324 pages of never before seen Roxy Music photographs from one of the most high-profile Roxy Music fans celebrating the 50th anniversary of the band's debut album. A perfect gift for fans of 80s bands, Roxy Music and music photography. 2022 marks the 50th anniversary of Roxy Music's eponymous debut album, which the band are celebrating with a North America and UK tour, their first in over a decade. To coincide with this milestone, we are proud to present a one-of-a-kind historical document and celebration of one of the most beloved and enduring bands of our times. Documenting the band from their heyday in 1973 right up to Roxy's last live performance in 2019 - more often than not from the photographer's pit - and punctuated by rare memorabilia, priceless memories and cheeky anecdotes, Roxy Live is the book Roxy fans have been waiting for.

"If You're Feeling Sinister" includes interviews with band members, producers, management, and a range of fans, and provides perspective on how Belle & Sebastian transformed themselves, over the space of a decade, from an underground, slightly shambolic cult secret into a polished, highly entertaining, mainstream pop group."Thirty-Three and a Third" is a series of short books about critically acclaimed and much-loved albums of the past 40 years. By turns obsessive, passionate, creative and informed, the books in this series demonstrate many different ways of writing about music.

"A refreshingly candid read...a Doors bio worth opening." --Entertainment Weekly No other band has ever sounded quite like the Doors, and no other frontman has ever transfixed an audience quite the way Jim Morrison did. Ray Manzarek, the band's co-founder and keyboard player, was there from the very start--and until the sad dissolution--of the Doors. In this heartfelt and colorfully detailed memoir, complete with 16 pages of photographs, he brings us an insider's view of the brief, brilliant history...from the beginning to the end. "AAn? engaging read." --Washington Post Book World

Babes in Toyland was one of the most influential and underrated bands of the 1990s. They rode the wave of the Minneapolis grunge scene crafting a unique sound composed of self-taught instrumentation and unabashed banshee raging vocals. Their stage presence was enigmatic, their lyrics vitriolic, and their Kinderwhore fashion ironic and easy to emulate. But what made them most inspiring was their ethos and a unique brand of sisterhood that inspired fans to create Riot Grrl and form legendary bands such as 7 year Bitch, Bikini Kill, and Hole. Despite the media's politicization of them as an "all-female" band, the Babes insisted their music wasn't a political statement but about personal expression. They would dismiss labeling their act as feminist, but their actions sent a positive message of what a female space within music could look like. Now, almost 30 years after their most seminal record, Fontanelle, was released, the legend of the band is being resurrected and re-spun to reclaim their proper space and context in the history of music and women in rock.

Since joining Deep Purple in 1973, David Coverdale has enjoyed a hugely successful career. Having been plucked from semi-professional obscurity by Deep Purple, within months he was cavorting around the globe with one of the biggest rock bands in the world and fronting Purple on its 1974 US tour which included performing in front of one of the biggest audiences ever for a one day concert at the California Jam in front of hundreds of thousands. After three albums the band finally succumbed to the internal frictions and called it a day in 1976. After initially launching himself with two solo albums, Coverdale set about rebuilding his career with his own band Whitesnake. By the early eighties sell out UK tours and hit singles proved that Coverdale was capable of achieving success with his own band and later that decade Whitesnake hit the heights in America, that he had experienced with Deep Purple, with its multi-million selling, eponymous 1987 album. By the early nineties Coverdale put the band on hold whilst enjoying a brief dalliance with Jimmy Page, as well as later finding time for further albums under his own name, but Whitesnake has continued to be at the forefront of Coverdale's career from the mid nineties and onwards and remain relevant in the new millennium. 2019 saw the release of the band's first new album in four years and now with Coverdale in his seventies, retirement is supposdely imminent. As such there is no better time to appraise his career. Beautifully designed and packaged, A Life In Vision documents key moments of David Coverdale's long and illustrious career as one of rock's finest singers with photos from Deep Purple through to the present day Whitesnake, along with stories that chart his career.

The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America's spirit and captured a nation's attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal as it discusses hundreds of rock and non-rock compositions included in rock history era. The songs offer you information on: Rock's Not So Dull Predecessors (for example, "Bewitched, Bothered, and Bewildered" and "The Cry of the Wild Goose") The Pioneering Rock Songs (such as "Rock Around the Clock" and "Shake, Rattle, and Roll" ) Older Style Songs Amidst the Rocks (for example, "I Could Have Danced All Night" and "Rocky Mountain High" ) The Megastars and Megagroups (such as "Blue Suede Shoes," "Respect," and "Surfin'USA" ) The Best Songs that Never Made No. 1 (for example," I Feel Good" and " Tie a Yellow Ribbon Round the Ole Oak Tree" )The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s also examines the music which preceded early rock, the music which followed early rock, and the numerous non-rock songs which flourished during the classic rock period. A wide spectrum of music is discussed in well over 100 essays on various songs. Musicians, librarians, and the general audience will be taken back to the birth of rock and roll and the various contributing influences. Analyzing each song's place in rock history and giving some background about the artists, The Classic Rock and Roll Reader offers even the most avid music enthusiast new and unique information in this thorough and interesting guide.

Rock Music in American Popular Culture III: More Rock 'n'Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock 'n'roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--"Only the Good Die Young" by Billy Joel and "Night Moves" by Bob Seger and The Silver Bullet Band holiday songs--"Rockin'Around the Christmas Tree" by Brenda Lee and "The Christmas Song" by Nat King Cole death--"Leader of the Pack" by The Shangri-Las and "The Unknown Soldier" by The Doors foolish behavior--"When a Man Loves a Woman" by Percy Sledge and "What Kind of Fool" by Barbra Streisand and Barry Gibb jobs and the workplace--"Don't Stand So Close to Me" by The Police and "Dirty Laundry" by Don Henley military involvements--"Boogie Woogie Bugle Boy" by the Andrews Sisters and "War" by Edwin Starr novelty recordings--"The Purple People Eater" by Sheb Wooley and "Eat It" by Weird Al Yankovic letters and postal images--"P. S. I Love You" by The Beatles and "Return to Sender" by Elvis PreselyIn addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.

Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press. -- .

This index is divided into 4 parts: a bibliography of collections indexed, an index of first lines, an index of composers and an index of works frommusicals, motion pictures and television. Coverage spans recently published collections of songs from Tori Amos and George Michael to Dick Clark's American Bandstand and the Definitive Dixieland Collection.

What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.

A Guardian, Mojo and Rough Trade Book of the Year Fifty years on from the psychedelic summer of love, acclaimed music writer Rob Chapman explores what was really going on during those heady times. In America he traces the multi-media history of the Light shows, Happenings, Be-Ins and Acid tests, and illustrates the thriving avant-garde scene that existed long before the Grateful Dead and the Fillmore Auditorium came into being. In the UK, he shows an entirely different history, never before explored in such breath-taking detail, where the sublime and the silly co-existed side by side in a peculiarly British take on flower power that drew inspiration as readily from fairy tales, fairgrounds and music halls, as it did from LSD. With a fascinating new perspective on the role of the Beatles, Psychedelia and Other Colours documents a cultural phenomenon, in psychedelia's seminal text.

Black Sabbath has often been credited with inventing heavy metal with their first album released in 1970. Their new style of music was loud, brutal, scary, innovative, and it has greatly influenced heavy metal bands since then. Their five decades of music cross generations of fans, and they remain relevant to this day, with their 2013 album charting #1 in the United States and at least five other countries. In Experiencing Black Sabbath: A Listener's Companion, musician and scholar Nolan Stolz leads the reader through Sabbath's twenty studio albums and additional songs, closely examining their music and the storied history of the band. Along the way, Stolz highlights often-overlooked key moments that defined Sabbath's unique musical style and legacy. Band members' own words illuminate certain aspects of the music, and Stolz makes connections from song to song, album to album, and sometimes across decades to create an intricate narrative of the band's entire catalog. Experiencing Black Sabbath reveals the underappreciated genius of these heavy metal progenitors to all rock music lovers and gives even the most fervent Sabbath fans a new perspective on the music.

Augustus Owsley Stanley III, better known by his nickname, Bear, was one of the most iconic figures in the cultural revolution that changed both America and the world during the 1960s. Owsley's high-octane rocket fuel enabled Ken Kesey and his Merry Pranksters to put on the Acid Tests. It also powered much of what happened on stage at Monterey Pop. Owsley turned on Pete Townshend of The Who and Jimi Hendrix. The shipment of LSD that Owsley sent John Lennon resulted in The Beatles' Magical Mystery Tour album and film. Convinced that the Grateful Dead were destined to become the world's greatest rock 'n' roll band, Owsley provided the money that kept them going during their early days. As their longtime soundman, he then faithfully recorded many of the Dead's greatest live performances and designed the massive space-age system that came to be known as the Wall of Sound. Award-winning author and biographer Robert Greenfield's definitive biography of this Grateful Dead legend masterfully takes us through Owsley's incredible life and times to bring us a full picture of this fascinating man for the first time.

From "Who Put the Bomp (in the Bomp, Bomp, Bomp)?" to a list of all song titles containing the word "werewolf," Rock Music in American Popular Culture II: More Rock 'n'Roll Resources continues where 1995's Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordingsRock Music in American Popular Culture II: More Rock 'n'Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.

Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms.

On Bowie is a thoughtful and loving meditation on the life of the late David Bowie that explores his creative legacy and the enduring and mutual connection he enjoyed with his fans Innovative. Pioneering. Brave. Until his death in January 2016, David Bowie created art that not only pushed boundaries, but helped fans understand themselves and view the world from fantastic new perspectives. When the shocking news of his death on January 10, 2016 broke, the outpouring of grief and adulation was immediate and ongoing. Fans around the world and across generations paid homage to this brilliant, innovate, ever-evolving artist who both shaped and embodied our times. In this concise and penetrating book, highly-regarded Rolling Stone critic, bestselling author, and lifelong Bowie fan Rob Sheffield shares his own feelings about the passing of this icon and explains why Bowie's death has elicited such an unprecedented emotional outpouring from so many.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

'[An] astute reckoning with modern celebrity' - The Times 'A wild read' - The Guardian 'A well-researched, measured account' - The Sun Part biography, part social history, Being Britney pieces together a collage of stories, interviews, legends and fan experiences to construct a definitive portrait of one of the biggest stars in recent history. In her unique narrative, acclaimed music author Jennifer Otter Bickerdike provides a sympathetic yet objective re-examination of Britney's trajectory from girl next door to woman trapped by fame. Being Britney is the compelling account of a talented, troubled and talked-about modern icon, whose life, work and individual significance will be recognised for many decades to come. 'After years of being framed as a victim, Britney deserves to be celebrated as the fighter, inspiration and enigma she truly is.' - Jennifer Otter Bickerdike