The first book to provide a full history of the development of architectural conservation, A History of Architectural Conservation is considered a landmark publication by architectural conservation students and professionals the world over. Twenty years after its first publication, this new edition of Jukka Jokilehto's groundbreaking book continues the story to bring the history of architectural conservation right up to the modern day. Jokilehto draws on his distinguished career of over 40 years at ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property, founded by UNESCO) to provide studies from Europe, the Middle East, the USA, Japan, India, China, Australia and South America. This accessible and well-written introduction to the history and theory of architectural conservation is richly illustrated in full colour and will be an essential go-to guide for students and practitioners worldwide.

Jason Wood is Director of Heritage Consultancy Services, Lancaster, UK, and former Professor of Cultural Heritage at Leeds Metropolitan University, UK.

This handy pocket reference contains a wealth of information on a range of topics including the principles of passive solar building and passive house, a ten-step design and build strategy, calculating solar irradiance, factors affecting the choice of building materials, passive heating and cooling principles and techniques in different climates, the Passivhaus Standard and natural and augmented lighting and notes on technology and building occupation. The book also includes conversion factors, standards, resources and is peppered throughout with helpful illustrations, equations, explanations, and links to further online resources. Ideal for practitioners, architects, designers, consultants, planners, home builders, students and academics, and those working in development contexts, the book is intended to act as an aide memoir, a reference supplement, a resource and an overview of the field. Rich in background detail, the book also includes at-a-glance tables and diagrams, equations and key definitions.

The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.

The Designer's Workspace presents an extensive resource of distinguished firms' responses to the design of their own offices. Featuring everythingfrom technical detail to interior design, it illustrates what these designers see as the major considerations for modern workplace design. This book reveals design solutions, details, and concepts that have been explored and used by design firms from around the world. From the first impressions at the Reception area and Lobby, to the appeal and diverse uses of the meeting areas, to the functionality and sleekness of the Design Studioitself, it illustrates how the designer's office can be quite unique in style, function, and character whilst also varying from culture to culture. No two designers will produce the same atmosphere. With this objective, The Designer's Workspace showcases an array of designs from the traditional to the contemporary, from the historic renovation to the new office tower and serves as a portfolio of the varied responses and solutions found to the challenge of designing the modern office.

This tenth edition of David Chappell's bestselling guide has been revised to take into account changes made in 2016 to payment provisions, loss and/or expense, insurance and many other smaller but significant changes, and includes a section on performance bonds and guarantees. This remains the most concise guide available to the most commonly used JCT building contracts: Standard Building Contract with quantities, 2016 (SBC16), Intermediate Building Contract 2016 (IC16), Intermediate Building Contract with contractor's design 2016 (ICD16), Minor Works Building Contract 2016 (MW16), Minor Works Building Contract with contractor's design 2016 (MWD16) and Design and Build Contract 2016 (DB16). Chappell avoids legal jargon and writes with authority and precision. Architects, quantity surveyors, contractors and students of these professions will find this a practical and affordable reference tool arranged by topic.

Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy's colonia primogenitA or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.

Cities for the New Millennium is the outcome of a joint conference held in Salford in July 2000 by the Royal Institute of British Architects and the University of Cambridge's Department of Architecture. It tackles these questions in the light of the Urban Task Force's report about the future of Britain's cities and communities, but sets them in an international and historical context. Professionals - architects, engineers and developers as well as academics from different countries and disciplines here lavish their expertise on issues of transportation, density, land use, risk and energy saving; others present urban-scale buildings or landscapes that have been judged inspirational or inventive. This book, therefore, is not just about theories of urbanism. It reveals how co-operation and debate between different parties and professions can illuminate the creative kind of urban development we should be aiming for.

Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.

In Designing the British Post-War Home Fiona Fisher explores the development of modern domestic architecture in Britain through a detailed study of the work of the successful Surrey-based architectural practice of Kenneth Wood. Wood's firm is representative of a geographically distinct category of post-war architectural and design practice - that of the small private practice that flourished in Britain's expanding suburbs after the removal of wartime building restrictions. Such firms, which played an important role in the development of British domestic design, are currently under-represented within architectural histories of the period. The private house represents an important site in which new spatial, material and aesthetic parameters for modern living were defined after the Second World War. Within a British context, the architect-designed private house remained an important 'vehicle for the investigation of architectural ideas' by second generation modernist architects and designers. Through a series of case study houses, designed by Wood's firm, the book reconsiders the progress of modern domestic architecture in Britain and demonstrates the ways in which architectural discourse and practice intersected with the experience, performance and representation of domestic modernity in post-war Britain.

Explores the social structures of the Roman world by analyzing the plans of buildings of all sizes from slightly Romanized farms to palaces. The text assesses how the ways in which the rooms are grouped together; how they intercommunicate; and the ways in which individual rooms and the house are approached, reveal various social patterns, which question traditional ideas about the Roman family and household. The text argues that virtually all houses were occupied by groups of varying composition, challenging the received wisdom that they were single family houses whose size reflected only the owner's wealth and number of servants. Provides an examination of the relationship between the living quarters of the Romans and their social and economic development which introduces a new area in Roman studies and a corpus of material for further analysis. The inclusion of almost 500 ground plans, drawn to a uniform scale, allows the reader to compare the similarities and differences between house structure as well as illustrating the arguments.

This practical book provides a concise introduction for small and medium sized architectural practices considering introducing computers or using them more widely, and it should be useful for students who wish to learn how computers are used in practice. Jargon is avoided as far as possible, necessary technical terms are explained, and ideas are illustrated with figures and diagrams.

Environmentally responsible building involves resolving many conflicting issues and requirements. Each stage in the design process from the fundamental decisions about what, where and even whether to build has implications for the environment.
Evolving out of the success of Green Building Digest, a publication described by Building Design as well-researched, authoritative and exhaustive, this practical new handbook considers the environmental issues which relate to the production, use and disposal of key building products and materials. It is designed to help specifiers and purchasers gain awareness of the potential environmental impact of their decisions.
Chapter by chapter Green Building Handbook looks at a different sector of the trade from flooring to roofing, comparing the environmental effects of commonly available products with less well known green alternatives. A Best Buy section then ranks these products from lowest to highest impact.


eBook available with sample pages: 0203477405

In the view of Hegel and others, pagan art is the art of the beautiful and Christian art is the art of the sublime. Roger Homan provides a comprehensive and informative account of the course of Christian art, encompassing a re-evaluation of conventional aesthetics and its application to religious art. Homan argues that taste and aesthetics are fashioned by morality and belief, and that Christian art must be assessed not in terms of its place in the history of art but of its place in Christian faith. The narrative basis of Christian art is documented but religious art is also explored as the expression of the devout and as an element in the trappings of collective expression and personal quest. Sections in the book explore pilgrimage art, puritan art, the tension of Gothic and Classical, church architecture and the language of worship. Current areas of debate, including the relationship of ethics to the appreciation of art, are also discussed. An extensive range of examples of painting, architecture and decoration, most of which are of European origin, are discussed throughout, with a number of striking illustrations included within the text.

This book traces the policy history of urban conservation and its relationship to the town planning processa and both are set in their political context. Part One deals with the origins of conservation and its cultural background. Part Two deals with the post-war legislation and the increasing scope of conservation. Part Three deals with churches and their separate control system, and Part Four brings the story up to the present time. New issues such as sustainable conservation and the latest government policy are addressed in the conclusion. The book will aid current practice and help to inform future directions.

Art in the liveable city is subject to the competing needs of aesthetics and social responsibilty. At the same time the making, management and mediation of public art - art outside its conventional locations in museums and galleries - is shaping our urban futures. Art, Space and the City explores how art and design can contribute to our urban futures. This book explores creative tensions in the public realm, focusing on two roles for art; as decoration within re-visioned urban design, and as a social process of criticism and engagement. A wealth of striking images and examples from London, New York, Boston, Seattle and elsewhere illustrate and inform the text.

Public art - the making, management and mediation of art outside its conventional location in museums and galleries, and the livable city - a concept involving user-centred strategies for urban planning and design, are both socially produced but have emerged from different fields and tend to be discussed in isolation.
This book applies a range of critical perspectives which have emerged from different disciplines - art criticism, urban design, urban sociology, geography and critical theory - to examine the practice of art for urban public spaces, seeing public art from positions outside those of the art world to ask how it might contribute to possible urban futures. Exploring the diversity of urban politics, the functions of public space and its relation to the structures of power, the roles of professionals and users in the construction of the city, the gendering of space and the ways in which space and citizen are represented, the book explains how these issues are as relevant to architecture, urban design and urban planning as they are to public art. Drawing on a wealth of images from across the UK and Europe and the USA, in particular, the author questions the effectiveness of public art in achieving more convivial urban environments, whilst retaining the idea that imagining possible futures is as much part of a democratic society as using public space.

This volume brings together an interdisciplinary team of leading scholars to discuss frameworks of value in relation to the preservation of historic environments. Starting from the premise that heritage values are culturally and historically constructed, the book examines the effects of pluralist frameworks of value on how preservation is conceived. It questions the social and economic consequences of constructions of value and how to balance a responsive, democratic conception of heritage with the pressure to deliver on social and economic objectives. It also describes the practicalities of managing the uncertainty and fluidity of the widely varying conceptions of heritage.

Documents, such as drawings, memos and specifications, form an essential function in the design and construction industry. Throughout the lifecycle of a built asset, starting from an initial design idea, right through to a final built form and its ongoing management, thousands, even millions of documents can be used to convey various forms of information to a range of interested parties. In many ways, therefore, the success of a design, or construction-based company, relies upon an understanding of the use of documents, as well as the technologies and techniques that are used to create them. The Digital Document provides an extensive background to the issues and technologies surrounding this very important topic. It examines a technical subject in an insightful manner that is neither intimidating nor confusing, even to the novice computer user. By introducing the subject through a series of preliminary reviews of current practices and essential computing technologies, the reader is able to better appreciate the benefits and capabilities of a wide range of digital document types. This book explores the role of documents in a professional practice, examines the components, capabilities, viability, and use of digital documents in the design and construction industry, and identifies and explains many of the standards in use today.In order to facilitate a better understanding of digital document technologies, a number of essential reviews are provided including: - the definition and purpose of a document - how documents are typically used by design professionals - the nature of the digital document environment - the data types which make up digital documentsThe Digital Document is an essential reference for the architect, engineer or design professional that wants to find out more about effective communicati

Design is widely recognised as the key to improving the quality of the built environment. This well-illustrated book comprises fifteen chapters written by leading practitioners, clients, academics and other experts, and presents the latest thinking on what design quality is and how to achieve it. For design practitioners and their clients alike, the book provides evidence to justify greater focus on, and investment in, design. It summarizes the benefits that arise from good design - such as civic pride in the urban environment, the stimulation of urban regeneration, corporate identity, occupant productivity and health in offices, improved learning in schools, better patient recovery rates in hospitals, as well as reduced environmental impact. These benefits are illustrated through case study examples.

Computer-Integrated Building Design is an accessible guide to the principles and applications of computer-integrated systems as applied to construction management. It describes current research, development and application of CAD related tools and techniques to the building design process and demonstrates the methods necessary to achieve knowledge-sharing in building design.

The most effective way to participate in land stewardship and environmental management is to get involved in the review of proposed developments. In smaller communities, this review is primarily done by a planning board or commission made up of volunteer members, guided by professionals in certain aspects such as traffic, historic preservation, civil engineering, water supply, and wastewater disposal. In larger communities, professional planning staff with the assistance of municipal engineers conducts the review, which will then be presented to the planning commission. In either case, everyone-officials, volunteers, reviewers, consultants, neighbors, and the public in general-needs to know what is being proposed. The site plan itself is the primary tool for understanding the proposal. Environmental review is not an easy task, even for consultants and professional planners. There is a need for a general guide that presents the design, infrastructure, and environmental issues to address, what a reviewer needs to know about these issues, and how to interpret them. The book points the reader to accessible, low-cost resources to aid in the review process. In these times of climate change, rising populations, energy challenges, and economic turmoil, there is a real need for development to occur in as efficient and environmentally-responsible a manner as possible. Citizen review is a critical step in the approval, alteration, or denial of site plans for land subdivision and new development. Hence, informed participants in the review processes are more important than ever. This book is designed to assist professional archaeologists, environmental consultants, and others interested in construction, development and other physical land alteration that must go before some sort of review board. The book is also suitable for college undergraduates and graduate students in fields that bring them into environmental development of sites. And it is useful for neighbors and other members of the public who want to understand proposed land development in their neighborhood.

This book provides the first study of approaches to appraising and conserving mainstream architecture of the twentieth century - commercial buildings, industrial buildings and housing. Architects, surveyors and conservationists are now appreciating the extent of this challenge. Sufficient research and practical progress has now been undertaken in this field to provide useful material for a text which will be both timely and of broad appeal.

Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer.