Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Books > Arts & Architecture > Architecture > General
In the view of Hegel and others, pagan art is the art of the beautiful and Christian art is the art of the sublime. Roger Homan provides a comprehensive and informative account of the course of Christian art, encompassing a re-evaluation of conventional aesthetics and its application to religious art. Homan argues that taste and aesthetics are fashioned by morality and belief, and that Christian art must be assessed not in terms of its place in the history of art but of its place in Christian faith. The narrative basis of Christian art is documented but religious art is also explored as the expression of the devout and as an element in the trappings of collective expression and personal quest. Sections in the book explore pilgrimage art, puritan art, the tension of Gothic and Classical, church architecture and the language of worship. Current areas of debate, including the relationship of ethics to the appreciation of art, are also discussed. An extensive range of examples of painting, architecture and decoration, most of which are of European origin, are discussed throughout, with a number of striking illustrations included within the text.
The indispensable guide to the architectural heritage of Wiltshire With hundreds of buildings added to the new gazetteer, this volume offers a fully revised and updated guide to Wiltshire. From prehistoric Stonehenge and thirteenth-century Salisbury Cathedral, to Elizabethan Longleat, Palladian Wilton and landscaped gardens of Stourhead, the buildings of Wiltshire represent the best of every period of English architecture. Towns range from Marlborough with its sweeping High Street to Bradford-on-Avon, rich in the architectural legacy of clothiers' houses. Villages include the exceptional Lacock in the shadow of its abbey's remains as well as Avebury, where the houses sit within the famous stone circle. This volume, covering structures as diverse as garden follies and railway workers' housing is an essential reference for visitors and residents alike.
This volume brings together an interdisciplinary team of leading scholars to discuss frameworks of value in relation to the preservation of historic environments. Starting from the premise that heritage values are culturally and historically constructed, the book examines the effects of pluralist frameworks of value on how preservation is conceived. It questions the social and economic consequences of constructions of value and how to balance a responsive, democratic conception of heritage with the pressure to deliver on social and economic objectives. It also describes the practicalities of managing the uncertainty and fluidity of the widely varying conceptions of heritage.
Documents, such as drawings, memos and specifications, form an essential function in the design and construction industry. Throughout the lifecycle of a built asset, starting from an initial design idea, right through to a final built form and its ongoing management, thousands, even millions of documents can be used to convey various forms of information to a range of interested parties. In many ways, therefore, the success of a design, or construction-based company, relies upon an understanding of the use of documents, as well as the technologies and techniques that are used to create them. The Digital Document provides an extensive background to the issues and technologies surrounding this very important topic. It examines a technical subject in an insightful manner that is neither intimidating nor confusing, even to the novice computer user. By introducing the subject through a series of preliminary reviews of current practices and essential computing technologies, the reader is able to better appreciate the benefits and capabilities of a wide range of digital document types. This book explores the role of documents in a professional practice, examines the components, capabilities, viability, and use of digital documents in the design and construction industry, and identifies and explains many of the standards in use today.In order to facilitate a better understanding of digital document technologies, a number of essential reviews are provided including: - the definition and purpose of a document - how documents are typically used by design professionals - the nature of the digital document environment - the data types which make up digital documentsThe Digital Document is an essential reference for the architect, engineer or design professional that wants to find out more about effective communicati
Design is widely recognised as the key to improving the quality of the built environment. This well-illustrated book comprises fifteen chapters written by leading practitioners, clients, academics and other experts, and presents the latest thinking on what design quality is and how to achieve it. For design practitioners and their clients alike, the book provides evidence to justify greater focus on, and investment in, design. It summarizes the benefits that arise from good design - such as civic pride in the urban environment, the stimulation of urban regeneration, corporate identity, occupant productivity and health in offices, improved learning in schools, better patient recovery rates in hospitals, as well as reduced environmental impact. These benefits are illustrated through case study examples.
Computer-Integrated Building Design is an accessible guide to the principles and applications of computer-integrated systems as applied to construction management. It describes current research, development and application of CAD related tools and techniques to the building design process and demonstrates the methods necessary to achieve knowledge-sharing in building design.
Ashley Whittaker s work is distinctively classic and sophisticated, but also inviting and warm. Dubbed a neo-traditionalist, she fearlessly marries adventurous colours and patterns in rooms yet still manages to retain a sense of elegance and restraint. In The Well-Loved House, she shares a selection of dwellings, from gracious Connecticut estates to chic Manhattan pieds-a-terre to waterfront beach houses on the Florida coast, most exclusively photographed for this book, including her own house never before seen. Whittaker believes houses are meant to be beautiful, but also lived in and enjoyed, and she shares her knowledge and strategies for achieving this interplay. Within each house, Whittaker offers guidance on furniture plans, complementing the architecture of a space, playing with colour, and mixing pattern. She explains why it is important to have consistent threads throughout a home, but also contrast and juxtaposition. The results are stunning: Bohemian patterns mix with classic palettes; rich, saturated colour mingles with highly polished finishes. Lacquered blue walls show off a collection of blue-and-white porcelain. An inviting L-shaped sofa and games table reinvent an unused library into a favourite space for socialising. Whittaker s houses all share both a sense of drama and a sense of comfort they are homes that welcome you at the end of a long day, homes for living, homes to love.
This book provides the first study of approaches to appraising and conserving mainstream architecture of the twentieth century - commercial buildings, industrial buildings and housing. Architects, surveyors and conservationists are now appreciating the extent of this challenge. Sufficient research and practical progress has now been undertaken in this field to provide useful material for a text which will be both timely and of broad appeal.
Tony Hunt's Sketchbook illustrates the connection between brain and hand in conceiving structural concepts and details as possible solutions to structures in architecture. This new edition features 100 previously unpublished sketches. These sketches illustrate alternative structural concepts, ideas and details developed by Tony Hunt for over one hundred projects throughout his professional life. They relate directly to projects built and unbuilt in the field of structural engineering and were either produced at the time of relevant design meetings or as a response to a problem posed by an architect and are, therefore, a record of ideas proposed at the particular time. They are a source of design inspiration and an insight into the work of this well respected engineer.
The study of architecture requires not only an understanding of the history of buildings, but also knowledge of the correct terminology that is used to describe them. The "Encyclopaedia of Architectural Terms" provides a comprehensive, practical guide to the terminology used in the various aspects of architecture and building. It contains over 3500 terms offering definitions of styles, the components of buildings, materials, the various parts of orders and architectural details.
This is the first full-length, English-language study of eleventh-century figural sculpture produced in Dalmatia and Croatia. Challenging the dependency on stylistic analysis in previous scholarship, Magdalena Skoblar contextualises the visual presence of these relief carvings in their local communities, focusing on five critical sites. Alongside an examination of architectural setting and iconography, this book also investigates archaeological and textual evidence to establish the historical situation within which these sculptures were produced and received. Croatia and Dalmatia in the eleventh century were a borderland between Byzantium and the Latin west where the balance of power was constantly changing. These sculptures speak of the fragmented and hybrid nature of the Adriatic and the Mediterranean as a whole, where well-connected trade routes and porous boundaries informed artistic production. Moreover, in contrast to elsewhere in Europe where contemporary figural sculpture was spurred on by monastic communities, this book argues that the patronage of such artworks in Dalmatia and Croatia was driven by members of the local secular elites. For the first time, these sculptures are being introduced to Anglophone scholarship, and this book contributes to a fuller understanding of the profound changes in medieval attitudes towards sculpture after the year 1000.
An important resource for scholars of contemporary art and architecture, this volume considers contemporary art that takes architecture as its subject. Concentrated on works made since 1990, Contemporary Art About Architecture: A Strange Utility is the first to take up this topic in a sustained and explicit manner and the first to advance the idea that contemporary art functions as a form of architectural history, theory, and analysis. Over the course of fourteen essays by both emerging and established scholars, this volume examines a diverse group of artists in conjunction with the vernacular, canonical, and fantastical structures engaged by their work. Inigo Manglano-Ovalle, Matthew Barney, Monika Sosnowska, Pipo Nguyen-duy, and Paul Pfeiffer are among those considered, as are the compelling questions of architecture's relationship to photography, the evolving legacy of Mies van der Rohe, the notion of an architectural unconscious, and the provocative concepts of the unbuilt and the unbuildable. Through a rigorous investigation of these issues, Contemporary Art About Architecture calls attention to the fact that art is now a vital form of architectural discourse. Indeed, this phenomenon is both pervasive and, in its individual incarnations, compelling - a reason to think again about the entangled histories of architecture and art.
In light of current developments in modelling, and with the aim of reinvigorating debates around the potentiality of the architectural model - its philosophies, technologies and futures - this issue of AD examines how the model has developed to become an immersive worldbuilding machine. Worldbuilding is the creation of imaginary worlds through forms of cultural production. Although this discourse began with an analysis of imaginary places constructed in works of literature, it has evolved to encompass worlds from fields such as cinema, games, design, landscape, urbanism and architecture. Worldbuilding differs from the notion of worldmaking, which deals with how speculative thinking can influence the construction of the phenomenal world. As architects postulate ever-increasingly complex world models from which to draw inspiration and inform their practice, questions of scale, representation and collaboration emerge. Discussed through a range of articles from acclaimed international contributors in the fields of both architecture and media studies, this issue explores how the architectural model is situated between concepts of worldbuilding and worldmaking - in the creative space of worldmodelling. Contributors: Kathy Battista, Thea Brejzek and Lawrence Wallen, Pascal Bronner and Thomas Hillier, Mark Cousins, James A Craig and Matt Ozga-Lawn, Kate Davies, Ryan Dillon, Christian Hubert, Chad Randl, Theodore Spyropoulos, and Mark JP Wolf. Featured architects: Phil Ayres, FleaFolly Architects, Minimaforms, and Stasus.
This book is unique in describing the history of post war reconstruction from an entirely new perspective by focusing on the changing relationship between architects and building workers. It considers individual, as well as collective, interactions with technical change and in doing so brings together, for the first time, an extraordinary range of sources including technical archives, oral history and visual material to describe the construction process both during and in the decades after the war. It focuses on the social aspects of production and the changes in working life for architects and building workers with increasing industrialization, in particular analysing the effect on the building process of introducing dimensionally co-ordinated components. Both architects and building workers have been accused of creating a built environment now popularly discredited: architects responsible for poor design and building workers for poor workmanship. However, many of the structures and ideas underpinning this period of rapid change were revolutionary in their commitment to a complete transformation of the building process. An Architecture of Parts adds to the growing literature on changes in the building world during and immediately after the Second World War. It is significant, both empirically and historically, in its examination of the ideas, technology and relationships that fired industrialization of the building process in mid-century Britain.
How Designers Think is based on Bryan Lawson's many observations of designers at work, interviews with designers and their clients and collaborators. This extended work is the culmination of forty years' research and shows the belief that we all can, and do, design, and that we can learn to design better. The creative mind continues to have the power to surprise and this book aims to nurture and extend this creativity. Neither the earlier editions, nor this book, are intended as authoritative prescriptions of how designers should think but provide helpful advice on how to develop an understanding of design.In this fourth edition, Bryan Lawson continues to try and understand how designers think, to explore how they might be better educated and to develop techniques to assist them in their task. Some chapters have been revised and three completely new chapters added. The book is now intended to be read in conjunction with What Designers Know which is a companion volume. Some of the ideas previously discussed in the third edition of How Designers Think are now explored more thoroughly in What Designers Know. For the first time this fourth edition works towards a model of designing and the skills that collectively constitute the design process.
Drawing together philosophical, empirical and academic thinking, this book focuses on generating awareness of the relationship forged between self and surroundings. It details research undertaken at two coastal sites, the South Wall in Dublin city and the Maharees peninsula in Co. Kerry, Ireland. Sixty-two participants were engaged in photography and drawing to enable this exploration of spatial experience. The participants' photographs and drawings present how spatial sensibilities can be revealed by becoming more attentive to the immediacy of bodily knowledge: our more-than-cognitive experience. Their communications resonate with the philosophers and theorists considered, including Merleau-Ponty, Edward Casey, Gilles Deleuze, Dalibor Vesely, and contemporary cultural geographers. From exploring the experienced spatiality of the meeting of land and sea, this book begins to suggest an alternative politics of the coast.
The impact of building materials and construction methods on the health and wellbeing of occupants is often underestimated. This book is an essential guide to understanding and avoiding hazardous materials and poor air quality in buildings. The author covers a range of issues beginning with an explanation of how buildings work and how this influences the health of occupants and users. The text covers: Ventilation, air conditioning and indoor air quality Damp and mould Asthma and respiratory problems Cancer and endocrine disorders Radiation and radon Hazardous building materials used in construction Indoor air quality and emissions Ecological alternatives and approaches and remedies for 'sick' buildings The book also guides the reader through the confusing world of regulations, EU and international guidelines and certifications, and provides a critical analysis of different theories of healthy buildings and philosophies. Written in a clear and accessible style, this book provides indispensable advice and information to anyone wishing to better understand healthy buildings and materials. It is essential reading for architects, surveyors, public health professionals, facilities managers and environmentalists.
This pocket-sized dictionary offers huge coverage for the 40,000 plus people studying or working in architecture, construction or any of the built environment fields. From Abaciscus to Zophorus, the reader is able to quickly track down precisely the term they are looking for. It is illustrated with stunning drawings that provide a visual as well as a textual definition of both key concepts and subtle differences in meaning. Compact and affordable; Davies and Jokiniemi's work is the miniature version of the Dictionary of Architecture and Building Construction. The Architect's Illustrated Pocket Dictionary can be used on site or quickly at the desk and is suitable for all those interested in the buildings that surround us.
Building Information Modelling (BIM) is a global phenomenon which is gaining significant momentum across the world. Currently there is little information on how to realise and monitor benefits from implementing BIM across the life-cycle of a built environment asset. This book provides a practical and strategic framework to realise value from implementing BIM by adapting Benefit Realisation Management theory. It presents an approach for practitioners aiming to implement BIM across the life-cycle of built environment assets, including both buildings and infrastructure. Additionally, the book features: wide-ranging information about BIM, the challenges of monitoring progress towards benefit goals and the greater context of implementation; a set of dictionaries that illustrate: how benefits can be achieved, what the benefit flows are and the enabling tools and processes that contribute to achieving and maximising them; a suite of measures that can serve to monitor progress with examples of how they have been used to measure benefits from BIM; real-world examples from across the world and life-cycle phases that show how these benefits can be achieved; and information on international maturity and competency measures to complement the value realisation framework. Including a blend of academic and industry input, this book has been developed in close collaborative consultation with industry, government and international research organisations and could be used for industry courses on BIM benefits and implementation for asset management or by universities that teach BIM-related courses.
The author suggests that architects and engineers facing the challenges and changes of the construction marketplace in the next century need to develop a marketing agenda which can be supported and reinforced at every level. This work develops a comprehensive marketing discipline that is relevant and applicable to both small and large practices. The marketing discipline of scenario planning, synthesis marketing and strategic mapping is forward looking and intuitive - a radical move away from retrospective, analytical methods of traditional marketing. The author argues that marketing in the late 1990s and beyond will be shaped and formed by synthesis rather than analysis with successful marketing strategies in the next century being based on a synthesis of social, cultural, political and economic factors; a demonstrable ability to bring together and manage a wide variety of project elements; a clear articulation of the benefits of intangibles such as design, quality and purpose. |
You may like...
I. C. S. Reference Library: Types of…
International Correspondence Schools
Paperback
R630
Discovery Miles 6 300
Hanks Family: Virginia, John and Mary…
Lincoln Financial Foundation
Hardcover
R811
Discovery Miles 8 110
The Blinded City - Ten Years In…
Matthew Wilhelm-Solomon
Paperback
(1)
Hanks Family - Virginia, John and Mary…
Lincoln Financial Foundation
Paperback
R370
Discovery Miles 3 700
|