This new volume addresses the lasting contribution made by Central European emigre designers to twentieth-century American design and architecture. The contributors examine how oppositional stances in debates concerning consumption and modernism's social agendas taken by designers such as Felix Augenfeld, Joseph Binder, Josef Frank, Paul T. Frankl, Frederick Kiesler, Richard Neutra, and R. M. Schindler in Europe prefigured their later adoption or rejection by American culture. They argue that emigres and refugees from fascist Europe such as Gyoergy Kepes, Paul Laszlo, Victor Papanek, Bernard Rudofsky, Xanti Schawinsky, and Eva Zeisel drew on the particular experiences of their home countries, and networks of emigre and exiled designers in the United States, to develop a humanist, progressive, and socially inclusive design culture which continues to influence design practice today.

PREFACE TO THE SECOND EDITION THE exhaustion of the first edition of this book, within so short a time of its publication, makes it difficult to add much new matter for the reissue now called for, or, in the light of subsequent research and experience, to revise what had already been written. Any book that seemed to show a way of meeting the present building difficulties, however partially, was fairly assured of a welcome, but the somewhat unforeseen demand for my small contribution to the great volume of literature on cottage-building is, I think, to be attributed chiefly to its description of Pise- building. Of the very large number of letters that reach me from readers of the book, quite ninety-nine out of every hundred are concerned with Pise. The other methods of building have their advocates and exponents, but it is clearly Pise that has caught the attention of the public as well as of the Press both at home and abroad, and it is to this method of construction that I have chiefly devoted my attention since the writing of the book as it first appeared. In our English climate Pise-building is a summer craft, and the small-scale experiments of one person through a single summer cannot in the nature of things add very greatly to the sum of our knowledge of what is possible with Pise and of what is not. Most of the new data have come through the building of Mr. Stracheys demonstration house, an account of which is included in the present volume. At the time of writing, various tests are being carried out with the help of the National Physical Laboratory but the results, though exceedingly encouraging, are not yet ready for publication. 1 The fact that Pise- building is essentially aDry-earth method makes necessary the creation of artificial summer conditions under which the experiments may be conducted 1 Certain of these have since been issued and will be found in Ap pendix IV. at the end of the book. 484387 Preface to Second Edition during the past winter. As a result of these researches, a considerable mass of useful data has become available for the opening of the present building season. 1 Much helpful information is also likely to come to us from the Colonies, particularly from Rhodesia and British East Africa, where there is great activity in Pise-building, and where there is no close season such as our winter us here. imposes upon It is instructive also to note that great interest in Pise- building has been aroused in Canada and in Scandinavia, the two countries that we were wont to associate particularly with timber-building. From both I have received a number of letters complaining of the lumber shortage, and discussing the advantages of Pise as compared with their traditional wood-construction. If these great timber countries are themselves feeling the pinch, the advocates of wooden houses for England may find that they are not merely barking up the wrong tree, but up a tree that is not even there. The timber famine is, - in any case, a calamity to anyone dependent on building, that is to everyone, for even a Pise house must still have a roof and floors and joinery. But to invoke the timber house as our salvation under existing conditions seems to be singularly perverse and unhelpful...

Architecture and Control makes a collective critical intervention into the relationship between architecture, including virtual architectures, and practices of control since the turn of the twentieth to twenty-first centuries. Authors from the fields of architectural theory, literature, film and cultural studies come together here with visual artists to explore the contested sites at which, in the present day, attempts at gaining control give rise to architectures of control as well as the potential for architectures of resistance. Together, these contributions make clear how a variety of post-2000 architectures enable control to be established, all the while observing how certain architectures and infrastructures allow for alternative, progressive modes of control, and even modes of the unforeseen and the uncontrolled, to arise. Contributors are: Pablo Bustinduy, Rafael Dernbach, Alexander R. Galloway, Hans Ulrich Gumbrecht, Maria Finn, Runa Johannessen, Natalie Koerner, Michael Krause, Samantha Martin-McAuliffe, Lorna Muir, Mikkel Bolt Rasmussen, Anne Elisabeth Sejten and Joey Whitfield

How the scientific community overlooked, ignored, and denied the catastrophic fallout of decades of nuclear testing in the American West In December of 1950, President Harry Truman gave authorization for the Atomic Energy Commission to conduct weapons tests and experiments on a section of a Nevada gunnery range. Over the next eleven years, more than a hundred detonations were conducted at the Nevada Test Site, and radioactive debris dispersed across the communities just downwind and through much of the country. In this important work, James C. Rice tells the hidden story of nuclear weapons testing and the negligence of the US government in protecting public health. Downwind of the Atomic State focuses on the key decisions and events shaping the Commission's mismanagement of radiological contamination in the region, specifically on how the risks of fallout were defined and redefined, or, importantly, not defined at all, owing to organizational mistakes and the impetus to keep atomic testing going at all costs. Rice shows that although Atomic Energy Commission officials understood open-air detonations injected radioactive debris into the atmosphere, they did not understand, or seem to care, that the radioactivity would irrevocably contaminate these communities. The history of the atomic Southwest should be a wake-up call to everyone living in a world replete with large, complex organizations managing risky technological systems. The legacy of open-air detonations in Nevada pushes us to ask about the kinds of risks we are unwittingly living under today. What risks are we being exposed to by large organizations under the guise of security and science?

"Architecture and Philosophy: New Perspectives on the Work of Arakawa and Madeline Gins "is a collection of essays on the work of architect Arakawa and poet Madeline Gins and in particular their book "Architectural Body" (2000). The essays approach their cutting edge and ambitious project to design 'an architecture against death' from various angles and disciplines including aesthetics, architecture, linguistics, philosophy. The papers retrace the place of "Architectural Body" in the aesthetic landscape of art at the turn of the 21st century and assess the utopian stance of their work.

Featuring eight innovative studies by prominent scholars of medieval art and architecture, this special issue of Medieval Encounters examines the specific means by which art and architectural forms, techniques, and ideas were transmitted throughout the medieval world (ca. 1000-1500). While focusing on the Mediterranean region, the collection also includes essays that expand this geographic zone into a cultural and artistic one by demonstrating contact with near and distant neighbors, thereby allowing an expanded understanding of the interconnectedness of the medieval world. The studies are united by a focus on the specific mechanisms that enabled artistic and architectural interaction, as well as the individuals who facilitated these transmissions. Authors also consider the effects and collaboration of portable and monumental arts in the creation of intercultural artistic traditions. Contributors are: Justine Andrews, Maria Georgopoulou, Ludovico Geymonat, Heather E. Grossman, Eva Hoffman, Melanie Michailidis, Renata Holod, Scott Redford and Alicia Walker.

In this fascinating and richly illustrated book, John Henderson takes us into the Renaissance hospitals of Florence, recreating the enormous barn-like wards and exploring the lives of those who received and those who administered treatment there. Drawing on an exceptional range of visual and documentary evidence, Henderson overturns the popular view of the pre-industrial hospital as a hellish destination for the dying poor. To the contrary, hospitals of the era developed specialized, professional care; became important centers of artistic patronage; and served a large patient population, only ten percent of whom died during their stay. The book explores the civic role of Renaissance hospitals, their beautiful architecture and interior design, and their methods of medical treatment that continue to influence healthcare practices today.

Originally published in 1914, it is the authors desire and intent; to cover the subject of Architectural drawing, comprehensively, practically and clearly. Despite its age, this works contains much information that is still practical and useful today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Originally published in 1904, this early work on Brickwork and Masonry is both expensive and hard to find in its first edition. This is a fascinating read and contains much information that is still useful and practical today. With chapters on Foundations, Vaulting, Arches and many more as well as illustrations this work is thoroughly recommended for inclusion on the bookshelf of all Masioners. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.