With radical changes happening in arts over the past two decades, this book brings us up to date with the social and economic contexts in which the arts are produced. Influential and knowledgable leaders in the field debate how arts education - particularly in visual art - has changed to meet new needs or shape new futures for its production and reception. Opening up areas of thought previously unexplored in arts and education, this book introduces students of visual culture, peformance studies and art and design to broad contextual frameworks, new directions in practice, and finally gives detailed cases from, and insights into, a changing pedagogy.

This clear and concise guide is the ideal introduction to contemporary housing design for students and professionals of architecture, urban design and planning. With the increasing commitment to sustainable design and with an ever-increasing demand for houses in urban areas, housing design has taken on a new and crucial role in urban planning. This guide introduces the reader to the key aspects of housing design, and outlines the discussion about form and planning of urban housing. Using chapter summaries and with many illustrations, it presents contemporary concerns such as energy efficient design and high density development in a clear and accessible way. It looks at practical design solutions to real urban problems and includes advice on reclamation and re-use of buildings. The guidance it presents is universally relevant. Part two of the book features current case studies that illustrate the best in high density, sustainable housing design providing the reader with design information, and design inspiration, for their own projects.

Provides a framework for understanding of the legal, contractual and procedural implication of architectural practice. The book acts as a useful aide-memoire for students and practitioners based on the premise that smooth legal administration will provide the conditions under which client relations can be constructive and good design can be achieved.

Architects are constantly looking for new methods to create large indoor spaces unhindered by columns and other supports. Tensile and cable-strut structures are one method of producing such spaces. They also enable the creation of different shaped spaces allowing architects more scope for innovation.
"Free-standing Tension Structures - From Tensegrity Systems to Cable-strut Systems" provides the background engineering needed to produce these wonderful structures.
Providing a complete background to the underlying structural engineering theories of tensegrity, this book will prove invaluable for all architects and engineers working on tensile structures.

The building performance evaluation (BPE) framework emphasizes an evaluative stance throughout the six phases of the building delivery and life cycle: (1) strategic planning/needs analysis; (2) program review; (3) design review; (4) post-construction evaluation/review; (5) post-occupancy evaluation; and, (6) facilities management review/adaptive reuse.
The lessons learned from positive and negative building performance are fed into future building delivery cycles. The case studies illustrate how this basic methodology has been adapted to a range of cultural contexts, and indicates the positive results of building performance assessment in a wide range of situations.
*Practical advice on assessing and monitoring building performance.
*Illustrated with practical case studies.
*Written by a unparalleled team of international experts.

This is your essential one stop shop for information on starting and running a practice. Case studies and advice from practitioners, big and small, run alongside outlines of all the key topics, to give you an insight into the problems and challenges others have faced when setting up a design business. Accessible and informative, this handbook is the ideal first point of reference when starting a practice.
Architects have many different reasons for setting up in practice; equally, there are many ways of running your own business. This handbook helps you consider whether or not you should set up on your own, examining issues such as financing, office space, recruitment, IT and workingo ut a business plan. Some architects want to stay small, while others have ambitions to grow into large businesses. Some grow big accidentally. And then there are those who pick and choose their work carefully, and even turn down undesirable contracts, while others will grab at everything possible. This book woudl explore these different models and illustrate how different kinds of practice develop into successful businesses.
Importantly, the book will stress that these issues are crucial - you may be the best designer in the world, but unless your business is well managed you will fail. On the other hand, some successful architects spend a lot of time looking for new work and attending to management issues, rarely finding the time for design work. This book would illustrate how architects have struck a balance between these two extremes.
* Provides practical advice to show you how to make your business a success
* Based on real life examples, not theory, to give you a jargon free accessibleguide
* Gives clear and concise information guiding you directly to the key information you need

This book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide.

The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.

This book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide.

The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.

This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener.

Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.

This book breaks new ground in demystifying the relationship between architecture, nationhood, and other forms of collective identity. It attempts to extricate the oppressive ideology of national identity entrenched within the very idea of architecture. Authors investigate themes such as cosmopolitanism, diaspora, geopolitics, globalisation, hybridity, and race. Certain chapters expose highly regulated environments which support cultural hegemony, such as the context of a hostel for 'coloured colonial seamen' in London, the illusionary rhetoric of 'authenticity' used to legitimise architectural conservation, and the role of the mosque as mediator between a post-war, multi-racial Britain, and ideas of nationhood. Others engage subjects at the urban scale, including the phenomena of universities transcending their nation-building roots to become agents of cosmopolitan urbanism, and how the discursive context of a high-profile yet unrealised modernist office-block in the City of London sustained a culture of British faux-nationalism. Remaining chapters adopt a postcolonial lens, with one examining how particular works of literary fiction reimagine notions of 'place' within an emerging intercultural nation, and another exploring the tense relationship between identitarian form and affective atmospheres to suggest the possibility of anti-essentialist experiences of architecture. Together, these perspectives propose an alternative vision of the City, where neither state-sponsored identity politics nor right-wing populism determine the cultural context within which architects design for our collective urban experience. This book will be of interest to researchers and advanced students of Architecture, Anthropology, History, Human Geography, Politics, Sociology, and Urban Studies. The chapters in this book, except for chapter 1, were first published in the journal National Identities.

Solar energy will play an important role in our future energy supply, to the advantage of both the environment and the economy. This book focuses on water-based solar heating technology, presenting basic principles on solar radiation and the solar heating system, including details on orientation and output, sizing, the solar collector, the solar circuit, heat exchangers, heat stores and overall system technology. A range of practical applications are described, such as multi- and single-family dwellings, pools, camp sites, sports facilities, schools and industry. The potential and diversity of solar energy is made clear with additional sections on solar electricity, passive solar and solar air heating.

Louis Isadore Kahn (1901-1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his stuctures with a monumental and breathtaking spirituality. This essential introduction brings together 17 of Kahn's most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an introductory essay explores Kahn's unique architectural ideology and his legacy as one of the most important 20th-century American architects since Frank Lloyd Wright. Through Kahn masterworks, such as the National Assembly Building in Dhaka, Bangladesh, or Kimbell Art Museum in Fort Worth, Texas, we'll explore Kahn's his "back to basics" grammar inspired by ancient sites in Italy, Greece, and Egypt; and his unique vocabulary of mass, void, and light that suffused the International Style with a near-celestial luminescence. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The book concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth-century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings which address the abstract issues surrounding the main texts are presented as a kind of exegesis on the chosen texts. This together with an introduction and discursive essays which preface each of the sections present a transdisciplinary discourse around the discipline of architectural history.

As part of the series dedicated to 'Made in Italy' architecture and design (Carlo Scarpa, Piero Portaluppi), this latest book features a stunning collection of interiors by acclaimed Italian designers and architects from the second half of the twentieth century. Each of these exquisite spaces perfectly embodies the designer s unique creative spirit, encapsulating both the essence of the designer s personal style and taste with the trends of the era. The ten projects, all specially photographed for the book, include such names in Italian architecture and design as: Carlo Mollino, Carlo Scarpa, Ettore Sottsass, Gae Aulenti, Osvaldo Borsani, Piero and Barnaba Fornasetti, among others. Ranging from residential to office spaces, each of these unique spaces has remained largely unchanged, and decades later they still speak for those who conceived of and inhabited them: Casa Fornasetti provides a unique testimony to the world of Piero Fornasetti, and now that of his son, Barnaba, who carries on his work and brand with strength and innovation; Casa Mollino represents the peak of architect Carlo Mollino s ideas, beautifully serving as his aesthetic and conceptual legacy; and the vibrant, ironic, colorful Casa Quarestani perfectly sums up the poetic vision of Ettore Sottsass. This book will be a must have for lovers of bold design and stylish Italian interiors.

The export of American architecture began in the nineteenth century as a disjointed set of personal adventures and commercial initiatives. It continues today alongside the transfer of other aspects of American life and culture to most regions of the world. Jeffrey Cody explains how, why and where American architects, planners, building contractors and other actors have marketed American architecture overseas. In so doing he provides a historical perspective on the diffusion of American building technologies, architectural standards, construction methods and planning paradigms. Using previously undocumented examples and illustrations, he shows how steel-frame manufacturers shipped their products abroad enabling the erection of American-style skyscrapers worldwide by 1900 and how this phase was followed by similar initiatives by companies manufacturing concrete components.

Guest-edited by Samantha Hardingham This issue of AD celebrates the extraordinary life and work of British architect Will Alsop (1947-2018) - a career and portfolio that is both literally and metaphorically steeped in colour. Characterised as a maverickarchitect, Alsop was in truth an individualist who was all for the collective, and a non-conformist. His design aim was to replace 'a little misery in the world with a little joy and delight'. Far from diminutive in ambition, many of his built projects caused big shifts in thinking about ways for citizens to perceive, occupy and enjoy their cities. He believed deeply in the active participation of clients to explore their architectural ideas, involving them in workshops and the making of films to help them to see and better understand what design could positively do for them. His buildings and artworks are as contentious as they have been highly acclaimed, but never fail to amaze and inspire. His continuous engagement in teaching, lecturing and exhibiting throughout his career, with academic posts held in the UK, Germany, Austria, Australia and the US, meant he always remained in touch and was a consistent source of encouragement to new generations of architects entering the profession. This AD aims to harness that creative energy, commitment and camaraderie. Contributors: Ollie Alsop, Thomas Aquilina, Nigel Coates, Peter Cook, Paul Finch, Mark Garcia, Clare Hamman, John Lyall, Bruce McLean, Will McLean, Kester Rattenbury, Marcos Rosello, and Neil Thomas.

The Tyne Bridge, opened in 1928 by King George V, is one of Britain's most iconic structures, a Grade II* listed building. Linking Newcastle and Gateshead, this symbol of Tyneside and the region is also a monument to the Tyne's industrial past. Paul Brown's popular history explores what the bridge means to the people of North-East England, and its deep connection with their heritage. Brown recounts the story of the bridge's predecessors, from the Roman Pons Aelius-the first crossing over the Tyne-to the Victorian era. He then brings to life the individuals who built the modern bridge: Ralph Freeman, the structural engineer who also designed the Sydney Harbour Bridge; Dorothy Buchanan, the first female member of the Institution of Civil Engineers, who produced drawings and calculations; John Carr, the boatman who bravely rescued workers from the Tyne on dozens of occasions; and the scaffolder Nathaniel Collins, the only man not to survive construction of the arch, who fell from the bridge just weeks before its completion. This richly illustrated book charts the Tyne Bridge's story right to the present, exploring how it remains a North-Eastern cultural emblem, in a region that has changed almost unrecognisably since its heyday in the late 1920s.

The complex art of architecture embraces all of the concerns of the world's cultures. It meets the fundamental needs for shelter from the elements, but, almost from its origins, has acquired other purposes and meanings. The Selective Environment is an approach to environmentally responsive architectural design that seeks to make connections between the technical preoccupations of architectural science, and the necessity, never more urgent than today, to sustain cultural identity at a time of rapid global, technological change.

Leonardo's enduring fascination with water-from its artistic representation to aquatic inventions and hydraulic engineering Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo's interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems. From drawings for mobile bridges and underwater breathing apparatuses to plans for water management schemes, Leonardo evinced a deep interest in the technical aspects of water. His visual studies of the ways in which landscape is shaped by water demonstrated both his artistic mastery and probing scientific mind. Analyzing Leonardo's notebooks, plans, maps, and paintings, Geddes argues that, for Leonardo and fellow artists, drawing was a form of visual thinking and problem solving essential to understanding and controlling water and other parts of the natural world. She also examines the material importance in this work of water-based media, namely ink, watercolor, and oil paint. A compelling account of Renaissance art and engineering, Watermarks shows, above all else, how Leonardo applied his pictorial genius to water in order to render the natural world in all its richness and constant change.

The complete and unabridged full-color edition First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources. Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world's most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style. Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters. Featured architects include: John Andrews; Joao Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanovic; Marcel Breuer; Douglas Cardinal; Andre-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Erno Goldfinger; Jadwiga Grabowska-Hawrylak; Agustin Hernandez Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; Joao da Gama Filgueiras Lima; Alberto Linner Diaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke

This book has been developed in association with the Cultural Heritage Department of the Council of Europe. It examines key themes and objectives for the protection of the architectural and archaeological heritage in a range of European countries. The analysis of individual countries and the group as a whole gives an assessment of how advanced current mechanisms are and the ongoing problems that remain to be managed in order to safeguard the 'common heritage'.

A unique and revolutionary text which explains the principles behind the LT Method (2.1), a manual design tool developed in Cambridge by the BRE. The LT Method is a unique way of estimating the combined energy usage of lighting, heating, cooling and ventilation systems, to enable the designer to make comparisons between options at an early, strategic stage.
In addition,Energy and Environment in Architecture the book deals with other environmental issues such as noise, thermal comfort and natural ventilation design. A variety of case studies provide a critique of real buildings and highlight good practice. These topics include thermal comfort, noise and natural ventilation.


eBook available with sample pages: 0203223012