|
Books > Language & Literature > General
From Dinty W. Moore, founding editor of the popular journal Brevity
and prolific and pioneering author of several books of creative
nonfiction, including Between Panic and Desire, Dear Mister Essay
Writer Guy, and Crafting the Personal Essay, and Tom Hazuka, editor
of the anthology Flash Fiction Funny, comes a new book that will
make you laugh out loud in 750 words or less! Flash Nonfiction
Funny explores the exploding form of very short creative writing
and offers an accessible anthology that’s perfect for individual
entertainment or in a classroom setting. Teachers are increasingly
embracing the very short form because it lets them use brief pieces
to illustrate various styles and structures. The anthology includes
work from both new and established writers from all over the world.
It’s like they always say: It’s funny because it’s true!
Over the millennia the Indian alphabet has been used to record the
Indo-Iranian languages such as Sanskit, Hindi and Bengali as well
as other no-related languages spoken throughout India and southeast
Asia, to become the parent of the worlds largest script family.
First developed to write the native tongue of Buddha, its mystic
origins are to be found in the religious belief that our universe
was created through the vibrational power of seed sounds called
Bija. This belief is expressed through the sacred language of
Sanskrit, its alphabet, scripts and glyphs. Concisely written and
richly illustrated this is the most accessible and informative book
on the calligraphic history and mystic function of the Indian
alphabet. Over the millennia the Indian alphabet has been used to
record the Indo-Iranian languages such as Sanskit, Hindi and
Bengali as well as other no-related languages spoken throughout
India and southeast Asia, to become the parent of the worlds
largest script family. First developed to write the native tongue
of Buddha, its mystic origins are to be found in the religious
belief that our universe was created through the vibrational power
of seed sounds called Bija. This belief is expressed through the
sacred language of Sanskrit, its alphabet, scripts and glyphs.
Concisely written and richly illustrated this is the most
accessible and informative book on the calligraphic history and
mystic function of the Indian alphabet.
This book is unique in offering practical advice on writing song
lyrics within a critically informed framework. Part I provides the
theoretical underpinning, while Part II covers the creative
process, pulling together all the best songwriting advice and
offering practical exercises. Fusing creative guidance with
rigorous criticism, this is an essential companion for
undergraduate and postgraduate students of songwriting, creative
writing and music. Lively and accessible, it is a one-stop shop for
all aspiring songwriters.
|
|