As buildings are responsible for fifty per cent of CO2 emissions, their design has become the focus of intense technical scrutiny. Knowing how to build more technically efficient, or ecologically responsible, buildings, and being able to assemble the social resources to do so, requires different forms of knowledge and practice. There is wide contestation over the optimal pathways to greener buildings design and great diversity in practices of sustainable architecture. This volume brings together leading researchers from across the European Union and North America both to illustrate the diversity of practice and to provide a critical commentary on this key debate. The reader is provided with an introduction to competing perspectives on the sustainable architecture debate, international exemplars of differing practice and an overview of new theoretical and methodological resources for understanding and meeting the conceptual, social and technical challenges of sustainable architecture.

As buildings are responsible for fifty per cent of CO2 emissions, their design has become the focus of intense technical scrutiny. Knowing how to build more technically efficient, or ecologically responsible, buildings, and being able to assemble the social resources to do so, requires different forms of knowledge and practice. There is wide contestation over the optimal pathways to greener buildings design and great diversity in practices of sustainable architecture. This volume brings together leading researchers from across the European Union and North America both to illustrate the diversity of practice and to provide a critical commentary on this key debate. The reader is provided with an introduction to competing perspectives on the sustainable architecture debate, international exemplars of differing practice and an overview of new theoretical and methodological resources for understanding and meeting the conceptual, social and technical challenges of sustainable architecture.

This is a historically informed examination of architecture's perceived absence in surrealist thought, surrealist tendencies in the theories and projects of modern architecture, and the place of surrealist thought in contemporary design.
This book represents current insights into surrealism in the thought and practice of modern architecture. In these essays, the role of the subconscious, the techniques of defamiliarization, aesthetic and social forces affecting the objects, interiors, cities and landscapes of the twentieth century are revealed. The book contains a diversity of voices from across modern art and architecture to bring into focus what is often overlooked in the histories of the modernist avant-garde. This collection examines the practices of writers, artists, architects, and urbanists with emphasis on a critique of the everyday world-view, offering alternative models of subjectivity, artistic effect, and the production of meanings in the built world.

The building performance evaluation (BPE) framework emphasizes an evaluative stance throughout the six phases of the building delivery and life cycle: (1) strategic planning/needs analysis; (2) program review; (3) design review; (4) post-construction evaluation/review; (5) post-occupancy evaluation; and, (6) facilities management review/adaptive reuse.
The lessons learned from positive and negative building performance are fed into future building delivery cycles. The case studies illustrate how this basic methodology has been adapted to a range of cultural contexts, and indicates the positive results of building performance assessment in a wide range of situations.
*Practical advice on assessing and monitoring building performance.
*Illustrated with practical case studies.
*Written by a unparalleled team of international experts.

This is your essential one stop shop for information on starting and running a practice. Case studies and advice from practitioners, big and small, run alongside outlines of all the key topics, to give you an insight into the problems and challenges others have faced when setting up a design business. Accessible and informative, this handbook is the ideal first point of reference when starting a practice.
Architects have many different reasons for setting up in practice; equally, there are many ways of running your own business. This handbook helps you consider whether or not you should set up on your own, examining issues such as financing, office space, recruitment, IT and workingo ut a business plan. Some architects want to stay small, while others have ambitions to grow into large businesses. Some grow big accidentally. And then there are those who pick and choose their work carefully, and even turn down undesirable contracts, while others will grab at everything possible. This book woudl explore these different models and illustrate how different kinds of practice develop into successful businesses.
Importantly, the book will stress that these issues are crucial - you may be the best designer in the world, but unless your business is well managed you will fail. On the other hand, some successful architects spend a lot of time looking for new work and attending to management issues, rarely finding the time for design work. This book would illustrate how architects have struck a balance between these two extremes.
* Provides practical advice to show you how to make your business a success
* Based on real life examples, not theory, to give you a jargon free accessibleguide
* Gives clear and concise information guiding you directly to the key information you need

A collection of the writing of the highly influential architect, Juhani Pallasmaa, presented in short, easily accessible, and condensed ideas ideal for students Juhani Pallasmaa is one of Finland's most distinguished architects and architectural thinkers, publishing around 60 books and several hundred essays and shorter pieces over his career. His influential works have inspired undergraduate and postgraduate students of architecture and related disciplines for decades. In this compilation of excerpts of his writing, readers can discover his key concepts and thoughts in one easily accessible, comprehensive volume. Inseminations: Seeds for Architectural Thought is a delightful collection of thoughtful ideas and compositions that float between academic essay and philosophical reflection. Wide in scope, it offers entries covering: atmospheres; biophilic beauty; embodied understanding; imperfection; light and shadow; newness and nowness; nostalgia; phenomenology of architecture; sensory thought; silence; time and eternity; uncertainty, and much more. Makes the wider work of Pallasmaa accessible to students across the globe, introducing them to his key concepts and thoughts Exposes students to a broad range of issues on which Pallasmaa has a view Features an alphabetized structure that makes serendipitous discovery or linking of concepts more likely Presents material in short, condensed manner that can be easily digested by students Inseminations: Seeds for Architectural Thought will appeal to undergraduate students in architecture, design, urban studies, and related disciplines worldwide.

This book deals with one of the current major debates in planning: how to measure the quality and effectiveness of the output of the planning process. It deals with issues of defining quality, public sector management, the use of indicators and the planning process. Although case study material is drawn on UK practice this topic in universal and the authors include discussions of international practice and experience.

This book deals with one of the current major debates in planning: how to measure the quality and effectiveness of the output of the planning process. It deals with issues of defining quality, public sector management, the use of indicators and the planning process. Although case study material is drawn from UK practice this topic is universal and the authors include discussions of international practice and experience.

This book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide.

The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.

This book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide.

The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.

Architects are constantly looking for new methods to create large indoor spaces unhindered by columns and other supports. Tensile and cable-strut structures are one method of producing such spaces. They also enable the creation of different shaped spaces allowing architects more scope for innovation.
"Free-standing Tension Structures - From Tensegrity Systems to Cable-strut Systems" provides the background engineering needed to produce these wonderful structures.
Providing a complete background to the underlying structural engineering theories of tensegrity, this book will prove invaluable for all architects and engineers working on tensile structures.

This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener.

Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.

Featuring more than 600 sketches depicting a vast array of architecturally and culturally significant buildings, bridges, towers, monuments, and more, Draw Like an Artist: 100 Buildings and Architectural Forms is a must-have visual reference for student and aspiring architects, artists, illustrators, and urban sketchers. This contemporary step-by-step guidebook demonstrates fundamental art and architectural concepts like proportion, perspective, and spatial relationships as you learn to draw a wide range of important residential, commercial, historic, and cultural buildings, bridges, towers, and other structures from all over the world and from ancient to modern-all shown from a variety of perspectives and scales. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author David Drazil's classic drawing style will make this a go-to sourcebook for years to come. Learn how to establish basic shapes; articulate lines for structure, forms, and shading; and add defining details by drawing these celebrated sites and many others: Residential: Fallingwater in the US and the Silo in Copenhagen Commercial: Dancing House in Prague and Sugamo Shinkin Bank in Tokyo Monuments/Sacred: Stonehenge in the UK and the Cathedral of Brasilia Bridges: Jade Belt Bridge in Beijing and the Sydney Harbor Bridge in Sydney, Australia Draw Like an Artist: 100 Buildings and Architectural Forms is a library essential for any artist or architect who's interested in learning how to draw and explore the underlying design principles of influential constructions. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

Solar energy will play an important role in our future energy supply, to the advantage of both the environment and the economy. This book focuses on water-based solar heating technology, presenting basic principles on solar radiation and the solar heating system, including details on orientation and output, sizing, the solar collector, the solar circuit, heat exchangers, heat stores and overall system technology. A range of practical applications are described, such as multi- and single-family dwellings, pools, camp sites, sports facilities, schools and industry. The potential and diversity of solar energy is made clear with additional sections on solar electricity, passive solar and solar air heating.

Imperial cities explores the influence of imperialism in the landscapes of modern European cities. Many still display unmistakable signs of their imperial past, not only in their architecture and monuments, but also in the ways in which their identities are constructed by their inhabitants and by international tourists. urban centres, including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. The first part on imperial landscapes is devoted to large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. In the second part, the focus is on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. The final part considers the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism. imperial history. It should be important for students and teachers of history, geography, architecture, art history, sociology and cultural studies, as well as those interested in understanding the modern European city.

Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of emigres across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar emigre names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.

The export of American architecture began in the nineteenth century as a disjointed set of personal adventures and commercial initiatives. It continues today alongside the transfer of other aspects of American life and culture to most regions of the world. Jeffrey Cody explains how, why and where American architects, planners, building contractors and other actors have marketed American architecture overseas. In so doing he provides a historical perspective on the diffusion of American building technologies, architectural standards, construction methods and planning paradigms. Using previously undocumented examples and illustrations, he shows how steel-frame manufacturers shipped their products abroad enabling the erection of American-style skyscrapers worldwide by 1900 and how this phase was followed by similar initiatives by companies manufacturing concrete components.

The book concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth-century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings which address the abstract issues surrounding the main texts are presented as a kind of exegesis on the chosen texts. This together with an introduction and discursive essays which preface each of the sections present a transdisciplinary discourse around the discipline of architectural history.