The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, and from the seventh to the eighteenth centuries of the Common Era.
Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest.
Four main categories of subject matter are explored:
* dynastic and regional overviews
* individual site descriptions
* biographical entries
* technical definitions
Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.

The strange cries heard at night in a dilapidated penitentiary, the glimpse of a `White Lady' floating through a graveyard, the face at the window in a room that has been locked for decades - stories of hauntings never cease to intrigue us. From palaces to prisons, from an 11th century chateau in France to 'The Island of the Dolls' in Mexico City, Haunted Places features the world's most fascinating spooky locations. Some hauntings are recent, others are ancient, but all the stories are striking: from the deceased monks who pace the boundaries of a ruined former priory, to the lift operator in a Canadian hotel still working his shift decades after he died, to the infamous Vlad the Impaler, who haunts a Romanian castle where he was imprisoned for seven years. With tales of the `Mad Old Woman' who searches Highgate cemetery in London for the children she supposedly murdered to strange laughter heard at night, from apparitions to floating orbs to radios suddenly changing station, Haunted Places features 150 outstanding photographs of haunted sites. Each eerie photograph is accompanied by a caption explaining the story of the haunting, from tragic accidents to brutal murders, from executions to disease and other sorrowful endings.

This collection of essays serves as an introduction to modern architectural heritage and the specific problems related to the conservation of modern structures, covering policy, planning and construction. A selection of case studies elaborates on these issues and illustrates how problems have been addressed. This volume celebrates the first five years of DoCoMoMo's role and influence in this important area of building conservation.

Recent advances in neuroscience suggest that the human brain is particularly well-suited to design things: concepts, tools, languages and places. Current research even indicates that the human brain may indeed have evolved to be creative, to imagine new ideas, to put them into practice, and to critically analyze their results. Projective Processes and Neuroscience in Art and Design provides a forum for discussion relating to the intersection of projective processes and cognitive neuroscience. This innovative publication offers a neuroscientific perspective on the roles and responsibilities of designers, artists, and architects, with relation to the products they design. Expanding on current research in the areas of sensor-perception, cognition, creativity, and behavioral processes, this publication is designed for use by researchers, professionals, and graduate-level students working and studying the fields of design, art, architecture, neuroscience, and computer science.

Documents, such as drawings, memos and specifications, form an essential function in the design and construction industry. Throughout the lifecycle of a built asset, starting from an initial design idea, right through to a final built form and its ongoing management, thousands, even millions of documents can be used to convey various forms of information to a range of interested parties. In many ways, therefore, the success of a design, or construction-based company, relies upon an understanding of the use of documents, as well as the technologies and techniques that are used to create them.

The Digital Document provides an extensive background to the issues and technologies surrounding this very important topic. It examines a technical subject in an insightful manner that is neither intimidating nor confusing, even to the novice computer user. By introducing the subject through a series of preliminary reviews of current practices and essential computing technologies, the reader is able to better appreciate the benefits and capabilities of a wide range of digital document types. This book explores the role of documents in a professional practice, examines the components, capabilities, viability, and use of digital documents in the design and construction industry, and identifies and explains many of the
standards in use today.
In order to facilitate a better understanding of digital document technologies, a number of essential reviews are provided including:
- the definition and purpose of a document
- how documents are typically used by design professionals
- the nature of the digital document environment
- the data types which make up digital documents
The Digital Document is an essential reference for the architect, engineer or design professional that wants to find out more about effective communication in the digital workplace.
Bruce Duyshart is an IT Project Manager with Lend Lease Corporation and specialises in the development and implementation of digital media and information management technologies on design and construction projects. He holds a Masters degree in Architecture and is also an academic associate of the Faculty of Architecture, Building and Planning at the University of Melbourne. He has written numerous papers on emerging technologies in the architecture, engineering and construction industry, and has developed Internet web sites for the Royal Australian Institute of Architects and Architecture Media.
Only book available on this subjectMeets an increasing awareness of the importance of digital documentsEndorsed by influential organisations and institutions: Lend Lease, The University of Melbourne and the Royal Australian Institute of Architects

There was military project management. There was construction project management. Then there was business project management, a tool described as 'the wave of the future'. Where are architects in all this, professionals whose work has always been project-driven?

There is design management in engineering, product design, graphics, packaging, management theory and even in politics. Construction consultants talk about managing design. When are architects going to become committed to managing design?
Getting There by Design adopts an architect's view to design and project management. It sets out the fundamental principles and shows how they are applied, dealing with these two topics as one indivisible subject.
'Getting There by Design' demonstrates how to:
- make project efforts goal-oriented
- set up a planning and monitoring basis to architectural projects
- put the architect's fee calculus on a rationale basis
- diagnose your firm's practice culture
- develop successful teams
Put your practice onto a more effective basis.
Ken Allinson is an architect in private practice and principal of 'Architectural Dialogue'. He also teaches design studio and lectures on design and project management. He was formerly an associate at DEGW London and the Terry Farrell Partnership. He has practice experience in Europe, the USA and Japan and is the author of 'The Wild Card of Design' (1993).
A clear guide that helps you make project efforts goal-orientated
Learn how to set up a planning and monitoring basis to architectural projects
Be able to diagnose your firm's practice culture and develop successful teams

The 15th Passive and Low Energy Architecture (PLEA) conference considered the issues of sustainability and environmental friendliness at the city scale. This title includes the papers that address the many and varied questions faced by architects and planners in reducing the impact on the environment of cities and their buildings.

Interest continues to develop in the design and construction of high-rise towers and tall buildings, structures with heights ranging from 75m to 500m and more. This volume presents the papers from the third in a series of international conferences on the subject, organized by the International Federation of High-rise Structures. The papers have been drawn together under the grand theme of the "Conquest of Vertical Space in the 21st Century". The conference was organized by the UK's Concrete Society and sponsored by the IFHS and the Council on Tall Buildings and Urban Habitat and the Federation Internationale de la Precontrainte (FIP). This book should be of interest to structural engineers, architects and building services engineers.

A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.

With design quality of growing importance to the public, consumers, developers and their clients, and high on the Secretary of State's agenda, this text makes a practical contribution to improving design control. Examining the design policies in current development plans, this research text explains how clear, comprehensive and effective policies can be researched, written and implemented. Based on detailed analysis of nearly a quarter of the new English plans, and detailed case studies of the 25 "best" plans, the book provides guidance on all aspects of urban design, architecture, landscape, conservation and design process policies, and makes recommendations about how policies should be expressed, organized, implemented and monitored. It makes over 150 specific recommendations for incorporation into better practice and advice. Illustrated with over 20 conceptual diagrams, 55 plan extracts and over 30 tables on plan content, the book provides a reference for architectural and planning practitioners, design and planning students and researchers in the field.

A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.

This text traces the policy history of urban conservation and its relationship to the town planning process and both are set in their political context. Part One deals with the origins of conservation and its cultural background; Part Two deals with the post-war legislation and the increasing scope of conservation; Part Three deals with churches and their separate control system; and Part Four brings the story up to the present time. Issues such as sustainable conservation and the latest government policy are addressed in the conclusion. This book should aid current practice and help to inform its future directions.

Japanese architecture is one of the most inspired manifestations of Japanese civilization. This study argues that architectural forms are more than just symbols of the institutions that created them. William H. Coaldrake explores the symbiotic relationship between architecture and authority throughout Japanese history, exploring key structures and how they have been used as active conveyors of power, relating buildings to the political ambitions and religious beliefs of the major historical eras in Japan.

Series Information:
Nissan Institute/RoutledgeCurzon Japanese Studies

The colonial architecture of the nineteenth century has much to tell us of the history of colonialism and cultural exchange. Yet, these buildings can be read in many ways. Do they stand as witnesses to the rapacity and self-delusion of empire? Are they monuments to a world of lost glory and forgotten convictions? Do they reveal battles won by indigenous cultures and styles? Or do they simply represent an architectural style made absurdly incongruous in relocation?
Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.
The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.
Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.

The Dictionary of Islamic Architecture provides the fullest range of artistic, technical, archaeological, cultural and biographical data for the entire geographical and chronological spread of Islamic architecture - from West Africa through the Middle East to Indonesia, from the seventh to the eighteenth centuries.
Over 500 entries are arranged alphabetically and fully cross-referenced and indexed to permit easy access to the text and to link items of related interest.
Five main catagories of subject matter are explored:
* dynastic and regional overviews characterise the architecture of the historical and geographical divisions of the Islamic world, concentrating on the materials and techniques employed and the styles and types of structures produced
* individual site descriptions give concise accounts of the full range of major and lesser buildings and remains - a number for the first time in modern literature
* biographical entries describe the work of architects and their patrons
* technical definitions provide concise explanations of the terminology used to describe architectural types and features.
Over 100 relevant plans, sketch maps, photographs and other illustrations complement and illuminate the entries, and the needs of the reader requiring further information are met by individual entry bibliographies.

eBook available with sample pages: 0203203879

An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City.

This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making. Essays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects.

Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence.

Featuring new archival research and previously unpublished photographs and architectural plans, this volume fundamentally revises our understanding of the development of modern New York, focusing on elite domestic architecture within the contexts of social history, urban planning, architecture, interior design, and adaptive re-use. Contributions from emerging and established scholars, art historians, and practitioners offer a multi-faceted analysis of major figures such as Horace Trumbauer, Julian Francis Abele, Robert Venturi, and Richard Kelly. Taking the James B. Duke House, now home to NYU's Institute of Fine Arts, as its point of departure, this collection provides fresh perspectives on domestic spaces, urban forms, and social reforms that shaped early-twentieth century New York into the modern city we know today.

A critical guide to the English-language literature, Dutch Modernism demonstrates the importance of the Dutch contribution to 20th-century architecture. Holland's valuable role in the creation of modernism (1900-1940) was all but ignored until 30 years ago; it is significant that more than a third of the English-language literature has appeared since 1975. This guide is comprehensive; it summarizes, describes, and evaluates 1,250 references in the light of contemporary theory and practice. This work is of interest to scholars, students, and practitioners. The introduction outlines Holland's unique place in the development of international Modernism, 1900-1940, and explores the phenomenon of its eventual recognition in Britain and the United States. Although not an exhaustive study, this work presents all the areas of study and helpfully evaluates most entries, saving the user time and energy. A number of Dutch publications have been included, some because they are seminal theoretical works and others because they are rich in images. As a guide to English-language sources, Dutch Modernism reaches a wider audience than earlier Dutch and Italian bibliographies.