'This band has no past' was the first line of the farcical biography printed on the inner sleeve of Cheap Trick's first album, but the band, of course, did have a past--a past that straddles two very different decades: from the tumult of the sixties to the anticlimax of the seventies, from the British Invasion to the record industry renaissance, with the band's debut album arriving in 1977, the year vinyl sales peaked. This Band Has No Past tells the story of a bar band from the Midwest--the best and weirdest bar band in the Midwest-- and how they doggedly pursued a most unlikely career in rock'n'roll. It traces every gnarly limb of the family tree of bands that culminated in Cheap Trick, then details how this unlikely foursome paid their dues--with interest--night after night, slogging it out everywhere from high schools to bars to bowling alleys to fans' back yards, before signing to Epic Records and releasing two brilliant albums six months apart. Drawing on more than eighty original interviews, This Band Has No Past is packed full of new insights and information that fans of the band will devour. How was the Cheap Trick logo created? How did the checkerboard pattern come to be associated with the band? When did Rick Nielsen start wearing a ballcap 24/7? Who caught their mom and dad rolling on the couch? What kind of beer did David Bowie drink? And when might characters like Chuck Berry, Frank Zappa, Don Johnson, Otis Redding, Eddie Munster, Kim Fowley, John Belushi, Jim Belushi, Elvis Presley, Leslie West, Groucho Marx, Robert F. Kennedy, Patti Smith, Andy Warhol, Lou Reed, The Coneheads, Tom Petty, Harvey Weinstein, Michael Mann, Linda Blair, Eddie Van Halen, Elvis Costello, Matt Dillon, and Pam Grier turn up? Read on and find out.

Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n' Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork - front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series. With vinyl sales now at their highest in 25 years, 100 Best Selling Albums of the 90s is an expert celebration of popular music from Sheryl Crow to Shania Twain, from the Spice Girls to the Backstreet Boys, from Gloria Estefan to Michael Jackson to Lauryn Hill.

Pete Brown is a lot of things. A major songwriting talent who was responsible for Cream's classic musical moments, important collaborations with Jack Bruce and such notable experiments in jazz and rock as The Battered Ornaments, Graham Bond and countless progressive music groups. A talented poet who helped pioneer the emerging UK Beat scene in the sixties, making history with his earliest performances and going poetic toe to toe with the likes of Allen Ginsberg, Lawrence Ferlinghetti and Gregory Corso. He was also a child of war and the memories of The Blitz are still with him to this day. He is an anarchist at heart who believes in the mantra of telling it like it is and has done as much through the decades of a songwriter, musician, producer and poet. Within certain circles Pete Brown is a legend, a creative force of nature who is constantly on the move to the next big thing. To much of the world, Pete Brown is an unknown quantity, known for his Cream fame and not much else. With this book, Pete Brown: The Poet Who Rocks, the creative whirlwind will be on full display. This is Pete Brown. Now his story can be told.

A household name, an Australian rock icon, the elder statesman of Ozrock - there isn't an accolade or cliche that doesn't apply to Jimmy Barnes. But long before Cold Chisel and Barnesy, long before the tall tales of success and excess, there was the true story of James Dixon Swan - a working class boy whose family made the journey from Scotland to Australia in search of a better life. Working Class Boy is a powerful reflection on a traumatic and violent childhood, which fuelled the excess and recklessness that would define, but almost destroy, the rock'n'roll legend. This is the story of how James Swan became Jimmy Barnes. It is a memoir burning with the frustration and frenetic energy of teenage sex, drugs, violence and ambition for more than what you have. Raw, gritty, compassionate, surprising and darkly funny - Jimmy Barnes's childhood memoir is at once the story of migrant dreams fulfilled and dashed. Arriving in Australia in the Summer of 1962, things went from bad to worse for the Swan family - Dot, Jim and their six kids. The scramble to manage in the tough northern suburbs of Adelaide in the 60s would take its toll on the Swans as dwindling money, too much alcohol, and fraying tempers gave way to violence and despair. This is the story a family's collapse, but also a young boy's dream to escape the misery of the suburbs with a once-in-a-lifetime chance to join a rock'n'roll band and get out of town for good.

Discover music that dared to be different, risked reputations and put careers in jeopardy - causing fascination and intrigue in some and rejection and scorn in others. This is what happens when people take tradition and rip it up. MusicQuake tells the stories of 50 pivotal albums and performances that shook the world of modern music - chronicling the fascinating tales of their creation, reception and legacy. Tracing enigmatic composers, risque performers and radical songwriters - this books introduces the history of 20th century music in a new light. From George Gershwin and John Cage to Os Mutantes and Fela Kuti; from Patti Smith and The Slits to Public Enemy and Missy Elliott - by discussing each entry within the context of its creation, the book will give readers true insight into why each moment was so pivotal and tell the stories surrounding the most exciting music ever produced. Some were shocking, others confusing, beautiful and surreal; some were scorned on release, others were chart toppers; and yet more inspired entire movements and generations of new musicians. These cutting-edge works, which celebrate novelty, technology and innovation, help define what music is today - acting as prime examples of how powerful songs can be. This book is from the Culture Quake series, which looks into iconic moments of culture which truly created paradigm shifts in their respective fields. Also available are ArtQuake, FilmQuake and FashionQuake.

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingotti's London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingotti's years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

SHORTLISTED FOR THE IRISH BOOK AWARDS 2021 AND THE PENDERYN MUSIC BOOK PRIZE 2022 THE LANDMARK MEMOIR OF A GLOBAL MUSIC ICON Sinead O'Connor's voice and trademark shaved head made her famous by the age of twenty-one. Her recording of Prince's Nothing Compares 2 U made her a global icon. She outraged millions when she tore up a photograph of Pope John Paul II on American television. O'Connor was unapologetic and impossible to ignore, calling out hypocrisy wherever she saw it. She has remained that way for three decades. Now, in Rememberings, O'Connor tells her story - the heartache of growing up in a family falling apart; her early forays into the Dublin music scene; her adventures and misadventures in the world of sex, drugs and rock'n'roll; the fulfilment of being a mother; her ongoing spiritual quest - and through it all, her abiding passion for music. Rememberings is intimate, replete with candid anecdotes and full of hard-won insights. It is a unique and remarkable chronicle by a unique and remarkable artist. 'Inspiring, liberating, hilarious and fascinating' Irish Times 'Beautifully observed ... lyrical, funny and anguished' Guardian 'Her voice on the page is as fearless, riveting and unforgettable as her voice in song. The cadence alone is hypnotic, her story essential. Rememberings is a must-read' Michael Stipe 'So good, you'll want to read it twice' Sunday Independent 'A soul-bearing, brutally honest account of an extraordinary life' BBC Online 'Tremendous . . . fierce and funny' Sunday Times Books of the Year

This groundbreaking biography of a brilliant but disturbed performer explores the paradox of the man and the artist. Based on more than 100 interviews, this intelligent profile explores Morrison's roots; the hard times he went through in London, New York, and Boston; the making of his seminal albums "Moondance" and "Astral Weeks"; and the disastrous business arrangements that left Morrison hungry and penniless while his songs were topping the charts. Detailed are the breakdown of Morrison's marriage, the creative drought that followed, and his triumphant reemergence. In addition, this biography attempts to explain the forbidding aspects of Morrison's persona, such as paranoia, hard drinking, misanthropy, as well as why, in the words of his one-time singing partner Linda Gail Lewis, Morrison's music "brings happiness to other people, not him." Also included is a Van Morrision sessionography that spans 1964 to 2001.

What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people's lives in a period of total war.

A collection of classic Tori Amos songs, arranged for easy piano with full lyrics and chord symbols. Includes: Bliss * Cornflake Girl * Pretty Good Year * Silent All These Years * Winter * and more.

Taking its cue from a mix-tape culture that figured as a circulation of desire and communicative enthusiasm, the Agit-Disco project, initiated in 2007, now transmutes from an on-line project and Cd-r distribution process into book form. Agit-Disco brings together the music selections of its invited participants and covers a range of genres and styles that are offered, here, as a collective response to the remit: politics and music minus the propaganda. The Agit-Disco selector is responding to living self-knowledges; it is the report of a participant where music is often part of the formation of an oppositional or radical self. Or even just the survival of the human spirit and hunger for freedom. Coming with the original selector commentaries this book may yet well be further realised in the pulsing disco darkness. Agit-Disco Selectors: DJ Krautpleaser, Johnny Spencer, Tom Vague, Martin Dixon, Peter Haining, Stewart Home, Tom Jennings, Howard Slater, Mel Croucher, Simon Ford, Room 13 - Lochyside Scotland, Sian Addicott, Peter Conlin, Louise Carolin, Andy T, Sarah Falloon, Micheline Mason, Roger McKinley, Stefan Szczelkun, Neil Transpontine, Luca Parsi, John Eden, Tracey Moberley.

This first critical appreciation of T Bone Burnett reveals how the proponent of Americana music and producer of artists ranging from Robert Plant and Alison Krauss to B. B. King and Elvis Costello has profoundly influenced American music and culture. T Bone Burnett is a unique, astonishingly prolific music producer, singer-songwriter, guitarist, and soundtrack visionary. Renowned as a studio maven with a Midas touch, Burnett is known for lifting artists to their greatest heights, as he did with Raising Sand, the multiple Grammy Award-winning album by Robert Plant and Alison Krauss, as well as acclaimed albums by Los Lobos, the Wallflowers, B. B. King, and Elvis Costello. Burnett virtually invented "Americana" with his hugely successful roots-based soundtrack for the Coen Brothers film, O Brother, Where Art Thou? Outspoken in his contempt for the entertainment industry, Burnett has nevertheless received many of its highest honors, including Grammy Awards and an Academy Award. T Bone Burnett offers the first critical appreciation of Burnett's wide-ranging contributions to American music, his passionate advocacy for analog sound, and the striking contradictions that define his maverick artistry. Lloyd Sachs highlights all the important aspects of Burnett's musical pursuits, from his early days as a member of Bob Dylan's Rolling Thunder Revue and his collaboration with the playwright Sam Shepard to the music he recently composed for the TV shows Nashville and True Detective and his production of the all-star album Lost on the River: The New Basement Tapes. Sachs also underscores Burnett's brilliance as a singer-songwriter in his own right. Going well beyond the labels "legendary" or "visionary" that usually accompany his name, T Bone Burnett reveals how this consummate music maker has exerted a powerful influence on American music and culture across four decades.

Here is the story of the boy from Brixton who became one of the most famous artists of the 20th century, returned to prominence in the 21st with music and visions informed by a sense of his own mortality and who through his life and work, changed lives and those of generations to come.

"Ukraine's greatest living novelist" New European "A Ukrainian Murakami" Guardian A hugely entertaining romp through the beautiful city of Lviv, by the author of Death and the Penguin and Grey Bees, now reporting widely on the Russian invasion of Ukraine, his home country. Strange things are happening in the cosmopolitan town of Lviv, western Ukraine. Seagulls are circling and the air smells salty, though Lviv is a long way from the sea . . . A group of ageing hippies meets at the cemetery in the middle of the night, gathered around a mysterious grave. Among them the ex-KGB officer who means to apologise to all those he spied on; the woman who is allergic to banknotes, and yet works at the money exchange; and Taras, who makes a living driving at top speed over cobblestones in his ancient Opel Vectra, curing paying passengers of their kidney stones. Kurkov's novels are often populated by lonely people going through difficult times, and by his own brand of black humour combined with magic realism (occasionally vodka-fuelled). All those ingredients are found in Jimi Hendrix Live in Lviv. Translated from the Russian by Reuben Woolley

American roots music, also known as Americana music, can be challenging to categorize, spanning the genres of jazz, bluegrass, country, blues, rock and roll, and an assortment of variations in between. In The Downhome Sound, Mandi Bates Bailey explores the messages, artists, community, and appeal of this seemingly disparate musical collective. To understand the art form's intended meanings and typical audiences, she analyzes lyrics and interviews Americana artists, journalists, and festival organizers to uncover a desire for inclusion and diversity. Bailey also conducts an experiment to assess listener reception relative to more commercial forms of music. The result is an in-depth study of the political and cultural influence of Americana and its implications for social justice.

In 2002, David Bowie and Mick Rock created Moonage Daydream, the defining document of the life and times of Ziggy Stardust. Twenty years later, it remains the closest readers will get to understanding Bowie through his own words.

Alongside over 600 photographs taken by Mick Rock, Bowie’s personal and often humorous commentary gives unprecedented insight into his work and the creation of his most memorable persona. Readers can see how Bowie singlehandedly challenged and elevated 1970s culture through his style, his inspirations ranging from Kubrick to Kabuki, and his creative spirit, which endures through the decades. Moonage Daydream is the essential David Bowie book.

First published as a signed limited edition, Moonage Daydream sold out in a matter of months and became lore among David Bowie fans. Now, on the 50th anniversary of Bowie’s acclaimed album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, the book is available again. Published in a new larger format, this uncut edition keeps to Bowie and Rock’s original vision, allowing us to explore Moonage Daydream the way the authors intended.

How has the history of rock 'n' roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre's primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.

Venerated for his lyrics, Bob Dylan in fact is a songwriting musician with a unique mastery of merging his words with music and performance. Larry Starr cuts through pretention and myth to provide a refreshingly holistic appreciation of Dylan's music. Ranging from celebrated classics to less familiar compositions, Starr invites readers to reinvigorate their listening experiences by sharing his own-sometimes approaching a song from a fresh perspective, sometimes reeling in surprise at discoveries found in well-known favorites. Starr breaks down often-overlooked aspects of the works, from Dylan's many vocal styles to his evocative harmonica playing to his choices as a composer. The result is a guide that allows listeners to follow their own passionate love of music into hearing these songs-and personal favorites-in new ways. Reader-friendly and revealing, Listening to Bob Dylan encourages hardcore fans and Dylan-curious seekers alike to rediscover the music legend.

Stephen Davis's brilliantly written personal account of criss-crossing America with Led Zeppelin on their 1975 tour. A warts-and-all snapshot of the world's biggest hard-rock band at their peak. As a young rock writer Stephen Davis landed the ultimate commission - touring America with Led Zeppelin. This is a personal account by Davis of his journey, which saw him crossing the country with the band on board the Starship, their famous Boeing passenger jet, complete with deep shag purple carpet, electric pianos, girlfriends and star-struck hangers-on. This is also the story of one of the hardest-living bands in the world at their peak. For Robert Plant, Jimmy Page, John Paul Jones and John Bonham, the most beautiful women in America tear their spangled jackets from them and riots start outside their gigs. LZ-'75 captures a few perfect months in rock, when Led Zeppelin epitomised the free-living rock dream, but, like Icarus, their wings were already beginning to melt. It wouldn't be long before John Bonham died of a vodka overdose, and punk killed their brand of monumental rock. With it's up-close-and-personal accounts of band members, managers, groupies, fans and drug-dealers, there's a lot of Almost Famous about this book - Led Zep's 1975 tour is in fact the very one on which Cameron Crowe's film was based. Stephen Davis was barely twenty in 1975, but now he is recognised as one of the best rock writers in the world. He is the author of the mega-selling Hammer of the Gods - a biography of Led Zeppelin. He recently unearthed his notebooks of the 1975 tour - which he didn't use for Hammer of the Gods - to write LZ-'75. LZ-'75: Across America with Led Zeppelin is a wonderful and unique thing - a beautifully succinct account of a single moment in rock, when no lyric was too far-fetched, no drink went undrunk and no expense was ever, ever spared. It's a moment that will never be repeated.

To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism-that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985- 2015).

Streaming Music examines how the Internet has become integrated in contemporary music use, by focusing on streaming as a practice and a technology for music consumption. The backdrop to this enquiry is the digitization of society and culture, where the music industry has undergone profound disruptions, and where music streaming has altered listening modes and meanings of music in everyday life. The objective of Streaming Music is to shed light on what these transformations mean for listeners, by looking at their adaptation in specific cultural contexts, but also by considering how online music platforms and streaming services guide music listeners in specific ways. Drawing on case studies from Moscow and Stockholm, and providing analysis of Spotify, VK and YouTube as popular but distinct sites for music, Streaming Music discusses, through a qualitative, cross-cultural, study, questions around music and value, music sharing, modes of engaging with music, and the way that contemporary music listening is increasingly part of mobile, automated and computational processes. Offering a nuanced perspective on these issues, it adds to research about music and digital media, shedding new light on music cultures as they appear today. As such, this volume will appeal to scholars of media, sociology and music with interests in digital technologies.