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Books > Music > Contemporary popular music > Rock & pop > General
A surprising, informative, enlightening and at times outrageous must have guide to life from the world's most famous rock stars. Together with the finest selection from the Q magazine archives and new unseen material, TEN COMMANDMENTS presents ten rules for life from fifty musicians. 'Thou shalt not play golf.' BONO 'Painting is good for the soul.' IGGY POP 'A sexy man is one who looks after his family.' TORI AMOS 'Snakes are built for the Summer.' ALICE COOPER 'Make like a boy scout.' STEVIE NICKS 'Do as Madonna says.' NILE RODGERS 'Always be honest to your wife.' JOHN LYDON 'Check the caffeine content.' JOHNNY MARR
'The greatest book ever written on British independent music' Guardian 'One of the best British music books of the last ten years' Mojo Founded by Alan McGee in 1983, Creation Records achieved notoriety as the home of Primal Scream, the Jesus and Mary Chain and other anti-Establishment acts. During the Britpop boom of the mid-90s, the astonishing success of Oasis brought Creation fame on the world stage. In 1999, however, McGee announced his shock departure as his label's influence over a generation of British music came to a confusing and disappointing end. Containing interviews with Creation musicians, employees, supporters and detractors, this is the inside story of Creation Records - and of British music since the 1980s.
As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world's greatest rock 'n' roll band, Wyman continued his hobby. When he didn't have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.
The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group's live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia's musical craftsmanship and the Grateful Dead's collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche's Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse's Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead's avid listeners.
In his own words is the candid, witty, and unvarnished story of the songs and shows, the hits and pans, the marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell over 100 million records both in a group and as a solo artist, Collins breathes rare air, but he has never lost his talent for crafting songs that touch listeners around the globe. This is the story of his epic career, from child actor to one of the most successful songwriters of the pop music era. A drummer since almost before he could walk, Collins received on-the-job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Later he would step into the spotlight on vocals after the departure of Peter Gabriel, and compose the songs that would rocket him to international solo fame with the release of Face Value and 'In the Air Tonight'. Whether he's recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, playing twice at Live Aid, or writing the Oscar-winning music for Disney's smash-hit animated film Tarzan, Collins keeps it intimate and his storytelling gift never wavers.
(Instrumental Folio). Play 50 of your favorite pop tunes on your instrument of choice This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving * Blowin' in the Wind * Clocks * Don't Stop Believin' * Every Breath You Take * Fireflies * Hey, Soul Sister * In My Life * Love Story * My Girl * Nights in White Satin * Sweet Caroline * Unchained Melody * Viva La Vida * What a Wonderful World * You've Got a Friend * and more.
Bob Dylan's impact on popular music has been incalculable. Having transformed staid folk music into a vehicle for coruscating social commentary, he then swept away the romantic platitudes of rock 'n' roll with his searing intellect. From the zeitgeist-encapsulating protest of 'Blowin' in the Wind' to the streetwise venom of 'Like a Rolling Stone', and from the stunning mid-sixties trilogy of albums - Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde - to Time Out of Mind, his stunning if world-weary comeback at the age of 56, Dylan's genius has endured, underpinned by the dazzling turn of phrase that has made him the pre-eminent poet of popular music. Because Dylan's achievements have no equal, his career is the most chronicled in rock history. Here, Sean Egan presents a selection of the best writing on Dylan, both praise and criticism. Interviews, essays, features and reviews from Dylan intimates and scholars such as John Bauldie, Michael Gray, Nat Hentoff and Jules Siegel are interspersed with new narrative and reviews of every single album to create a comprehensive picture of the artist whose chimes of freedom still resound.
Megadeth's run of thrash classics from the mid eighties through to the nineties continue to be celebrated in the metal community long after leader Dave Mustaine's band mates have been discarded to the sands of time-save one, Dave "Jr" Ellefson. Along the way there's Mustaine's pathology with his ex-friends in Metallica but also a hell of a lot of killer metal as the band works its way up through Peace Sells and So Far, So Good... So What! through to the superlative metal classics, namely Rust In Peace and Countdown To Extinction. Later came Cryptic Writings and Risk that threatened to kill the band but the reconstitution of Megadeth after its demoralising decline and then deflating dispersal at the destructive hand of Mustaine is a story untold... until now. But it's a tale worth telling for its instructiveness on how to rebuild and maintain a career. Quite simply the recent Megadeth story spanning the albums The World Needs A Hero through to Super Collider includes some of the beast and heaviest Megadeth ever committed to record. Celebrate Mustaine's vision track-by-track with top author Martin Popoff. With over sixty books to his name, Popoff applies his tried and tested methodology to a head-crunching canon of work that is truly as strong at the recent end of the spectrum as it is with the classics you all know and love.
Limited to only 150 copies, this is the deluxe edition of Telling Stories: Photographs of The Fall - the ultimate visual history of iconic band from renowned photographer Kevin Cummins, with a foreword by Poet Laureate Simon Armitage. 'No one has captured the look of alternative UK music over the past half a century more tellingly than Kevin Cummins.' - Simon Armitage 'Kevin Cummins is a true master in being able to capture the essence of music, the soul of the band. Whatever he does however he does it is a mystery to me but it's pure genius.' - Rankin 'Few photographers had such a close connection to The Fall as Manchester-based Kevin Cummins, and his new book, Telling Stories, is a rich visual history of one of the city's most beloved and enduring bands.' - Record Collector Magazine 'Kevin has the uncanny ability of capturing the inner mood of musicians. Be it the dynamics within a pensive Joy Division, or the sense surrounding the fledgeling Fall that something special was around the corner for us all. Kevin's book is nothing less than a remarkable document of a bewildering and defiant anti-fashion movement born in Prestwich, north Manchester in the grimy mid-70s.' - Marc Riley 'Capturing forty years of the band's career via his archive, the legendary photographer (whose recent book, Juvenes, documented the story of Joy Division) gives his take on the phenomenon of The Fall and the late, great Mark E. Smith.' - Vive le Rock Contains never-before-seen images. Foreword by Simon Armitage, Poet Laureate. From chaotic early gigs to their final years, NME photographer Kevin Cummins provides a definitive, unique perspective on cult favourites The Fall. In this stunning visual history spanning four decades, discover how and why they emerged as one of the most innovative, boundary-breaking bands in modern music. With a foreword by Poet Laureate and Fall fan Simon Armitage and an interview with Eleni Poulou, as well as never-before-seen images from Cummins' archive, this is the ultimate visual companion to The Fall.
Celebrating Rock's 60th Birthday. From the formation of the Rolling Stones and the heyday of the British Invasion to the spawning of the Reading Festival, this book explores the music history of the London clubs that were the engine rooms for British rock n roll. Many of the now legendary British rock bands honed their skills and developed their stage acts performing on the London club circuit at venues such as The Ealing Club, The Crawdaddy Club, The Marquee, The 100 Club, The Half Moon, the Ricky Tick, The Bull's Head and the infamous Eel Pie Island Hotel. We revisit the days when Eric Clapton was God and Rock ruled the world. Play it Loud! Why is 2022 'Rock's Diamond Year'? On March 17th 1962, Alexis Korner and Cyril Davies started the EALING BLUES CLUB. The first UK gig devoted to 'electric blues music'. Musicologists agree that this event was the catalyst that would define British Rock music. The Ealing Blues Club sparked a musical revolution that grew further at Twickenham's Eel Pie Island and Richmond's Crawdaddy Club, 3 venues that were vital in the careers of: The Rolling Stones, The Yardbirds / Eric Clapton, The Who, Cream and many more. Elsewhere in 1962 there were rumblings of a cultural shift with The Beatles, Dusty Springfield, The Animals, Marshall Amplification and many others setting the tone for what became the UK's most significant cultural export... Rock & Pop Music. 60 years on from 1962 and 'ROCK'S DIAMOND YEAR' will celebrate the UK's unique contribution to what has become a global music form. The initiative is led by The Ealing Club Community Interest Company' set up to champion West London music heritage while inspiring new music opportunity for the future.
Put together for the first time in one book, the artist approved Radiohead: The Electric Guitar Songbook contains over 20 of the greatest guitar songs from Radiohead. Spanning their entire career to date, each song is transcribed for electric guitar in standard notation and tab, with melody line and chord boxes.
Drawing upon extensive new first hand interview material from DebbieHarry, Chris Stein and many other significant players in the band's longhistory, a huge archive of personal materials and unpublished interviews,Blondie: Parallel Lives is the definitive eye-witness account of the group'slong and often tumultuous existence.Beginning with their childhoods, backgrounds and influences, the book isalso an evocative homage to the unique New York scene of the 1970s. Itcharts the development of Blondie to their massive popular success andeventual break up.How Debbie Harry set her career aside to nurse Chris through adebilitating and life-threatening genetic disease.It recounts the group's 1997 reformation, subsequent renaissance withtheir No Exit album, the controversies surrounding the 2006 induction tothe Rock 'n' Roll Hall of Fame, ending in the present with the release ofPanic of Girls.Co-author Kris Needs established a friendship with Harry, Stein and therest of the band that endures to this day. As a trusted confidante, he nowrecounts the full story.
Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo - energised by the introduction of studio technologies into the live performance space, which has since developed into internationally recognised, eclectic, hybrid jazz styles. This book explores these oft-overlooked musicians and their forms that have nonetheless expanded the plane of jazz's continued prosperity, popularity, and revitalisation in the twenty-first century - one where remix is no longer the sole domain of studio producers. Seeking to update the orthodoxies of the field of jazz studies, Remixing European Jazz Culture: incorporates electronic and digital performance, recording, and distribution practices that have transformed the culture since the 1980s; provides a more diverse and multifaceted cultural representation of European jazz and the contributions of a variety of performers; and offers an encompassing picture of the depth of jazz practice that has erupted through Northern Europe since 1989. With an expansion of international networks and a disintegration of artistic boundaries, the collaborative, performative, and real-time improvisational process of remixing has stimulated a merging of the music's past and present within European jazz culture.
The Little Book of the Rolling Stones is a superb book of quotations by, and about, the greatest rock 'n' roll band in history. A perfect companion for Stones fans everywhere, this collection of bite-sized quips helps capture exactly what has made the band so legendary across more than 50 years in the spotlight. From insightful quotes by fellow artists, collaborators and friends, to words of wit and wisdom from Mick Jagger, Keith Richards, Ronnie Wood and the rest of the band, you'll find more than 170 amusing and inspiring soundbites inside. 'You can't always get what you want, but if you try sometimes, you might find, you get what you need.' Mick Jagger, 1969.
Few bands have proven as long-standing and experimental as the Canadian rock act Rush, which has successfully survived and adapted like few others by continuing to work in an album-oriented "progressive hard rock" style. Rush bridged its original blues-rock style with progressive rock and heavy metal in the 1970s, explored new wave and synth rock in the 1980s, and then created a new kind of alternative hard rock in the 1990s and 2000s. Throughout its career Rush has stubbornly remained musically and lyrically individualistic. The band created dozens of albums over its four decades-with 45 million sold-and embarked on major concert tours for millions of fans across the globe.The band's music appeals not just to mainstream rock fans but to those musicians who admire the structural complexity of its music. In Experiencing Rush: A Listener's Companion, music scholar Durrell Bowman guides readers through Rush's long career, explaining through the artful combination of biography, history, and musical exegesis how to listen to this unique act. From Rush's emergence as an early blues-rock power trio of guitar, bass, and drums into the godfathers of progressive hard rock, Bowman marks the band's first breakthrough with its landmark, sci-fi/individualist album 2112. From there, readers explore Rush's movement from "prog rock" extended compositions into shorter, potential-radio-play "post-prog" songs, leading to Rush's most successful album Moving Pictures in 1981. In its later career, Rush adventurously mixed progressive hard rock and music technology, generating a new power trio sound that featured further stylistic evolutions. As Bowman makes clear, it is the band's stalwart path and many influences on fans, musicians, and others that resulted in Rush's induction into the Rock & Roll Hall of Fame in 2013. Rush is a legendary group, and Experiencing Rush is specially written for music fans seeking a deeper look into the band's work, as well as for new listeners ready to discover the unique and diverse sound of one of rock's greatest acts.
No life in popular music touched on as many major musical milestones as that of The Beach Boys' Carl Wilson. While he is often unjustly overlooked as a mere adjunct to his more famous brothers Brian and Dennis, Carl was a major international rock star from his early teens. The proud owner of one of the greatest voices in popular music-one that graced some of the most important records of the pop era, including 'God Only Knows' and 'Good Vibrations'-Wilson was also one of the first musicians to bring the electric guitar to the forefront of rock'n'roll. His musical skills provided The Beach Boys' entree into the music business, from which he then stewarded their onstage journey through the ups and downs of the 60s to their comeback in the 70s and into the role of 'America's band' in the 80s. Along the way, Carl quietly endured his own battles with obesity, divorce, substance abuse, and ultimately terminal cancer, all the while working to protect his family's business and legacy. This major new biography reveals the true story of modern rock'n'roll, lived from the centre of the most important decades of popular music.
Pete Brown is a lot of things. A major songwriting talent who was responsible for Cream's classic musical moments, important collaborations with Jack Bruce and such notable experiments in jazz and rock as The Battered Ornaments, Graham Bond and countless progressive music groups. A talented poet who helped pioneer the emerging UK Beat scene in the sixties, making history with his earliest performances and going poetic toe to toe with the likes of Allen Ginsberg, Lawrence Ferlinghetti and Gregory Corso. He was also a child of war and the memories of The Blitz are still with him to this day. He is an anarchist at heart who believes in the mantra of telling it like it is and has done as much through the decades of a songwriter, musician, producer and poet. Within certain circles Pete Brown is a legend, a creative force of nature who is constantly on the move to the next big thing. To much of the world, Pete Brown is an unknown quantity, known for his Cream fame and not much else. With this book, Pete Brown: The Poet Who Rocks, the creative whirlwind will be on full display. This is Pete Brown. Now his story can be told.
From former Talking Heads frontman and multimedia visionary David Byrne and revered bestselling author, illustrator, and artist Maira Kalman--an inspiring celebration in words and art of the connections between us all. Don't miss the Spike Lee film of the Broadway hit American Utopia--on HBO. A Beat Most Anticipated Graphic Novel of Fall 2020 A joyful collaboration between old friends David Byrne and Maira Kalman, American Utopia offers readers an antidote to cynicism, bursting with pathos, humanism, and hope--featuring his words and lyrics brought to life with more than 150 of her colorful paintings. The text is drawn from David Byrne's American Utopia, which has become a hit Broadway show and is now a film from Spike Lee on HBO. The four-color artwork, by Maira Kalman, which she created for the Broadway show's curtain, is composed of small moments, expressions, gestures, and interactions that together offer a portrait of daily life and coexistence. With their creative talents combined, American Utopia is a salvo for kindness and a call for jubilation, a reminder to sing, dance, and waste not a moment. Beautifully designed and edited by Alex Kalman, American Utopia is a balm for the soul from two of the world's most extraordinary artists.
Finding God in the Devil's Music explores the relationship between religion/spirituality and rock music. Much has been written on the history of religious music itself, but not much exists on the role religion and spirituality has played in popular song. Music itself has long been considered a spiritual and even meditative practice; this book seeks to investigate rock music as an expression of religious inquiry, religious devotion, and even as a religious experience itself. From the rise of the American Evangelical movement to the widespread introduction of Eastern philosophies in the West, the past century has seen a radical change in the religious makeup of Western culture. Rock artists across the world have incorporated both "new" and old religious beliefs into their work. (The word "new" is placed in quotation marks, with respect to ideas that predate Western Civilization.) It is our aim to take a similarly ecumenical approach with the essays in this book, covering a wide range of philosophies and belief systems. In gathering these essays, we welcomed perspectives from a variety of backgrounds-music, religious studies, cultural studies, anthropology. This collection of essays investigates the relationship of rock music with religious experience from sociological, theological, and musicological perspectives. Contributors have made use of artist biographies, record and concert reviews, videos, published interviews, rock music forums, fan testimonials, social media interaction, personal experience, and analytical tools from the practices of musicology, sociology, theology, and cultural studies. Religion and spirituality in rock music is investigated across categories of Hard Rock, Punk, Reggae, and Heavy Metal. Whereas these genres, aside from Reggae, frequently have been considered resistant or even strongly opposed to religious belief, contributors to this book describe how much of the work in these genres is involved with spiritual interests. The writers provide examples of the appropriation of religious resources such as Biblical imagery and religious language. They explore public fascination with religion as a platform for expression and social critique.
Pearl Jam are the last men standing from great alternative rock explosion of the Nineties. They introduced themselves with one of the biggest-selling and most iconic albums of the decade, and their follow-up albums broke sales records worldwide. To date they have sold over 30 million albums worldwide, as many as iconic such artists as The Doors, Tom Petty, and Rush. Just as those artists did, Pearl Jam built an intense cult following who feel personally connected to the band. They tour constantly and are renowned for the quality of their live shows. While maintaining a huge network of fans, they have also collaborated with rock legends and helped boost the profiles of new artists. They fight for social justice causes even when that costs them in other areas. And through it all they keep releasing amazing music. Yet for many they remain an artefact of the Nineties, the epitome of the angsty Gen X stereotype. By going through their entire discography track-by-track, covering their origins in the Seattle scene, their musical development, and how the pop culture context has changed around them, this book will argue that Pearl Jam are not only one the greatest bands of their generation, but one of the greatest bands of all time.
Lyrically unique, Morrissey saw post-industrial Manchester differently. Where most recognised the derelict remains of a Victorian powerhouse, he saw humour, where others saw post-industrial squalor, he felt the frisson of romance. As a result Manchester became as much a part of The Smiths output as the guitars, drums and vocals. As their fame grew, strangers in far away lands wondered about the location of the 'Cemetery Gates' or the setting of 'Vicar in a Tutu' . Unusually, these places still exist and provide the devotee with places of pilgrimage -- could Manchester offer anything else? In the first edition of this guidebook, Phill Gatenby set out three tours covering 20 or more sites that either featured in The Smiths music or were fundamental to their development as a band -- from early rehearsal spaces to the scene of their most memorable gigs. Now updated, "Morrisseys Manchester" has added new places to visit, more lyrical references and more background information on one of the world's most influential bands. However the most fundamental change any reader/visitor will notice are the continual changes to Manchester itself - a city in perpetual flux. Since the first edition venues have either been demolished, refurbished or shorn of their identity -- hence the need for an update. Now containing 40 new images, an improved layout, a revised map of the city centre and an opportunity to take the Smiths Tour without ever leaving the comfort of your home via google maps, "Morrissey's Manchester" has been fully updated for the 21st century. |
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