|
Books > Arts & Architecture > Architecture > General
This innovative urban history of Dublin explores the symbols and
spaces of the Irish capital between the Restoration in 1660 and the
advent of neoclassical public architecture in the 1770s. The
meanings ascribed to statues, churches, houses, and public
buildings are traced in detail, using a wide range of visual and
written sources.
Francesco di Giorgio Martini is one of the few fifteenth century
Sienese artists who became known outside his native city. Working
at the courts of Urbino, Naples and Milan, he was a typical
Renaissance uomo universale but his major achievements were in
military and civil architecture, complemented by the composition of
a theoretical treatise. The collection of essays does not offer a
comprehensive study of the artist's architectural oeuvre, but
rather emphasizes the partial nature of the scholarly endeavor so
far undertaken. The essays discuss Francesco's theory, his drawings
from the antique, the individual characteristics of his practice,
and the reception of his work. They share a common idea: invention,
which emerges as a valid theoretical framework, possibly the only
one capable of encompassing Francesco di Giorgio's versatile
accomplishments.
In 1999, a suite of three new conditions of contract was published
by FIDIC, following the basic structure and wording harmonised and
updated around the previous FIDIC Design-Build and Turnkey Contract
(the 1992 ''Orange Book''). These conditions, known as the ''FIDIC
rainbow, were the Conditions of C- tract for: l Construction, the
so-called Red Book, for works designed by the Employer l Plant and
Design-Build, the so-called Yellow Book, for works designed by the
Contractor l EPC/Turnkey Projects, the so-called Silver Book, for
works designed by the Contractor The ?rst is intended for
construction works where the Employer is responsible for the
design, as for per the previous so-called Red Book 4th Edition
(1987), with an important role for the Engineer. The other two
conditions of contract are intended for situations when the
Contractor is responsible for the design. The Plant and
Design-Build Contract has the traditional Engineer while the
EPC/Turnkey Contract has a two-party arran- ment, generally with an
Employer's Representative as one of the parties.
Masonry is a traditional, highly durable mode of construction; many
heritage masonry structures, built at various historical periods,
have survived, to a lesser or greater extent, adverse environmental
conditions, which have reduced, sometimes considerably, their
integrity, strength and durability. Due to the cultural
significance of heritage architecture, resources are today
allocated towards their restoration and conservation. This volume
comprises distinguished contributions from the Transactions of the
Wessex Institute describing research efforts towards achieving
these objectives. Topics covered include: Understanding of
constituent materials, modes of construction and overall mechanical
behaviour; Dynamic behaviour; Sonic pulse velocity tests;
Micro-vibration measurements; Failure mechanisms; Structural
strength assessment; Binding material mixtures; Composition and
properties of ancient mortars; Contemporary repair material;
Infra-red thermography measurements; Mortars, plasters, renders and
grouts. The various issues mentioned above are addressed by the
present collection of scientific papers with considerable insight
and thoroughness.It is thus hoped that this volume will fill a gap
in the literature as a valuable source of information and guidance
to researchers and engineers working in the area of restoration and
conservation of heritage masonry structures.
Die Bauwirtschaft befindet sich seit Jahren in der Krise.
Steigender Wettbewerbsdruck, daraus folgender Preiskampf sowie eine
starke Zunahme der Insolvenzen prägen die Branche. Der
Allianzvertrag versucht durch seinen kooperativen Charakter
neuartige Wege aus der Krise der Bauwirtschaft aufzuzeigen und
verstärkt das Projekt in den Vordergrund zu rücken.
Allianzverträge kommen bisher nahezu ausschließlich im
anglo-amerikanischen Raum zur Anwendung. Ein innovatives
Vergütungssystem, eine no blame - no dispute-Kultur und das
Einstimmigkeitsprinzip tragen dazu bei, alle Parteien auf eine best
for project-Atmosphäre einzuschwören. Dieses Buch behandelt den
Allianzvertrag am Beispiel Australiens sowie seine Umsetzung in
deutsches Recht unter besonderer Berücksichtigung des
Gesellschafts- und Vergaberechts.
In his book " Hope Town: Reality of a Dream" Richard L. Seaberg
explores through a fictitious story, historical facts and his own
ink drawings the architectural development of a special place
called Hope Town in the Bahamas. In Part 1 of the book "Sarah and
The Goat," the reader is brought back to the late 1700's when the
Islands of the Bahamas were first settled by Loyalists and relives
a way of life that may even be similar to our present day. In Part
2 of the book, "Older Houses of Hope Town," the dreams of building
a new life are connected with the building of houses that created a
community appropriately named Hope Town. The "Reality of a Dream"
has been realized by many in search of a new life in Hope Town from
the time it was originally settled until the present. "The tropical
setting of swaying palm trees and inspiring blue green waters is
like living on the untouched edge of the world." Richard L. Seaberg
If you don't know your Baroque from your Rococo, or the difference
between Art Nouveau and Art Deco, or where Modernism ends and
Postmodernism begins, then don't fear, you're not alone.
Understanding Architecture will reveal all. From the ancient world
to the present day, from medieval Cambodian temples to Paris metro
stations, from American shotgun shacks to colonial villas, fascist
grandeur to the latest ecologically friendly structures, the book
expertly guides the reader through the world's different
architectural styles. Arranged chronologically, over two spreads a
major building is used to illustrate a particular style - King's
College Chapel, Cambridge for Perpendicular Gothic, the Palace of
Versailles for Baroque, the Chrysler Building for Art Deco. Each
entry is illustrated with both general view photographs and
close-ups, accompanied by accessible text explaining the major
features of the style. Each chapter also offers a general cultural
background to the major architectural movements, putting them into
historical context. Illustrated with more than 200 outstanding
photographs of remarkable buildings, Understanding Architectureis
an excellent, accessible introduction to the history of
architecture.
The British terrain is a gold mine for the student of architecture.
Ranging in era from ancient times to the present day--from
Stonehenge to the Millennium Dome--this volume's 76 entries include
palaces, castles, bridges, churches, country houses, and various
public buildings and monuments, as well as such well-known features
of British architecture and design as terraced houses, suburban
semi-detached houses, and public telephone kiosks. Detailed yet
accessible to nonspecialist readers, the alphabetical entries also
provide cross-references and lists of additional information
sources in both print and electronic formats. Appendixes list the
entries by location, architectural style, and architect/designer;
explain the defining characteristics of major British architectural
styles; and discuss the importance of the Crown, peerage, and
Parliament in British architectural history. Besides a detailed
subject index, the volume also includes a timeline, a general
bibliography, a glossary of architectural terms, and an
introduction that traces the development of British architecture
from prehistoric and Roman times to the 21st century. Written by an
associate professor of architecture at Oklahoma State University,
Architecture of England, Scotland, and Wales, part of Greenwood's
Reference Guides to National Architecture series, presents
"architectural biographies" of these countries' most famous and
significant structures.
Private houses, museums, restaurants, pubs, a former cinema and
numerous little-known treasures jostle for attention in this
beautifully photographed collection of weird and wonderful
interiors in England.
Often featuring deliberate references to the tastes and styles
of bygone eras, all the interiors in this book are united by a
wonderful blend of vivacity and individuality, as well as
displaying a great deal of passion and dedication in the creation
of a unique space. At the same time, the 'Englishness' that
characterises these interiors is often a diverse assemblage of
traditions and tastes from every corner of the world, not only
reflecting the historical make-up of British society but also the
far-reaching knowledge-base upon which the creators of these
glorious interiors have been able to draw.
From a bizarre magician's house in London to a wildly
entertaining hotel in rural North Yorkshire, there is ample
evidence across England of the creative output resulting from this
heady mix of enthusiasm and expertise. Historical fantasies sit
alongside glorious 21st-century expressions of maximalism, from
Walpole's stunning 'little play-thing house' at Strawberry Hill in
Twickenham to the newly opened Great John Street Hotel in
Manchester where the style is joyfully described as 'New York meets
vintage chic'. Quirky, intellectual, stylish or humorous, all the
interiors in this book serve as a glorious testimony to the richly
creative tradition of English eccentricity, past and present.
Vitruvius' De architectura, the only extant work from Antiquity
dedicated to Architecture, has had a rich and diverse reception
history. The present volume aims to highlight the different aspects
of this history, showing how Vitruvius' work was systematically and
continuously misunderstood to justify innovation. Its comprehensive
and in-depth analyses make this book a reference work in the field
of Vitruvian scholarship.
If the city is the theatre of urban life, how does architecture act
in its many performances? This interdisciplinary book reconstructs
the spatial experiments of Art et action, a theatre troupe active
in 1920s Paris, that defined five distinct types of modern
performance, types which mirror social institutions and events. The
analysis focuses on Art et Action's designs for theatre buildings
to show how the performance spaces interacted with actors and
spectators according to their respective type, thus commenting on
the characteristic events of urban life. For scholars of theatre,
the study demonstrates the interdependence of spatial design and
drama at a crucial moment in the history of contemporary
performance. For architects, the work offers a model in theatre for
how architecture might act in the daily drama of urban life,
supporting current efforts to make our cities more vital and thus
more sustainable.
|
|