This book brings together a series of new and historical case studies to show how different phases of globalization are transforming the built environment. Taking a broad interdisciplinary approach, the author draws on sociological, geographical, cultural and postcolonial studies to provide a critical account of the development of three key concepts: global culture, post colonialism, and modernity. Subsequent case studies examine how global economic, political and cultural forces shape the forms of architectural and urban modernity in globalized suburbs and spaces in major cities worldwide.

The first book to combine global and postcolonial theoretical approaches to the built environment and to illustrate these with examples, Spaces of Global Cultures argues for a more historical and interdisciplinary understanding of globalization: one that places material space and the built environment at the centre and calls for new theories to address new conditions.

This major new text presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times. In terms of content and scope, there is no collection, in or out of print, directly comparable to this one. The essays are drawn from the past twenty years' of publishing in the field, arranged chronologically from colonial to contemporary and accessible in thematic groupings, contextualized and introduced by Keith Eggener.

Drawing together 24 illustrated essays by major and emerging scholars in the field, American Architectural History is a valuable resource for students of the history of American art, architecture, urbanism, and material culture.

The election and inauguration of Donald J. Trump as the president of the United States of America have provoked an unprecedented intensity of reflection in virtually all academic disciplines. The professions of architecture and planning, faced with the phenomenon of a self-proclaimed "builder-in-chief," have found themselves facing a series of fundamental questions, both old and new. How should we think, teach, and practice under a developer presidency? What sort of walls will we and won't we choose to build? What are our commitments of critical thought, and what obligations should we turn our energies toward? The essays gathered in And Now explore the nature of architecture's many long-standing complicities. Architecture coordinates colossal expenditures (of material, of energy); it scripts forms of labor (in its construction, in its operation, and in the programs it houses); and it is both a repository and generator of capital. Architecture participates, centrally, in defining modes of life, whether for the privileged or the dispossessed-designing and building the boundaries between the "haves" and the "have-nots." This fundamental reality of architectural practice need not inspire either nihilism or defensiveness but should rather be understood, quite simply, as the terrain we navigate. Naming these complicities and the injustices they perpetuate is a first step toward addressing them.

The Architectural Imagination at the Digital Turn asks what it means to speak of a "digital turn" in architecture. It examines how architects at the time engaged with the digital and imagined future modes of practice, and looks at the technological, conceptual and economic phenomena behind this engagement. It argues that the adoption of digital technology in architecture was far from linear but depended on complex factors, from the operative logic of the technology itself to the context in which it was used and the people who interacted with it. Creating a mosaic-like account, the book presents debates, projects and publications that changed how architecture was visualized, fabricated and experienced using digital technology. Spanning the university, new media art institutes, ecologies, architectural bodies, fabrication and the city, it re-evaluates familiar narratives that emphasized formal explorations; instead, the book aims to complicate the "myth" of the digital by presenting a nuanced analysis of the material and social context behind each case study. During the 1990s, architects repurposed software and technological concepts from other disciplines and tested them in a design environment. Some architects were fascinated by its effects, others were more critical. Through its discussion on case studies, places and themes that fundamentally influenced discourse formation in the era, this book offers scholars, researchers and students fresh insights into how architecture can engage with the digital realm today.

Solar energy will play an important role in our future energy supply, to the advantage of both the environment and the economy. This book focuses on water-based solar heating technology, presenting basic principles on solar radiation and the solar heating system, including details on orientation and output, sizing, the solar collector, the solar circuit, heat exchangers, heat stores and overall system technology. A range of practical applications are described, such as multi- and single-family dwellings, pools, camp sites, sports facilities, schools and industry. The potential and diversity of solar energy is made clear with additional sections on solar electricity, passive solar and solar air heating.

Imperial cities explores the influence of imperialism in the landscapes of modern European cities. Many still display unmistakable signs of their imperial past, not only in their architecture and monuments, but also in the ways in which their identities are constructed by their inhabitants and by international tourists. urban centres, including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. The first part on imperial landscapes is devoted to large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. In the second part, the focus is on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. The final part considers the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism. imperial history. It should be important for students and teachers of history, geography, architecture, art history, sociology and cultural studies, as well as those interested in understanding the modern European city.

This book examines the growing trend for housing models that shrink private living space and seeks to understand the implications of these shrinking domestic worlds. Small spaces have become big business. Reducing the size of our homes, and the amount of stuff within them, is increasingly sold as a catch-all solution to the stresses of modern life and the need to reduce our carbon footprint. Shrinking living space is being repackaged in a neoliberal capitalist context as a lifestyle choice rather than the consequence of diminishing choice in the face of what has become a long-term housing 'crisis'. What does this mean for how we live in the long term, and is there a dark side to the promise of a simpler, more sustainable home life? Shrinking Domesticities brings together research from across the social sciences, planning and architecture to explore these issues. From co-living developments to the Tiny House Movement, self-storage units to practices of 'de-stuffification', and drawing on examples from across Europe, North America and Australasia, the authors of this volume seek to understand both what micro-living is bringing to our societies, and what it may be eroding.

The export of American architecture began in the nineteenth century as a disjointed set of personal adventures and commercial initiatives. It continues today alongside the transfer of other aspects of American life and culture to most regions of the world. Jeffrey Cody explains how, why and where American architects, planners, building contractors and other actors have marketed American architecture overseas. In so doing he provides a historical perspective on the diffusion of American building technologies, architectural standards, construction methods and planning paradigms. Using previously undocumented examples and illustrations, he shows how steel-frame manufacturers shipped their products abroad enabling the erection of American-style skyscrapers worldwide by 1900 and how this phase was followed by similar initiatives by companies manufacturing concrete components.

The book concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth-century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings which address the abstract issues surrounding the main texts are presented as a kind of exegesis on the chosen texts. This together with an introduction and discursive essays which preface each of the sections present a transdisciplinary discourse around the discipline of architectural history.

The "organic" is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Bela Tarr, the renowned Hungarian filmmaker and pioneer of the "slow cinema" movement. Through a wholly original analysis of the long take and other signature features of Tarr's work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.

Covering all regions of Italy--from Turin's Palace of Labor in northern Italy to the Monreale Cathedral and Cloister in Sicily--and all periods of Italian architecture--from the first-century Colosseum in Rome to the Casa Rustica apartments built in Milan in the 1930s--this volume examines over 70 of Italy's most important architectural landmarks. Writing in an authoritative yet engaging style, Jean Castex, professor of architectural history at the Versailles School of Architecture, describes the features, functions, and historical importance of each structure. Besides idetifying location, style, architects, and periods of initial construction and major renovations, the cross-referenced and illustrated entries also highlight architectural and historical terms explained in the Glossay and conclude with a useful listing of further information resources. The volume also offers ready-reference lists of entries by location, architectural style, and time period, as well as a general bibliography, a detailed subject index, and a comprehensive introductory overview of Italian architecture. Entries cover major architectural structures as well as smaller sites, including everything from the well-known dome of St. Peter's at the Vatican to the Fiat Lingotto Plant in Turin. Other entries include the following: BLAugustus Gate, Perugia BLCastel del Monte, Puglia BLDucal Palace, Urbino BLHouse of the Faun, Pompeii BLLaurentian Library, Florence BLPiazza Pio II, Pienza BLRenovation of the Old Harbor, Genoa BLTrevi Fountain, Rome BLVilla Malaparte, Capri Ideal for college and high school students, as well as for interested general readers, this comprehensive look at the architecture of Italy is anindispensable addition to every architectural reference collection.

The complex art of architecture embraces all of the concerns of the world's cultures. It meets the fundamental needs for shelter from the elements, but, almost from its origins, has acquired other purposes and meanings. The Selective Environment is an approach to environmentally responsive architectural design that seeks to make connections between the technical preoccupations of architectural science, and the necessity, never more urgent than today, to sustain cultural identity at a time of rapid global, technological change.

STUDY GUIDE FOR THE CODES GUIDEBOOK FOR INTERIORS The comprehensive study guide for understanding interior codes This revised and updated eighth edition of the Study Guide for the Codes Guidebook for Interiors is an essential companion to The Codes Guidebook for Interiors, the industry's reference of choice. It offers complete coverage of the major codes and standards that apply to interior projects. This Study Guide includes lists of terms, practice questions, practical application exercises, code tables, and checklists. This companion study guide is a comprehensive measure of a designer's understanding and application of codes for interior projects. It can help design students learn and practitioners keep their skills up to date and prepare for the NCIDQ and ARE exams. It is vital that designers and architects have an up-to-date working knowledge of the various codes involved with building interiors, whether during renovation or new construction, and this study guide offers the opportunity to: Study with many new questions, in both the short answer and application sections Review the key terms of the industry Use the practice questions and exercises to test working knowledge of codes Utilize the code tables during the design process Employ the numerous checklists on proposed and real life projects to ensure complete compliance The revised Study Guide is a useful companion to The Codes Guidebook for Interiors, the essential reference for all interior professionals. For the designer, architect, or student, the Study Guide for The Codes Guidebook for Interiors is a must-have resource.

This book has been developed in association with the Cultural Heritage Department of the Council of Europe. It examines key themes and objectives for the protection of the architectural and archaeological heritage in a range of European countries. The analysis of individual countries and the group as a whole gives an assessment of how advanced current mechanisms are and the ongoing problems that remain to be managed in order to safeguard the 'common heritage'.

For more than 200 years, and especially since the rediscovery of ancient Egypt by Europe in the 19th century, the exotic Egyptian style in architecture has been a sign of our fascination with a civilisation that has had a long-lasting and deep-seated influence on British culture. From its fashionable success in the Regency period to its varied uses in the 20th century, Egyptian-style architecture has much to say about what ancient Egypt represents to us. Egypt in England is the first detailed guide to the use of the Egyptian style in architecture and interiors in England, and to those that survive, most of which can be seen or visited by the public. Fully illustrated, it combines a series of topic essays giving the architectural and Egyptological background to the use of the style with a guide allowing sites to be located, and explaining what can still be seen. A variety of buildings and monuments - from cinema, supermarket, synagogue and factory, to folly, mill, Masonic temple and mausoleum - are highlighted in the book. For those who don't know their architrave from their entablature, or their Anubis from their Uraeus, there are also glossaries of architectural terms and ancient Egyptian deities. This engaging book is an accessible and practical guide for a general audience, but has enough depth to be useful to scholars in a range of subject areas.

A unique and revolutionary text which explains the principles behind the LT Method (2.1), a manual design tool developed in Cambridge by the BRE. The LT Method is a unique way of estimating the combined energy usage of lighting, heating, cooling and ventilation systems, to enable the designer to make comparisons between options at an early, strategic stage.
In addition,Energy and Environment in Architecture the book deals with other environmental issues such as noise, thermal comfort and natural ventilation design. A variety of case studies provide a critique of real buildings and highlight good practice. These topics include thermal comfort, noise and natural ventilation.


eBook available with sample pages: 0203223012