Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.

Achieving Sustainable Urban Form represents a major advance in the sustainable development debate. It presents research which defines elements of sustainable urban form - density, size, configuration, detailed design and quality - from macro to micro scale. Case studies from Europe, the USA and Australia are used to illustrate good practice within the fields of planning, urban design and architecture.

"Clay Lancaster was infected by a love of architecture at an early age, a gentle madness from which he never cared to recover." -- From the Foreword, by Roger W. Moss It is easy to take for granted the visual environment that we inhabit. Familiarity with routes of travel and places of work or leisure leads to indifference, and we fail to notice incremental changes. When a dilapidated building is eliminated by new development, it is forgotten as soon as its replacement becomes a part of our daily landscape. When an addition is grafted onto the shell of a house fallen out of fashion or function, onlookers might notice at first, but the memory of its original form is eventually lost. Also forgotten is the use a building once served. From historic homes to livestock barns, each structure holds a place in the community and can tell us as much about its citizens as their portraits and memoirs. Such is the vital yet intangible role that architecture plays in our collective memory. Clay Lancaster (1917-2000) began during the Great Depression to document and to encourage the preservation of America's architectural patrimony. He was a pioneer of American historic preservation before the movement had a name. Although he established himself as an expert on Brooklyn brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster did not consider himself a photographer. His equipment consisted of nothing more complex than a handheld camera, and his images were only meant for his own personal use in documenting memorable and endangered structures. He had the eye of an artist, however, and recognized the importance of vernacular architecture. The more than 150 duotone photographs in Clay Lancaster's Kentucky preserve the beauty of commonplace buildings as well as historic mansions and monuments. With insightful commentary by James D. Birchfield about the photographs and about Lancaster's work in Kentucky, the book documents the many buildings and architectural treasures -- both existing and long gone -- whose images and stories remain a valuable part of the state's heritage.

The Urban Task Force, headed by Lord Rogers, one of the UK's leading architects, was established by the Department of Environment, Transport and Regions (DETR) to stimulate debate about our urban environment and to identify ways of creating urban areas in direct response to people's needs and aspirations. Their findings, conclusions and recommendations were presented in a final report to Government Ministers in Summer 1999 and form the basis of this important new illustrated book.

'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times 'One of the foremost prose stylists of his age in any register . . . Probably we don't deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian 'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph 'Such a useful and important critic . . . He is very much on the reader's side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, Spectator This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: 'When journalism is like this, journalism and literature become one.' Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word 'iconic', to John Lennon's shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

-- History of Florida wood-frame architecture, from the simplest "single-pen" homesteads to the latest homes at Seaside
-- The double-pen house, the classic dogtrot, the four-square Georgian, and the Cracker townhouse
-- Cracker homes take best advantage of the climate and terrain of Florida
-- Includes several floor plans for new adaptations of classic Cracker architecture
-- Winner of the 1993 LoPresti Award for excellence in art publishing

Buildings tell stories. Castles, country homes, churches, and monasteries are "documents" of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. "Literature and Architecture in Early Modern England" examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England.

Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.

Architectural programming - the analysis of any given environment to satisfy users' needs - has become a given prerequisite to the design process. The programming process is often a complicated one: users' present and future needs must be identified; space allowances, often predetermined, must be considered; equipment must be accommodated; all in the most cost-effective way possible. The variety of user groups is as wide as the variety of functions architecture can shelter; moreover, the different structures and needs of clients that fall within the same use classification differs so greatly that every program presents a new challenge. You cannot, for example, use the same program for every hospital you design. In Programming the Built Environment, first published in 1985, noted architect Wolfgang F. E. Preiser has compiled a wide range of architectural programs demonstrating applications of basic principles for different client groups. This book will be of interest to students of architecture and planning.

Death and grief have often elicited the response of creativity, from elegies and requiems to memorial architecture. Such artistic expressions of grief form the focus of Grief, Identity, and the Arts, which brings together scholars from the disciplines of musicology, literature, sociology, film studies, social work, and museum studies. While presenting one or more case studies from a range of artistic disciplines, historical periods, or geographical areas, each chapter addresses the interdependence of grief and identity in the arts. The volume as a whole shows how artistic expressions of grief are both influenced by and contribute to constructions of religious, national, familial, social, and artistic identities. Contributors to this volume: Tammy Clewell, Lizet Duyvendak, David Gist, Maryam Haiawi, Owen Hansen, Maggie Jackson, Christoph Jedan, Bram Lambrecht, Carlo Leo, Wolfgang Marx, Tijl Nuyts, Despoina Papastathi, Julia Placzkiewicz, Bavjola Shatro, Caroline Supply, Nicolette van den Bogerd, Eric Venbrux, Janneke Weijermars, Miriam Wendling, and Mariske Westendorp.

This early work on Architecture is a fascinating read for any Architectural enthusiast or historian. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Following up on his successful World Architecture Index (Greenwood Press, 1991), Edward Teague applies his research and organizational skills to provide detailed coverage and easy access to the wealth of architectural landmarks in Italy as illustrated in eighty books widely available in libraries. Citations are provided for illustrations of approximately 1,800 works of architecture, engineering, and planning representing most historic periods and styles from prehistoric times to the present. Included are details on exterior and interior views and plans, sections, and elevations. The Site Index organizes the works by location and indicates date, architect, and information on the illustrations with coded references to the reproduction sources. Alternative means of access are provided in the Architect, Chronological, Type, and Work indexes. A time-saver for researchers and scholars seeking to examine illustrations of specific buildings and monuments, this volume will also serve as a complete reference source for travelers, students, and other library patrons seeking clarification of names, locations, architects, dates, and types of architectural works in Italy.

Architectures of survival is an original and innovative work of history that investigates the relationship between air war and urbanism in modern Britain. It asks how the development of airpower and the targeting of cities influenced perceptions of urban spaces and visions of urban futures from the interwar period into the Cold War, highlighting the importance of war and the anticipation of war in modern urban history. Airpower created a permanent threat to cities and civilians, and this book considers how architects, planners and government officials reframed bombing as an ongoing urban problem, rather than one contingent to a particular conflict. It draws on archival material from local and national government, architectural and town planning journals and cultural texts, to demonstrate how cities were recast as targets, and planning for defence and planning for development became increasingly entangled. -- .

Sustainability is a concept that has monopolised a large number of the scientific debates in a wide range of spheres connected not only with architecture, urban planning and construction, but also with the product market, tourism, culture, etc. However, sustainability is indissolubly linked to vernacular architecture and the lessons this architecture of the past can teach us for the future. The concept of sustainability as it is presented is wide-reaching and encompasses not only environmental issues but also sociocultural and socioeconomic questions. The lessons we can learn from studying vernacular architecture in these three broad spheres are manifold, and can help us not only to further the conservation and retrieval of this architecture already in existence but to rethink new architecture in the light of what we have learned. Vernacular Architecture: Towards a Sustainable Future will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.

New essays offering fresh glimpses of Romanticism as interdisciplinary and cross-linguistic, illuminating the discursive features and the pan-European nature of the movement. Romanticism bubbled up as lava from such historical eruptions as the Napoleonic Wars. The power of its flow across disciplines and linguistic borders reminds us that the use of the term in a context limited to one linguistic, national, or political tradition, or to one discipline or area of human development, shows an essential ignorance of the ideational configurations elaborated and lived out by the movement. Among its consistent norms are the notion ofreality as a transcendent self-unfolding Geist, everything existing in a dialectical relationship with all else; the position that art reveals mythic understructures of reality; and that all kinds of kinship are more normalthan isolation. This book brings together essays that highlight the inclusivity of Romanticism. A team of eleven scholars offers fresh glimpses of Romanticism as it manifests itself in a number of disciplines, including most prominently literature, but also music, painting, and the sciences. In so doing, the contributors treat Romanticism as interdisciplinary and cross-linguistic, providing data and interpretive viewpoints that illuminate the discursive features and the pan-European nature of the movement. Contributors: Lloyd Davies, Ellis Dye, Stacey Hahn, Hollie Markland Harder, Jennifer Law-Sullivan, Sarah Lippert, Marjean D. Purinton, Ashley Shams, Kaitlin Gowan Southerly. Larry H. Peer is Professor of Comparative Literature at Brigham Young University. Christopher R. Clason is Professor of German at Oakland University.

In the last two decades, the biannual ECPPM (European Conference on Product and Process Modelling) conference series has provided a unique platform for the presentation and discussion of the most recent advances with regard to the ICT (Information and Communication Technology) applications in the AEC/FM (Architecture, Engineering, Construction and Facilities Management) domains. ECPPM 2014, the 10th European Conference on Product and Process Modelling, was hosted by the Department of Building Physics and Building Ecology of the Vienna University of Technology, Austria (17-19 September 2014). This book entails a substantial number of high-quality contributions that cover a large spectrum of topics pertaining to ICT deployment instances in AEC/FM, including: - BIM (Building Information Modelling) - ICT in Civil engineering & Infrastructure - Human requirements & factors - Computational decision support - Commissioning, monitoring & occupancy - Energy & management - Ontology, data models, and IFC (Industry Foundation Classes) - Energy modelling - Thermal performance simulation - Sustainable buildings - Micro climate modelling - Model calibration - Project & construction management - Data & information management As such, eWork and eBusiness in Architecture, Engineering and Construction 2014 represents a rich and comprehensive resource for academics and professionals working in the interdisciplinary areas of information technology applications in architecture, engineering, and construction.

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.