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Books > Music > Contemporary popular music > Rock & pop > General
THE ILLUSTRATED STORY OF SUN RECORDS AND THE 70 RECORDINGS THAT CHANGED THE WORLD Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. This is where Rock 'n Roll was born. Written by two of the most acclaimed music writers of our time, The Birth of Rock n' Roll: 70 Years of Sun Records looks at this history of this legendary label through the lens of 70 of its most iconic recordings. Accompanying the recordings is the label's origin story and a look at the mission of the label today, as well as fascinating dives into subjects such as the legendary Million Dollar Quartet, and how the song "Harper Valley, PTA" funded the purchase of the label. Featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.
This is a true life story account of Len Garry's childhood memories of his childhood days spent with John Lennon and Paul McCartney and the forming of the band The Quarrymen. Also the day John Lennon met Paul McCartney for the very first time at St. Peter's Church fete on 6th July 1957, this book is a first hand account of what took place on that day plus more stories.
Crazy Rich Asians meets Gossip Girl by way of Jenny Han in this knock-out sequel, about a Korean American teen who is thrust into the competitive, technicolor world of K-pop, from Jessica Jung, K-pop legend and former lead singer of one of the most influential K-pop girl groups of all time, Girls Generation. Couture gowns, press parties, international travel. Rachel Kim is at the top of her game. Girls Forever is now the number-one K-pop group in the world, and her fame skyrockets after her viral airport styling attracts the attention of fashion's biggest names. Her life's a swirl of technicolour glamour and adoring fans. Rachel can't imagine shining any brighter. The only thing that's missing is love-but Rachel's determined to follow the rules. In her world, falling in love can cost you everything. Enter Alex. When Rachel literally falls head over designer heels into his lap on a crowded metro, she's tempted to give up her anti-love vows. Alex is more than just heart-stopping dimples and adorably quirky banter. He believes in Rachel's future-both in music and in fashion. But the higher you rise, the harder you fall. And when a shocking act of betrayal shatters her world, Rachel must finally listen to her heart.
Do You Believe in the Power of Rock & Roll? is a history of alternative rock from John Robb, with the music still ringing in his ears. This collection follows John's journey from the late 1970s, when he was first caught up in punk's high-octane thrill, to the present day, via the early days of the rave scene, the birth of electronic and techno, and myriad bands that spun off on their own idiosyncratic paths. John was the first person to write about Nirvana, he coined the term Britpop, and he documented the Stone Roses' rise out of Manchester before anyone else was interested. He was at every pivotal gig, and has interviewed every key player in the business, including Jordan, the queen of punk, founding father of new American rock Steve Albini, goth-rock guitarist Daniel Ash, infamous Oasis co-founder Noel Gallagher, and music greats like Lemmy and Poly Styrene. Few others have witnessed first-hand so many important moments of the last forty years of rock history. Here, they come together to form the essential history of a personal quest to document the ever-changing soundtrack of the modern world.
"Yungblud is like nothing you've seen before. That is, unless you've seen a smiley punk/alt rocker from Doncaster, UK who wears pink socks, black-lipstick, and a skirt, plays a mean guitar, has an endless amount of energy, and an interesting aura of sex appeal. Then, and only then, can you say you've seen someone like Yungblud." - musicinminnesota.com YUNGBLUD. A striking new musical voice has emerged for Gen-Z. Political, provocative and impassioned, Yungblud has in the space of three years become one of the UK's most recognisable artists through his unique blend of pop, punk and emo music - gaining one of the most die-hard fanbases on the planet in the process. From 21st Century Liability, where nothing was sacred - gun violence, psychosis, sex, drugs and suicide - to his sophomore album Weird!, an exploration of oddity and self-acceptance, YUNGBLUD challenges our zeitgeist as much as he channels it. This is the first fully authorised book, featuring photographs by his friend and closest collaborator Tom Pallant. Featuring an amazing selection of rare and unseen photographs, All My Friends Have Deserted charts Yungblud's journey from late 2019 as he toured his debut album across the world, right through releasing his second album during a global pandemic, scoring his first UK #1, returning triumphantly to Reading and Leeds festival mainstage and culminating in his biggest ever headline show, a sold-out Alexandra Palace in London. All My Friends Have Deserted shows YUNGBLUD as a man of multitudes: dominating the stage, screaming into the mic, laughing behind-the-scenes, enjoying quiet creative moments and pulling faces at the camera. The vicious energy of his performances carries onto the page. The result is a rollercoaster of a photo-essay that carries readers on a journey through the highs and lows of Gen-Z's most essential new rock star. "My generation is over being divided. Being divided is an old concept that is rapidly becoming obsolete. We are opinionated. We are full of contradictions. That's the beauty of it. Our intention is to make this world equal. No matter what size you are, what shape you are, what colour you are, what sexuality you are..." Underpinning it all is the message of empathy. Those who his lyrics resonate with are not alone. Authentic and electric, rebellious and irreverent, yet still utterly human, YUNGBLUD is the new face of punk. Here he presents himself through a series of exclusive and unseen photographs, taken by his friend and closest collaborator, photographer Tom Pallant.
A blend of This Is Spinal Tap and Fear and Loathing in Las Vegas, the cult classic confessions of a debauched rock 'n' roller and his adventures in excess on the '80s hair-metal nostalgia tour through Middle America--available again, and now revised and updated. Once upon a time at the start of the new century, the unheard-of Unband got a chance to drink, fight, and play loud music with '80s metal bands like Dio and Def Leppard. To the mix they brought illegal pyrotechnics, a giant red inflatable hand with movable digits, a roadie dubiously named Safety Bear, a high tolerance for liver damage, and an infectious love of rock & roll and everything it represents. Unband bassist Michael Ruffino takes us on an epic joyride across a surrealistic American landscape where we meet mute Christian groupies, crack-smoking Girl Scouts, beer-drinking chimps, and thousands of head-bangers who cannot accept that hair metal is dead. Here, too, are uncensored portraits of Ronnie James Dio, Anthrax, Sebastian Bach, Lemmy of Motorhead, and others. Adios, Motherfucker is gonzo rock storytelling at its finest--excessive, incendiary, intelligent, hilarious, and utterly original.
As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer with Berry Gordy as his manager before partnering up with his brother Brian and Lamont Dozier, both talented arrangers and producers. When Holland Dozier Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.
THE ULTIMATE EDITION - EXPANDED AND UPDATED WITH MORE THAN 70,000 WORDS OF NEW MATERIALCritically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie's work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts' Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie's extraordinary career is explored and dissected by Nicholas Pegg's unrivalled combination of in-depth knowledge and penetrating insight.* The Albums - detailed production history and analysis of every album.*The Songs - hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities - from 'Absolute Beginners' to 'Ziggy Stardust', from 'Abdulmajid' to 'Zion'.* The Tours - set-lists and histories of every live show.* The Actor - a complete guide to Bowie's career on stage and screen.* Plus - the videos, the BBC radio sessions, the paintings, the internet and much more.
You can tell a lot about somebody in a minute. If you choose the right minute. As a journalist (for Rolling Stone, the "New York Times", and elsewhere) and bestselling author, Neil Strauss considers it his job to hang around celebrities, rock gods, porn queens, up-and-coming starlets, and iconic superstars long enough - whether it takes moments or months - to find that minute, the one when the curtain finally falls away and the real person is revealed. In this new collection, Strauss offers up 120 of those singular, hit-you-in-the guts, perception-altering, revolutionary minutes, as only he can - with total honesty, deadpan wit, and unmatched style. Among the game-changing moments collected here are interviews with: Tom Cruise; Snoop Dogg; Madonna; Johnny Cash; Cher and Dave Navarro; Oasis; Julian Casablancas of The Strokes; Brian Wilson; Eric Clapton; and, Hugh Hefner. Wickedly illustrated throughout with sketches by artist Sian Pattenden, Strauss' first-ever collection of rock journalism is equally raw and revealing (Tom Cruise on Scientology, Brian Wilson on drugs and alcohol), hilarious (Snoop Dogg on record companies and baby diapers), and deeply honest (Eric Clapton on the death of Kurt Cobain and his own struggle with depression). "Everyone Loves You When You're Dead" is Neil Strauss, cultural journalist, at his finest.
Following the success of Complete Rock Family Trees, Pete Frame documents the story of The Beatles. The trees unfold alongside photographs and memorabilia to document the Liverpool scene. Other froups featured are Gerry and the Pacemakers, The Searchers, and The Swinging Blue Jeans.
John Lennon wrote Skywriting by Word of Mouth, an impressive collection of writings and drawings, while Yoko was pregnant with Sean, and always planned to have it published. It was a wish that seemed to end with his assassination in 1980 and the subsequent theft of the manuscript from the Lennons' home in 1982. When it was recovered and first published in 1986, Skywriting received immediate critical and popular acclaim. Written in Lennon's extraordinary voice, and lavishly illustrated with his own drawings, the collection reveals his fertile creative spirit up close and in full force. Included in Skywriting is Two Virgins, written when the public learned that John and Yoko were living together as husband and wife, and John's only autobiography. In addition there are notes on his falling in love with Yoko, the breakup of the Beatles, his persecution by the U.S. authorities and his withdrawal from public life. This is a book with John Lennon's spirit on every page -- a spirit the world needs to remember. "Candid and scathing....It's no wonder Lennon's fans grow more in love with him as time goes by... his great influence on popular music makes him impossible to forget; so does this book." --Houston Chronicle "Marvelous, delightful reading, and for Lennon fans a must." --Publishers Weekly
A blistering, brilliant and utterly original explanation of the Englishness of English pop culture in the twentieth century. An ambitious mould-breaking book on Englishness which abandons the false distinction between 'high' and 'low' culture in favour of a borderless world where pop music and sculpture, literature and film, TV and painting are all accorded the same respect, and are part of the same vision. Here is the triumphant vindication of the alienated suburban dandy. A cast of thousands, a gallery of Britain's finest and lariest, including: the Pet Shop Boys, Evelyn Waugh, the Fall, T-Rex, Larkin, EM Forster, Powell & Pressburger, Pink Floyd, Dexy's, 2-Tone, the Jam, Virginia Woolf, The Carry On Films, The Slits, Bowie, Kate Bush, Fun Boy Three, Wyndham Lewis, The Human League, Rachel Whiteread, Buzzcocks, Graham Greene, Alan Bennett, Sillitoe, X-Ray Spex, Mark Almond, etc, etc.
Patti Smith was a poet, a punk prophet, a feminist icon, a living work of art and the first woman rock-outsider to come from the New York underground and become a star. From her confused and religious upbringing to her early days as a poet, punk and rock 'n' roller, Patti Smith redefined the role of artist, writer and female performer. This major biography will rightly place Patti Smith as a central figure in late twentieth century popular culture. Cited by musicians young and old as a major influence, Patti Smith is as fascinating an individual as she is a great artist. From a religious childhood in South Jersey she escaped to New York swearing she would become famous. Acting as muse first to Richard Mapplethorpe and then Sam Shepherd, Patti began her career as a performance poet and rock writer. She soon became the first punk rockstar mixing her distinct voice and poetry with rock and roll music. Yet in 1979 she gave it all up to live with her husband in quiet, suburban Detroit until he died an alcoholic in 1994. As well as placing Patti Smith at the centre of the New York underground that included, amongst others, Andy Warhol, Bob Dylan, Lou Reed, Blondie, Jim Carrol and William Burroughs, Victor Bockris's biography investigates the private world behind the celebrity - the confused childhood, the piss factory, torturous relationship with men, the secretive retreat to Detroit and the slow and historic comeback in 1995 as Patti returns to her rightful place as a central character and icon of 20th century popular culture and the queen of the New York Underground.
The only book Michael Jackson ever wrote about his life It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney, and Brooke Shields. At the time of its original publication in 1988, MOONWALK broke the fiercely guarded barrier of silence that surrounded Michael Jackson. Candidly and courageously, Jackson talks openly about his wholly exceptional career and the crushing isolation of his fame, as well as the unfair rumours that have surrounded it. MOONWALK is illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for the book. It reveals and celebrates, as no other book can, the life of this exceptional and beloved musician.
On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honour. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree desert at the age of twenty-six. Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early 70s, he was a key confidante of Keith Richards. In 1972, he gave Emmylou Harris her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country's patron saint. In Calling Me Home, Kealing traces the entire arc of Parsons's career, emphasising his Southern roots. Drawing on dozens of new interviews as well as rare letters and photographs provided by Parsons's family and legendary photojournalist Ted Polumbaum, Kealing has uncovered facts that even the most stalwart Parsons fans will find revealing. Travelling from Parsons' boyhood home in Waycross, Georgia, to the southern folk mecca of Coconut Grove, Florida, from the birthplace of outlaw country in Austin, Texas, to the Ryman auditorium in Nashville, Tennessee Kealing celebrates Parsons's timeless and transformative musical legacy.
THE LEGENDARY GUITAR GOD WHO EXCEEDED ALL LIMITS AND LIVED TO TELL
TAKES FANS ON A WILD RIDE THROUGH "KISS"TORY.
When Jeff Buckley drowned at the age of thirty in 1997, he not only left behind a legacy of brilliant music -- he brought back haunting memories of his father, '60s troubadour Tim Buckley, a gifted musician who barely knew his son and who himself died at twenty-eight. Both father and son made transcendent music that mixed rock, jazz, and folk; both amassed a cadre of obsessive, adoring fans. This absorbing dual biography -- based on interviews with more than one hundred friends, family members, and business associates as well as access to journals and unreleased recordings -- tells for the first time the intriguing, often heartbreaking story of these two musicians. It offers a new understanding of the Buckleys' parallel lives -- and tragedies -- while exploring the changing music business between the '60s and the '90s. Finally, it tells the story of a father and son, two complex, enigmatic men who died searching for themselves and each other.
Bandalism [ban-dəl-i-zəm] n .: the willful or malicious destruction of, or damage to, the fabric of a rock/pop/indie group brought about by one or more of its members Axl Rose's monumental meltdowns . . . Kurt Cobain's tragic band-slaying suicide: The long history of platinum-selling uberband implosions is more dramatic than a Russian novel. But even local cover bands can suffer the ill effects of the limelight. Multi-rock-band veteran Julian Ridgway's "Bandalism" is a can't-miss guide to rock 'n' roll survival, offering sage advice on how to avoid the pitfalls that can doom your group. Here's how to: Find nonpsycho band members Craft the perfect band image Choose a name that doesn't suck And much more, including the handy Healthy Band Checklist, an ideal MySpace profile generator, and the Second Album Venn Diagram.
Bob Dylan's ways with words are a wonder, matched as they are with his music and verified by those voices of his. In response to the whole range of Dylan early and late (his songs of social conscience, of earthly love, of divine love, and of contemplation), this critical appreciation listens to Dylan's attentive genius, alive in the very words and their rewards. "Fools they made a mock of sin." Dylan's is an art in which sins are laid bare (and resisted), virtues are valued (and manifested), and the graces brought home. The seven deadly sins, the four cardinal virtues (harder to remember?), and the three heavenly graces: these make up everybody's world -- but Dylan's in particular. Or rather, his worlds, since human dealings of every kind are his for the artistic seizing. Pride is anatomized in "Like a Rolling Stone," Envy in "Positively 4th Street," Anger in "Only a Pawn in Their Game" ... But, hearteningly, Justice reclaims "Hattie Carroll," Fortitude "Blowin' in the Wind," Faith "Precious Angel," Hope "Forever Young," and Charity "Watered-Down Love." In The "New Yorker, Alex Ross wrote that "Ricks's writing on Dylan is the best there is. Unlike most rock critics -- 'forty-year-olds talking to ten-year-olds, ' Dylan has called them -- he writes for adults." In the "Times (London), Bryan Appleyard maintained that "Ricks, one of the most distinguished literary critics of our time, is almost the only writer to have applied serious literary intelligence to Dylan ..." Dylan's countless listeners (and even the artist himself, who knows?) may agree with W.H. Auden that Ricks "is exactly the kind of critic every poet dreams of finding." |
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