter is prefaced by cultural or historic events of the times to put the Beatles' music into context. In chronological by year it takes you on a wonderful music journey which Leigh recommends you read whilst listening to your favourite Beatles tracks.It is easier to appreciate when you hear the music as well. if you love the Beatles music and you want to know more about their story then you will love this book.

The Complete Annotated Grateful Dead Lyricsis an authoritative text, providing standard versions of all the original songs you thought you knew forwards and backwards. These are some of the best-loved songs in the modern American songbook. They are hummed and spoken among thousands as counterculture code and recorded by musicians of all stripes for their inimitable singability and obscure accessibility. How do they do all this? To provide a context for this formidable body of work, of which his part is primary, Robert Hunter has written a foreword that goes to the heart of the matter. And the annotations on sources provide a gloss on the lyrics, which goes to the roots of Western culture as they are incorporated into them. An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective's love of following a clue as far as it will take him. Including essays by Dead lyricists Robert Hunter and John Perry and Jim Carpenter's original illustrations, whimsical elements in the lyrics are brought to light, showcasing the American legend that is present in so many songs. A gorgeous keepsake edition of the Dead's official annotated lyrics,The Complete Annotated Grateful Dead Lyricsis an absolute must-have for the fiftieth anniversary-you won't think of this cultural icon the same way again. In fact, founding band member Bob Weir said: "This book is great. Now I'll never have to explain myself."

The Rolling Stones documents the extraordinary career of the band decade by decade, album by album and member by member, accompanied by 130 images and 30 items of fascinating memorabilia reproduced on the page. How many bands have rocked the world solidly for 50 years? Played in front of 1,500,000 people at one concert? Set the record for the highest grossing tour of all time? Had hit records in every decade since the 1960s? That's right, just one: the Rolling Stones. Many have tried but none have even come close to the blues/rock domination of the eternally youthful band from London.

What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.

No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant pop-culture sound of the late-1970s and '80s was not in fact the smash and sneer of punk, but a slick, polished amalgam of rock and R&B that was first staked out on Boz Scaggs' Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session muso-crew in LA, and further developed on the band's self-titled three-million-selling debut smash of 1978. A string of hits followed for the band going into the '80s and beyond. Running parallel to this, as stellar session players, Lukather and band-mates David Paich, Jeff Porcaro and Steve Porcaro were also the creative linchpins on some of the most successful, influential and enduring records of the era. In The Gospel According to Luke, Lukather tells the Toto story: how a group of high school friends formed the band in 1977 and went on to sell more than 40 million records worldwide. He also lifts the lid on what really went on behind the closed studio doors and shows the unique creative processes of some of the most legendary names in music: from Quincy Jones, Paul McCartney, Stevie Nicks and Elton John to Miles Davis, Joni Mitchell, Don Henley, Roger Waters and Aretha Franklin. And yet, Lukather's extraordinary tale encompasses the dark side of the American Dream. Engaging, incisive and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing . . .

'In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history.... an authoritative chronicle.' --Publishers Weekly The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--'Wooden Ships,' 'Suite: Judy Blue Eyes,' 'After the Gold Rush,' 'For What It's Worth' (with Stills and Young's Buffalo Springfield), 'Love the One You're With,' 'Long Time Gone,' 'Just a Song Before I Go,' 'Southern Cross'--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.

Rock 'N' Film presents a cultural history of films about US and British rock music during the period when biracial popular music was fundamental to progressive social movements on both sides of the Atlantic. Considering the music's capacity for utopian popular cultural empowerment and its usefulness for the capitalist media industries, Rock 'N' Film explores how its contradictory potentials were reproduced in various kinds of cinema, including major studio productions, minor studios' exploitation projects, independent documentaries, and avant-garde works. These include Rock Around the Clock (Fred F. Sears, 1956) and other 1950s jukebox musicals; Elvis's King Creole (Michael Curtiz, 1958) and other important films he made before being drafted as well as the formulaic musical comedies in which Hollywood abused his genius in the 1960s; early documentaries such as The T.A.M.I. Show (Steve Binder, 1964) that presented James Brown and the Rolling Stones as core of a black-white, US-UK cultural commonality; A Hard Day's Night (Richard Lester, 1964) that precipitated the British Invasion, Dont Look Back (1967), Monterey Pop (1968), and other Direct Cinema documentaries about the music of the counterculture by D. A. Pennebaker; Woodstock (1970); avant-garde documentaries about the Rolling Stones by Jean-Luc Godard, Kenneth Anger, Robert Frank, and others. After the turn of the decade, notably Gimme Shelter (1970) in which Charlotte Zwerin edited David and Albert Maysles's footage of the Altamont free concert so as to portray the Stone's complicity in the Hells Angels' murder of a young man, the 60s' utopian biracial music-and films about it-reverted to separate black and white traditions based respectively on soul and country. These produced Blaxploitation and Lady Sings the Blues (Sidney J. Furie, 1972) on the one hand, and bigoted representations of the Southern culture in Nashville (Robert Altman, 1975) on the other. Both these last two films ended with the deaths of their stars, and it seemed that rock 'n' roll had died or even, as David Bowie proclaimed, that it had committed suicide. But in another documentary about Bowie's concert, Ziggy Stardust and the Spiders from Mars (1973), D.A. Pennebaker triumphantly re-affirmed the community of musicians and fans in glam rock. In analyzing this history, David James adapts the methodology of histories of the classic musical to rock 'n' roll to show how the rock 'n' roll film both displaced and recreated the film musical.

Seemingly granted 'classic album' status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World - a label the band has been burdened by (and has fooled around with) ever since. Through close analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience - and he argues that OK Computer is one of the most successfully realised CD albums - as opposed to vinyl albums - so far created. 33 1/3 is a series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books dispense with the standard biographical background that fans know already, and cut to the heart of the music on each album. The authors provide fresh, original perspectives, often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. (A task that can be, as Elvis Costello famously observed, as tricky as dancing about architecture.) What binds this series together, and what brings it to life, is that all of the authors - musicians, scholars, and writers - are deeply in love with the album they have chosen. Previous titles in this now well-established series have beaten sales expectations and received excellent review coverage - the third batch is sure to continue this success. More titles follow in the spring of 2005.

WINNER OF THE PENDERYN MUSIC PRIZE A GUARDIAN MUSIC BOOK OF THE YEAR, 2015 FEATURING A NEW FOREWORD BY DAVID MITCHELL Award-winning, Sunday Times bestselling author Jon Savage's monument to the year that shaped the future of global pop cultural history. 'One of Britain's most trusted cultural historians.' THE FACE In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources. 'A marvel of hisotrical reconstruction and pop insight.' OBSERVER 'Absorbing . . . this is not only fine pop writing, but social history of a high order.' GUARDIAN 'Savage is rightly regarded as one of the finest cultural critics of the past 40 years . . . an enthralling, exhiliarting read.' IRISH TIMES 'Exceptional.' MOJO (This book is part of a reissue of Jon Savage's seminal works: 1966, Teenage, and England's Dreaming)