"Fair Park Deco" is a fascinating tour of the 1936 Texas Centennial Exposition. Like every American exposition in the 1930s, it began in economic depression. Although its economy had been buoyed by major oil discoveries in the early '30s, Texas agriculture was hard hit by the Great Depression. By the middle of the decade, state officials had set their sights on a great centennial celebration to help stimulate the economy and attract tourist dollars. "If during the next six months the people of the state could become filled with the idea of holding a big celebration on the one hundredth anniversary of the establishment of Texas independence," the state's centennial commission speculated in July, 1934, "it would have the effect of creating a general forward-looking spirit through the state. It would be more stimulating than anything we can think of, and this effect would be immediate."

This book focuses specifically on the Art Deco art and architecture of Fair Park--the public spaces, buildings, sculptures and murals that were designed for the 1936 exposition. Most of the chapters in the book represent different areas of Fair Park, with buildings and artwork effectively arranged in the same order that a visitor to the Texas Centennial Exposition might have seen them. The art and architecture are featured in original photography by Jim Parsons and David Bush as well as in historic photographs.

Fair Park is one of the finest collections of Deco architecture in the country, but it is so much more: the embodiment of Texan swagger, it is a testament to the Texanic task of creating a dazzling spectacle in the darkest days of the Depression.

Time Frames provides a reconnaissance on the conservation rules and current protection policies of more than 100 countries, with particular attention to the emerging nations and twentieth-century architecture. The contributions illustrate the critical issues related to architectural listings, with a brief history of national approaches, a linkography and a short bibliography. The book also provides a short critical lexicography, with 12 papers written by scholars and experts including topics on identities, heritages, conservation, memories and the economy. By examining the methods used to designate building as heritage sites across the continents, this book provides a comprehensive overview of current protection policies of twentieth-century architecture as well as the role of architectural history.

This volume is a fully expanded and revised architectural guide to the greater part of Oxfordshire, based on Jennifer Sherwood's 1970s account, full of new information and with specially commissioned photography.The vernacular architecture of the villages and farms is well represented here, as well as notable town architecture and the medieval parish churches for which the area is well known. Oxfordshire is also a county of great houses, from the romantic medieval ruins of Minster Lovell to the late flowering of Lutyens's 1930s Middleton Park; the grandest, however, is Blenheim Palace, the Baroque masterpiece designed by John Vanbrugh (1664-1726).

In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar- tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the “Maison en Bord de Mer”. Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre. The fascinating photographs by Manuel Bougot capture the special atmosphere of the villa Le Corbusier's painting is lesser known but was formative for his lifelong preoccupation with polychromy After extensive renovation work until 2021, E 1027, as well as the Cabanon, is open to the public again

In this book, a number of protagonists of Italian modern architecture provide vivid dialogues - here taken to mean 'the talking of the soul with itself' - on how they perceive the interaction between idea, design and construction. Drawing on these personal views, Dialogues on Architecture explores the relationship that exists between the poetic and the technical-scientific spheres in architecture, underlining their complementary and conflictual natures. Dialogues on Architecture rejects the interpretation of architecture as orientated exclusively towards the end result and reconnects the previously interrupted narratives that follow a design from its conception to its completion. Featuring texts from Franco Albini, Lodovico B. di Belgiojoso, Guido Canella, Aurelio Cortesi, Roberto Gabetti & Aimaro Isola, Ignazio Gardella, Vittorio Gregotti, Vico Magistretti, Enrico Mantero, Paolo Portoghesi, Aldo Rossi, Giuseppe Terragni, and Vittoriano Vigano.

A milestone in modern thought, "Space, Time and Architecture" has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Mr. Giedion's classic work, major sections have been added and there are 81 new illustrations.

The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier's only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death], which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post-World War II architectural concepts.

A new essay, "Changing Notions of the City," traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as Jose Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert's Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.

When you think of Ibiza, you think of sun, sea, sand, and the Mediterranean way of life. But that's not all: you think of gorgeous design, funky interiors, scrumptious food and breath taking nature. With that in mind, it's time for an ode to good taste, La Pura Vida. This magnificent book will bring the summer vibe into your home with the most beautiful interiors, imposing architecture and pictures that will have you imagining you are standing amidst the azure bays yourself. Two hundred and forty pages filled with joy and good taste, interiors, architecture, and scenery.

The decaying remnants of obselete industries and defunct commerce - whether coal mines, shipyards, factories, shopping centres, power plants, warehouses or mills - lie scattered in desolate locations throughout the world. These left-over structures still hold memories of the life that was once there. Transience was built in from the start. When a mine was worked out, it was abandoned; sometimes its machinery was removed to another mine, but often it was easier to equip the new place with more up-to-date equipment. Abandoned Industrial Places explores the discarded detritus of our modern mechanized age. Discover the grand Ore Dock in Marquette, USA, squatting isolated in the waters of Lake Superior; or the abandoned Caspian Sea oil rigs and drilling gear in Azerbaijan; or the enormous, gaping pit of the 1200m (3900ft) wide Mirny diamond mine in Sakha Republic, Russia; or the 700m (765yd) high wall of latticed steel towers of the Duga radar in Chernobyl, Ukraine; or the Domino Sugar Refinery, Brooklyn, New York - formerly the world's largest sugar refinery when built in 1882; or the still contaminated Fisher Body Plant 21 in Detroit, USA, a place where General Motors created some of their great marques for almost a hundred years. Filled with more than 200 memorable photographs from every part of the planet, Abandoned Industrial Places provides a strange and often spooky insight into the life and workings of industries long since ceased.

Combining how-to with why-to, 9 Ways to Make Housing for People lays out the core principles that David Baker Architects uses to help communities develop great urban housing. Written for architects and residents - as well as officials, developers, and planners - this book is a kit of parts: nine proven strategies for getting the best outcomes for housing in urban contexts. Detailed explorations and comprehensive case studies show how to apply and combine the principles creatively to meet the needs of sites, people, and budgets. Pragmatic and imaginative, this book is a modern manual for urban housing - getting it built and making it great.

For generations, the trilogy of the Kremlin, Red Square, and the GUM department store marked the undis­­puted centre of Moscow. The last decades brought sweeping changes to the Russian ­capital. Today the biggest city in Europe and undoubtfully the heart of Eurasia has many centres. Its new squares and parks have set unprecedented stan­dards in urban design. And the city continues to grow – not least due to the construction of gigantic housing complexes and multifunctional projects. This book guides you through Moscow's history, from the fifteenth century to the present day, taking you to well-known landmarks, industrial areas and residential districts. It includes more than 550 buildings, structures, parks and squares. Well-researched descriptions provide in-depth information on the built environment, while detailed maps and QR codes make it easy to find all the ­featured projects.

This book examines the work of three seminal Nordic architects - Alvar Aalto, Jorn Utzon and Sverre Fehn - from a phenomenological perspective, utilising the methodology of 'paradigm' (or 'in the manner of''). Roger Tyrrell explains how the approach of each architect is defined by the three sub-frames of the paradigm: that of the 'origin' (arche), that of 'revealing' (techne), and that of 'the poetic conjunction', in order to gain a holistic understanding of the experiential or phenomenological predisposition of the three architects. Using this method the author describes the commonalties and distinctive qualities of the architecture and design methods of Aalto, Utzon and Fehn. The final chapter projects the intellectual heritage of the three protagonists into the contemporary world, examining the work of practices from the UK, Norway and the USA that each extend this particular way of making place.

A growing area in the sharing economy, intentional communities (co-living, communal living, and cohousing projects) are explored in this timely survey via architecture, public policy, sociology, and sustainability. In recent years, the Atlantic, Forbes, Time, and Curbed have reported on the growth of intentional communities-collective housing alternatives that initially gained popularity in the United States in the early 1990s and originated in Denmark in the 1960s. Featuring fifteen to twenty contemporary projects that address the challenges and benefits of shared resources and spaces, Intentional Communities addresses a growing population: according to the Pew Research Center, nearly one in three adults in the United States lives in a sharedhousehold. From Copenhagen to Washington, DC, this survey covers architecture, public policy, design, lifestyle, culture, and environmental sustainability.

Known for his dynamic personality and extravagant style, Vincent Darre the enfant terrible of Paris s design world presents a debut monograph brimming with his hallmark flamboyant whimsy, unrivaled imagination, and Gallic flair. As a fixture of the city s nightlife scene and member of its exclusive artistic circles, Darre is arguably one of its most creative residents (prior to launching his decorating career, he held posts at top fashion houses) which comes through in his instantly recognizable interiors: think Surrealist furniture, dizzying patterns, and spirited color combinations. Boasting over 200 vibrantly colored photographs, this exquisite tome takes readers on a journey into Darre s world of conversation-starting spaces. From his signature furnishings, such as the Grenouille nightstand, and maximalist use of prints (cue the Little Prince Bedroom), to his expert use of vivid hues, he offers an intimate glimpse into the singular, utterly enthralling universe of one of the design world s most eccentric, quirky, and celebrated members.

Originally published in 1916, this book discusses, debates and demonstrates the inextricably entwined nature of architecture and sculpture, in terms of their principles, ideals and practices. Providing a detailed overview of the history of the two arts and the harmony which has existed between them throughout the centuries, this book endeavours to disentangle the historic assumption that the two arts exist independently of one another. A broad range of chapters are included, ranging from 'The treatment and placing of sculpture in the historic periods' to 'Decorative sculpture' to 'Large monumental layouts'. Photographs depicting international examples of architecture and sculpture are included throughout. This book explores the necessity for practitioners to understand the requirements and limitations in both fields and will be a valuable resource to students, scholars and researchers of the history of architecture and sculpture.

The originality of Women Reclaiming the City lies not only in the variety of themes being presented, but also in the variety of all these different highly respected women researchers. This book is the first in which current societal themes revolving around urbanism, architecture, and city planning are put forth solely through female perspectives. It reveals the importance of having female lenses on certain societal debates. Twenty-five leading female urban scholars draw on principles, concepts, and positions that are foundational to other frameworks and fields--specifically, critical studies, indigenous and ethnic studies, postcolonial theory, queer theory, feminist theory, progressive urban theory, social ecology, urban planning and design, architecture, urban economics and urban social geography, landscape urbanism, new urbanism, heritage management and urbanism, political ecology, and cultural studies-- to present alternatives to the current classical theories and conceptualizations that have failed to engage a truly intersectional analysis of dominant city and urban discourses, policies, and practices. The book is intended for scholars of urban studies, policy makers, and city planning professionals.

This book is a tribute to Dublin, an impressive artistic collection taking the reader on a tour through this most vibrant city. From historic Trinity College and the iconic Ha'penny Bridge to the lively pub scene and secret hidden corners, Dublin's artists highlight its beauties in the most unique way.

An illustrated historical tour of London's 13 great railway termini, on a clockwise circuit from Paddington to Victoria. London's railway termini are among the most recognisable and familiar landmarks in the city. Famed for their bustling platforms and architectural innovation, they comprise a fascinating mixture of Neo-Gothic exuberance and purposeful modernity. Though each owes its existence to a long-extinct Victorian railway company, these stations continue to be central to London life, with millions of visitors passing through every year. This historical whistlestop tour takes you on a circuit of London's thirteen great railway termini, from Paddington, through King's Cross, to Victoria. Ranging from the earliest stations to the latest restorations and ongoing developments, this beautifully illustrated book examines both their legacy and their future.

In both the past and present, what motives have led to the building of temporary stages in urban space? This book examines the various disciplines - such as architecture, the theatre, or urban planning - in building temporary structures over time. A special focus lies on the BMW Guggenheim Lab and the Syntopic Salon, which were both located in Berlin in Summer 2012. As cooperative formats, they represented the interaction of academic and cultural institutions, private economy, and multidisciplinary professionals. The book discusses the result of this cooperation between extremely diverse protagonists. (Series: edition: forschung)

The Routledge Companion to Urban Media and Communication traces central debates within the burgeoning interdisciplinary research on mediated cities and urban communication. The volume brings together diverse perspectives and global case studies to map key areas of research within media, cultural and urban studies, where a joint focus on communications and cities has made important innovations in how we understand urban space, technology, identity and community. Exploring the rise and growing complexity of urban media and communication as the next key theme for both urban and media studies, the book gathers and reviews fast-developing knowledge on specific emergent phenomena such as: reading the city as symbol and text; understanding urban infrastructures as media (and vice-versa); the rise of global cities; urban and suburban media cultures: newspapers, cinema, radio, television and the mobile phone; changing spaces and practices of urban consumption; the mediation of the neighbourhood, community and diaspora; the centrality of culture to urban regeneration; communicative responses to urban crises such as racism, poverty and pollution; the role of street art in the negotiation of 'the right to the city'; city competition and urban branding; outdoor advertising; moving image architecture; 'smart'/cyber urbanism; the emergence of Media City production spaces and clusters. Charting key debates and neglected connections between cities and media, this book challenges what we know about contemporary urban living and introduces innovative frameworks for understanding cities, media and their futures. As such, it will be an essential resource for students and scholars of media and communication studies, urban communication, urban sociology, urban planning and design, architecture, visual cultures, urban geography, art history, politics, cultural studies, anthropology and cultural policy studies, as well as those working with governmental agencies, cultural foundations and institutes, and policy think tanks.