Provides a framework for understanding of the legal, contractual and procedural implication of architectural practice. The book acts as a useful aide-memoire for students and practitioners based on the premise that smooth legal administration will provide the conditions under which client relations can be constructive and good design can be achieved.

Post-war middle-class housing played a key role in constructing and transforming the cities of Europe and America, deeply impacting today's urban landscape. And yet, this stock has been underrepresented in a literature mostly focused on public housing and the work of a few master architects. This book is the first attempt to explore such housing from an international perspective. It provides a comparative insight into the processes of construction, occupation and transformation of residential architecture built for the middle-classes in 12 different countries between the 1950s and 1970s. It investigates the role of models, actors and policies that shaped the middle-class city, tracing geographies, chronologies and forms of development that often cross national frontiers. This study is particularly relevant today within the context of "fragilization" which affects the middle-classes, challenging, as it does, the urban role played by this residential heritage in the light of technological obsolescence, trends in patterns of homeownership, as well as social and generational changes.

The portfolio is the single most important part of every architectural student's education. This book proides a complete guide to preparing, compiling and presenting this crucial element of the architecture course. The experienced author team gives practical advice for the creation of the portfolio covering issues of size, storage, layout and order. They go on to guide the student through the various forms a portfolio can take: the Electronic Portfolio, the Academic Portfolio and the Professional Portfolio suggesting different approaches and different media to use in order to create the strongest portfolio possible. The team also presents the best examples from international student portfolios to show the reader their recommendations in practice. The book has a companion website where full colour representations of the best examples of portfolio work can be accessed. Also in the Seriously Useful Guides series: * The Dissertation * The Crit * Practical Experience

The city of Pasadena is rich in history and significant architecture, featuring 9 landmark districts and over 3,500 designated historic sites. Preservation groups like Pasadena Heritage have worked tirelessly with the city to preserve Pasadena's architectural treasures, with over 100 appearing on this driving tour. Elegant hotels include the Wentworth, The Hotel Green, and the Vista Del Arroyo. Tour-goers will marvel at all the brightly painted Victorian buildings to be found here. Pasadena also boasts many Arts & Crafts (Craftsman) style homes, including the work of architects Greene & Greene, Alfred and Arthur Heineman, Louis Easton, and more. See the mansions of "Millionaire's Row," Art Deco masterpieces, and Spanish Colonial, Mediterranean, American Colonial, French Provincial, and English Tudor revival styles. History buffs, architecture enthusiasts, and southern California visitors all will love this unique and fascinating tour, which offers the best way to see diverse architecture in Pasadena.

This book assesses the value of flagship developments and draws out lessons for best policy and practice. It looks at marketing strategies and the sales process for flagship developments and the areas in which they are located for urban regeneration. It discusses the management of marketing strategies and the development through the policy formulation, project implementation and policy/project evaluation. The author examines the strategies to date of 'marketing the city' and the conceptual scope and limits for developing the concept. He also looks at the extent to which people can be integrated into the urban 'product' and the advantages and disadvantages of this. Finally the impact of all these issues is assessed for the policy makers, planners, developers, architects and city authorities.

The construction of buildings is learnt through experience and the inheritance of a tradition in forming buildings over several thousand years. Successful construction learns from this experience which becomes embodied in principles of application. Though materials and techniques change, various elements have to perform the same function. 'Principles of Element Design' identifies all the relevant elements and then breaks these elements down into all their basic constituents, making it possible for students to fully understand the given theory and principles behind each part. As all building projects are subject to guidance through the Building Regulations and British Standards, this book gives an immediate reference back to relevant information to help practitioners and contractors identify key documents needed. Yvonne Dean B.A. (Hons) B.A (Open) RIBA, an architect, energy consultant and materials technologist. She also has 15 years experience as a lecturer, travels widely and is a guest lecturer at many universities. She pioneered an access course for Women into Architecture and Building, which has been used as a template by others, and has been instrumental in helping to change the teaching of technology for architects and designers. Peter Rich AA Dipl. (Hons) Architect, started his career with 14 years experience as a qualified architectural technician. He then joined the AA School of Architecture, working with Bill Allen and John Bickerdike after his graduation, later becoming a partner of Bickerdike Allen Rich and Partners. He also taught building construction at the Bartlett School of Architecture, University College London, and architectural design at the Polytechnic of North London. He now acts as a Consultant.

Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.

Cities can only exist because of the highly developed systems which underlie them, ensuring that energy, clean water, etc. are moved efficiently from producer to user, and that waste is removed. The urgent need to make the way that these services are provided more environmentally, socially and economically sustainable means that these systems are in a state of transition; from centralized to decentralized energy; from passive to smart infrastructure; from toll-free to road pricing. Such transitions are widely studied in the context of the influence of service providers, users, and regulators. Until now, however, relatively little attention has been given to the growing role of intermediaries in these systems. These consist of institutions and organizations acting in-between production and consumption, for example; NGOs who develop green energy labelling schemes in collaboration with producers and regulators to guide the user; consultants who advise businesses on how to save resources; and travel agents who match users with providers. Such intermediaries are in a position to shape the direction that technological transitions take, and ultimately the sustainability of urban networks. This book presents the first authoritative collection of research and analysis of the intermediaries that underpin the transitions that are taking place within urban infrastructures, showing how intermediaries emerge, the role that they play in key sectors - including energy, water, waste and building - and what impact they have on the governance of urban socio-technical networks.

With the UK government's 2016 BIM threshold approaching, support for small organisations on interpreting, filtering and applying BIM protocols and standards is urgently required. Many small UK construction industry supply chain firms are uncertain about what Level 2 BIM involves and are unsure about taking first steps towards having BIM capability. As digitisation, increasingly impacts on work practices, Getting to Grips with BIM offers an insight into an industry in change supplemented by practical guidance on managing the transition towards more widespread and integrated use of digital tools to manage the design, construction and whole life use of buildings.

This volume presents a critical analysis of sociological theorizing and power which enables the reader to grasp fully the nature of power, rule and domination in organizational life. By making use of the discussions he recorded at a construction site, the author brings the reader into contact with the everyday social world in which he locates his analysis of power and authority at both a structural and phenomenological level. This analysis is complemented by the author's review of the literature on 'theorizing' by writers such as Wittgenstein, Blum, McHugh, Phillips and Cicourel; his examination of the 'community power debate' between authors such as Bachrach and Baratz and Dahl; and a survey of the literature on power in its organizational aspects by Weber, Simmel and the more contemporary work of Hickson.

This is your essential one stop shop for information on starting and running a practice. Case studies and advice from practitioners, big and small, run alongside outlines of all the key topics, to give you an insight into the problems and challenges others have faced when setting up a design business. Accessible and informative, this handbook is the ideal first point of reference when starting a practice. Architects have many different reasons for setting up in practice; equally, there are many ways of running your own business. This handbook helps you consider whether or not you should set up on your own, examining issues such as financing, office space, recruitment, IT and workingo ut a business plan. Some architects want to stay small, while others have ambitions to grow into large businesses. Some grow big accidentally. And then there are those who pick and choose their work carefully, and even turn down undesirable contracts, while others will grab at everything possible. This book woudl explore these different models and illustrate how different kinds of practice develop into successful businesses. Importantly, the book will stress that these issues are crucial - you may be the best designer in the world, but unless your business is well managed you will fail. On the other hand, some successful architects spend a lot of time looking for new work and attending to management issues, rarely finding the time for design work. This book would illustrate how architects have struck a balance between these two extremes.

Industrial ecology provides a sound means of systematising the various ideas which come under the banner of sustainable construction and provides a model for the design, operation and ultimate disposal of buildings.

This book is the first in ten years to present a comprehensive survey of art and architecture in Mesopotamia (modern Iraq, northeast Syria and southeast Turkey), from 8000 BCE to the arrival of Islam in 636 CE. The book is richly illustrated with c. 400 full-colour photographs, and maps and time charts that guide readers through the chronology and geography of this part of the ancient Near East. The book addresses such essential art historical themes as the origins of narrative representation, the first emergence of historical public monuments and the earliest aesthetic commentaries. It explains how images and monuments were made and how they were viewed. It also traces the ancient practices of collecting and conservation and rituals of animating statues and of architectural construction. Accessible to students and non-specialists, the book expands the scope of standard surveys to cover art and architecture from the prehistoric to the Roman era, including the legendary cities of Ur, Babylon, Nineveh, Hatra and Seleucia on the Tigris.

Climate Responsive Design provides a unique source for students and practising architects requiring guidance on climatic design. Covering theory and application it provides examples of innovative and best practice in 'responsive architecture' through case studies. The book also covers the broader topic of technology as a generator in design which will be of interest to all those involved in design and building. The book focuses on tropical climate but some of the theory can be applied to other climates; the difference in application is clearly delineated.

Providing essential knowledge about the British capital's built environment, these two volumes cover a large portion of the parish of St. Marylebone, bounded to the south by Oxford Street and to the north by the Marylebone Road, and stretching from just west of Marylebone High Street to the parish boundary along Cleveland Street near Tottenham Court Road to the east. This area is rich in historic buildings and includes some of London's most celebrated addresses, including Portland Place, Cavendish Square, and Harley Street. Among the most important buildings covered in this superbly illustrated book are Robert and James Adam's development of Portland Place, where the Royal Institute of British Architects' headquarters is a notable 20th-century insertion. Other landmarks include Marylebone Parish Church, All Saints Margaret Street and All Souls Langham Place, and the vast, recently demolished Middlesex Hospital. In addition to new photography, this volume includes meticulous architectural drawings and detailed coverage of the topography. Published in association with the Paul Mellon Centre and University College London

From their ancestral heartland by the shores of the Aral Sea, the medieval Oghuz Turks marched westwards in search of dominion. Their conquests led to control of a Muslim empire that united the territories of the Eastern Islamic world, melded Turkic and Persian influences and transported Persian culture to Anatolia. In the eleventh and twelfth centuries the new Turkic-Persian symbiosis that had earlier emerged under the Samanids, Ghaznavids and Qarakha-nids came to fruition in a period that, under the enlightened rule of the Seljuq dynasty, combined imperial grandeur with remarkable artistic achievement. This latest volume in The Idea of Iran series focuses on a system of government based on Turkic 'men of the sword' and Persian 'men of the pen' that the Seljuqs (famous foes of the Crusader Frankish knights) consolidated in a form that endured for centuries. The book further explores key topics relating to the innovative Seljuq era, including: conflicted Sunni-Shi'a relations between the Sunni Seljuq Empire and Ismaili Fatimid caliphate; architecture, art and culture; and politics and poetry.Istvan Vasary looks back in Chapter 1 to the early history of the Turks in the wider Iranian world, discussing the debates about the dating and distribution of the early Turkish presence in Central Asia, Iran and Afghanistan. NizaAZm al-Mulk is the subject of Chapter 2, in which Carole Hillenbrand subjects this 'maverick vizier' to critical scrutiny. While paying due credit to his extraordinary achievements, she does not shy away from concluding that his career illustrates the maxim that 'power corrupts and absolute power corrupts absolutely'. A fitting antagonist for NizaAZm al-Mulk is the subject of Chapter 3, in which Farhad Daftary follows the career of the remarkable revolutionary leader Hasan-i SabbaAZh and the history of the Ismaili state-within-a-state that he founded with his capture of the fortress of Alamt in 1090. In Chapter 4 David Durand-Guedy examines the Seljuq Empire from the viewpoint of its (western) capital, Isfahan. He concentrates on the distinction between the parts of Iran to the west of the great deserts (and in close connection to Iraq and Baghdad) and the parts to the east, notably Khorasan, with its ties to Transoxiana and Tokharestan.Vanessa Van Renterghem in Chapter 5 challenges the long-held view that the Seljuq takeover of Baghdad represented a liberation of the Abbasid caliphs from their burden-some subordination to the heretical Buyids. Alexey Khismatulin in Chapter 6 presents a forensic examination of two important works of literature, casting doubt on the authorship of both the Siyar al-muluAZk attributed to NizaAZm al-Mulk and the NasAZhat al-muluAZk ascribed to al-GhazaAZlAZ. In Chapter 7 Asghar Seyed-Gohrab discusses the poetry of the Ghaznavid and Seljuq periods, demonstrating the poets' mastery of metaphor and of extended description and riddling to build suspense. The final chapter by Robert Hillenbrand shifts the focus from texts and literature to architecture and to that pre-eminent Seljuq masterpiece, the Friday Mosque of Isfaha

Shortlisted for the Wolfson History Prize A radical rethinking of the Anglo-Saxon world that draws on the latest archaeological discoveries This beautifully illustrated book draws on the latest archaeological discoveries to present a radical reappraisal of the Anglo-Saxon built environment and its inhabitants. John Blair, one of the world's leading experts on this transformative era in England's early history, explains the origins of towns, manor houses, and castles in a completely new way, and sheds new light on the important functions of buildings and settlements in shaping people's lives during the age of the Venerable Bede and King Alfred. Building Anglo-Saxon England demonstrates how hundreds of recent excavations enable us to grasp for the first time how regionally diverse the built environment of the Anglo-Saxons truly was. Blair identifies a zone of eastern England with access to the North Sea whose economy, prosperity, and timber buildings had more in common with the Low Countries and Scandinavia than the rest of England. The origins of villages and their field systems emerge with a new clarity, as does the royal administrative organization of the kingdom of Mercia, which dominated central England for two centuries. Featuring a wealth of color illustrations throughout, Building Anglo-Saxon England explores how the natural landscape was modified to accommodate human activity, and how many settlements--secular and religious-were laid out with geometrical precision by specialist surveyors. The book also shows how the Anglo-Saxon love of elegant and intricate decoration is reflected in the construction of the living environment, which in some ways was more sophisticated than it would become after the Norman Conquest.

We all consume architecture - it's the one artform we can't avoid. So it's hardly surprising that the finest writers have applied their minds to it. Most of them aren't architects, but their powers of perception are such that what they say gets under the skin of a building - and gives us a lesson in how to look at architecture. You'll be entertained and enlightened as you find out why Goethe went from being dismissive of Strasbourg Cathedral to being an awed admirer; why Ruskin was offended by decorated shopfronts; why D.H. Lawrence loved Etruscan temples; why Tom Wolfe ridiculed the Seagram Building; why Vita Sackville-West saw Chatsworth as an alien interloper; why Rose Macaulay was passionate about ruins; And what Evelyn Waugh thought of Gaudi. The answers, and plenty more, are all here. Knowing them will transform the way you see buildings and deepen your understanding of architecture.

The Dissertation is one of the most demanding yet potentially most stimulating components of an architectural course. This classic text provides a complete guide to what to do, how to do it, when to do it, and what the major pitfalls are. This is a comprehensive guide to all that an architecture student might need to know about undertaking the dissertation. The book provides a plain guide through the whole process of starting, writing, preparing and submitting a dissertation with minimum stress and frustration. The third edition has been revised throughout to bring the text completely up-to-date for a new generation of students. Crucially, five new and complete dissertations demonstrate and exemplify all the advice and issues raised in the main text. These dissertations are on subjects from the UK, USA, Europe and Asia and offer remarkable insights into how to get it just right.

Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.

Mid-Century Modernism in Turkey studies the unfolding of modern architecture in Turkey during the 1950s and 1960s. The book brings together scholars who have carried out extensive research on post-WWII modernism in a global context. The authors situate Turkish architectural case studies within an international framework during this period, providing a close reading of how architectural culture responded to ubiquitous post-war ideas and ideals, and how it became intertwined with politics of modernization and urbanization. This book contributes to contemporary scholarship to reconsider post-war architecture, beyond canonical explanations.

This design book showcases the work of eight master stoneworkers from around the United States in a wide variety of interior and exterior projects. Large, full-color photography captures stone constructions including retaining walls, steps, fireplaces, patios, water features, and free standing structures. Each artist's work is featured in a dedicated chapter and shows a selection of techniques, including dry stacking, mortaring, paving, and carving. Though these craftsmen adhere to different aesthetics, the fundamentals of their craft and their patience for building something with permanence is common throughout. From small garden walls to two-story fireplaces, here is the grand, simple, and sustainable work of contemporary stone artisans for designers, students, and homeowners..

Latest research on the chivalric ethos of western Europe 10c-15c. from the practical [houses, armour], to the intellectual [concept of holy war, loyalty, etc.] These eight papers from the Strawberry Hill Conference cover a wide area, but common themes emerge. One group of essays deals with the embellishments of lordship, both architectural and heraldic, studying residences and also developments in armour. A second group concerns ideals which motivated the aristocracy of western Europe, from the late 10th to the 15th centuries: romances, the Peace movement of Aquitaine, holy war, and loyalty. Concentration on rationalism and free will in the writings of the cultural circle which revolved around Sir John Fastolf is identified as an important element in the development of the English Renaissance. Professor CHRISTOPHER HARPER-BILLteaches in the Department of History, University of East Anglia; Dr RUTH HARVEY is lecturer in French, Royal Holloway and Bedford New College. Contributors: ADRIAN AILES, JEFFREY ASHCROFT, CHARLES COULSON, JONATHAN HUGHES, JANE MARTINDALE, PETER NOBLE, MATTHEW STRICKLAND, ANN WILLIAMS

Over 370 beautiful color photos capture dynamic and often fantastic rooms created by today's innovative interior designers in elegant homes across the nation for special and much anticipated events, Decorator Showhouses. Working together, interior designers and dedicated volunteers recreate the interiors of historic homes, turning ordinary rooms into masterpieces of interior design. Once completed, the doors are thrown open and the public sweeps in to be awed and inspired by the results. To top it off, the efforts benefit good causes, including expanding hospitals and other noble charity causes. Through this book, the doors have swung wide and every room can be studied in detail, from the foyer to the master suite. When you are finished studying the beautiful photographs, this engaging book also provides lists of the participating designers and other Showhouse events occurring around the nation. This book becomes an absolute treasure for anyone with a passion for interior design.