How do you predict eclipses using Stonehenge? Why were `blue' stones brought all the way from Wales? What is the secret geometry of seven eights? Packed with rare old engravings, clear explanations and exciting new research, this beautiful and enlightening little book for wizards of all ages by renowned author and lecturer Robin Heath will leave you fascinated, educated, amused and amazed. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.

Adopting an evidence-based approach, this book uses two state-of-the-art experimental studies to explore nature's therapeutic benefits in healthcare environments, emphasizing how windows and transparent spaces can strengthen people-nature interactions. High-quality, supportive, and patient-centred healthcare environments are a key priority for healthcare designers worldwide, with ageing populations creating a demand for remodeled and updated facilities. The first study demonstrates individual psychophysiological responses, moods, and preferences in simulated hospital waiting areas with different levels of visual access to nature through windows, while the second experiment uses cutting-edge immersive virtual reality techniques to explore how gardens and nature views impact people's spatial cognition, wayfinding behaviors, and experience when navigating hospitals. Through these studies and discussions drawing on architectural theory, the book highlights the important benefits of having access to nature from hospital interiors. This concise volume will appeal to academics and designers interested in therapeutic landscapes and healthcare architecture.

Are We Human? rethinks the philosophy of design in a multi-dimensional exploration from the very first tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Design has become the world. Design is what makes the human. It is the very basis of social life. But design also engineers inequalities and new forms of neglect, such as lawlessness, poverty, and the climate at the same time as the human genome and the weather are being actively redesigned. We can no longer reassure ourselves with the idea of "good design." Design itself needs to be redesigned.

Will Pryce unveils a world of beauty and genius in this unparalleled, specially photographed survey of the world's architectural master- pieces. More than 350 color photographs celebrate the finest buildings from over two thousand years of civilization: Hagia Sophia, the Gothic cathedrals of Europe, Islamic masterworks at Isfahan, the Taj Mahal, the Palace of Westminster, Gehry's iconic Guggenheim Museum in Bilbao, and much more. There are some eighty buildings featured, more than forty of which receive in-depth attention in detailed photo essays. Pryce's accompanying texts and commentaries provide an extra dimension of understanding for the contexts in which they were created, and of the evolution of architecture through history.

Driven by the Foucauldian attitude of subsuming architectural history into a genealogy of techne, Architectures of Life and Death advances a transdisciplinary approach rethinking subjectivity and exploring the political ramifications of these processes for the discipline of architecture and beyond. In contrast to mainstream approaches, architecture will not be seen as representative of culture, but as the mechanism of culture, the 'collective equipment' that rests on the reciprocal determination of social habits and technological habitats. In this sense, the idea that we shape our environments, therefore they shape us, is not to be taken as a metaphor. The animate has always been utterly dependent on the inanimate. A livable habitat is one which the inhabitant actively co-evolves with and which does not constitute a ready-made condition to which the inhabitant would simply have to passively adapt.

For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life.

The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs.

Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.

This book presents a case study of one of Latin America's most important and symbolic spaces, the Zocalo in Mexico City, weaving together historic events and corresponding morphological changes in the urban environment. It poses questions about how the identity of a place emerges, how it evolves and, why does it change? Mexico City's Zocalo: A History of a Constructed Spatial Identity utilizes the history of a specific place, the Zocalo (Plaza de la Constitucion), to explain the emergence and evolution of Mexican identities over time. Starting from the pre-Hispanic period to present day, the work illustrates how the Zocalo reveals spatial manifestations as part of the larger socio-cultural zeitgeist. By focusing on the history of changes in spatial production - what Henri Lefebvre calls society's "secretions" - Bross traces how cultural, social, economic, and political forces shaped the Zocalo's spatial identity and, in turn, how the Zocalo shaped and fostered new identities in return. It will be a fascinating read for architectural and urban historians investigating Latin America.

This publication is an introduction to the protection of historic properties by public agencies in three very different legal systems - the United States, the United Kingdom and Spain. It also lays out the international legal framework actually in place to protect historic heritage. The book outlines historical trends in each legal tradition, and examines in detail current law, using a multitude of examples of how historic buildings and heritage sites are protected in each country. The publication examines statutes and legal techniques designed integrally to protect cultural heritage as well as environmental statutes that effect historic properties tangentially, especially Environmental Impact Laws. Extensive use is made of case law to clarify how the law can be used to protect historic properties. The publication also deals with the use of financial incentives in the protection of historic properties.While the publication is intended to cover legal mechanisms established to conserve all types of historic building, it pays special attention to the protection given to industrial heritage, giving examples of cases where a particular legal technique has been used to protect industrial buildings, and, for example, in the case of the Sagunto Steel Works, how some industrial sites worthy of protection illustrate difficulties in protecting industrial properties under current national laws protecting historic properties.

Bringing together a collection of high-profile authors, Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships. Biographical methods of historical investigation can bring out the authentic voice of subjects, revealing personal meanings and strategies in space as well as providing a means to analyze relations between the personal and the social. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an increasing fluidity and interaction between theory, methods and history. Biographies and Space is an original and exciting new book, with direct relevance to both architectural and art history.

Duddingston is less than two miles from central Edinburgh, the capital of Scotland. Yet it has its own identity, and in 2019 it celebrates 60 years of its own conservation society. It has several outstanding grade-A Listed Buildings, including 12th century Duddingston Kirk and 18th century Duddingston House, and a raft of human stories about its residents. Duddingston is also home to Scotland's oldest pub the Sheep Heid, Dr Neils 'secret garden' and Edinburgh's oldest railway, the Innocent. Visitors can enjoy the wildlife of Duddingston Loch and its backdrop Arthur's Seat, an extinct volcano. This book shows you how easily it can be explored on foot and by public transport. With over 180 photographs, a self-guided walking tour map and concise, readable text, this short book will reveal hidden secrets of a part of Edinburgh known to few.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr.

"Food and Architecture "is the first book to explore, interrogate and illuminate the reciprocity between these two distinct fields of study and practice. Both disciplines rely on a combination of intuition, inventiveness, even wonder, but until recently have seldom come into dialogue with one another. Bringing together leading voices to provide an authoritative, cross-disciplinary exploration of the reciprocity between eating and building, this volume demonstrates how the fields of food studies and architecture can learn from each other. Each section focuses on a core area where food and architecture overlap - Regionalism, Sustainability, Craft and Authenticity - using these to introduce a variety of case studies exploring these themes. Covering topics ranging from pig slaughtering and farmhouses in Greece, to the possibility of an authentic American Cuisine, contributors employ a range of vantage points and methodologies, such as practice-based research, literary analysis, memoir, and voice narrative. Each section is concluded with a commentary, drawing out key themes and connections between chapters.This lively and compelling book will be invaluable reading for food studies and architecture students and will appeal to practicing architects and chefs. ""

* Provides a practical introduction to health-focused building standards for designers, builders, owners, and developers * Features side-by-side comparisons of established and emerging healthy building standards, including WELL (R) and Fitwel * Informed by authors' backgrounds in green design and public health * Charts the evolution of healthy building standards from LEED (R) and the sustainable construction movement * Guides building professionals through every stage of the certification process, from conception through construction * Offers an ideal resource for established and aspiring design and construction professionals

* Provides a practical introduction to health-focused building standards for designers, builders, owners, and developers * Features side-by-side comparisons of established and emerging healthy building standards, including WELL (R) and Fitwel * Informed by authors' backgrounds in green design and public health * Charts the evolution of healthy building standards from LEED (R) and the sustainable construction movement * Guides building professionals through every stage of the certification process, from conception through construction * Offers an ideal resource for established and aspiring design and construction professionals

Advancing a Different Modernism analyzes a long-ignored but formative aspect of modern architecture and art. By examining selective buildings by the Catalan architect Lluis Domenech i Montaner (1850-1923) and by the Slovenian designer Joze Plecnik (1872-1957), the book reveals the fundamental political and ideological conservatism that helped shape modernism's history and purpose. This study thus revises the dominant view of modernism as a union of progressive forms and progressive politics. Instead, this innovative volume promotes a nuanced and critical consideration of how architecture was creatively employed to advance radically new forms and methods, while simultaneously consolidating an essentially conservative nationalist self-image.

This is the first full-length, English-language study of eleventh-century figural sculpture produced in Dalmatia and Croatia. Challenging the dependency on stylistic analysis in previous scholarship, Magdalena Skoblar contextualises the visual presence of these relief carvings in their local communities, focusing on five critical sites. Alongside an examination of architectural setting and iconography, this book also investigates archaeological and textual evidence to establish the historical situation within which these sculptures were produced and received. Croatia and Dalmatia in the eleventh century were a borderland between Byzantium and the Latin west where the balance of power was constantly changing. These sculptures speak of the fragmented and hybrid nature of the Adriatic and the Mediterranean as a whole, where well-connected trade routes and porous boundaries informed artistic production. Moreover, in contrast to elsewhere in Europe where contemporary figural sculpture was spurred on by monastic communities, this book argues that the patronage of such artworks in Dalmatia and Croatia was driven by members of the local secular elites. For the first time, these sculptures are being introduced to Anglophone scholarship, and this book contributes to a fuller understanding of the profound changes in medieval attitudes towards sculpture after the year 1000.

The most complete in-depth survey of global Mid-Century Modern homes ever published - more than 400 stunning homes from 40 countries, designed by more than 290 of the world's greatest architects The love of Mid-Century style is at an all-time high, with a steady flow of exhibitions, house tours, and books celebrating its unique cross- generational appeal. This collection of more than 400 of the world's most glamorous homes from more than 290 architects, showcases work built between the 1940s and 1960s by such icons as Marcel Breuer, Le Corbusier, Richard Neutra, Lina Bo Bardi, Alvar Aalto, and Oscar Niemeyer alongside extraordinary but virtually unknown houses in Australia, Africa, and Asia. This stunning and thoroughly researched, comprehensive appraisal is a must-have for all design aficionados, Mid-Century Modern collectors, and anyone looking for inspiration for their own homes.

Montreal, Canada‘s second largest city and the centre of the francophone province of Quebec, is a sprawling and green metropolis where French, British, and American architectural traditions meet. Many buildings and streets bear witness to the influence of the Parisian École des Beaux-Arts; there are structures in the tradition of the ­Chicago School; and the city also has an extensive heritage of both elegant Art Deco and massive Brutalist edifices. This book presents a total of 130 buildings and projects from the almost 400-year history of the port city on the St. Lawrence River. This journey through time is complemented by guest contributions from renowned experts, for example on the original Northern Deco style, the buildings of Expo 1967, and art in Montreal‘s metro.

In the middle of the eigtheenth century, a new fad found its way into the gardens of England's well-to-do: building fake Gothic ruins. Newly constructed castle towers and walls looked like they were already falling apart, even on the first day of their creation. Made of stone, plaster, or even canvas, these "sham ruins" are often considered an embarrassing blip in English architectural history. However, Sham Ruins: A User's Guide expands the specific example of the sham ruin into a general principle to examine the way purposely broken objects can be used to both uncover old truths and invent new ones. Along with architecture, work by Ivan Vladislavic, Tom Stoppard, Alain Mabanckou, Aleksei Fedorchenko, Michael Haneke, and Sturtevant is used to develop this thesis, as well as artifacts such as pre-torn jeans, fake histories, and broken screen apps. Using these examples, one of the key questions the book raises is: what is it that sham ruins ruin? In other words, if real ruins are ruins of what they actually are, then sham ruins should be considered ruins of what they are not. Thus sham ruins are about imposing new meaning where such meaning does not and should not exist. They also can show how things we think are functioning well are actually already broken. Sham ruins do this, and much more, by being lies, ruses, and embarrassments. This is what gives them the power with which we can think about objects in new, unintended ways.

performance environments, emerging and multisensational atmospheres hypersensorial scenographies

Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini's government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism's afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.

First published in 1973, this two-volume set summarises and structures the contributions by researchers at the Fourth International EDRA Conference, held in April 1973. The first volume focuses on the proceedings of the paper sessions. It summarises and criticises 43 selected paper submissions which communicate contemporary research findings. It also reviews the discussions between authors, panellists and the session participants. This book will be of interest to students of architecture and design.