The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term 'Neo-Baroques'. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Ferme; Claire Denis' French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip. Contributors: Jens Baumgarten, Marjan Colletti, Bolivar Echeverria, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.

This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

Francesco di Giorgio Martini is one of the few fifteenth century Sienese artists who became known outside his native city. Working at the courts of Urbino, Naples and Milan, he was a typical Renaissance uomo universale but his major achievements were in military and civil architecture, complemented by the composition of a theoretical treatise. The collection of essays does not offer a comprehensive study of the artist's architectural oeuvre, but rather emphasizes the partial nature of the scholarly endeavor so far undertaken. The essays discuss Francesco's theory, his drawings from the antique, the individual characteristics of his practice, and the reception of his work. They share a common idea: invention, which emerges as a valid theoretical framework, possibly the only one capable of encompassing Francesco di Giorgio's versatile accomplishments.

Masonry is a traditional, highly durable mode of construction; many heritage masonry structures, built at various historical periods, have survived, to a lesser or greater extent, adverse environmental conditions, which have reduced, sometimes considerably, their integrity, strength and durability. Due to the cultural significance of heritage architecture, resources are today allocated towards their restoration and conservation. This volume comprises distinguished contributions from the Transactions of the Wessex Institute describing research efforts towards achieving these objectives. Topics covered include: Understanding of constituent materials, modes of construction and overall mechanical behaviour; Dynamic behaviour; Sonic pulse velocity tests; Micro-vibration measurements; Failure mechanisms; Structural strength assessment; Binding material mixtures; Composition and properties of ancient mortars; Contemporary repair material; Infra-red thermography measurements; Mortars, plasters, renders and grouts. The various issues mentioned above are addressed by the present collection of scientific papers with considerable insight and thoroughness.It is thus hoped that this volume will fill a gap in the literature as a valuable source of information and guidance to researchers and engineers working in the area of restoration and conservation of heritage masonry structures.

The Radcliffe Camera is one of the most celebrated buildings in Oxford. Instantly recognizable, its great dome rises amid the Gothic spires of the University. Through early maps, plans and drawings, portraits, engravings and photographs this book tells the fascinating story of its creation, which took more than thirty years, and describes its subsequent place within Oxford University. Dr John Radcliffe was the most successful physician of his day. On his death in 1713 he directed that part of his large fortune should be used to build a library on a site at the heart of Oxford, between the University Church of St Mary's and the Bodleian. Early designs were made by the brilliant architect Nicholas Hawksmoor, who outlined the shape so familiar today: a great rotunda surmounted by Oxford's only dome. It would take decades to acquire and clear the site, and after Hawksmoor's death in 1736 the project was taken over by the Scottish architect James Gibbs, who refined the designs and supervised the construction of 'Dr Radcliffe's Library', creating, in the process, an architectural masterpiece and Britain's first circular library.

Die Bauwirtschaft befindet sich seit Jahren in der Krise. Steigender Wettbewerbsdruck, daraus folgender Preiskampf sowie eine starke Zunahme der Insolvenzen prägen die Branche. Der Allianzvertrag versucht durch seinen kooperativen Charakter neuartige Wege aus der Krise der Bauwirtschaft aufzuzeigen und verstärkt das Projekt in den Vordergrund zu rücken. Allianzverträge kommen bisher nahezu ausschließlich im anglo-amerikanischen Raum zur Anwendung. Ein innovatives Vergütungssystem, eine no blame - no dispute-Kultur und das Einstimmigkeitsprinzip tragen dazu bei, alle Parteien auf eine best for project-Atmosphäre einzuschwören. Dieses Buch behandelt den Allianzvertrag am Beispiel Australiens sowie seine Umsetzung in deutsches Recht unter besonderer Berücksichtigung des Gesellschafts- und Vergaberechts.

Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudejar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jimenez Hernandez and Laura Alvarez Acosta.

In his book " Hope Town: Reality of a Dream" Richard L. Seaberg explores through a fictitious story, historical facts and his own ink drawings the architectural development of a special place called Hope Town in the Bahamas. In Part 1 of the book "Sarah and The Goat," the reader is brought back to the late 1700's when the Islands of the Bahamas were first settled by Loyalists and relives a way of life that may even be similar to our present day. In Part 2 of the book, "Older Houses of Hope Town," the dreams of building a new life are connected with the building of houses that created a community appropriately named Hope Town. The "Reality of a Dream" has been realized by many in search of a new life in Hope Town from the time it was originally settled until the present. "The tropical setting of swaying palm trees and inspiring blue green waters is like living on the untouched edge of the world." Richard L. Seaberg

This book conveys the excitement, diversity and richness of London at a time when the city was arguably at the height of its power, uniqueness and attraction. Balancing the social, the topographical and the visible aspects of the great city, author Andrew Saint uses buildings, architecture, literature and art as a way into understanding social and historical phenomena. While many volumes on Victorian London focus on poverty (an issue which is included in this book), the author here provides a broader picture of life in the city. It is enlivened with a rich line-up of colourful characters, including Baron Albert Grant; Henry Mayers Hyndman and his connections with Karl Marx, William Morris and George Bernard Shaw; John Burns; Octavia Hill; Aubrey Beardsley and the artistic bohemians; Alfred Harmsworth and the Garrett sisters, and includes insightful quotes on London by esteemed authors such as Trollope, Henry James and Rudyard Kipling. Divided into four long chapters, each dealing with a decade, London's evolution between 1870 and 1914 comes across clearly. Although not intended to be a complete history, it does cover all the most important historical developments in London and London life. Particular issues are allotted to the decade in which they seem to have been most critical. Topics covered include: the creation of new neighbourhoods and roads; how the Victorians dealt with their housing crisis; why certain architectural styles were preferred; and the fashion for focusing on certain types of building, such as ice rinks, schools, houses, hospitals, fire stations, exhibition halls, water works, music halls, recital rooms and pubs. This is an up-to-date, readable and well-illustrated book which embraces the whole in a positive spirit. Saint's interpretation of London's history in the period covered is unashamedly one of progress in the face of great odds. He shows that, in almost every aspect, it was a much better city in1914 than in 1870. At a time when local autonomy in Britain has been ruthlessly downgraded and London's face is every year coarsened further by money-led developments, this story of gradual and earnest improvement may have lessons to teach.

This book examines the work of the Preservation Movement, focusing on the complex battle that pitched tradition-bound Yankees not only against immigrants and radicals but against the "fakery" of machined Colonial Revival forms. It looks into the meaning of preserved artefacts and sites, and links their preservation to campaigns that were aimed at Americanizing immigrants and establishing cultural order. Through its particular focus, this book explores many of the driving forces that shaped New England during the Progressive Era.

From the Acropolis and the Temple of Zeus to the National Library and the University of Athens, this volume examines both the aesthetic design and cultural/social functions of 61 noted architectural landmarks throughout the nation of Greece. Art historian Janina K. Darling discusses how each structure or project was designed and built, and provides a detailed yet accessible description of architectural elements. Darling's entries combine an architectural reading with the larger context of the region's cultural history. An introductory essay, glossary, geographic index and subject index add to this vastly interesting volume. The Architecture of Greece is the first release from Greenwood's "Reference Guide to National Arhcitecture" series.