This groundbreaking biography of a brilliant but disturbed performer explores the paradox of the man and the artist. Based on more than 100 interviews, this intelligent profile explores Morrison's roots; the hard times he went through in London, New York, and Boston; the making of his seminal albums "Moondance" and "Astral Weeks"; and the disastrous business arrangements that left Morrison hungry and penniless while his songs were topping the charts. Detailed are the breakdown of Morrison's marriage, the creative drought that followed, and his triumphant reemergence. In addition, this biography attempts to explain the forbidding aspects of Morrison's persona, such as paranoia, hard drinking, misanthropy, as well as why, in the words of his one-time singing partner Linda Gail Lewis, Morrison's music "brings happiness to other people, not him." Also included is a Van Morrision sessionography that spans 1964 to 2001.

Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the "mainstream" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been considered alternative to one group may be perceived as mainstream to another. Incorporating a wide range of popular music texts, genres, scenes, practices and technologies from the United Kingdom, North America, Australia and New Zealand, the authors theoretically challenge and augment our understanding of how the mainstream is understood and functions in the overlapping worlds of popular music production, consumption and scholarship. Spanning the local and the global, the historic and contemporary, the iconic and the everyday, the book covers a broad range of genres, from punk to grunge to hip-hop, while also considering popular music through other mediums, including mash-ups and the music of everyday work life. Redefining Mainstream Popular Music provides readers with an innovative and nuanced perspective of what it means to be mainstream.

Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of "Piper at the Gates of Dawn," the band's painstaking and Byzantine recording sessions at Abbey Road, and the fractious negotiations to bring about their fragile, tantalizing reunion in Hyde Park.

Meticulous, exacting, and ambitious as any Pink Floyd album, "Comfortably Numb" is the definitive account of this most adventurous--and most English--rock band.

Sour Mouth, Sweet Bottom is the book Simon Napier-Bell's fans have always hoped he'd write. His previous bestsellers lifted the lid on the industry, combining brilliant analysis with unforgettable stories of fame and wild excess. But those books hardly scratched the surface. Now, at long last, he's turned the spotlight on himself. From a childhood spent in the cinemas of post-war London and a brief spell playing trumpet in the seedy bars of Montreal, to getting stoned by the pool with Peter Falk and Jack Lemmon in Beverly Hills and co-writing a hit single for Dusty Springfield, this book is a kaleidoscopic sequence of more than sixty episodes drawn from Simon's life that makes most memoirs look like thin gruel by comparison. There are stories of the stellar acts Simon has managed - from the Yardbirds and Marc Bolan to Wham! and Sinead O'Connor - and there's also the wisdom gathered from a louche existence of clubs, restaurants, gigs, award ceremonies, bankruptcies, booze and sex, both gay and straight. You could call the book 'How to Use the Music Industry to Create a Lifestyle'. You might equally call it 'How to Use Your Lifestyle to Gain Access to the Music Industry'. Either way, Simon pulls no punches, and the result is a frank, funny and fascinating account of a life truly like no other.

Teaching the Beatles is designed to provide ideas for instructors who teach the music of the Beatles. Experienced contributors describe varied approaches to effectively convey the group's characteristics and lasting importance. Some of these include: treating the Beatles' lyrics as poetry; their influence on the world of art, film, fashion and spirituality; the group's impact on post-war Britain; political aspects of the Fab Four; Lennon and McCartney's songwriting and musical innovations; the band's use of recording technology; business aspects of the Beatles' career; and insights into teaching the Beatles in an online format.

Compiled by Blackmore biographer Jerry Bloom this is the perfect companion to his 2006 biography Black Knight, as it portrays Blackmore's career visually with photos and memorabilia from 1958 to the present day. Not only does it feature a large selection of photos, many of which have never been seen before but following years of research by Bloom, it also includes the most comprehensive gig list ever published, for Blackmore's pre-Deep Purple career between 1958-67 with over 400 gigs detailed from his days with The Outlaws - backing Gene Vincent and Jerry Lee Lewis; with Screaming Lord Sutch & The Savages; Neil Christian & The Crusaders; and even going back to his earliest bands such as The Vampires and The Condors. Augmented with memorabilia from the time, the book also plots Blackmore's career in photos, through Deep Purple, Rainbow and Blackmore's Night along with narrative by Bloom that puts the visual elements in context.

Whether in Yes, Asia, GTR, ABWH, Tomorrow or the Steve Howe Trio and - there's more - Steve Howe has continually proved himself to be one of the world's greatest guitarists. Here, for the first time, he looks back on his five-decade long career. From jamming onstage with Jimi Hendrix to sharing Abbey Road studios with The Beatles, Steve's stories are steeped in rock 'n' roll history. Including a number of unseen photographs and a full discography, All My Yesterdays is a must-read for fans of Yes, one of prog rock's most legendary bands.

Chet Atkins: His Greatest Recorded Songs is an analysis and appreciation of the most successful and noteworthy recordings of one of history's greatest guitarists, Chet Atkins. The book chronicles the highlights of Atkins' over 50-year tenure as a guitarist, singer, songwriter, and record producer, and this chronicle reveals a body of work that is truly unmatched in the history of modern musical entertainment. In addition to discussing roughly 140 of Atkins' all-time best recorded songs, the book provides a concise overview of his life and career.

Patti Smith is one of pop culture's true originals. The 1975 release of her debut album Horses signalled the start of a career full of passionate commitment, abrupt gear changes and unlikely collaborations which continues to flourish well into the 21st century.Nick Johnstone, respected music journalist and long time fan, unravels the story of the girl from Chicago who mixed poetry, underground theatre, jazz and rock, and who played a key role in shaping the New York punk scene of the mid-Seventies. From the home town experimental poems through street performance in Paris to high times in New York's Chelsea Hotel, from the quiet years in suburban Detroit with husband Fred 'Sonic' to her ascension to iconic status, the Patti Smith story is full of unexpected twists and turns. Nick Johnstone makes fascinating sense of a complex creative and produces a compelling insight into the life and times of a woman who has always refused to compromise. Arthur Rimbaud, Robert Mapplethorpe, Sam Shepherd and Bruce Springsteen are just a few who have become associated with the Patti Smith legend. She has toured with Bob Dylan, opened for the New York Dolls and duetted on record with R.E.M., written songs for movies and still produces albums off arresting originality.

The Republic of Rock uncovers the lost story of rock music and citizenship in the sixties counterculture. Tracing the way people in two key places-San Francisco and Vietnam-used rock to make sense of their lives and the world around them, the book helps us to understand more vividly how rock became a medium for participants in the counterculture to think about what it meant to be an American citizen, a world citizen, a citizen-consumer, or a citizen-soldier. The music became a resource for grappling with the nature of democracy in larger systems of American power both domestically and globally. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, from the airwaves of Vietnam to the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love to the country in which the United States waged war were crucial to the making of the sixties counterculture-and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today.

Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Roger Daltrey is the voice of a generation. That generation was the first to rebel, to step out of the shadows of the Second World War... to invent the concept of the teenager. This is the story from his birth at the height of the Blitz, through tempestuous school days to his expulsion, age 15, for various crimes and misdemeanours within a strict school system. Thanks to Mr Kibblewhite, his authoritarian headmaster, it could all have ended there. The life of a factory worker beckoned. But then came rock and roll. He made his first guitar from factory off-cuts. He formed a band. The band became The Who - Maximum R&B - and, by luck and by sheer bloody-mindedness, Roger Daltrey became the frontman of one of the biggest rock bands on the planet. This is the story of My Generation, Tommy and Quadrophenia, of smashed guitars, exploding drums, cars in swimming pools, fights, arrests and redecorated hotel rooms. But it is also the story of how that post-war generation redefined the rules of youth. Out of that, the modern music industry was born - and it wasn't an easy birth. Money, drugs and youthful exuberance were a dangerous mix. This is as much a story of survival as it is of success. Four years in the making, this is the first time Roger Daltrey has told his story. It is not just his own hilarious and frank account of more than 50 wild years on the road. It is the definitive story of The Who and of the sweeping revolution that was British rock 'n' roll.

"Buffy Sainte-Marie is an icon and inspiration. This book is necessary-an authorized insight into the making of a legend." -Terese Marie Mailhot, author of Heart Berries A powerful, intimate look at the life of a beloved folk icon and activist. Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie's first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven years (and counting). Since her groundbreaking debut, 1964's It's My Way!, the Cree singer-songwriter has been a trailblazer and a tireless advocate for Indigenous rights and freedoms, an innovative artist, and a disruptor of the status quo. Establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan, she has released more than twenty albums, survived being blacklisted by two U.S. presidents, and received countless accolades, including the only Academy Award ever to be won by a First Nations artist. But this biography does more than celebrate Sainte-Marie's unparalleled talent as a songwriter and entertainer; packed with insight and knowledge, it offers an unflinchingly honest, heartbreakingly real portrait of the woman herself, including the challenges she experienced on the periphery of showbiz, her healing from the trauma of childhood and intimate partner violence, her commitment to activism, and her leadership in the protest movement.

The dawn of folk rock comes to life in Jerry Burgan's unforgettable memoir of the pre-psychedelic 1960s and the summer that changed everything. As a naive folksinger from Pomona, California, Burgan was thrust to the forefront of the counterculture and its aftermath. The Byrds, the Rolling Stones, the Mamas and Papas, Barry McGuire, Bo Diddley and many others make appearances in this 50th Anniversary reminiscence by the surviving cofounder of WE FIVE, the San Francisco electro-folk ensemble whose million-seller, "You Were On My Mind," entered the world two months before Bob Dylan plugged in an electric guitar at the Newport Folk Festival. Vying with the Byrds to record the first folk-rock hit, Burgan and his lifelong friend Mike Stewart embarked on a road they thought well paved by the latter's older brother, Kingston Trio member John Stewart. Little did they realize that they would join the largest-ever American generation in an ecstatic, sometimes tortured, journey of invention and disillusion. Wounds to Bind bears witness to a lost and hopeful convergence in American history-that missing link between the folk and rock eras-when Bob Dylan and Sammy Davis Jr. were played on the same radio station in the same hour. A survivor of the human realignments, tragedies and triumphs that followed, Burgan tracks down the demons that drove the genius of We Five cofounder Mike Stewart and sheds light on the 40-year enigma of what became of the band's reclusive lead singer, Beverly Bivens, a forerunner of Grace Slick, Linda Ronstadt, and Stevie Nicks.

"Hoskyns brings a genuine love as well as an outsider's keen eye to the rise and fall of the California scene...This is a riveting story, sensitively told." - Anthony DeCurtis, Contributing Editor, "Rolling Stone". From enduring musical achievements to drug fueled chaos and bed hopping antics, the L.A. pop music scene in the sixties and seventies was like no other, and journalist Barney Hoskyns re-creates all the excitement and mayhem. "Hotel California" brings to life the genesis of Crosby, Stills, and Nash at Joni Mitchell's house; the Eagles' backstage fistfights after the success of "Hotel California"; the drama of David Geffen and the other money men who transformed the L.A. music scene; and more. Barney Hoskyns (London, UK) is the former U.S. correspondent for MOJO, the author of several books about music and Hollywood, and the cofounder of rocksbackpages.com, a rock journalism library.

This anthology to accompany Gateways to Understanding Music is comprised of musical "texts." These broadly defined texts-primarily musical scores-facilitate the integration of score study and music theory into the ethno/musicology curriculum, a necessary focus in the training of the professional musician. As posed by the textbook, the last question in each modular "gateway" is "Where do I go from here?" This resource provides one more opportunity to go beyond the textbook to examine music scores and texts in even greater depth. This anthology is a combination of primary sources for study: musical scores and music transcriptions, along with a few primary source documents and musical exercises.

The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women's work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women's achievements that is still in evidence in music marketing practices and media representation in the digital era.

Radiohead Complete is the definitive collection of Radiohead songs, including every song ever released by the British rock band (at time of publication). This artist-approved 368-page book contains 154 songs, including B-sides and rarities, all with lyrics and guitar chords. It also features 48 pages of artwork by the band's album artist Stanley Donwood, who also designed the exclusive cover artwork.

Play your favorite songs quickly and easily with the Drum Play-Along Series. Just follow the drum notation, listen to the CD to hear how the drums should sound, then play along using the separate backing tracks. The lyrics are also included for quick reference. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing the pitch! Includes: Bark at the Moon * Detroit Rock City * Living After Midnight * Panama * Rock You Like a Hurricane * Run to the Hills * Smoke on the Water * War Pigs (Interpolating Luke's Wall).

(Guitar Recorded Versions). Note-for-note transcriptions with tab for all 28 tracks from the Peppers' two-disc set, their first album to debut at #1 on the Billboard 200. Songs include: Dani California * Hard to Concentrate * If * Snow (Hey Oh) * Stadium Arcadium * Tell Me Baby * Wet Sand * and more. 2007 Grammy Winner for Best Rock Album, Best Rock Song, Best Rock Performance