The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term 'Neo-Baroques'. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Ferme; Claire Denis' French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip. Contributors: Jens Baumgarten, Marjan Colletti, Bolivar Echeverria, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.

This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.

Francesco di Giorgio Martini is one of the few fifteenth century Sienese artists who became known outside his native city. Working at the courts of Urbino, Naples and Milan, he was a typical Renaissance uomo universale but his major achievements were in military and civil architecture, complemented by the composition of a theoretical treatise. The collection of essays does not offer a comprehensive study of the artist's architectural oeuvre, but rather emphasizes the partial nature of the scholarly endeavor so far undertaken. The essays discuss Francesco's theory, his drawings from the antique, the individual characteristics of his practice, and the reception of his work. They share a common idea: invention, which emerges as a valid theoretical framework, possibly the only one capable of encompassing Francesco di Giorgio's versatile accomplishments.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

Masonry is a traditional, highly durable mode of construction; many heritage masonry structures, built at various historical periods, have survived, to a lesser or greater extent, adverse environmental conditions, which have reduced, sometimes considerably, their integrity, strength and durability. Due to the cultural significance of heritage architecture, resources are today allocated towards their restoration and conservation. This volume comprises distinguished contributions from the Transactions of the Wessex Institute describing research efforts towards achieving these objectives. Topics covered include: Understanding of constituent materials, modes of construction and overall mechanical behaviour; Dynamic behaviour; Sonic pulse velocity tests; Micro-vibration measurements; Failure mechanisms; Structural strength assessment; Binding material mixtures; Composition and properties of ancient mortars; Contemporary repair material; Infra-red thermography measurements; Mortars, plasters, renders and grouts. The various issues mentioned above are addressed by the present collection of scientific papers with considerable insight and thoroughness.It is thus hoped that this volume will fill a gap in the literature as a valuable source of information and guidance to researchers and engineers working in the area of restoration and conservation of heritage masonry structures.

Die Bauwirtschaft befindet sich seit Jahren in der Krise. Steigender Wettbewerbsdruck, daraus folgender Preiskampf sowie eine starke Zunahme der Insolvenzen prägen die Branche. Der Allianzvertrag versucht durch seinen kooperativen Charakter neuartige Wege aus der Krise der Bauwirtschaft aufzuzeigen und verstärkt das Projekt in den Vordergrund zu rücken. Allianzverträge kommen bisher nahezu ausschließlich im anglo-amerikanischen Raum zur Anwendung. Ein innovatives Vergütungssystem, eine no blame - no dispute-Kultur und das Einstimmigkeitsprinzip tragen dazu bei, alle Parteien auf eine best for project-Atmosphäre einzuschwören. Dieses Buch behandelt den Allianzvertrag am Beispiel Australiens sowie seine Umsetzung in deutsches Recht unter besonderer Berücksichtigung des Gesellschafts- und Vergaberechts.

This book examines the work of the Preservation Movement, focusing on the complex battle that pitched tradition-bound Yankees not only against immigrants and radicals but against the "fakery" of machined Colonial Revival forms. It looks into the meaning of preserved artefacts and sites, and links their preservation to campaigns that were aimed at Americanizing immigrants and establishing cultural order. Through its particular focus, this book explores many of the driving forces that shaped New England during the Progressive Era.