Intimate Metropolis explores connections between the modern city, its architecture, and its citizens, by questioning traditional conceptualizations of public and private.

Rather than focusing purely on public spacesa "such as streets, cafA(c)s, gardens, or department storesa "or on the domestic sphere, the book investigates those spaces and practices that engage both the urban and the domestic, the public and the private. The legal, political and administrative frameworks of urban life are seen as constituting private individualsa (TM) sense of self, in a wide range of European and world cities from Amsterdam and Barcelona to London and Chicago.

Providing authoritative new perspectives on individual citizenship as it relates to both public and private space, in-depth case studies of major European, American and other world cities and written by an international set of contributors, this volume is key reading for all students of architecture.

Towards Tate Modern provides a new interdisciplinary account of Tate's shifting position as a national arts institution. The book examines how earlier government directives impacted on Tate, which saw the organisation refocusing its aims and resulted in it pioneering new models for working across the public and private sectors. The decade prior to the opening of Tate Modern witnessed a changing political, economic, cultural and social landscape. As London was rebuilding its own vision, Tate re-configured its role as a public museum and gallery by engaging with the market. Tate re-imagined what a public museum and gallery can do, what it can look like and where it can be and, in doing so, responded to a new kind of audience with a larger appetite than before. Re-cast as a cultural and social forum, Tate Modern turned itself into a popular public event. This research considers how Tate Modern generated a set of new debates and what this might mean for the future role of the public museum and gallery. Towards Tate Modern will be of particular interest to academics and students, art practitioners and policy makers working in the fields of museum studies, policy studies, cultural studies, urban studies, and political and economic history, as well as those involved in archival research. It will also engage those wishing to widen their understanding of how an institution such as Tate Modern was created.

Every building tells a story - and this book provides a guide to the stories the Victorians told in Sussex. Sussex has a wide-ranging and renowned collection of Victorian buildings, from grand town halls and outstanding churches, to distinctive railway stations and unassuming parish halls; from eminent colleges and splendid country mansions, to modest village schools and humble estate cottages; from workhouses and hospitals, to almshouses and cemeteries - this guide covers them all and more. "What The Victorians Did For Sussex" pinpoints the buildings that make up the county's Victorian architectural legacy, providing both a description and location. But it also looks at the wider social context of the period, providing the reader with an insight into the creation of individual buildings, and reasons why they continue to deserve our interest. Buildings provide a tangible and lasting expression of the values, ideals, and aspirations of any society; no understanding of the Victorian period can he possible without a study of its architectural legacy.

This book, first published in 1897, is based upon the results of archaeological explorations carried out by the author during two visits to Tripoli, in 1895 and 1896. Very little had been written about the Roman and pre-Roman sites of this region prior to Cowper's investigations. The celebrated traveller Heinrich Barth provides a brief account of them in his writings, though these cover only a few of the major sites. Considering the fact that he was obliged to work covertly due to a ban on all European travellers at the time. Cowper has left a remarkably detailed survey covering a large number of sites. Thus, not only does this book provide a travel narrative of great interest to the general reader, it is also on invaluable record of many ancient sites and monuments which have since been lost or have fallen into further disrepair. Illustrated with almost 100 photographs taken by the author, and with maps and plans included, this work is essential reading for all those involved in serious study of the region.

How have architecture and design been represented in popular culture? How do these fictional reflections feed back into and influence 'the real world'? Archi.Pop: Architecture and Design in Popular Culture offers the first contemporary critical overview of this diverse and intriguing relationship in cultural forms including television, cinema, iconic buildings and everyday interiors, music and magazines. Bringing the study of architecture and culture firmly to the contemporary world, Archi.Pop offers a unique critical investigation into how this dynamic relationship has shaped the way we live and the way we interact with the constructed world around us.

The rotary jail was one of the more unusual architectural designs in history. In response to a need for better control over prisoners, 18 of the revolving, escape-proof structures were constructed in the United States from 1882 through 1889. They had their problems. There were mechanical difficulties, due to the extreme weight of the components. Unwary prisoners lost digits or limbs when carousels were rotated without warning-one lost his life. Because inmates could only be let out of their cells one at a time, some rotary jails were closed as fire hazards. This book describes in detail their construction, operation and eventual demise, as well as some of the colorful inmates that were held in them.

Solar technologies are emerging as the sustainable technology of choice for those commissioning new buildings. Integrated photovoltaics offer huge potential for delivering renewable energy without generating harmful pollutants.

Discussing current market conditions and the economics of this technology, the author balances the physics and engineering background of solar heating, cooling and building integrated photovoltaics with practical applications.

A complete overview of solar technologies relevant to the built environment, this book

• Explains how to integrate solar technology into building design concepts.
• Outlines the use of passive solar energy for daylighting and heating supply.
• Discusses solar thermal energy for heating and cooling as well as photovolatics for electricity production.
• Presents the meteorological background to irradiance calculations.
• Provides engineering planning aids for innovative energy supply systems.
• Contains practical examples and calculation methods to enable component and system simulation.

Solar Technologies for Buildings is an excellent reference for scientists, engineers, planners, researchers and students, involved in developing solar energy systems. Architects integrating solar technologies in building design will find this application-orientated approach useful.

This book shows, for the first time, the indispensable role of the Burford Masons, a group of master masons from the historic quarries around Burford, Oxfordshire, in creating some of the foremost buildings of the 17th and early 18th centuries. The Burford Masons were involved in the construction of such outstanding buildings as St Paul's Cathedral, City churches, and Blenheim Palace, among many others. Whilst credit for many of these buildings generally rests with named architects, Sir Christopher Wren in particular, this book shows how reliant these designers were on their master craftsmen, sometimes involving them in the design process as their ideas evolved. The book further shows how the Burford Masons responded to the challenge of late payments, often of many years, becoming financiers in the process. It reveals how, as risk-taking businessmen, they effectively underpinned both public and private development financially, and how extraordinary success transformed their lives. The reader will learn about the vital part played in the early modern period by master craftsmen of the calibre of the Burford Masons, despite the emergence of the architect as lead designer, whose fame has hitherto overshadowed them. As a result, this book will be a compelling read for anyone interested in architectural, construction or social history.

The importance of protecting significant buildings from decay and destruction would seem to be undeniable. Yet whilst the majority of buildings of merit constructed before the Second World War have been highlighted as worthy of protection there is much indifference, and in some cases hostility towards many important post-war buildings. These deserve to receive wider formal recognition but in many cases continue to be mistreated or even demolished.This book examines many of the philosophical and practical issues surrounding the conservation of modern buildings and also the problems faced by building practitioners in dealing with buildings constructed in a wider range of styles and materials than at any other time. Climate change in particular has forced change in the way in which we think about buildings, with the pressures to address issues of energy efficiency becoming more urgent and likely to have consequences that may alter the perceived architectural and historic interest of modern and traditional buildings alike.

Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome and Armenia, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word. Engaging the material fabric of the buildings in relationship to the liturgical ritual, the book studies the structure of the rite, revealing the important role chant plays in it, and confronts both the acoustics of the physical spaces and the hermeneutic system of reception of the religious services. By then drawing on audio software modelling tools in order to reproduce some of the visual and aural aspects of these multi-sensory public rituals, it inaugurates a synthetic approach to the study of the premodern sacred space, which bridges humanities with exact sciences. The result is a rich contribution to the growing discipline of sound studies and an innovative convergence of the medieval and the digital.

In The Building in the Text, Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari.

Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.

Eriksen's book will be of interest to art historians, historians of literature, and those concerned with the classical heritage, rhetoric, music, and architecture.

Continuing in the holistic philosophy of the Technologies of Architecture series, this volume examines the various layers of knowledge, skills and mechanisms that make up the many approaches to the essential function of technical design in the creation of successful buildings.

Well-illustrated with case studies, the author draws on his extensive experience in architectural education to provide a detailed description of the development process, acknowledging traditional solutions whilst also encouraging designers to consider innovative alternatives. Attention is paid to materials choices, detail design and specification writing.

Students of architectural technology in particular, but also of architecture, building surveying and construction will find this syllabus-relevant title an invaluable asset in embracing their environmental responsibilities as designers and actively participating in the development of technical design language.

Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume not only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches not only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.

The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic's wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing historiographic trends; and mining neglected written sources for motives of patronage. The papers also range broadly in terms of chronology and geography, from the Early Christian through the post-Byzantine period and from Italy to Armenia. Three papers examine Early Christian monuments, and of these two expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.

Design is widely recognised as the key to improving the quality of the built environment. This well-illustrated book comprises fifteen chapters written by leading practitioners, clients, academics and other experts, and presents the latest thinking on what design quality is and how to achieve it. For design practitioners and their clients alike, the book provides evidence to justify greater focus on, and investment in, design. It summarizes the benefits that arise from good design - such as civic pride in the urban environment, the stimulation of urban regeneration, corporate identity, occupant productivity and health in offices, improved learning in schools, better patient recovery rates in hospitals, as well as reduced environmental impact. These benefits are illustrated through case study examples.

Time Frames provides a reconnaissance on the conservation rules and current protection policies of more than 100 countries, with particular attention to the emerging nations and twentieth-century architecture. The contributions illustrate the critical issues related to architectural listings, with a brief history of national approaches, a linkography and a short bibliography. The book also provides a short critical lexicography, with 12 papers written by scholars and experts including topics on identities, heritages, conservation, memories and the economy. By examining the methods used to designate building as heritage sites across the continents, this book provides a comprehensive overview of current protection policies of twentieth-century architecture as well as the role of architectural history.

The Seven Wonders of the Ancient World have had a lasting impact upon the intellectual landscape of the post-classical world. As well as provoking historical debate and reflection, they have proved an enduring yardstick by which succeeding generations have measured the architectural and cultural accomplishments of their own eras. Focusing particularly upon the Renaissance and Baroque periods, this book looks at how the Wonders of the World were represented in art, architecture and sculpture, and the ways that European courts could evoke them as a useful image of power. Within this artistic culture, special attention is paid to the recreations and constructions generated between the fifteenth and eighteenth centuries in the sphere of ephemeral art, especially those linked to court celebrations in the principal European states. This approach provides a framework to analyse and evaluate the claims of other European Renaissance and Baroque architecture to Wonder status, an approach bolstered by the use of the Palace of El Escorial as a case study of a modern 'Eighth Wonder'.

This book is motivated by two questions: Why do dismissed affective evidence persist as troubling experience or imaginaries? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground-jammed amidst life, things and events. Rather than being apart from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture's uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicised architectural discourse simultaneously grounded and speculative: bridging depth and intuition, thinking and feeling.

Architects have been intrigued by prefabricated construction since the early twentieth century. Recent advances in design, engineering and manufacturing processes have led to a significant expansion in the use of pre-assembled components, which are fitted to finished structures on site. Collectively, such processes are becoming known as "offsite construction." A ground-breaking text, Offsite Architecture establishes the current - and future - state of thinking in this field. A range of the most highly regarded thinkers and practitioners from around the globe share their ideas and practical findings on offsite prefabrication, examining theory and practice, opportunities and challenges, successes and failures. A timely response to the growing interest in this method, the book provides the fundamental basis for a critical, reflective approach to offsite architecture. Contributions from both academics and professionals make Offsite Architecture required reading for practitioners as well as students taking courses in architecture, prefabrication, construction and engineering.

In this sequel to his widely-acclaimed book The Experience of Modernism (1997), John Gold continues his detailed enquiry into the Modern Movement's involvement in urban planning and city design. Making extensive use of information gained from hours of in-depth interviews with architects of the time, this new book examines the complex relationship between vision and subsequent practice in the saga of postwar urban reconstruction. The Practice of Modernism: traces the personal, institutional and professional backgrounds of the architects involved in schemes for reconstruction and replanning deals directly with the progress of urban transformation, focusing on the contribution that modern architects and architectural principles made to town centre renewal and social housing highlights how the exuberance of the 1960s gave way to the profound reappraisal that emerged by the early 1970s. Written by an expert, this is a key book on the planning aspects of the modernist movement for architectural historians, urban geographers, planners and all concerned with understanding the recent history of the contemporary city.

Nikolaus Pevsner was one of the most important and influential art historians of the twentieth century. He opened up new areas of enquiry in the history of art, revolutionising architectural studies in England and playing a key role in establishing the discipline of design history. Through his lectures and broadcasts, as well as the remarkable volumes in The Buildings of England series which made him a household name, he did much to encourage greater interest in, and understanding of, art and architecture among a wide public. This wide-ranging collection of essays, based on papers delivered at the conference held at Birkbeck in celebration of the centenary of Pevsner's birth, offers the first sustained critical assessment of Pevsner's achievements. With contributions by leading international scholars, the volume brings together a wealth of new material on Pevsner and his intellectual background, both in Germany in the late 1920s and 1930s and in England, particularly in the 1940s and 1950s.

This two-volume work contains the papers presented at the 2016 International Conference on Civil, Architecture and Environmental Engineering (ICCAE 2016) that was held on 4-6 November 2016 in Taipei, Taiwan. The meeting was organized by China University of Technology and Taiwan Society of Construction Engineers and brought together professors, researchers, scholars and industrial pioneers from all over the world. ICCAE 2016 is an important forum for the presentation of new research developments, exchange of ideas and experience and covers the following subject areas: Structural Science & Architecture Engineering, Building Materials & Materials Science, Construction Equipment & Mechanical Science, Environmental Science & Environmental Engineering, Computer Simulation & Computer and Electrical Engineering.

This international and illustrated work challenges current writings focussing on the problems of urban public space to present a more nuanced and dialectical conception of urban life.

Detailed and extensive international urban case studies show how urban open spaces are used for play, which is defined and discussed using Caillois' four-part definition a " competition, chance, simulation and vertigo. Stevens explores and analyzes these case studies according to locations where play has been observed: paths, intersections, thresholds, boundaries and props.

Applicable to a wide-range of countries and city forms, The Ludic City is a fascinating and stimulating read for all who are involved or interested in the design of urban spaces.