Drawing on the format of the urban guidebook, A Guide to the Dirty South--Atlanta generates a new discourse about the architecture of the American South. By guiding readers on a tour of Atlanta, this project seeks to reclaim a regional identity for cities otherwise deemed to be a "backwoods" by the East and West Coasts. Borrowing from the hip hop industry and recognising the rivalry between the two coasts, A Guide to the Dirty South--Atlanta redirects our attention to a 'third coast'. Steeped in geography, historical events, typology, storytelling, and popular culture, trajectories through the city that the guide takes are idiosyncratic but urge the discipline of architecture toward a long overdue reading of Dirty South regionalism. Part tour guide, part architectural manual, the publication also features oral histories in a set of interviews with prominent architects, theorists, chefs, community leaders, and hip hop artists, from Architectural Historian Mario Carpo to hip-hop group Goodie Mob.Authored by Jennifer Bonner, the TVSDesign Distinguised Studio Critic at Georgia Tech, A Guide to the Dirty South--Atlanta takes the reader on a tour of "Rap City", "Pop up Surface Lots", "Architecture of Quarantine" and a "Geography of Smells". Wittily designed, and featuring beautiful illustrations throughout, A Guide to the Dirty South--Atlanta is perfect for those new to the architectural delights of Atlanta, and long-time fans alike.

The streetscape of London's historic square mile has been evolving for centuries, but the City's busy commercial heart still boasts an extensive network of narrow passages and alleyways, secret squares and half-hidden courtyards. Most are ancient survivors dating back to medieval times or earlier, their colourful and evocative names recalling old taverns, trades and City traditions. Others commemorate individuals associated with the seemingly unstoppable rise which has seen the area around an old Roman wharf become the global financial powerhouse that London is today. Maintaining that position means that few of these old rights of way have escaped the attention of developers, but their survival rate has been surprisingly good. Because of this, hidden behind the glass, steel and stone of the banks and big business, these little corners continue to bear witness to nearly 2,000 years of British history.

Advancing a Different Modernism analyzes a long-ignored but formative aspect of modern architecture and art. By examining selective buildings by the Catalan architect Lluis Domenech i Montaner (1850-1923) and by the Slovenian designer Joze Plecnik (1872-1957), the book reveals the fundamental political and ideological conservatism that helped shape modernism's history and purpose. This study thus revises the dominant view of modernism as a union of progressive forms and progressive politics. Instead, this innovative volume promotes a nuanced and critical consideration of how architecture was creatively employed to advance radically new forms and methods, while simultaneously consolidating an essentially conservative nationalist self-image.

Originally published by the Architecture Press in 1963, The Italian Townscape was written by Hubert de Cronin Hastings (1902-1986), under his pseudonym of Ivor de Wolfe, with photographs taken by him and his wife Hazel (alias Ivy de Wolfe). He claimed to have invented the word Townscape, and used his position as proprietor/editor of the Architectural Review to promote it as a technique to inspire the creation of historically layered, visually stimulating, dense cities in the period of reconstruction and new towns.
The theory of Townscape was originally developed by Hastings in collaboration with the architect, planner and illustrator Gordon Cullen, whose book of this name, published in 1961, remains a standard work. In The Italian Townscape, Hastings made his own statement, sharing his worries about the blandness of modern consumer society and celebrating Italian towns and cities as theatrical background for everyday life. Writing at a time when English people were migrating to the suburbs and cars were destroying the conviviality of cities, Hastings anticipated the return in recent decades to an ideal of public space, where "the only true happiness lies at the centre."
Hastings/De Wolfe rekindles our appreciation for individual urban elements: articulating his analysis through disparate themes: from the more obvious: "streets," "advertising" and "pedestrian network," to typically idiosyncratic ones: "Defensive armour," "constipation," "toughies" and "sissies" and "all creeping things." The photographs evoke the Italy of Fellini's films, making it a forgotten classic of travel and photographic publishing whose lessons remain relevant today.
Professor of Architecture and Cultural History at the University of Greenwich, Alan Powers, and Professor Erdem Erten of the University of Izmir in Turkey, contribute a new introduction to this reprint, restoring the identity of Hastings as an author and his role in architecture and planning debates from the 1930s to the 1970s.

This book discusses the nuances of corridor development in India and its implications on land acquisition and displacement. It explores the complexities of land related conflicts and its socio-economic impacts on people's lives. Examining the evolution of a few corridors of national importance like the Mumbai-Nagpur Expressway, Yamuna Expressway, Delhi-Mumbai Industrial Corridor, and Pune-Mumbai Expressway, the volume provides a comprehensive understanding of the dynamics of corridor development and regional growth. The book discusses how policies relating to land acquisition result in political, economic, legal and psychological hardships. The authors, using primary and secondary data, assess the socio-economic implications of land-acquisition on agriculture, employment, environment, demography, and land utilization along the regions touching these corridors. The work further discusses sustainable interventions in land acquisition practices to ensure equity of land and resources for vulnerable communities. The book will be useful for students and researchers of public policy, development studies, economics, urban and regional development studies and sociology. It will also be of interest to academicians, regional planners, and those working in the field of land development, resettlement and rehabilitation.

In the wake of architectural giants from Frank Lloyd Wright to Frank Gehry, contemporary Southern California architects began exploring experimental new forms and creating a distinctive--and heretofore unexamined--urban style. Considered as a group for the first time, the story of their advancements, metamorphosis, and digressions inspires innovation and demonstrates a thoughtful relationship to new design perspectives and a changing urban environment. This major new book, illustrated with an impressive range of photographs and sketches, brings together perspectives from prominent historians, curators, and professors. New Sculpturalism in the Southern California Architecture compliments an exhibition of the same name to be held at The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles in May 2013, and is part of the Getty Research Institute series The Los Angeles Architecture, 1940-1990. Four original essays will examine Southern California experimental architecture from 1987 though today. Christopher Mount will emphasize the distinctive way these new works focus on form and take shape as their primary consideration in their unique "New Sculpturalism." Nicholas Olsberg will trace a history of Southern California architecture before Gehry. Margaret Crawford will look at Los Angeles's particular brand of urbanism in relation to contemporary architecture while TBD will consider "Sci-Arc" (The Southern California Institute of Architecture)'s method of teaching and how it has shaped Los Angeles today. A section devoted to client interviews will allow insight into process of creation, and the respected art world figure Jeffrey Dietch will contribute a Foreword. Together with a stunning collection of images, this book promises to present a groundbreaking examination of new developments in an important school of contemporary American architecture.

Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.

A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture's place in the contemporary moment "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant'Ivo in Rome as a work that "embraces the deepest complexities of human imagination." In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson's academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

The industry-standard guide to designing well-performing buildings Architectural Detailing systematically describes the principles by which good architectural details are designed. Principles are explained in brief, and backed by extensive illustrations that show you how to design details that will not leak water or air, will control the flow of heat and water vapor, will adjust to all kinds of movement, and will be easy to construct. This new third edition has been updated to conform to International Building Code 2012, and incorporates current knowledge about new material and construction technology. Sustainable design issues are integrated where relevant, and the discussion includes reviews of recent built works that extract underlying principles that can be the basis for new patterns or the alteration and addition to existing patterns. Regulatory topics are primarily focused on the US, but touch on other jurisdictions and geographic settings to give you a well-rounded perspective of the art and science of architectural detailing. In guiding a design from idea to reality, architects design a set of details that show how a structure will be put together. Good details are correct, complete, and provide accurate information to a wide variety of users. By demonstrating the use of detail patterns, this book teaches you how to design a building that will perform as well as you intend. * Integrate appropriate detailing into your designs * Learn the latest in materials, assemblies, and construction methods * Incorporate sustainable design principles and current building codes * Design buildings that perform well, age gracefully, and look great Architects understand that aesthetics are only a small fraction of good design, and that stability and functionality require a deep understanding of how things come together. Architectural Detailing helps you bring it all together with a well fleshed-out design that communicates accurately at all levels of the construction process.

Hailed as one of the key theoreticians of modernism, Eugene-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonne de l'architecture franAaise du XIe au XVIe siecle and Entretiens sur l'architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc's complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.

This title was first published in 2000: This collection of essays provides an excellent integrated source for the latest thinking in multiple disciplines on the issue of culture and its relationship with built form and hence, human environmental experience. Whether one is primarily interested in how culture-built environment inquiry affects: theoretical issues, research approaches, research findings, practical applications, or has implications for teaching, this book provides an engaging dialogue in regard to each of these perspectives. As important, the book's introduction provides a conceptual framework for integrating the various contributions in a meaningful and systemic fashion. Contributors come from disciplines including anthropology, architecture, human ecology, psychology and urban planning.

This title was first published in 2002: 'This really is a text that will fill a long-felt want. I am sure it will be required reading for anyone interested in the art of the twentieth century.' Joseph Rykwert Do colors have different spatial and architectural effects? What is the psychological impact of color? Are colors endowed with symbolic meaning? What is a natural color? Those questions have a long, contentious history, especially among architects of the modern period. A key figure in that history is Amedee Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of this century founded a school in London where he conducted experiments and wrote about color in architecture. Those experiments have been reconstructed for the book, which also includes reprints of his most important articles on the subject. This book provides a fascinating survey of this most contemporary topic that will inspire and inform designers and architects. Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism. This pioneering book is a thorough survey of the history and genesis of the most crucial questions concerning the role of architectural color from the nineteenth century to the present day.

Towards Tate Modern provides a new interdisciplinary account of Tate's shifting position as a national arts institution. The book examines how earlier government directives impacted on Tate, which saw the organisation refocusing its aims and resulted in it pioneering new models for working across the public and private sectors. The decade prior to the opening of Tate Modern witnessed a changing political, economic, cultural and social landscape. As London was rebuilding its own vision, Tate re-configured its role as a public museum and gallery by engaging with the market. Tate re-imagined what a public museum and gallery can do, what it can look like and where it can be and, in doing so, responded to a new kind of audience with a larger appetite than before. Re-cast as a cultural and social forum, Tate Modern turned itself into a popular public event. This research considers how Tate Modern generated a set of new debates and what this might mean for the future role of the public museum and gallery. Towards Tate Modern will be of particular interest to academics and students, art practitioners and policy makers working in the fields of museum studies, policy studies, cultural studies, urban studies, and political and economic history, as well as those involved in archival research. It will also engage those wishing to widen their understanding of how an institution such as Tate Modern was created.

Formed in 1991, Richard Murphy Architects' early reputation was built on highly crafted and innovative domestic work in Edinburgh, Scotland. The practice has grown both in size and range of commissions, working across the UK and Ireland, in Europe and Sri Lanka and, more than two decades on, has amassed an extensive portfolio, designing buildings and spaces for the arts, education, housing, health, public and community use, as well as masterplanning. Richard Murphy Architects makes careful responses to complex contexts--whether insertion, extension or new-build, the practice's projects develop a dialogue between existing and new, intimacy and scale. large or small scale, public or private, each scheme harnesses plan, form, materials and detailing to produce a subtle, sensitively-considered result. Covering projects from Edinburgh's fruitmarket gallery to the British high commission in Colombo, Sri Lanka, from schemes for large housing association clients to the intimate scale of the Maggie's Cancer Caring Centre in Edinburgh, this survey of Richard Murphy Architects' work presents a series of fascinating projects, and charts the development of a key contemporary architectural practice from the late twentieth century into the twenty-first.

A radical critique of architecture that places disability at the heart of the built environment Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for "the construction of disability," this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space. By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.

Introducing Britain's finest examples of brutalist architecture. Brutalist architecture is more popular now than it has ever been. Imposing and dramatic, with monolithic concrete exteriors, it forms an enduring part of our post-war urban landscape. This beautifully photographed book is an authoritative survey of the finest British examples from the very late 1950s to the 1970s, from leading architectural writer Elain Harwood, following on from her acclaimed books on art deco and mid-century architecture. It features iconic public buildings like London's National Theatre, imposing housing such as the Trellick Tower in West London and Park Hill in Sheffield, great educational institutions including the University of Sussex, and places of worship such as Liverpool's glorious Metropolitan Cathedral, along with some lesser-known buildings such as Arlington House on Margate's sea front. Headed up with an introduction that places British brutalism within the context of global events and contemporary world architecture, the huge range of buildings is arranged into Private Houses and Flats, Public Housing, Educational Buildings, Public Buildings, Shops, Markets and Town Centres, Culture and Sport, Places of Worship, Offices and Industry and Transport, and there is a chapter on the atmospheric brutalist sculptures and murals that dot our cities. If you're part of the increasingly large ranks of brutalism fans, or interested in late 20th-century architecture and society in general, Brutalist Britain is the book for you.

Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume not only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches not only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.

The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic's wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing historiographic trends; and mining neglected written sources for motives of patronage. The papers also range broadly in terms of chronology and geography, from the Early Christian through the post-Byzantine period and from Italy to Armenia. Three papers examine Early Christian monuments, and of these two expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.

This volume takes up the idea of 'multiplicity' as a new common ground for international theory, bringing together 10 scholars to reflect on the implications of societal multiplicity for areas as diverse as nationalism, ecology, architecture, monetary systems, cosmology and the history of political ideas. International relations (IR), it is often said, has contributed no big ideas to the interdisciplinary conversation of the social sciences and humanities. Yet this is an unnecessary silence, for IR uniquely addresses a fundamental fact about the human world: its division into a multiplicity of interacting social formations. This feature is full of consequences for the very nature of societies and for social phenomena of all kinds. And in recent years a research programme has emerged within IR to theorise these 'consequences of multiplicity' and to trace how the effects of the international dimension extend into other fields of social life. This book is a powerful indication of the contribution that IR may yet make to the human disciplines. The chapters in this book were originally published as a special issue of Globalizations.

Time Frames provides a reconnaissance on the conservation rules and current protection policies of more than 100 countries, with particular attention to the emerging nations and twentieth-century architecture. The contributions illustrate the critical issues related to architectural listings, with a brief history of national approaches, a linkography and a short bibliography. The book also provides a short critical lexicography, with 12 papers written by scholars and experts including topics on identities, heritages, conservation, memories and the economy. By examining the methods used to designate building as heritage sites across the continents, this book provides a comprehensive overview of current protection policies of twentieth-century architecture as well as the role of architectural history.

Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome and Armenia, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word. Engaging the material fabric of the buildings in relationship to the liturgical ritual, the book studies the structure of the rite, revealing the important role chant plays in it, and confronts both the acoustics of the physical spaces and the hermeneutic system of reception of the religious services. By then drawing on audio software modelling tools in order to reproduce some of the visual and aural aspects of these multi-sensory public rituals, it inaugurates a synthetic approach to the study of the premodern sacred space, which bridges humanities with exact sciences. The result is a rich contribution to the growing discipline of sound studies and an innovative convergence of the medieval and the digital.

Disease, injury, or congenital disorders result in an inability to perform activities of daily living as effectively as others. Most of these activities take place within and are dependent upon the designed environment. This book presents the specialized area of person-centered health care design, which focuses on a person's design needs because of one or more health conditions and requires foundational knowledge pertaining to infection control, bio-physiology, neuroscience, and basic biomechanics. Whether the designer has engaged in person- or condition-centered design, this book examines the causes that bring about health conditions, such as autoimmune disorders, chronic lung disease, muscular dystrophy, and neurological disorders, and the effects these have on a person's quality of life. Over forty various health conditions are discussed in relation to assorted building typologies-schools, group homes, rehabilitation and habilitation centers, and more-to identify design solutions for modifying each environment to best accommodate and support a person's needs. Dak Kopec encourages readers to think critically and deductively about numerous health conditions and how to best design for them. This book provides students and practitioners a foundational framework that supports the promotion of health, safety, and welfare as they pertain to a person's physiological, psychological, and sociological well-being.

Disease, injury, or congenital disorders result in an inability to perform activities of daily living as effectively as others. Most of these activities take place within and are dependent upon the designed environment. This book presents the specialized area of person-centered health care design, which focuses on a person's design needs because of one or more health conditions and requires foundational knowledge pertaining to infection control, bio-physiology, neuroscience, and basic biomechanics. Whether the designer has engaged in person- or condition-centered design, this book examines the causes that bring about health conditions, such as autoimmune disorders, chronic lung disease, muscular dystrophy, and neurological disorders, and the effects these have on a person's quality of life. Over forty various health conditions are discussed in relation to assorted building typologies-schools, group homes, rehabilitation and habilitation centers, and more-to identify design solutions for modifying each environment to best accommodate and support a person's needs. Dak Kopec encourages readers to think critically and deductively about numerous health conditions and how to best design for them. This book provides students and practitioners a foundational framework that supports the promotion of health, safety, and welfare as they pertain to a person's physiological, psychological, and sociological well-being.

Originally published in 2019, this book provides a comprehensive account of a formative historical period, uniquely describing Renaissance architecture as the physical manifestation of political and economic change. The book illustrates how shifts in architectural style and design were paralleled with Northern and Central Italy's external and internal conflicts, the evolution of urban and regional government, and economic and demographic growth. Covering the full extent of the Renaissance period, Balchin charts the era's medieval roots and its transformation into Mannerist and Baroque tendencies. He demonstrates how developments in architecture and planning were inextricably linked to political and economic power, and how these relationships shifted from city to city over time.