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Books > Arts & Architecture > Architecture > General
This new volume addresses the lasting contribution made by Central
European emigre designers to twentieth-century American design and
architecture. The contributors examine how oppositional stances in
debates concerning consumption and modernism's social agendas taken
by designers such as Felix Augenfeld, Joseph Binder, Josef Frank,
Paul T. Frankl, Frederick Kiesler, Richard Neutra, and R. M.
Schindler in Europe prefigured their later adoption or rejection by
American culture. They argue that emigres and refugees from fascist
Europe such as Gyoergy Kepes, Paul Laszlo, Victor Papanek, Bernard
Rudofsky, Xanti Schawinsky, and Eva Zeisel drew on the particular
experiences of their home countries, and networks of emigre and
exiled designers in the United States, to develop a humanist,
progressive, and socially inclusive design culture which continues
to influence design practice today.
Architecture and Control makes a collective critical intervention
into the relationship between architecture, including virtual
architectures, and practices of control since the turn of the
twentieth to twenty-first centuries. Authors from the fields of
architectural theory, literature, film and cultural studies come
together here with visual artists to explore the contested sites at
which, in the present day, attempts at gaining control give rise to
architectures of control as well as the potential for architectures
of resistance. Together, these contributions make clear how a
variety of post-2000 architectures enable control to be
established, all the while observing how certain architectures and
infrastructures allow for alternative, progressive modes of
control, and even modes of the unforeseen and the uncontrolled, to
arise. Contributors are: Pablo Bustinduy, Rafael Dernbach,
Alexander R. Galloway, Hans Ulrich Gumbrecht, Maria Finn, Runa
Johannessen, Natalie Koerner, Michael Krause, Samantha
Martin-McAuliffe, Lorna Muir, Mikkel Bolt Rasmussen, Anne Elisabeth
Sejten and Joey Whitfield
"Architecture and Philosophy: New Perspectives on the Work of
Arakawa and Madeline Gins "is a collection of essays on the work of
architect Arakawa and poet Madeline Gins and in particular their
book "Architectural Body" (2000). The essays approach their cutting
edge and ambitious project to design 'an architecture against
death' from various angles and disciplines including aesthetics,
architecture, linguistics, philosophy. The papers retrace the place
of "Architectural Body" in the aesthetic landscape of art at the
turn of the 21st century and assess the utopian stance of their
work.
Featuring eight innovative studies by prominent scholars of
medieval art and architecture, this special issue of Medieval
Encounters examines the specific means by which art and
architectural forms, techniques, and ideas were transmitted
throughout the medieval world (ca. 1000-1500). While focusing on
the Mediterranean region, the collection also includes essays that
expand this geographic zone into a cultural and artistic one by
demonstrating contact with near and distant neighbors, thereby
allowing an expanded understanding of the interconnectedness of the
medieval world. The studies are united by a focus on the specific
mechanisms that enabled artistic and architectural interaction, as
well as the individuals who facilitated these transmissions.
Authors also consider the effects and collaboration of portable and
monumental arts in the creation of intercultural artistic
traditions. Contributors are: Justine Andrews, Maria Georgopoulou,
Ludovico Geymonat, Heather E. Grossman, Eva Hoffman, Melanie
Michailidis, Renata Holod, Scott Redford and Alicia Walker.
In this fascinating and richly illustrated book, John Henderson
takes us into the Renaissance hospitals of Florence, recreating the
enormous barn-like wards and exploring the lives of those who
received and those who administered treatment there. Drawing on an
exceptional range of visual and documentary evidence, Henderson
overturns the popular view of the pre-industrial hospital as a
hellish destination for the dying poor. To the contrary, hospitals
of the era developed specialized, professional care; became
important centers of artistic patronage; and served a large patient
population, only ten percent of whom died during their stay. The
book explores the civic role of Renaissance hospitals, their
beautiful architecture and interior design, and their methods of
medical treatment that continue to influence healthcare practices
today.
Originally published in 1914, it is the authors desire and intent;
to cover the subject of Architectural drawing, comprehensively,
practically and clearly. Despite its age, this works contains much
information that is still practical and useful today. Many of the
earliest books, particularly those dating back to the 1900's and
before, are now extremely scarce and increasingly expensive. We are
republishing these classic works in affordable, high quality,
modern editions, using the original text and artwork.
A history of Reading's iconic gaol: architectural landmark,
cultural emblem and symbol for a community determined to cherish
the town's heritage. Layers of history and art are carefully peeled
back as Peter Stoneley reveals its past as architectural showcase
for Sir George Gilbert Scott's decorative (and expensive!) style,
location for experiments in prison reform, training ground for the
leaders of the Irish Independence movement and, of course, the
inspiration for Oscar Wilde's famous Ballad of Reading Gaol.
Bringing the narrative right up to the present day with the
discussions over its future use, the impact of the ArtAngel
exhibition and Banksy's graffiti, this book is a timely platform
for the building to tell us its story.
Originally published in 1904, this early work on Brickwork and
Masonry is both expensive and hard to find in its first edition.
This is a fascinating read and contains much information that is
still useful and practical today. With chapters on Foundations,
Vaulting, Arches and many more as well as illustrations this work
is thoroughly recommended for inclusion on the bookshelf of all
Masioners. Many of the earliest books, particularly those dating
back to the 1900s and before, are now extremely scarce and
increasingly expensive. We are republishing these classic works in
affordable, high quality, modern editions, using the original text
and artwork.
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