Featuring fresh insights from Mick, Keith, Charlie and Ronnie, Unzipped digs deeper than ever before into the Stones' archives to present a comprehensive collection of Stones artworks, instruments, stage outfits and notebooks alongside key work by some of the legends of rock photography. For almost 60 years the Rolling Stones have helped shape popular culture around the globe. Unzipped captures the compelling character and dynamic spectacle of the band through distinctive photography and interviews with the Stones themselves, tracing their impact and influence on rock music, art, design, fashion, photography and filmmaking. Evocative archive photos, artworks, outtakes and memorabilia, together with dazzling images of the band's instruments and outfits, plunge you into the ever-changing world of the Stones. Many of the instruments and outfits are paired with pertinent archive photos, so you can examine the detail and see the objects in use. Peppered throughout with engrossing and insightful new commentary by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood, the book also features a compelling introduction by Anthony DeCurtis, which chronicles their career, and perceptive articles by some of their most important creative collaborators, including Buddy Guy, Don Was, Anna Sui, John Varvatos, Martin Scorsese, Shepherd Fairey, Patrick Woodroffe and Willie Williams. Bold, glamorous and captivating - and beautifully bound and finished - Unzipped is the perfect showcase for 'the greatest rock 'n' roll band in the world'. With 400 illustrations, 370 in colour

THE INSPIRATION FOR THE MAJOR MOTION PICTURE A COMPLETE UNKNOWN. One of the music world’s pre-eminent critics takes a fresh and much-needed look at the day Dylan “went electric” at the Newport Folk Festival.

On the evening of July 25, 1965, Bob Dylan took the stage at Newport Folk Festival, backed by an electric band, and roared into his new rock hit, Like a Rolling Stone. The audience of committed folk purists and political activists who had hailed him as their acoustic prophet reacted with a mix of shock, booing, and scattered cheers. It was the shot heard round the world—Dylan’s declaration of musical independence, the end of the folk revival, and the birth of rock as the voice of a generation—and one of the defining moments in twentieth-century music.

In Dylan Goes Electric!, Elijah Wald explores the cultural, political and historical context of this seminal event that embodies the transformative decade that was the sixties. Wald delves deep into the folk revival, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan’s artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. Breaking new ground on a story we think we know, Dylan Goes Electric! is a thoughtful, sharp appraisal of the controversial event at Newport and a nuanced, provocative, analysis of why it matters.

This biography details Lady Gaga's life from all angles, documenting her family background; the events before and during her meteoric rise to success as a songwriter, singer, and performance artist; her deft use of social media; and her political commentary. Lady Gaga: A Biography details Lady Gaga's life from birth to 2011. Readers will learn about her personal background-where she was born, who her parents were, what her early school years as a "weird girl" with "rabbit teeth" were like-as well as her pre-fame years where she gained an education in music and "paid her dues" as a small-time professional in small performance venues. The many milestones of her wildly successful career so far are documented in detail, as are Haus of Gaga, the artistic collective that supports her performances; her ongoing activities as a performer; her presentation in couture and accessories; and her stated intentions for the future. This book will be an engrossing read for fans of Lady Gaga as well as anyone interested in popular culture or the entertainment industry. Its inclusion of chapter endnotes containing quotations and controversial points along with a bibliography of print and electronic resources make it an authoritative research tool for students as well. A timeline of major events in Lady Gaga's life, including two world tours and several awards ceremonies Various photographs of Lady Gaga performing and at public appearances A bibliography provides choices for further reading

Bruno Mars has sold over 115 million records worldwide as a singer, producer and songwriter. This book documents his childhood in Honolulu and how he found fame from the age of four. Here is the incredible story of Bruno Mars, the obscure Hawaiian singer /songwriter who rocketed to global fame in just three years. After failure and near poverty in LA where the Motown record label signed and then dropped him, Bruno Mars had a surprise worldwide smash with his fi rst single for Atlantic, 'Just The Way You Are'. With sales of over 115 million, including two record-breaking digital single releases, Bruno Mars became a major star almost overnight. Even so, his exotic origins make for a story of rare fascination - raised by a family of musicians, learning his craft in Honolulu, playing, writing and performing on other people's records in LA and surviving a career-threatening drug bust. This is the amazing biography of Bruno Mars so far. The future promises even more success!

Tom Waits in his own words: a collection of three decades' worth of interviews with Tom Waits 'I've never met anyone who made it with a chick because they owned a Tom Waits album. I've got all three, and it's never helped me,' Tom Waits. Born, seemingly, in the back of a taxi cab outside a hospital in California, in December 1949, the young Tom Waits graduated through the jobs of janitor, dishwasher and cook to the position of doorman at a small L.A. club. Existing on a diet of whiskey, cigarettes and beat writing, he now added folk and jazz to his formative influences. In 1969, Captain Beefheart manager Herb Cohen discovered him - and five years later he released his first album, Closing Time, a record soaked in equal parts bourbon and melancholy. His drunken bohemian persona kicked in after this ('The Piano Has Been Drinking, Not Me'), and his familiar hoary rasp ('a voice that could guide ships through dense fog'), tales of losers, outsiders, hobos, dingy bar-room joints and seedy diners became the stuff of cult legend, covered by the likes of the Eagles, championed by Elton John, and instantly recognisable from a thirty-year career that has seeped through music (over 20 albums), theatre and film. Waits has never written an autobiography, has notoriously played fast and loose with the truth, but this collection of interviews is practically Tom Waits in his own words. Witty, enigmatic and currently fired up about the state of America (his latest album 'Real Gone' has been his most successful yet), Innocent When You Dream is a must-have for any Waits fan.

Popular music has always attracted the kind of morally bankrupt individuals who are too unhinged to hold down a proper job. And that's just as well. After all, if your local fishmonger told you he'd just snorted his father's ashes, you might think twice about doing business with him. But when Keith Richards says it, you think 'Nice one, Keef!' and have a flick through your iPod to find 'Honky Tonk Women'. From deeply suspect sexual politics to crackpot religions, musicians' elevated position in popular culture allows them to hold forth freely on subjects about which they know precious little. For the first time, Mind The Bollocks collects some of the finest stools of wisdom ever to fall from their foul, ill-educated mouths. Mind The Bollocks also digs beneath the culture of nonsense surrounding popular music and asks: Are the X-Factor auditions all they appear to be? Is there really a musical frequency that can make you soil yourself? And which world-renowned rock guitarist sliced his own penis off? All is revealed herein, with bonus satanic messages included if you read it backwards. Word count: 40,000

1979. The dawn of Thatcher' s Britain. It' s a country crippled by strikes, joblessness and economic gloom, divided by race and class - and skanking to a new beat: 2-Tone. The unruly offspring of white boy punk and rude boy ska, the new music' s undeniable leaders were The Specials. Bursting out of Coventry' s concrete jungle, their lyrics spoke of failed marriages, petty violence, crowded dance floors, gangsters and race hate - but with a wit that outshone their angry punk forebears. On stage they were electric, and at the heart of this energy was the vocal chemistry of the ethereal Terry Hall and Jamaican rude boy Neville Staple. In 1961, aged only five, Neville was sent to England to live with his father - a man for whom discipline bordered on child abuse. Growing up black in the Midlands of the Sixties and Seventies wasn' t easy, but then Nev was hardly an angel. His youth was marked by scuffles with skins, compulsive womanising, and a life of crime that led from shoplifting to burglary and eventually borstal and Wormwood Scrubs. But throughout there was music, and now Nev tells how a very bad boy became part of the most important band of the Eighties. He remembers sound system battles; the legendary 2-Tone tour with The Selecter, Madness and Dexy' s - and their clashes with NF thugs. He recalls the band' s increasing tensions and eventual split; his subsequent foray into bubblegum pop with Fun Boy Three; and a new found fame in America, as godfather to bands like Gwen Stefani' s No Doubt. Finally he reflects on The Specials' reunion and how even now, thirty years on, they can' t help tearing themselves apart.Raucous and charming Original Rude Boy is the story of a man who done too much, much too young. Neville Staple was a frontman with The Specials, a member of the hugely successful pop trio Fun Boy Three and now tours the world with own his own ska act The Neville Staple Band. Visit him at: www.nevillestaple.co.uk Tony McMahon is a journalist and TV producer living in south London.

Legendarily reticent, perverse and misleading, Prince is one of the few remaining 80s superstars who still, perhaps, remains unexplained. Now a firm fixture in the pop canon, where such classics as 'Purple Rain', 'Sign o' the Times' and 'Parade' regularly feature in Best Ever Album polls, Prince is still, as he ever was, an enigma. His live performances are legendary (21 Nights at the O2 in 2007) and while recent releases have been modestly successful at best, his influence on urban music, and R'n'B in particular, has never been more evident. The Minneapolis Sound can now be heard everywhere. Matt Thorne's Prince, through years of research and interviews with ex-Revolution members such as Wendy and Lisa, is an account of a pop maverick whose experiments with rock, funk, techno and jazz revolutionised pop. With reference to every song, released and unreleased, over 35 years of recording, Prince will stand for years to come as the go-to book on the Great Man.

In a stretch of just seven years, the Beatles recorded hundreds of songs which tower above those of their worthy peers as both the product of cultural leadership and an artistic reflection of their turbulent age, the1960s. Walter Everett and Tim Riley's What Goes On: The Beatles, Their Music, and Their Time blends historical narrative, musicology, and music analysis to tell the full story of the Beatles and how they redefined pop music. The book traces the Beatles' development chronologically, marking the band's involvement with world events such as the Vietnam War, strides in overcoming racial segregation, gender stereotyping, student demonstrations, and the generation gap. It delves deeply into their body of work, introducing the concepts of musical form, instrumentation, harmonic structure, melodic patterns, and rhythmic devices in a way that is accessible to musicians and non-musicians alike. Close readings of specific songs highlight the tensions between imagination and mechanics, songwriting and technology, and through the book's musical examples, listeners will learn how to develop strategies for creating their own rich interpretations of the potential meanings behind their favorite songs. Videos hosted on the book's companion website offer full definitions and performance demonstrations of all musical concepts discussed in the text, and interactive listening guides illustrate track details in real-time listening. The unique multimedia approach of What Goes On reveals just how great this music was in its own time, and why it remains important today as a body of singular achievement.

Electronic dance music was once the utopian frontier of pop culture. But three decades after the acid house 'summer of love', it has gone from subculture to the global mainstream. Does it still have the same power to inspire?

From the pleasure palaces of Ibiza and Las Vegas to 'new frontiers' like Shanghai and Dubai, raving is now a multi-million-dollar business. But there are still hardcore believers upholding its DIY ethos - the techno idealists of Berlin and Detroit and the queer subcults of New York, the post-apartheid party people of South Africa and the outlaw techno travellers of France.

In Rave On, Matthew Collin travels the world to experience these unique scenes first-hand, talk to the key players and hear the story of how dance culture went global - and find out if its maverick spirit can survive its own success.

It is widely considered in music, there are two eras-before Hendrix and after Hendrix. Regarded as the greatest guitarist of all time, Jimi Hendrix is the embodiment of rock 'n' roll. His career only spanned four years but in that time he managed to influence generations of musicians from Freddie Mercury to the Red Hot Chili Peppers and Slash. Born Johnny Allan Hendrix in Seattle in 1942, Jimi had a difficult childhood living in the care of relatives with only sporadic visits to his mother. Music became his sanctuary and in the mid-60s he had his career breakthrough creating The Jimi Hendrix Experience. Renowned for his incredible performances, Jimi played the guitar like never before. Famous for playing the guitar with his teeth and lighting his instrument on fire, Hendrix's innovative and experimental sound won over UK rock royalty and legions of US fans. But there was a dark side to Hendrix, he would become angry and violent after days of mixing alcohol and illicit drugs. Tragically in 1970 he was found dead in a London flat. The real reason behind his death is still disputed. Hendrix managed to change music forever in just four years. With access to key members of Jimi's circle, critically acclaimed writer Mick Wall will deliver an explosive and celebratory biography offering fans a chance to see the real Hendrix and learn the truth behind his untimely death.

More than thirty years after The Beatles split up, the music of Lennon, McCartney and Harrison lives on. What exactly were the magical ingredients of those legendary songs? why are they still so influential for today's bands? This groundbreaking book sets out to exlore The Beatles' songwriting techniques in a clear and readable style. It is aimed not only at musicians but anyone who has ever enjoyed the work of one of the most productive and successful songwriting partnerships of the 20th century. Author Dominic Pedler explains the chord sequences, melodies and harmonies that made up The Beatles' self penned songs and how they uncannily complemented the lyrical themes. He also assesses the contributions that rhythm, form and arrangement made to the Beatles unique sound. Throughout the book the printed music of the Beatles' songs appears alongside the text, illustrating the authors explanations. The Songwriting Secrets of The Beatles is an essential addition to Beatles literature - a new and perceptive analysis of the music itself itself as performed by what Paul McCartney still calls 'a really good, tight little band'.

The first major biography of the award winning Scottish singer/songwriter. John Dingwall has talked to Emeli, her parents, her sister, schoolteachers and those who have been involved with her career to bring the first biography of Britain's hottest female singer/songwriter at the moment.

(Guitar Recorded Versions). Guitar tab for 14 songs, plus photos from the MTV sessions. About a Girl * All Apologies * Come As You Are * Dumb * Jesus Doesn't Want Me for a Sunbeam * Lake of Fire * The Man Who Sold the World * Oh Me * On a Plain * Penny Royal Tea * Plateau * (New Wave) Polly * Something in the Way * Where Did You Sleep Last Night.

Never before has a true insider, a member of the Grateful Dead family from the band's early days through today, told the story of life on the road with the Grateful Dead. From San Francisco to Europe to Egypt and back again; from wild parties and horrible tragedies; from laughter to heartbreak--this is the inside story of the most legendary American rock 'n' roll band of all time and the tale of a man who lived it, from roadie to manager and brother.
"The Grateful Dead was all about improvisation, and Steve spoke that language with flourish...Steve was a central figure, often in the lead of what was going on backstage, in the hotels, on the airplanes, busses, boats, or whatever. If ever I get around to writing a book, you'll be reading plenty more about Steve."
- Bob Weir, from the foreword

Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, author Jonathyne Briggs reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture. Popular music, at once individual and communal, fixed and plastic, offers an illuminating window into such transformations in social structures through the ways in which musicians, musical consumers, and critical intermediaries re-imagined themselves as part of novel cultural communities, whether local, national, or supranational in nature. Briggs argues that national identity was but one of a panoply of identities in flux during the postwar period in France, demonstrating that the development of hybridized forms of popular music provided the French with a method for expressing and understanding that flux. Drawing upon an array of printed and aural sources, including music publications, sound recordings, record sleeves, biographies, and cultural criticism, Sounds French is an essential new look at popular music in postwar France.

- Filled with contributions from world-leading academics and practitioners, from a variety of backgrounds and countries. - Highly interdisciplinary overview of live music, which will be relevant to professionals and students interested in music business, music technology, music production and performance. - Includes papers on cutting-edge issues, such as augmented reality and virtual reality.

From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term "listening device." In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its "other"-a history of non-listening. The book proposes "listening device" as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.

'Experiencing Nirvana' is a photo journal, grunge rock micro-history and an inside look into a crucial eight-day period in the touring life of Nirvana. In this brief period, the young band goes from breaking up in Rome to winning over the influential British music press at Sub Pop's LameFest UK showcase in London, setting the stage for their imminent popularity.

Since John Lennon composed Lucy in the Sky with Diamonds in early 1967, fans and music critics alike have argued over the meaning of the song. Is it about drugs? Is it just a lyrical response to a drawing given Lennon by his 4-year-old son Julian? Is there some deeper meaning? Professor Tim Kasser goes beyond speculative explanations by applying innovative psychological methods to the song's lyrics and music. He deeply analyzes the song's linguistic structure, its basic theme, and the way its words and music had been used by Lennon in earlier songs. As the findings accumulate, Kasser weaves them together with the facts of Lennon's life and established psychological theories to provide an integrative (and sometimes surprising) perspective on the psychological processes that led Lennon to write Lucy in the Sky with Diamonds. Kasser goes on to follow the unfolding of these personal dynamics in later Lennon songs like I am the Walrus, Yer Blues, and Working Class Hero.
No other book has so closely examined this period of Lennon's life with such a sophisticated psychological approach. Kasser's methods and perspective point to the usefulness of scientific psychology for understanding why a particular person does a particular thing at a particular time, at the same time that they shed new light on this fascinating and controversial man.

For a quarter century, Melissa Etheridge has been one of the most iconic and prolific female rock musicians. This book critically examines this songwriter's portrayal of universal human emotions and experiences against the context of her life. Songwriter. Pop star. Gay activist. Cancer survivor. Advocate for cancer victims. Human being. Melissa Etheridge is all of these things, and all of these elements of who she is have played an instrumental role in her music from the beginning of her career to the present day. The Words and Music of Melissa Etheridge examines Melissa Etheridge's contributions to pop music in the tradition of other greats such as Janis Joplin, Bruce Springsteen, and Rod Stewart. Written by a music scholar and Etheridge fan, this book investigates her work chronologically by time period, underscoring her growth as a songwriter and musician and demonstrating how her music reflected the events in her life, both positive and negative. Author James E. Perone spotlights how Etheridge's songs defy traditional gender roles and stereotypes and appeal to general audiences with their universal themes, yet serve those in the lesbian community because of the specific applicability of her words to the members of this minority group. The book supplies expert, critical, and easy-to-understand analysis of all of the songs of Melissa Etheridge's studio albums from the 1980s through to her autobiographical and reflective album, 4th Street Feeling, released in 2012. Provides critical analysis of the songs and recordings of iconic American singer-songwriter Melissa Etheridge Includes an annotated bibliography of books and articles about Melissa Etheridge and a discography of her albums to facilitate further research Analyzes the significance of Melissa Etheridge's work within the LGBT community Identifies the gender-free nature of Melissa Etheridge's lyrics that enabled her to achieve great popularity with general audiences

The Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory.

The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. This book traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.