Liverpool Football Club, in stark contrast to its competitors, remains locally owned, not a conglomerate or media business. Unlike its main rivals, the Liverpool club has been loathe to pursue global markets for merchandizing - though it attracts a huge fandom around the world - and its ambitions remain resolutely fixed on footballing success. No football club has ever had such an extended period of dominance in the English game, nor extended that dominance to Europe so effectively.
Many of the current crop of top young players are locally born and are a central feature of the city's nightlife, as well as national icons in pop/football/youth culture. But there are fears that the Club's great days have now passed. At the height of its powers in the 1980s, Liverpool FC was the site of two catastrophic crowd disasters, which effectively transformed the sport and added to wounding perceptions about the city's alleged sentimentality, fatalism and irreversible decline. The legacy of the Heysel and Hillsborough tragedies continues to shape the self-image of the Club and those who support it. A seething rivalry with nearby corporate giant Manchester United is a constant reminder of football's new order.
Addressing all of these concerns, as well as Liverpool's global reputation as the home of the Beatles and the 'Mersey sound', this book takes an original approach to the study of football by examining its links with other important popular culture forms, especially pop music, but also television and youth styles. In particular, however, it looks at the very special meaning of football in Liverpool.

Many books have been written about Tin Pan Alley--the colloquial name assigned to popular music before the advent of rock 'n' roll--yet little is available about the individual songs defining this enormously significant style of American music. This encyclopedia of over 1,200 songs written from the middle of the 19th century through the 1950s provides information and commentary on the music embraced by the American public.

No other single volume contains as much information on the subject. Author Thomas Hischak provides an exhaustive yet highly readable guide to the songs, their periods, their styles, and their performers. His study explains in layman's language how this music survived over time, and how it came to play such an influential role in American popular culture. Ideal for researchers and browsers alike, this encyclopedia is a long overdue examination of an American musical institution.

These songs were not written for stage or screen, but for saloons, singalongs, dance orchestras, sheet music, piano player rolls, recordings, nightclubs, concerts, and radio broadcasts. They colored the fabric of American popular culture for centuries, from early American folk songs to Civil War melodies, 19th-century sentimental ballads, minstrel songs, ragtime, and jazz.

The definitive account of Jeff Beck's journey from his childhood in 1940s South London to the world-wide success of 2010's album Emotion and Commotion and beyond.Author Martin Power has talked to former Yardbirds members Chris Dreja and Jim McCarty as well as manager Simon Napier-Bell and fellow musicians including Max Middleton, Stanley Clarke, Simon Phillips, Jimmy Hall, Mo Foster, Doug Wimbish and many others. Supported by full album reviews, rare photographs and an up-to-date discography, Hot Wired Guitar is the most complete and comprehensive account of the life and times of Jeff Beck, the man who took the electric guitar and showed the world just what could be done with just six strings and 'one hell of an attitude'.

"Yungblud is like nothing you've seen before. That is, unless you've seen a smiley punk/alt rocker from Doncaster, UK who wears pink socks, black-lipstick, and a skirt, plays a mean guitar, has an endless amount of energy, and an interesting aura of sex appeal. Then, and only then, can you say you've seen someone like Yungblud." - musicinminnesota.com YUNGBLUD. A striking new musical voice has emerged for Gen-Z. Political, provocative and impassioned, Yungblud has in the space of three years become one of the UK's most recognisable artists through his unique blend of pop, punk and emo music - gaining one of the most die-hard fanbases on the planet in the process. From 21st Century Liability, where nothing was sacred - gun violence, psychosis, sex, drugs and suicide - to his sophomore album Weird!, an exploration of oddity and self-acceptance, YUNGBLUD challenges our zeitgeist as much as he channels it. This is the first fully authorised book, featuring photographs by his friend and closest collaborator Tom Pallant. Featuring an amazing selection of rare and unseen photographs, All My Friends Have Deserted charts Yungblud's journey from late 2019 as he toured his debut album across the world, right through releasing his second album during a global pandemic, scoring his first UK #1, returning triumphantly to Reading and Leeds festival mainstage and culminating in his biggest ever headline show, a sold-out Alexandra Palace in London. All My Friends Have Deserted shows YUNGBLUD as a man of multitudes: dominating the stage, screaming into the mic, laughing behind-the-scenes, enjoying quiet creative moments and pulling faces at the camera. The vicious energy of his performances carries onto the page. The result is a rollercoaster of a photo-essay that carries readers on a journey through the highs and lows of Gen-Z's most essential new rock star. "My generation is over being divided. Being divided is an old concept that is rapidly becoming obsolete. We are opinionated. We are full of contradictions. That's the beauty of it. Our intention is to make this world equal. No matter what size you are, what shape you are, what colour you are, what sexuality you are..." Underpinning it all is the message of empathy. Those who his lyrics resonate with are not alone. Authentic and electric, rebellious and irreverent, yet still utterly human, YUNGBLUD is the new face of punk. Here he presents himself through a series of exclusive and unseen photographs, taken by his friend and closest collaborator, photographer Tom Pallant.

Prince's early albums Dirty Mind, 1999, and Purple Rain, established him as a major force in American pop music. His combination of rock and funk was unique, and drew both critical praise and commercial attention. The 1990s found Prince forming a new group, moving back in the direction of R&B, and eventually adopting an unpronounceable symbol as his moniker. By the end of the millennium, he was again exploring an eclectic collection of musical styles and enjoying a resurgence of interest in his well-known song "1999." Prince is one of the few artists of the entire rock era who successfully bridged the gap between traditional R&B and rock audiences with his musical eclecticism. He now stands among the best-selling pop musicians of the rock era. In this revealing study, author James Perone highlights the complexities and ambiguities of Prince's life work, while at the same time clarifying why it is that Prince remains such a widely popular figure in American music. After a brief introductory biographical treatment, Perone goes on to analyze all of Prince's musical output-both as specific pieces, and as part of a larger body of work. Perone doesn't allow any of the elements of Prince's entertainment career (including his early contractual problems, his series of proteges, his name change, and his views on gender and race) to pass without reflection. As a result The Words and Music of Prince operates as a sort of creative biography for both the man and the artist. The work also includes six illustrations, a bibliography, a discography, and an index.

Canadian-American singer-songwriter Rufus Wainwright (b. 1973) is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines his aspects of his life story with scholarly readings drawn from several methodologies. Popular music studies, opera, queer studies, music and geography, the sound-box: all combine to give a rich biographical and interpretative overview of Wainwright's life and music. Williams brings together close musical analysis with such varied disciplinary perspectives with a tone that is both in-depth and scholarly, and accessible. The book is a must-read for fans, students and scholars alike.

A blend of This Is Spinal Tap and Fear and Loathing in Las Vegas, the cult classic confessions of a debauched rock 'n' roller and his adventures in excess on the '80s hair-metal nostalgia tour through Middle America--available again, and now revised and updated.

Once upon a time at the start of the new century, the unheard-of Unband got a chance to drink, fight, and play loud music with '80s metal bands like Dio and Def Leppard. To the mix they brought illegal pyrotechnics, a giant red inflatable hand with movable digits, a roadie dubiously named Safety Bear, a high tolerance for liver damage, and an infectious love of rock & roll and everything it represents.

Unband bassist Michael Ruffino takes us on an epic joyride across a surrealistic American landscape where we meet mute Christian groupies, crack-smoking Girl Scouts, beer-drinking chimps, and thousands of head-bangers who cannot accept that hair metal is dead. Here, too, are uncensored portraits of Ronnie James Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others.

Adios, Motherfucker is gonzo rock storytelling at its finest--excessive, incendiary, intelligent, hilarious, and utterly original.

From 1970 to 1973 Underground Press rock critic Rick McGrath interviewed, reviewed and photographed many of the musicians who visited or lived in Vancouver, British Columbia, for the alternate newspapers The Georgia Straight, The Grape and The Terminal City Express. In Straight Man Rick revisits those days of sex, drugs and rock'n'roll with interviews with the likes of Led Zeppelin (1971) Van Morrison (1971) Elton John (1971) Fleetwood Mac (1971) Jeremy Spencer's last interview Captain Beefheart (1971, 1973) Chicago (1970) Pentangle (1970) Mitch Ryder (1970) Kim Simmonds (1970) Gordon Lightfoot (1970) Luke Gibson (1972), Crowbar (1971 2X), Al Neil (1972) and Hall of Fame DJ Red Robinson (1972). Straight Man also includes articles of the Rolling Stones' movies Gimme Shelter and C**ksucker Blues, the complete Prisoner TV series and Sam Fuller's Shock Corridor Plus unpublished photographs of Bob Dylan and The Band, Van Morrison, Larry Coryell, Tim Buckley and The Tubes. Straight Man is a revealing, informative and fun trip back to the early formative years of many of today's Rock superstars."

A tour-de-force history of Jews, blues, and the birth of a new industry. On the south side of Chicago in the late 1940s, two immigrants, one a Jew born in Russia, the other a black blues singer from Mississippi met and changed the course of musical history. Muddy Waters electrified the blues, and Leonard Chess recorded it. Soon Bo Diddly and Chuck Berry added a dose of pulsating rhythm, and Chess Records captured that, too. Rock & roll had arrived, and an industry was born. In a book as vibrantly and exuberantly written as the music and people it portrays, Rich Cohen tells the engrossing story of how Leonard Chess, with the other record men, made this new sound into a multi-billion-dollar business aggressively acquiring artists, hard-selling distributors, riding the crest of a wave that would crash over a whole generation. Full of absorbing lore and animated by a deep love for popular music, Machers and Rockers is a smash hit.

(Book). Outrageously talented, remarkably handsome, internationally renowned, and dead at the age of 21. More than 40 years after the tragic car crash that killed him, Eddie Cochran remains one of rock and roll's most lamented "What Ifs." A trailblazing guitarist, gifted vocalist, hit-making composer and arranger, and budding whiz-kid producer, Cochran quickly ascended from Midwestern obscurity in the late '50s to become one of nascent rock and roll's leading lights. He penned or recorded many of the most recognized songs in rock history "Summertime Blues," "Nervous Breakdown," "Somethin' Else," "C'mon Everybody," "Twenty Flight Rock," "Sittin' in the Balcony" songs whose distinctive sound and defiant, often wryly humorous lyrics have been eagerly digested, analyzed and lovingly reinterpreted by generations of rockers after him, from The Beatles to the Sex Pistols, The Who to U2. Three Steps to Heaven: The Eddie Cochran Story co-authored by Cochran's nephew, also a gifted musician is the first American biography of this uniquely American rock legend, who was among the first to be inducted into the Rock and Roll Hall of Fame. The book is a detailed portrait of Cochran's personal and professional triumphs and travails, with fascinating insight into the rock pioneer's life that only a family member can provide. 33 B/W photographs; Hardcover.

Paul McCartney and John Lennon described him as the Beatles' "favorite group," and yet no figure in popular music is as much of a paradox as Harry Nilsson. A major celebrity at a time when stadium rock was in its infancy and huge concerts and festivals were becoming the norm, Nilsson's instrument was the studio, his stage the dubbing booth, his greatest technical triumphs were masterful examples of studio craft, and he studiously avoided live performance. He was a gifted composer of songs for a wide variety of performers, having created vivid flights of imagination for the Ronettes, the Yardbirds and the Monkees, yet Nilsson's own biggest hits were almost all written, ironically, by other composers and lyricists. He won two Grammies, had two top ten singles, and numerous album successes. Once described by his producer Richard Perry as "the finest white male singer on the planet," near the end of his life, his career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. His music remains prevalent today, through the 1995 tribute album For the Love of Harry: Everybody Sings Nilsson (featuring performances of Nilsson's hits by Ringo Starr, Stevie Nicks, Fred Schneider and others) and recent covers, such as Aimee Mann's recording of "One" (popularized as the main track on the Magnolia soundtrack) and Neko Case's arrangement of "Don't Forget Me" on her album, Middle Cyclone. In this first ever full-length biography of Nilsson, author Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence, and charts his gradual move into the spotlight as a talented songwriter. With interviews from Nilsson's friends, family and associates, and material drawn from an unfinished draft autobiography Nilsson was writing prior to his death, Shipton probes beneath the enigma and the paradox to discover the real Harry Nilsson, and thereby reveals one of the most creative talents in 20th century popular music.

What is experimental music today? This book offers an up to date survey of this field for anyone with an interest, from seasoned practitioners to curious readers. This book takes the stance that experimental music is not a limited historical event, but is a proliferation of approaches to sound that reveals much about present-day experience. An experimental work is not identifiable by its sound alone, but by the nature of the questions it poses and its openness to the sounding event. Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Scientific, perceptual, or social phenomena become catalysts in the operation of the work. These practices are not presented according to a chronology, a set of techniques, or social groupings. Instead, they are organized according to the content areas that are their subjects, including resonance, harmony, objects, shapes, perception, language, interaction, sites, and histories. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have continued to develop over recent decades, expanding the scope of both musical practice and listening.

A brilliant new biography of the extraordinary, outrageous performer who helped open the floodgates of Rock'n'Roll

In June, 2007, Little Richard's 1955 Specialty Records single, "Tutti Frutti," topped Mojo "magazine's list of "100 Records That Changed the World." But back in the early 1950s, nobody gave Little Richard a second glance. It was a time in America where the black and white worlds had co-existed separately for nearly two centuries. After "Tutti Frutti," Little Richard began garnering fans from both sides of the civil rights divide. He brought black and white youngsters together on the dance floor and even helped to transform race relations.

Little Richard: The Birth of Rock 'n' Roll "begins by grounding the reader in the fertile soil from which Little Richard's music sprang. In Macon, Georgia, David Kirby interviews relatives and local characters, who knew Little Richard way back when, citing church and family as his true inspiration. His antics began as early as grade school, performing for his classmates every time the teacher would leave the room, connecting to an age-old American show biz tradition of charade and flummery. On the road, Little Richard faced competition from his peers, honing his stage show and making it, too, an act that could not be counterfeited.

Kirby sees Little Richard as a foxy warrior, fighting with skill and cunning to take his place among the greats. In the words of Keith Richards (on hearing "Tutti Frutti" for the first time), "it was as though the world changed suddenly from monochrome to Technicolor." Those sentiments have consistently been echoed by the music-listening world, and the time is ripe for a reassessment of Little Richard's genius and legacy.

This reference work details Frank Sinatra's extensive creative accomplishments and includes biographical information as it relates to his art. A valuable tool for researchers and fans, this book provides access to extensive data, collected from disparate sources, including the first published listing of Internet resources. The information is divided into three parts, each arranged alphabetically, and covers his music, film, radio, and television appearances, and his concerts and humanitarian contributions. A thorough bibliography provides important information on locating additional resources. The only American performer to span seven decades of recording (1930s-1990s), Sinatra is regarded as an American icon. The wealth of information in this reference attests to Sinatra's well-earned reputation as an American musical legend. This reference aptly includes information not only about his creative endeavors but about his humanitarian efforts as well. Because Sinatra is recognized and admired for his musical talent, a large portion of this reference is devoted to his songs and recordings. The alphabetical arrangements of song entries includes information on the songs, record labels, arrangers, and recording dates. Three appendices at the end of the volume provide additional information about the recordings. The encyclopedia concludes with the many awards and honors bestowed upon Sinatra.

Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins.
In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air.
In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself.
An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. All in all, he is one of the most feted and most influential musical figures of the past forty years even though he himself has consistently downplayed his musical abilities, describing himself as a non-musician on more than one occasion. This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.

The Bloomsbury Encyclopedia of Popular Music Volume 7 is one of five volumes within the 'Locations' strand of the series. This volume discusses the popular music of Europe in a historical, geographical, demographical, political, economic, and cultural context. It also examines the genres associated with the region, significant venues such as theatres, dance halls, clubs and bars, and notable performers and other practitioners such as producers, engineers, and technological innovators. The volume consists of over 100 entries written by more than 60 leading popular music scholars and practitioners, including Paolo Prato on Italy and Alf Bjoernberg on Sweden. This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.