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Books > Arts & Architecture > Architecture > General
Masonry is a traditional, highly durable mode of construction; many heritage masonry structures, built at various historical periods, have survived, to a lesser or greater extent, adverse environmental conditions, which have reduced, sometimes considerably, their integrity, strength and durability. Due to the cultural significance of heritage architecture, resources are today allocated towards their restoration and conservation. This volume comprises distinguished contributions from the Transactions of the Wessex Institute describing research efforts towards achieving these objectives. Topics covered include: Understanding of constituent materials, modes of construction and overall mechanical behaviour; Dynamic behaviour; Sonic pulse velocity tests; Micro-vibration measurements; Failure mechanisms; Structural strength assessment; Binding material mixtures; Composition and properties of ancient mortars; Contemporary repair material; Infra-red thermography measurements; Mortars, plasters, renders and grouts. The various issues mentioned above are addressed by the present collection of scientific papers with considerable insight and thoroughness.It is thus hoped that this volume will fill a gap in the literature as a valuable source of information and guidance to researchers and engineers working in the area of restoration and conservation of heritage masonry structures.
In 1999, a suite of three new conditions of contract was published by FIDIC, following the basic structure and wording harmonised and updated around the previous FIDIC Design-Build and Turnkey Contract (the 1992 ''Orange Book''). These conditions, known as the ''FIDIC rainbow, were the Conditions of C- tract for: l Construction, the so-called Red Book, for works designed by the Employer l Plant and Design-Build, the so-called Yellow Book, for works designed by the Contractor l EPC/Turnkey Projects, the so-called Silver Book, for works designed by the Contractor The ?rst is intended for construction works where the Employer is responsible for the design, as for per the previous so-called Red Book 4th Edition (1987), with an important role for the Engineer. The other two conditions of contract are intended for situations when the Contractor is responsible for the design. The Plant and Design-Build Contract has the traditional Engineer while the EPC/Turnkey Contract has a two-party arran- ment, generally with an Employer's Representative as one of the parties.
The Radcliffe Camera is one of the most celebrated buildings in Oxford. Instantly recognizable, its great dome rises amid the Gothic spires of the University. Through early maps, plans and drawings, portraits, engravings and photographs this book tells the fascinating story of its creation, which took more than thirty years, and describes its subsequent place within Oxford University. Dr John Radcliffe was the most successful physician of his day. On his death in 1713 he directed that part of his large fortune should be used to build a library on a site at the heart of Oxford, between the University Church of St Mary's and the Bodleian. Early designs were made by the brilliant architect Nicholas Hawksmoor, who outlined the shape so familiar today: a great rotunda surmounted by Oxford's only dome. It would take decades to acquire and clear the site, and after Hawksmoor's death in 1736 the project was taken over by the Scottish architect James Gibbs, who refined the designs and supervised the construction of 'Dr Radcliffe's Library', creating, in the process, an architectural masterpiece and Britain's first circular library.
In his book " Hope Town: Reality of a Dream" Richard L. Seaberg explores through a fictitious story, historical facts and his own ink drawings the architectural development of a special place called Hope Town in the Bahamas. In Part 1 of the book "Sarah and The Goat," the reader is brought back to the late 1700's when the Islands of the Bahamas were first settled by Loyalists and relives a way of life that may even be similar to our present day. In Part 2 of the book, "Older Houses of Hope Town," the dreams of building a new life are connected with the building of houses that created a community appropriately named Hope Town. The "Reality of a Dream" has been realized by many in search of a new life in Hope Town from the time it was originally settled until the present. "The tropical setting of swaying palm trees and inspiring blue green waters is like living on the untouched edge of the world." Richard L. Seaberg
From the Acropolis and the Temple of Zeus to the National Library and the University of Athens, this volume examines both the aesthetic design and cultural/social functions of 61 noted architectural landmarks throughout the nation of Greece. Art historian Janina K. Darling discusses how each structure or project was designed and built, and provides a detailed yet accessible description of architectural elements. Darling's entries combine an architectural reading with the larger context of the region's cultural history. An introductory essay, glossary, geographic index and subject index add to this vastly interesting volume. The Architecture of Greece is the first release from Greenwood's "Reference Guide to National Arhcitecture" series.
The British terrain is a gold mine for the student of architecture. Ranging in era from ancient times to the present day--from Stonehenge to the Millennium Dome--this volume's 76 entries include palaces, castles, bridges, churches, country houses, and various public buildings and monuments, as well as such well-known features of British architecture and design as terraced houses, suburban semi-detached houses, and public telephone kiosks. Detailed yet accessible to nonspecialist readers, the alphabetical entries also provide cross-references and lists of additional information sources in both print and electronic formats. Appendixes list the entries by location, architectural style, and architect/designer; explain the defining characteristics of major British architectural styles; and discuss the importance of the Crown, peerage, and Parliament in British architectural history. Besides a detailed subject index, the volume also includes a timeline, a general bibliography, a glossary of architectural terms, and an introduction that traces the development of British architecture from prehistoric and Roman times to the 21st century. Written by an associate professor of architecture at Oklahoma State University, Architecture of England, Scotland, and Wales, part of Greenwood's Reference Guides to National Architecture series, presents "architectural biographies" of these countries' most famous and significant structures.
If you don't know your Baroque from your Rococo, or the difference between Art Nouveau and Art Deco, or where Modernism ends and Postmodernism begins, then don't fear, you're not alone. Understanding Architecture will reveal all. From the ancient world to the present day, from medieval Cambodian temples to Paris metro stations, from American shotgun shacks to colonial villas, fascist grandeur to the latest ecologically friendly structures, the book expertly guides the reader through the world's different architectural styles. Arranged chronologically, over two spreads a major building is used to illustrate a particular style - King's College Chapel, Cambridge for Perpendicular Gothic, the Palace of Versailles for Baroque, the Chrysler Building for Art Deco. Each entry is illustrated with both general view photographs and close-ups, accompanied by accessible text explaining the major features of the style. Each chapter also offers a general cultural background to the major architectural movements, putting them into historical context. Illustrated with more than 200 outstanding photographs of remarkable buildings, Understanding Architectureis an excellent, accessible introduction to the history of architecture.
Private houses, museums, restaurants, pubs, a former cinema and numerous little-known treasures jostle for attention in this beautifully photographed collection of weird and wonderful interiors in England. Often featuring deliberate references to the tastes and styles of bygone eras, all the interiors in this book are united by a wonderful blend of vivacity and individuality, as well as displaying a great deal of passion and dedication in the creation of a unique space. At the same time, the 'Englishness' that characterises these interiors is often a diverse assemblage of traditions and tastes from every corner of the world, not only reflecting the historical make-up of British society but also the far-reaching knowledge-base upon which the creators of these glorious interiors have been able to draw. From a bizarre magician's house in London to a wildly entertaining hotel in rural North Yorkshire, there is ample evidence across England of the creative output resulting from this heady mix of enthusiasm and expertise. Historical fantasies sit alongside glorious 21st-century expressions of maximalism, from Walpole's stunning 'little play-thing house' at Strawberry Hill in Twickenham to the newly opened Great John Street Hotel in Manchester where the style is joyfully described as 'New York meets vintage chic'. Quirky, intellectual, stylish or humorous, all the interiors in this book serve as a glorious testimony to the richly creative tradition of English eccentricity, past and present.
Vitruvius' De architectura, the only extant work from Antiquity dedicated to Architecture, has had a rich and diverse reception history. The present volume aims to highlight the different aspects of this history, showing how Vitruvius' work was systematically and continuously misunderstood to justify innovation. Its comprehensive and in-depth analyses make this book a reference work in the field of Vitruvian scholarship.
If the city is the theatre of urban life, how does architecture act in its many performances? This interdisciplinary book reconstructs the spatial experiments of Art et action, a theatre troupe active in 1920s Paris, that defined five distinct types of modern performance, types which mirror social institutions and events. The analysis focuses on Art et Action's designs for theatre buildings to show how the performance spaces interacted with actors and spectators according to their respective type, thus commenting on the characteristic events of urban life. For scholars of theatre, the study demonstrates the interdependence of spatial design and drama at a crucial moment in the history of contemporary performance. For architects, the work offers a model in theatre for how architecture might act in the daily drama of urban life, supporting current efforts to make our cities more vital and thus more sustainable.
This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.
This book conveys the excitement, diversity and richness of London at a time when the city was arguably at the height of its power, uniqueness and attraction. Balancing the social, the topographical and the visible aspects of the great city, author Andrew Saint uses buildings, architecture, literature and art as a way into understanding social and historical phenomena. While many volumes on Victorian London focus on poverty (an issue which is included in this book), the author here provides a broader picture of life in the city. It is enlivened with a rich line-up of colourful characters, including Baron Albert Grant; Henry Mayers Hyndman and his connections with Karl Marx, William Morris and George Bernard Shaw; John Burns; Octavia Hill; Aubrey Beardsley and the artistic bohemians; Alfred Harmsworth and the Garrett sisters, and includes insightful quotes on London by esteemed authors such as Trollope, Henry James and Rudyard Kipling. Divided into four long chapters, each dealing with a decade, London's evolution between 1870 and 1914 comes across clearly. Although not intended to be a complete history, it does cover all the most important historical developments in London and London life. Particular issues are allotted to the decade in which they seem to have been most critical. Topics covered include: the creation of new neighbourhoods and roads; how the Victorians dealt with their housing crisis; why certain architectural styles were preferred; and the fashion for focusing on certain types of building, such as ice rinks, schools, houses, hospitals, fire stations, exhibition halls, water works, music halls, recital rooms and pubs. This is an up-to-date, readable and well-illustrated book which embraces the whole in a positive spirit. Saint's interpretation of London's history in the period covered is unashamedly one of progress in the face of great odds. He shows that, in almost every aspect, it was a much better city in1914 than in 1870. At a time when local autonomy in Britain has been ruthlessly downgraded and London's face is every year coarsened further by money-led developments, this story of gradual and earnest improvement may have lessons to teach.
It was not until the beginning of the twentieth century that the physicist Wallace Clement Sabine developed his theory of reverberation, which has remained fundamental to architectural acoustics to this day, and has subsequently been applied to many building types, especially those for the performing arts. Yet the practice of architectural acoustics goes back much further with the impressive designs of the Greeks proving highly influential. This comprehensive book explores the development of acoustics in architectural design from the theatres of Classical Greece, through the early development of opera houses, concert halls and theatres, to the research work of Sabine and his successors and its influence on twentieth- and twenty-first-century buildings. Topics covered include: the fundamentals of acoustics; the influential legacy of the Greeks and Romans; the evolving design of opera houses, theatres and concert halls and, finally, the acoustics of schools, music schools and recital halls. |
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