Increasingly, it is becoming evident that those involved in socio-musical studies must focus their investigative lens on musical practice and articulation of the self, on music and community involvement and on music as a social medium for social relationships. What motivates people to be involved in musical performance, and how do they articulate these needs and drives? What do performers gain from their involvement in musical activities? How do audience members perceive their relationship to the performer, the music and the event? These questions and many more are addressed here with the benefit of detailed empirical work, including case studies of a chamber music festival and a contemporary music summer school. Pitts investigates the value of musical participation for performers and audience members in a range of contexts, using a multi-disciplinary approach to place new empirical data in the framework of existing theory and literature. Themes examined include: the shared musical experience; the social structures of performing societies; how people identify with music; the values implicit in musical preferences; the social responsibilities of the performer; the audience view of concerts and festivals; the social power of music and educational implications and responsibilities. Pitts draws upon literature from musicology, sociology and psychology of music, ethnomusicology, music education and community music to demonstrate the diversity of enquiry about musical behaviours. The conclusions of the book are based upon empirical evidence gleaned through case studies, with the data integrated thematically throughout, to enable a greater depth of discussion than individual studies usually permit.

"The new Chris Cornell biography is the book his legacy deserves." -Kerrang! "Reiff unearths plenty of unexpected details and novel anecdotes...but the book is perhaps most valuable for the way it rounds out and humanizes this man who managed to keep so many of his cards close to the vest despite decades in the spotlight." -Variety "Total F*cking Godhead brings Chris Cornell, the voice of a generation, alive on the page. Impressively researched and compulsively readable, Godhead pulls no punches in recounting Cornell's remarkable life and prolific career. It's an inspired chronicle of an impassioned soul. Read it!"-Greg Renoff, author of Van Halen Rising With input from those who knew and worked with him-together with his own words-Total F*cking Godhead recounts the rise of Chris Cornell and his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the '90s alongside Pearl Jam, Alice In Chains, and Nirvana. "From his days as a struggling Seattle musician at the forefront of the grunge scene to becoming a global icon, Total F*cking Godhead thoroughly chronicles the life story and prolific output of one of the greatest and most influential singers of all time. You will discover the man and his music all over again."-David de Sola, author of Alice in Chains: The Untold Story Seattle resident and rock writer Corbin Reiff also examines Cornell's dynamic solo career as well as his time in Audioslave. He delves into his hard-fought battle with addiction, and the supercharged reunion with the band that made him famous before everything came to a shocking end. "For those of us still trying to sort out the tragedy of Chris Cornell's death comes this loving look back at the man's life and music. I wrote my own book about grunge, and I still learned a lot from this excellent biography." -Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge

Rock 'n' roll was born in rural Alabama, 1923, in the form of Sam Phillips, the youngest son of a large family living in a remote colony called the Lovelace Community. His father had a gift for farming, which was brought to an end by the Depression. His mother picked guitar and showed the kind of forbearance that allowed her to name her son after the doctor who delivered him drunk and then had to be put to bed himself. And yet from these unprepossessing origins, in 1951 Phillips made what is widely considered to be the first rock 'n' roll record, Ike Turner and Jackie Brenston's 'Rocket 88'. Just two years later a shy eighteen-year-old kid with sideburns, fresh out of high school, wandered into his recording studio to make a record 'for his mother', secretly hoping that it might somehow get him noticed. His name was Elvis Presley. Elvis's success, and the subsequent triumph of rock 'n' roll, was initially propelled to an almost astonishing degree by a limited number of releases by Carl 'Blue Suede Shoes' Perkins, Johnny Cash and Jerry Lee Lewis - all from this tiny, one-man label. An engaging mix of biography and anecdote, Peter Guralnick's book brilliantly recreates one shining moment in the history of popular culture. And Sam Phillips was the man who brought it all about.

Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Sheila Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents.
Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices and characterization by the media suggests a girlish feminitity which is often at odds with the intentions of their musical output. She then moves on to explore the rock/pop divide as it affects the image of male performers, considering why male stars usually fall into the category of 'wild boys' such as Kurt Cobain or Jim Morrison, or 'nice boys', like Cliff Richard, The Monkees, and Wham!. Whiteley ends by asking what happens to stars who set so much store by manipulations of youthfulness when they begin to age, and points to stars like Robbie Williams, Kylie Minogue and Cher to demonstrate that it is possible to achieve iconic pop status even without dying young.

From the early days of The Rolling Stones, with a relatively baby-faced 'Keef' sporting a hounds-tooth jacket, to his heroic piratical look of the present day, rock's indestructible hero has been photographed by many people over half a century. Featuring more than 300 photographs in colour and black-and-white.Among those who took the pictures in this book are legendary photographers Jim Marshall, Terry O'Neill, Deborah Feingold, Neil Preston and Mark Seliger.If many of Keith Richards' adventures have passed into folklore, never before has there been quite such a comprehensive collection of portraits and candid shots collected to match the passing moments: police busts, global superstardom, a legendary Glastonbury set, a satisfying appearance in the Pirates Of The Caribbean movie franchise and an unlikely 2008 advertising stint as a lifestyle icon for Louis Vuitton, as photographed by Annie Leibowitz.Beautifully produced and elegantly designed, Keith Richards: A Life In Pictures is simply the must-have book of the year.

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world's greatest rock 'n' roll band, Wyman continued his hobby. When he didn't have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones. Limited to just 300 copies, this slipcased edition is accompanied by a print.

Legendary music producer, Gordon Raphael has spent four decades working with musicians, performers and songwriters to create unique genre-defining sounds. His work with THE STROKES, REGINA SPEKTOR and THE LIBERTINES has made him one of the world's most sought-after music producers. What's his secret? This book gives an insider's view into how music is created and recorded, sharing insights into the artistic discoveries that happen when a group of talented musicians find the right studio, the right producer and the right sound. Like sitting on the purple velvet couch at New York's fabled Transporterraum Studio, this rock 'n' roll memoir gives an All Access Pass to the processes and techniques, the people and the performances. It's the early 2000s and, for the first time, young people who've grown up hating their parent's rock music, have found a reason in the songs of NYC newcomers THE STROKES to drop their electronica, house and techno for guitars, Converse, leather jackets-to form their own bands. Focussing on the eight-year period from the demise of the Seattle grunge scene to the rebirth of a thrilling cultural shift in New York and London that reimagined rock 'n' roll. Gordon Raphael shares his tales of musical glory and loss, creative triumphs and breakups. It's a bumpy ride with a killer soundtrack.

A Pitchfork Best Music Book of 2022 When Tom Breihan launched his Stereogum column in early 2018, "The Number Ones"-a space in which he has been writing about every #1 hit in the history of the Billboard Hot 100, in chronological order-he figured he'd post capsule-size reviews for each song. But there was so much more to uncover. The column has taken on a life of its own, sparking online debate and occasional death threats. The Billboard Hot 100 began in 1958, and after four years of posting the column, Breihan is still in the early aughts. But readers no longer have to wait for his brilliant synthesis of what the history of #1s has meant to music and our culture. In The Number Ones, Breihan writes about twenty pivotal #1s throughout chart history, revealing a remarkably fluid and connected story of music that is as entertaining as it is enlightening. The Numbers Ones features the greatest pop artists of all time, from the Brill Building songwriters to the Beatles and the Beach Boys; from Motown to Michael Jackson, Prince, and Mariah Carey; and from the digital revolution to the K-pop system. Breihan also ponders great artists who have never hit the top spot, like Bob Dylan, Bruce Springsteen, and James Brown. Breihan illuminates what makes indelible ear candy across the decades-including dance crazes, recording innovations, television phenomena, disco, AOR, MTV, rap, compact discs, mp3s, social media, memes, and much more-leaving readers to wonder what could possibly happen next.

The long-awaited, never-before-told, no-holds-barred memoir from the legendary Aerosmith frontman. Finally, all the lurid tales of debauchery, sex, drugs and rock n' roll are told straight from the horse's lips as The Demon of Screamin' describes his unimaginable highs and unbelievable lows as lead singer of the biggest rock band in the world. Prolific frontman, rock icon and sex symbol, Steven Tyler is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can. Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formed...and the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band. But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever. But although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

Free were formed in 1968 towards the end of the British blues boom. After two critically acclaimed albums, the release of 'All Right Now' and the album Fire and Water in 1970 brought them major success. Musical and personal differences took their toll and they split after the comparative failure of their next album and single. After starting new bands that never took off they reformed, but following further dissension and guitarist Paul Kossoff's drug problems they disbanded for good in 1973. Vocalist Paul Rodgers and drummer Simon Kirke then formed Bad Company, who became one of the hottest bands on both sides of the Atlantic, maintaining a stable line-up with ex-Mott The Hoople guitarist Mick Ralphs and ex-King Crimson bassist Boz Burrell for the rest of the decade. Each member later pursued outside ventures, although they regrouped at intervals, recruiting new members after Ralphs' retirement and Burrell's death. This book examines both bands' work and career from 1968 to 1980, plus the Kossoff, Kirke, Tetsu, Rabbit album, Kossoff's solo work and Back Street Crawler, with a chapter on their later history, notably Rodgers' three years with Queen.

Has there ever been a more charismatic and intriguing rock star than David Bowie? In Starman, Paul Trynka has painted the definitive portrait of a great artist. From Bowie's early years in post-war, bombed-out Brixton to the decadent glamour of Ziggy Stardust to the controversial but vital Berlin period, this essential biography is a celebration of Bowie's brilliance and a timely reminder of how great music is made - now with an update on the making and release of The Next Day.

Chuck Berry is an icon in the history of rock and roll; among the first inductees to the Rock and Roll Hall of Fame, among many other honours, he continues to be an influential - and controversial - figure in the pop music scene. Yet Berry's life has never been fully documented; his own autobiography skipped over many key events , and papered over others. Bruce Pegg has interviewed scores of Berry's friends, family, and business associates to give a truer picture of the man and the music world. Drawing on trial transcripts, documents and other rare material, Pegg has produced a complex, fascinating picture of the father of rock and roll.

This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled 'The Real Thing': Authenticity, covers and the canon and 'Time Will Pass You By': Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.

From Sia to Elton John, Dusty Springfield to Little Richard, LGBT voices have changed the course of modern music. But in a world before they gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who came after? Pulling back the curtain on the colourful world that shaped our musical and cultural landscape, Darryl W. Bullock reveals the inspiring and often heartbreaking stories of internationally renowned stars, as well as lesser-known names, who have led the revolution from all corners of the globe. David Bowie Made Me Gay is a treasure trove of moving and provocative stories that emphasise the right to be heard and the need to keep up the fight for equality in the spotlight.

A Guardian, Sunday Times, Mojo, Daily Telegraph and Observer Book of the Year Longlisted for the Penderyn Music Book Prize 2017 As the sixties dream faded, a new flamboyant movement electrified the world: GLAM! In Shock and Awe, Simon Reynolds explores this most decadent of genres on both sides of the Atlantic. Bolan, Bowie, Suzi Quatro, Alice Cooper, New York Dolls, Slade, Roxy Music, Iggy, Lou Reed, Be Bop Deluxe, David Essex -- all are represented here. Reynolds charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies and brings it right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death. Shock and Awe is a defining work and another classic in the Faber Social rock n roll canon to stand alongside Rip it Up, Electric Eden and Yeah Yeah Yeah.

From Korn's legendary bassist comes a no-holds-barred look at the extreme highs and drug-and-booze-fueled lows of the biggest heavy metal band of our era.

What have you got when you got the life?

From the time he was an infant, music was in Fieldy's bones. Leaving his small California town after high school with a guitar and little else, he joined Brian "Head" Welch, James "Munky" Shaffer, drummer David Silveria, and Jonathan Davis in L.A. and together they formed a band with a completely new sound. When Korn exploded, skyrocketing to the top and fronting the nu-metal phenomenon, Fieldy became a rock star and acted like one--as notorious for his hard-partying, womanizing, drug-abusing, bad-boy behavior as he was for his one-of-a-kind bass lines. He was unfaithful, abusive, mean, sometimes violent. Fieldy had the life. But it took the death of his father, a born-again Christian, from a mysterious illness to save the son from total destruction. Fieldy found God . . . and the best part of himself.

With never-before-seen photos, and never-before-heard stories, Got the Life is raw, candid, and inspiring--the ultimate story of rock and redemption.

The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient. The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom. Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs.

'Every Sound There Is': Revolver and the Transformation of Rock and Roll assesses and celebrates the Beatles' accomplishment in their 1966 masterpiece. The essays of Every Sound There Is examine Revolver from a large number of complementary starting points that help us to understand both the album's contemporary creation and reception and the ways in which it continues to shape the creation and reception of popular music in the twenty-first century. Responding to the incredible diversity of Revolver, this gathering of international scholars focuses on the Beatles' 1966 album as one of rock and roll history's threshold moments. Bringing to bear approaches from the disciplines of musicology, cultural studies, poetics, gender studies, these essays address matters as diverse as the influence of American R&B on Revolver as well as its influence on Pink Floyd, each Beatle's contributions to the album, the musicological significance of the Beatles' harmonies and chord progressions, its status and coherence as a work of art, the technological and marketing significance of Revolver's recording and distribution, and its influence on the development of rock music.

What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.

From former Talking Heads frontman and multimedia visionary David Byrne and revered bestselling author, illustrator, and artist Maira Kalman--an inspiring celebration in words and art of the connections between us all.

Don't miss the Spike Lee film of the Broadway hit American Utopia--on HBO.

A Beat Most Anticipated Graphic Novel of Fall 2020

A joyful collaboration between old friends David Byrne and Maira Kalman, American Utopia offers readers an antidote to cynicism, bursting with pathos, humanism, and hope--featuring his words and lyrics brought to life with more than 150 of her colorful paintings.

The text is drawn from David Byrne's American Utopia, which has become a hit Broadway show and is now a film from Spike Lee on HBO. The four-color artwork, by Maira Kalman, which she created for the Broadway show's curtain, is composed of small moments, expressions, gestures, and interactions that together offer a portrait of daily life and coexistence.

With their creative talents combined, American Utopia is a salvo for kindness and a call for jubilation, a reminder to sing, dance, and waste not a moment. Beautifully designed and edited by Alex Kalman, American Utopia is a balm for the soul from two of the world's most extraordinary artists.

'It's Number One - it's Top of the Pops'. It's not just the story of a long-running television programme. The story of Top of the Pops is the story of British popular music. It is a shadow history of British rock & roll, and beyond. It is the story of 'Auntie' BBC getting down with the kids. It is the story of how a 6-week show turned into a pan-global phenomenon and how for 40 years, Top of the Pops was a British institution. 'It's Number One - it's Top Of The Pops' for every generation from 1964, until the show ended in 2006, that was the sentence every young television viewer sat down to hear. At its peak, a quarter of the UK's entire population was watching. Top Of The Pops was the pivotal pop television programme over its 2,000 weekly episodes, the programme gave peak airtime to every act, from The Beatles to Beyonce - from Cream to Coldplay - from Pink Floyd to Pink! From its humble beginnings in 1964 from a disused church through to the programme's pan-global appeal in the 1990s, Top Of The Pops has become synonymous with the best in pop television. With a span of nearly half a century, there are so many highlights: The Beatles only live appearance, in 1966, promoting 'Paperback Writer' - the Who getting banned - the first colour edition in 1969 - David Bowie's breakthrough performance of 'Starman' in 1972 - Nirvana's chaotic 1991 appearance promoting 'Smells Like Teen Spirit' - the Blur versus Oasis battle - Justin Timberlake playing bass with the Flaming Lips in 2003 - Top Of The Pops II was launched in 1994, bringing the programme to a whole new audience. Around the same time, the BBC licensed the "Top Of The Pops" brand to over 90 countries, with estimated audience of 100 million. Though it ceased broadcasting in 2006, thanks to the internet, compilation CDs; repeated viewing on BBC4 - Top Of The Pops lives on. This is the first book to tell that incredible story.

In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett's departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and-most importantly-a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.

This Companion is the first academic introduction to the 1960s/70s 'Krautrock' movement of German experimental music that has long attracted the attention of the music press and fans in Britain and abroad. It offers a structured approach to this exceptionally heterogeneous and decentralized movement, combining overviews with detailed analysis and close readings. The volume first analyzes the cultural, historical and economic contexts of Krautrock's emergence. It then features expert chapters discussing all the key bands of the era including Can, Kraftwerk, Tangerine Dream, Neu!, Faust, Ash Ra Tempel, Cluster and Amon Duul II. The volume concludes with essays that trace the varied, wide-ranging legacy of Krautrock from a variety of perspectives, exploring in particular the impact of German experimental music in the Anglosphere, including British post-punk and Detroit Techno. A final chapter examining the current bands that continue the Krautrock sound closes this comprehensive overview of the Krautrock phenomenon.