Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the D sseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

This book offers unique insights into modern African architecture, influenced by modern European architecture, and at the same time a natural successor to existing site-specific and traditional architecture. It brings together the worlds of traditional site-specific architecture with the Modernist Project in Africa, which to date have only been considered in isolation. The book covers the four architectural disciplines: urban planning, building technology, building physics, and conservation. It includes an introduction with a historical outline and an analysis and comparison of a number of projects in various countries in Africa. On the basis of examples drawn from practice, the author documents and describes the hybrid architectural forms that have emerged from the confrontation and fusion with (pre)modern Western architecture and urban planning, and in so doing he also narrates the history of African architecture.

Composing Architecture and Interior Design introduces different ways of creating architectural space. It explains how to compose architectural and interior design spaces step by step - starting in the first years of architecture and interior design studies. The book starts with introducing different spatial configurations using basic elements such as walls, floors and ceilings in order to create spaces with different architectural characteristics, such as collective or transition spaces. Photos of physical models are graphically edited to ensure a comprehensive visual explanation. Physical models are the main tool for all architecture and interior architecture students, allowing readers to understand, relate to and copy the modelling techniques shown in each example. Throughout the book this same approach is used, in order to explain step by step the most contemporary approaches to composing space, such as folding surfaces or combining curves. Which are already often used in contemporary practices and are globally acknowledged.

How are changing conditions in society likely to affect Germany's built environment? What are the catalysts for transformation in its cities and regions? Speculations Transformations is devoted to the social and spatial transformations that Germany will face in the future, speculating on their architectural consequences.

An elegant presentation of stunning and inspiring architectural drawings from antiquity to the present day

Throughout history, architects have relied on drawings both to develop their ideas and communicate their vision to the world.

This gorgeous collection brings together more than 250 of the finest architectural drawings of all time, revealing each architect's process and personality as never before. Creatively paired to stimulate the imagination, the illustrations span the centuries and range from sketches to renderings, simple to intricate, built projects to a utopian ideal, famous to rarely seen – a true celebration of the art of architecture.

Visually paired images draw connections and contrasts between architecture from different times, styles, and places. From Michelangelo to Frank Gehry, Louise Bourgeois to Tadao Ando, B.V. Doshi to Zaha Hadid, and Grafton to Luis Barragán, the book shows the incredible variety and beauty of architectural drawings.

Drawing Architecture is ideal for art and architecture lovers alike, as well as anyone interested in the intersection of creativity and history.

From the publisher of Exhibit A: Exhibitions that Transformed Architecture, 1948–2000.

Asian activists, organizers, critics, teachers, artists, and entrepreneurs have become passionately involved in protecting Asia's heritage. In this book, twelve principal authors from eleven of the region's countries present their experience of what has been done in the past and their ideas on what should be done in the future. Chapters cover Siam's temples, Korean religious murals, Beijing's neighborhoods, Lao textiles, Javanese ruins, Cambodian dance, old Bangkok and George Town, Philippine creative arts, Calcutta's architecture, China's salt industry, and the Burmese cat. This book records the start of a conversation that promises to transform the protection of Asia's heritage.

Chinese cities are undergoing profound changes. Urban development has transformed the townscape; low-rise structures based on courtyard type housing, horizontal in character, have been replaced by vertical constructions. In the 1980s and 1990s Chinese cities were featured by the conflicting wishes for rapid modernization and cultural continuity. The articles of this book refer to experiences drawn from this particular period of time, and are selected among case studies and related theoretical considerations. The case studies are concentrated on four cities: Beijing, Xi'an, Quanzhou and Shanghai. The authors have all been active in different fields of urban transformation in historic Chinese cities. They are politicians, historians, planners, anthropologists, architects and scholars. The articles describe the substantial transformation of the cities and the implications of this change. The contributing authors represent three countries; China, France and Norway. They all participated in two conferences in 1995 and 1996, dealing with urban renewal in housing areas of traditional Chinese cities. The outcome of these conferences constitute the raw material for this book.

In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti's approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. Past scholars have generally characterized the Italian Renaissance architect and theorist as an enthusiast of the city who envisioned it as a rational, Renaissance ideal. Pearson argues, however, that Alberti's approach to urbanism was far more complex--that he was even "essentially hostile" to the city at times. Rather than proposing the "ideal" city, Pearson maintains, Alberti presented a variety of possible cities, each one different from another. This book explores the ways in which Alberti sought to remedy urban problems, tracing key themes that manifest in De re aedificatoria. Chapters address Alberti's consideration of the city's possible destruction and the city's capacity to provide order despite its intrinsic instability; his assessment of a variety of political solutions to that instability; his affinity for the countryside and discussions of the virtues of the active versus the contemplative life; and his theories of aesthetics and beauty, in particular the belief that beauty may affect the soul of an enemy and thus preserve buildings from attack.

Some utopian plans have shaped our cities, from England's New Towns and Garden Cities to the Haussmann plan for Paris and the L'Enfant plan for Washington, DC. But these grand plans are the exception, and seldom turn out as envisioned by the utopian planner. Inviting city neighbourhoods are more often works of improvisation on a small scale. This type of bottom-up development gives cities both their character and the ability to respond to sudden change. Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, believed in letting small things happen. Dittmar concluded that big plans were often the problem. Looking at the global cities of the world, he saw a crisis of success, with gentrification and global capital driving up home prices in some cities, while others decayed for lack of investment. In DIY City, Dittmar explains why individual initiative, small-scale business, and small development matter, using lively stories from his own experience and examples from recent history, such as the revival of Camden Lock in London and the nascent rebirth of Detroit. DIY City, Dittmar's last original work, captures the lessons he learned throughout the course of his varied career, from transit-oriented development to Lean Urbanism, that can be replicated to create cities where people can flourish. DIY City is a timely response to the challenges many cities face today, with a short supply of affordable housing, continued gentrification, and offshore investment. Dittmar's answer to this crisis is to make Do-It-Yourself the norm rather than the exception by removing the barriers to small-scale building and local business. The message of DIY City can offer hope to anyone who cares about cities.

Founded in 1769 as a new port town on Jamaica's north coast, Falmouth expanded dramatically in the decades around 1800 as it supported the rapidly expanding sugar production of Trelawney and neighboring parishes. Many of the surviving buildings in Falmouth are the townhouses and shops of the planters and merchants who benefitted from the wealth of sugar. That same community also built a major Anglican church and a courthouse, both of which still survive and remain in use. In those same years, the town hosted a growing free-black population and this community also left its mark on the historic town. In 1894, Falmouth received an extraordinary gift from the British crown in the form of the Albert George Market, at once a symbol of persistent colonialism, a shelter for the ancient Sunday markets, and a symbol of modernism in the form of its vast cast iron design. Monuments in the city from the twentieth century include an extraordinary round Catholic church and an impressively Modernist school wing. With little investment through the twentieth century, the town was entirely re-conceptualized in the opening years of the twenty-first century with the construction of a vast cruise ship terminal. Spanning from the foundation of the town in 1769 to the opening of the cruise ship terminal in 2008, this book explores the wide range of architecture built by Jamaicans and others in the making of this extraordinary town.

Rome is where the history of European architecture was written. The foundations were laid in ancient Roman times when the first attempts were made to design interiors which could be experienced as something physical. Ancient Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. This guide has been arranged chronologically. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome, indeed, the whole of the West. The book includes an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history. In order to clarify the historical development, the key buildings of each period and other major works are emphasised both in the text and on the maps.

A contemporary synthesis of the philosophical, theoretical and practical methodologies of illustration and its future development Illustration is contextualized visual communication; its purpose is to serve society by influencing the many aspects of its cultural infrastructure; it dispenses knowledge and education, it commentates and delivers journalistic opinion, it persuades, advertises and promotes, it entertains and provides for all forms of narrative fiction. A Companion to Illustration explores the definition of illustration through cognition and research and its impact on culture. It explores illustration's boundaries and its archetypal distinction, the inflected forms of its parameters, its professional, contextual, educational and creative applications. This unique reference volume offers insights into the expanding global intellectual conversation on illustration through a compendium of readings by an international roster of scholars, academics and practitioners of illustration and visual communication. Encompassing a wide range of thematic dialogues, the Companion offers twenty-five chapters of original theses, examining the character and making of imagery, illustration education and research, and contemporary and post-contemporary context and practice. Topics including conceptual strategies for the contemporary illustrator, the epistemic potential of active imagination in science, developing creativity in a polymathic environment, and the presentation of new insights on the intellectual and practical methodologies of illustration. Evaluates innovative theoretical and contextual teaching and learning strategies Considers the influence of illustration through cognition, research and cultural hypotheses Discusses the illustrator as author, intellectual and multi-disciplinarian Explores state-of-the-art research and contemporary trends in illustration Examines the philosophical, theoretical and practical framework of the discipline A Companion to Illustration is a valuable resource for students, scholars and professionals in disciplines including illustration, graphic and visual arts, visual communications, cultural and media and advertising studies, and art history.

The architectural history of Berlin would be poorer without them: the architects Klaus Kirsten (1929-1999) and Heinz Nather (*1927) were responsible for a number of individual, unconventional residential buildings and outstanding manufacturing plants. Their rediscovery is ascribable to the Rotaprint complex in the Wedding district of Berlin with its two cubical concrete towers. Inspired by the fascinating architecture, the initiators of ExRotaprint and current operators of the plant began to collect material about the architects and discovered Heinz Nather and his archive by way of an announcement in the journal Bauwelt. The resulting book provides an overview of Kirsten & Nather's body of architectural work and classes it with the modern postwar period in the Federal Republic of Germany. Special attention is given to their surprisingly open and complexly designed residential floor plants from the fifties and the sixties as well their manufacturing plants as early examples of corporate architecture.

Systematically structured and prepared with the student in mind, the book conveys in one volume the necessary basic technical building construction knowledge to enable readers to implement a wide range of designs. For this reason, over the last 14 years, it has developed into an indispensable information and reference handbook, not only for students and teachers, but also for architects. The 4th edition of this standard work for building construction has again been revised in terms of content and illustrations. References to standards, thermal insulation standards, and some project examples have been updated; they are now comprehensively and systematically documented, explaining the design process from start to finish.

Brimming with close-up photographs of the statuary, stelae, sarcophagi, wall paintings, reliefs, artefacts, and, of course, the monuments, this volume offers an information-packed overview of the history of ancient Egypt. In the beginning of the book the authors - distinguished Egyptology experts - present an invaluable chronology, and introduce readers to the gods and to the explorers who sought their tombs. Then, from Alexandria to the Monastery of St. Catherine, from the pyramids of Giza to Abu Simbel, the book traces the major archaeological sites, detailing the monuments and major discoveries in each location

Stone is a fascinating, fresh and insightful global tour of the world's oldest and most beautiful building material

Featuring more than 170 structures, from prehistory through to today, the book includes an incredible range of buildings: awe-inspiring Neolithic monuments and the epic Pyramids of Giza feature alongside the work of twentieth-century icons, from Mies van der Rohe's seminal Barcelona Pavilion to Marcel Breuer's daring Met building in New York.

There are also projects by the world's best contemporary architects, from Snøhetta's angular Norwegian National Opera and Ballet in Oslo to Kengo Kuma's sculptural Chokkura Plaza in Japan and David Chipperfield's geometric Museo Jumex in Mexico City.

Arranged to promote comparison and discussion, each project includes an extended caption providing a perceptive commentary on the building.

An elegant and informative visual exploration, Stone demonstrates the remarkable variety of creative and innovative structures the material has inspired around the world.

This work is an annotated translation of Mirza Sangin Beg's Sair-ul Manazil which is one of the last works on Delhi written in Persian. The editor introduces the text to the readers and then proceeds with the translation on the basis of comparison of the four existing copies of the text including the Berlin manuscript which is being consulted for the first time. It depicts the early nineteenth-century Delhi as a city in transition. The original work was commissioned by the English East India Company between 1818 and 1820 and it documents the layout of the city and the author's observations regarding the buildings, habitations, bazars, localities, residences, individuals, as well as anecdotes of city life and expressions of rich local cultures.

Accompanied by stunning photographs, this publication animates the story of the origins and physical transformations of the neoclassical City Hall and former Supreme Court- two buildings that have been focal points for many seminal events in Singapore's history- into National Gallery Singapore, which overseas the largest public collection of Singapore and Southeast Asian modern art. Chapters within flesh out the colonial past of the buildings, the conception and organisation of the architectural design competition, and the ambitious ten-year process of envisioning, designing and building this institution.

A compilation of essays written by faculty members at several Korean universities that specialize in housing and interior design, the book looks at traditional Korean homes, or hanoak as they are known in Korean, from their development to their arrangement, design elements, colors, patterns and aesthetic characteristics, especially those of upper class society during the Joseon Dynasty. There is also a glossary of Korean housing and design terms at the end of the book in both English and Korean.

Cairo, 'Mother of the World': its vividly diverse neighborhoods and building styles reveal its cosmopolitan energy and reflect the myriad of economic, political, and cultural forces that have shaped the city over the centuries. So impressed was Khedive Ismail after a visit to Haussman's 'new' Paris in 1867 that he decided to build a modern city along the same architectural lines and aesthetics, and brought European architects to Cairo to initiate Egypt's most dynamic building period since medieval times. The stunning buildings of late-nineteenth- and early-twentieth-century Cairo remain, but they are neglected, threatened by pollution, and are being pulled down for concrete highrises and parking lots. Paris along the Nile captures in 200 black-and-white photographs the architectural jewels of 'modern' Cairo.

In the midst of current debates about the accessibility of public spaces, resurfacing as a result of highly visible demonstrations and occupations, this book illuminates an overlooked domain of civic participation: the office, workshop, or building where activist groups meet to organize and plan acts of political dissent and collective participation. Author Nandini Bagchee examines three re-purposed buildings on the Lower East Side that have been used by activists to launch actions over the past forty years. The Peace Pentagon was the headquarters of the anti-war movement, El Bohio was a metaphoric "hut" that envisioned the Puerto Rican Community as a steward of the environment, and ABC No Rio, appropriated from a storefront sign with missing letters, was a catchy punk name that appealed to the anarchistic sensibility of the artists that ran a storefront gallery in a run-down tenement. In a captivating discussion of buildings and urban settings as important components of progressive struggles in New York City over more than a century, Bagchee reveals how these collectively organized spaces have provided a venue for political participation while existing as a vital part of the city's civic infrastructure. The "counter institution" explored in this book represents both a conceptual and a literal struggle to create a space for civic action in a city that is built upon real estate speculation. The author reveals the fascinating tension between the impermanence of the insurgent activist practices and the permanent but maintenance heavy aspects of architecture. The actors she vividly describes-the war resisters, the Puerto Rican organizers, the housing activists, the punks and artists-all seized the opportunity to create what are seen as "activist estates," at a time and in a place where urban life itself was under attack. And now, when many such self-organized "activist" buildings are imperiled by the finance-driven real estate market that is New York City, this book takes stock and provides visibility to these under recognized citizens' initiatives. Counter Institution is an innovative work that intersects architecture, urban design practices, and geography (cartography) on the one hand, with history, politics, and sociology on the other. It is a must-read for anyone interested in the history of activism in New York City and how the city can inspire and encourage political engagement. Through its beautifully illustrated pages-where drawings, maps, timelines, and photographs underline the connections between people, politics, and space-readers will discover new ways to imagine buildings as a critical part of the civic infrastructure and a vital resource for the future.