Discover the stories of some of the most breathaking and historic great houses of London, along with their secrets, in this lavishly illustrated compedium. London has a wealth of truly stunning great houses, seen by many as one of the marvels of English architecture, and yet to many their histories, their interiors and their occupants remain unknown. This book, illustrated throughout with sumptuous photography of these breathaking residences, reveals to us this secret world of riches and splendour. From the baroque and imposing magnificence of 10 Downing Street, perhaps London's most famous address, to the extraordinary Pre-Raphaelite mosaics of Debenham House to the confident, futuristic steel and glass of the Richard Rogers House in Chelsea, this book showcases these properties and details their origin as well as the many transformations they have undergone from their construction to the present day. There are many architectural wonders, among them Robert Adam's 20 St James's Square and William Burges's Tower House. Several - including Bridgewater House with its Raphaels and Titians - have held great art collections. These are houses that hold extraordinary stories: half the Cabinet resigned after breakfast at Stratford House; and on 4 August 1914, at 9 Carlton House Terrace - then the German Embassy - young duty clerk Harold Nicholson deftly substituted one declaration of war for another. With photography by the world-famous and multi-award winning Fritz von der Schulenburg, this title brings these houses to life in all their grandeur, and text from historian and author James Stourton delves into the many fascinating stories hidden behind the walls of these homes. Great Houses of London opens the door to some of the greatest and grandest houses in the world to tell the stories of their owners and occupants, artists and architects, their restoration, adaptation and change. Now available in a more compact format.

This book addresses a critical gap in the effective implementation of Recognition of Prior Learning (RPL) in post-apartheid South Africa. This book responds to a critical problem whereby a critical mass of historically disadvantaged persons continues to face exclusion by entrenched systems of professional education and training. Focusing on case studies from higher education and build environment studies, it defines the rationale and fundamental principles of an innovative model for the evaluation of RPL which can be adapted and applied across disciplines and professions while promoting high quality standards. RPL is considered as a transformative strategy to oppose the injustices of pedagogic exclusion and upskill a historically disadvantaged population. The book makes a strong case for an alternate system based on the potentiality of transformed legislation and frameworks in post-apartheid South Africa. The book will be of interest to researchers in alternative pedagogies, scholars engaged with epistemologies of the South and alternative knowledge systems, legislative bodies, policy makers and facilitators of professional education.

This book explores the complex relationship between societies, architecture, and urbanism of market halls, traditional souqs, bazaars, and speciality street markets in the Middle East and North Africa. It addresses how these trading environments influence perceptions of place and play an extended social, political, and religious role while adapting to their local climates. Through Archival research and social science methodologies, this book records and maps markets in urban fabrics, expanding on practices underlying the push towards historical listings and the development of markets as landmarks in the urban fabric. The role of markets in delivering sustainable place-making strategies and influencing the development of cities' socio-economic and historical strength is addressed as key to their survival in the urban fabric and as place-making landmarks for preserving tangible and intangible heritage. Going beyond heritage and conservation studies, this book discusses how positioning and restoring markets challenges urban renewal policies, access to public space planning, environmental sustainability, security of food supply, cultural heritage, and tourism. This is an ideal read for those interested in the history of urban development, architecture and urban planning, and architectural heritage.

How do we get to know air? Aeropolis: Queering Air in Toxicpolluted Worlds offers a speculative and interdisciplinary framework to reorient common understandings of air and air pollution as matter “out there.� Aeropolis contests regimes of managing air which ultimately operate toward upholding dominant modes of world-making that are dependent on forms of exclusion and inequity. Instead, Aeropolis proposes that air is thought of as a city, to center its social, cultural, political, ecological entanglements. Drawing upon feminist technoscience and queer ecological frameworks, Aeropolis moves away from solutions toward a methodology of “designing-thinking-making� that redirects and connects our understandings of air—as designers, as citizens—with ongoing struggles for just futures. Moving through a series of design interventions, histories of air, and theoretical coordinates, Aeropolis thinks with air across its many forms—through smog and dust, bodies and breath, pollen and weeds, and from urban design to geopolitics, polluted environments to open data, parks to aerial infrastructures. It insists that we acknowledge the diversity of air and its relation to humans, non-humans, and environments, both physically and affectively. That we become sensible to air by following its unruliness—by living, breathing, seeing, holding, touching, queering airs. With contributions from María Puig de la Bellacasa and Timothy K. Choy.

The City on Display: Architecture Festivals and the Urban Commons reflects on the biennials, triennials, and other festivals of architecture and design that have been held over the last two decades, as they expand and transform in response to the exigencies of 'planetary urbanisation'. Joel Robinson examines the development of these large-scale, international, and perennial exhibitions as they address such challenges as urban regeneration, heritage preservation, climate change, and the migration crisis. Homing in on examples of festivals in Venice, Rotterdam, Oslo, Tallinn, Sharjah, Seoul, Shenzhen, and Hong Kong, the author describes how they alter the public spaces that host them, either through civic boosterism and gentrification, on the one hand, or through a reassertion of the urban commons and the right to the city, on the other hand. He attempts to thematise the architecture festival's relationship with the city and interrogate its potential as a forum for global debate about the emergencies of the urban condition. This book will be beneficial for students and academics of architecture and urbanism, and especially those who have an interest in how the city gets exhibited at such festivals and even reimagined as something other than it currently is.

Sir Nigel Thompson walked to school around the bomb craters of the London Blitz-it made him want to build things, rather than knock them down. After studying structural engineering in Africa, he worked on hospitals and theaters in London, and later headed the team that designed University of Qatar. He went on to design Embankment Place, a massive office complex built over London's Charing Cross railway station. Turning from building to rebuilding, he explored construction opportunities for British firms during the Gulf War, in Kuwait's still-burning oil fields. Following the 1999 bombing of Serbia and Kosovo, he led a reconstruction task force in Kosovo at the request of UK Prime Minister Tony Blair, for which he was knighted. Thompson's memoir details his long career in architectural design and construction, and in restorative development.

Duddingston is less than two miles from central Edinburgh, the capital of Scotland. Yet it has its own identity, and in 2019 it celebrates 60 years of its own conservation society. It has several outstanding grade-A Listed Buildings, including 12th century Duddingston Kirk and 18th century Duddingston House, and a raft of human stories about its residents. Duddingston is also home to Scotland's oldest pub the Sheep Heid, Dr Neils 'secret garden' and Edinburgh's oldest railway, the Innocent. Visitors can enjoy the wildlife of Duddingston Loch and its backdrop Arthur's Seat, an extinct volcano. This book shows you how easily it can be explored on foot and by public transport. With over 180 photographs, a self-guided walking tour map and concise, readable text, this short book will reveal hidden secrets of a part of Edinburgh known to few.

Making smaller A/E/C firms more productive and more profitable

Want to do big things with a small company? This no-nonsense guide shows leaders of smaller architecture, engineering, and design firms how to compete successfully against larger organizations without becoming one of them. It demonstrates how a smaller firm can position itself to bring more value to its clients, operate over a larger geographical area, and develop a strategic plan for increasing revenues and profits.

Featuring new chapters on forming strategic alliances and maximizing the benefits of information technology, this new edition presents updated case studies of more than fifty small design firms. These firms have achieved remarkable success and handled large contracts with limited staff, and the case studies illustrate how they learned to:

• Anticipate client needs and meet them in advance
• Narrow the target market and expand the client base
• Leverage core competencies to create powerful marketing tools
• Establish strategic partnerships
• Survive and thrive during an economic downturn

Read Staying Small Successfully, Second Edition and follow its recommendations one step at a time. Your company will stay small, but your business, your revenues, and your profits will soar.

Bringing together a collection of high-profile authors, Biographies and Space presents essays exploring the relationship between biography and space and how specific subjects are used as a means of explaining sets of social, cultural and spatial relationships. Biographical methods of historical investigation can bring out the authentic voice of subjects, revealing personal meanings and strategies in space as well as providing a means to analyze relations between the personal and the social. Writing about both actual (architectural) and imagined (pictorial) space, the authors consider issues of gender, childhood, sexuality and race, highlighting an increasing fluidity and interaction between theory, methods and history. Biographies and Space is an original and exciting new book, with direct relevance to both architectural and art history.

The first photographic exploration of the post-war modernist architecture of Greater London, from Barking and Brent to Sutton and Waltham Forest. Simon Phipps' photographs of the modernist architecture of Greater London explores the form and beauty of these post-war buildings. Following on from his iconic first book Brutal London, this sequel expands his survey beyond London's inner zones through to the outer perimeters of London, encircled by the M25. From Croydon to Thamesmead, Wood Green to Willesden, the modernist ambition, scale and structure of these buildings are starkly rendered in his acclaimed photographs. He offers us a chance to look at these everyday buildings in residential, retail and leisure hubs again and appreciate the civic optimism and bold architecture of the 1960s and 70s. Brutal Outer London is a design-led hardback. With maps and detailed listings of all architecture photographed, it enables readers to explore Brutalism on foot, train or bus across Outer London.

An exhilarating collection of today's most remarkable homes built in awe-inspiring coastal locations around the world White-sand beaches, jaw-droppingly sheer cliff faces, and secret coves are just some of the stunning sites of the architect-designed contemporary houses featured in this celebration of incredible residences that exist in harmony with the extraordinary power of the ocean. With such unique residences as light-houses, homes built into rocky clifftops, and even rooms that are totally underwater, this inspirational collection includes spectacular homes across the globe including prime examples in countries across 6 continents, from Australia, Canada, Chile, Fiji, Japan, Mexico, New Zealand, Sweden, Tanzania, Thailand, to the UK and USA. In glorious color with dazzling images throughout, this book brings together the finest examples of residential coastal architecture from 47 of the world's most revered architects, such as Elemental, Ryue Nishizawa, Pezo von Ellrichshausen, and Fearon Hay as well as a host of lesser-known creative studios. Each home featured is showcased by glorious exterior and interior photography, and each shares a profound connection to the raw and thrilling beauty of the sea and the shore line around it.

The interiors of this glorious retreat's many buildings are given the Nina Campbell treatment with vibrant palettes, sumptuous fabrics, fine antiques, and a contemporary clarity. Constructed at the turn of the last century, the core of the main house is a simple cottage overlooking a secluded cove. The pioneering couple who built it had no idea that they were creating a legacy that would become central to the lives of future generations of their family, who use the place as a retreat from busy lives in the city. The main house evolved from that summer cottage to a larger Federal-style manse whose recent reinvention was overseen by New York architects Ferguson & Shamamian in a landscape with outlets for indoor and outdoor bliss. Campbell is familiar with creating backdrops for entertaining she had previously designed Annabel s, the renowned private members club in London. With a dedicated party villa, bowling alley, pool house, and tennis pavilion as well as accommodations for family and friends, the property established itself as a place for fun and relaxation. Under the spreading branches of the tree that offered shade to the original house and garden, the place has become an oasis of peace and calm away from the din of the outside world.

The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

Offers a new understanding of how Pompeian houses functioned and how they were utilized in Roman society and expands our understanding of the life and social interactions of the so-called Roman middle class which has been overshadowed in scholarship.

In 1999, a suite of three new conditions of contract was published by FIDIC, following the basic structure and wording harmonised and updated around the previous FIDIC Design-Build and Turnkey Contract (the 1992 ''Orange Book''). These conditions, known as the ''FIDIC rainbow, were the Conditions of C- tract for: l Construction, the so-called Red Book, for works designed by the Employer l Plant and Design-Build, the so-called Yellow Book, for works designed by the Contractor l EPC/Turnkey Projects, the so-called Silver Book, for works designed by the Contractor The ?rst is intended for construction works where the Employer is responsible for the design, as for per the previous so-called Red Book 4th Edition (1987), with an important role for the Engineer. The other two conditions of contract are intended for situations when the Contractor is responsible for the design. The Plant and Design-Build Contract has the traditional Engineer while the EPC/Turnkey Contract has a two-party arran- ment, generally with an Employer's Representative as one of the parties.

"Food and Architecture "is the first book to explore, interrogate and illuminate the reciprocity between these two distinct fields of study and practice. Both disciplines rely on a combination of intuition, inventiveness, even wonder, but until recently have seldom come into dialogue with one another. Bringing together leading voices to provide an authoritative, cross-disciplinary exploration of the reciprocity between eating and building, this volume demonstrates how the fields of food studies and architecture can learn from each other. Each section focuses on a core area where food and architecture overlap - Regionalism, Sustainability, Craft and Authenticity - using these to introduce a variety of case studies exploring these themes. Covering topics ranging from pig slaughtering and farmhouses in Greece, to the possibility of an authentic American Cuisine, contributors employ a range of vantage points and methodologies, such as practice-based research, literary analysis, memoir, and voice narrative. Each section is concluded with a commentary, drawing out key themes and connections between chapters.This lively and compelling book will be invaluable reading for food studies and architecture students and will appeal to practicing architects and chefs. ""

This volume examines the 'little barbarians', ten highly expressive Roman marble figures of Giants, Amazons, Persians, and Gauls that were found in Rome in 1514 and are now recognized as copies of the Small (or Lesser) Attalid Dedication on the Athenian Akropolis. Manolis Korres' recent discovery of the monument's pedestals, fully published in this volume, has led Andrews Stewart to a complete reconsideration of the statues' form, date, and significance. He demonstrates that this is the only Hellenistic royal donation of sculpture whose donor, location, and form are all known; the only one securely identified in copy; and the only one whose life can be glimpsed from beginning to end, a period ranging over 2200 years. Illustrated with new photographs of all ten Barbarians, and 26 new drawings by Manolis Korres, it systematically traces the Barbarians' impact upon Roman and Renaissance art, and the intellectual history of art and archaeology.

* Shares classroom-tested strategies for maximizing undergraduates' learning in built environment disciplines * Adapts teaching methods from the authors' award-winning classrooms, studios, and labs to any higher education setting * Provides an ideal resource for built environment faculty, from first timers to veteran educators * Distills the latest research on teaching and learning in design and construction disciplines

An array of visual cultural artefacts from countries around the world and a range of analytical/practical approaches are brought together, rendering the book suitable reading not only for such subjects as architecture, media and museum studies, but also art history, Japanese and Chinese studies, and history. Offers novel, pioneering insights into digital approaches - an area of rapidly increasing interest in the arts and humanities. Student friendly: Chapters are accessible, concise and jargon free and each includes a chapter summary, detailed bibliography, notes on further reading, links to additional resources. As additional teaching resources, the authors plan to supplement the book with an online 'Catalogue Raisonne', which represents a first effort towards creating a cinematic encyclopedia of lived domestic situations, a form of standardized visual spatial ethnography across cultures.

An array of visual cultural artefacts from countries around the world and a range of analytical/practical approaches are brought together, rendering the book suitable reading not only for such subjects as architecture, media and museum studies, but also art history, Japanese and Chinese studies, and history. Offers novel, pioneering insights into digital approaches - an area of rapidly increasing interest in the arts and humanities. Student friendly: Chapters are accessible, concise and jargon free and each includes a chapter summary, detailed bibliography, notes on further reading, links to additional resources. As additional teaching resources, the authors plan to supplement the book with an online 'Catalogue Raisonne', which represents a first effort towards creating a cinematic encyclopedia of lived domestic situations, a form of standardized visual spatial ethnography across cultures.

Unlock the secrets of Paris's charm with this handy visual guidebook. Learn the history of the city's most famous landmarks, grasp their fascinating details and discover dozens of lesser known architectural gems. Whether you are a Paris regular or visiting for the first time, this guide will help you understand how the city acquired its unique and beautiful design palette and recommend ways to experience it more fully with self-guided walking tours and suggestions of some of the best hotels, restaurants, cafes, churches, parks and more. You'll also discover ancient Roman baths, seventeenth century mansions, Art Deco theatres, contemporary cultural complexes and find out where to kick back, cocktail or mock-tail in hand, with a panoramic view over the capital. Written by Ruby Boukabou, author of The Art Lover's Guide to Paris, and part-time Parisian, this book is the perfect companion for anybody intrigued by Paris's seductive magic.

Driven by the Foucauldian attitude of subsuming architectural history into a genealogy of techne, Architectures of Life and Death advances a transdisciplinary approach rethinking subjectivity and exploring the political ramifications of these processes for the discipline of architecture and beyond. In contrast to mainstream approaches, architecture will not be seen as representative of culture, but as the mechanism of culture, the 'collective equipment' that rests on the reciprocal determination of social habits and technological habitats. In this sense, the idea that we shape our environments, therefore they shape us, is not to be taken as a metaphor. The animate has always been utterly dependent on the inanimate. A livable habitat is one which the inhabitant actively co-evolves with and which does not constitute a ready-made condition to which the inhabitant would simply have to passively adapt.

Since its first publication this book has been hailed as the most comprehensive history of art ever published in a single volume. Presenting art history as an essential part of the development of humankind, it offers an authoritative, balanced and enlightening account, ranging from a statuette carved in central Europe some 30,000 years ago to the digital, video and installation art of the new millennium. The volume covers painting, mosaic, drawing, printmaking, sculpture, architecture and photography. Textiles, coins, pottery, enamels, gold and silver are also included. The scope is international, encompassing the arts of Asia, Africa and Oceania as well as Europe and the Americas. This Revised Seventh Edition expands the original coverage by embracing new developments in archaeology and art historical research, and in particular contemporary art historian Michael Archer has greatly expanded the authors' discussion of the art world over the past two decades, providing a new perspective on the latest developments shaping our cultural history. The insight, elegance and fluency that the authors bring to their text are complemented by 1459 superb illustrations, many of which are now in colour.

Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.